1880s Art

Human and Animal Locomotion. Plate 365. Head spring, a flying pigeon interfering. 14 x 20 inch original vintage collotype print from 1887 (image size 8 x 14.25 inches)

Oil on canvas on board Image size: 7 x 5¼ inches (18 x 13.5 cm) Framed This portrait of Thomas Gotch is by his lifelong friend and confidante, Jane Ross, whom he met at Heatherley’s...

Human and Animal Locomotion. Plate 60. Running at a half-mile gait (shoes). 14 x 20 inch original vintage collotype print from 1887 (image size 9.375 x 12.625 inches)

Human and Animal Locomotion. Plate 646. Jumping a hurdle; saddle; rider, 105, nude; gray mare Pandora 14 x 20 inch original vintage collotype print from 1887 Image size 6 1/2 x 17 in...

Human and Animal Locomotion. Plate 631. Gallop; saddle; thoroughbred bay horse Bouquet 14 x 20 inch original vintage collotype print from 1887 Image size 7 x 16 inches Muybridge copy...

Human and Animal Locomotion. Plate 35. Walking, carrying child on right arm. 14 x 20 inch original vintage collotype print from 1887 Image size 8.25 x 13.5 inches. Muybridge copyrig...

Watercolour on paper, signed and dated '1880' bottom left Image size: 9 x 13 inches (23 x 30 cm) Hand made gilt frame Sir Alfred East Sir Alfred East was born in Kettering, Northa...

Charming hand-colour litho by Finch Mason depicting Miss Blanche (who has carefully left the governor behind in Oakapple wood) c1886 Art Sz: 12 1/4"H x 1...

Anthony FRIEDKIN (*1949, America) Surfboard with Setting Sun, Santa Monica, California, U.S.A., 1980 Silver Gelatin Print, later print 40.6 x 50.8 cm (16 x 20 in.) Edition of 25 Prin...

Human and Animal Locomotion. Plate 44. Man taking off hat. 14 x 20 inch original vintage collotype print from 1887 (image size 10.5 x 9.75 inches)

SCHULTZ Adrien (1851-1931) The Four Seasons Four oils on wood signed low right and left Framed by Gault (Fbg St Honoré - Paris) Dimensions wood (each) : 63 X 27 cm Dimensions frame (each) : 75 X 38 cm SCHULTZ Adrien (1851 / 1931) French painter - Barbizon School The son of a Parisian bookseller-publisher, he began working in his father's company, while practicing drawing and painting, often on the banks of the Marne. Noted by landscape artist Louis Émile Dardoize, he continued his apprenticeship in his studio, then in that of painter Hector Hanoteau. He is very close to Narcisse Diaz de la Pena...

original and certificated by gallery

Human and Animal Locomotion. Plate 461. "Child, lifting a doll, turning, and walking off." 14 x 20 inch original collotype print from 1887 (image siz...

Human and Animal Locomotion. Plate 647. Jumping a hurdle; bareback; rider, 105, nude; gray mare Pandora 14 x 20 inch original vintage collotype print from 1887 Image size 5 7/8 x 17 ...

Bird's Eye View Of The Great Suspension Bridge Print on paper Description: The Brooklyn Bridge was a cultural phenomenon when it was first built, inspiring artists, entrepreneurs, ...

Human and Animal Locomotion. Plate 465. Two models, child 70 N, bringing bouquet to 12. 14 x 20 inch original vintage collotype print from 1887 (image size 7.63 x 14.88 inches)

Human and Animal Locomotion. Plate 140. Descending stairs, looking around and waving fan. 14 x 20 inch original vintage collotype print from 1887 (image size 11.75 x 9.75 inches)

Classic colour fox hunt print by Finch Mason (1850-1915) published by Fores Piccadilly London 1886 Print Sz: 12 3/4"H x 14 3/4"W Frame Sz: 17"H x 19"W

Classic colour plate of Bucks" by 'Spy' aka Sir Leslie Ward for Vanity Fair published Nov 7, 1885 Print Sz: 13 3/4"H x 8 1/2"W Frame Sz: 19"H x 14"W w/ billiard green mat & gilt b...

Human and Animal Locomotion. Plate 56. Walking, turning and stooping to lift train. 14 x 20 inch original vintage collotype print from 1887 (image size 6.875 x 17 inches)

ERNEST BLANC-GARIN (1843-1916) Portrait of a Young Lady around 1880 Oil on wood panel signed low Old Original frame gilded with leaves Dimensions wood : 40 X 30 cm Dimensions frame : 62 X 53 cm ERNEST BLANC-GARIN (1843-1916) Belgian Painter 19th Century Born 8 October 1843 in Givet (France) Died 1916 in Brussels (Belgium) Painter of Portraits and Urbanscapes. In Brusssels he was taught by Jan Portaëls (1818-1895); then in Paris by Alexandre Cabanel (1823-1889) He took part in the Salon de Paris from 1868. After a trip to Italy in 1870, he came back to Brussels for creating a private Art Academy providing a very liberal teaching. His portraits are made with a lot of freedom and gracefulness. Bibliography : Dictionary of Artists E. Benezit Book II / 373 Gérald SHURR : Les petits Maîtres de la Peinture 1820- 1920 Book V

Classic "Spy" aka Sir Leslie Ward 1880 colour-portrait of Keith from Vanity Fair's Men of The Day folio this gent being No. 219. Print Sz: 13 3/8"H x 8 1/8"W Frame Sz: 20"H x 14"W ...

Human and Animal Locomotion. Plate 211. Stooping and lifting handkerchief; parasol in left hand. 14 x 20 inch original vintage collotype print from 1887 (image size 7.75 x 13.75 inch...

Human and Animal Locomotion. Plate 207. "Stooping and lifting train." 14 x 20 inch original collotype print from 1887 (image size 7.38 X 15.38 inches...

Charles Charlay-Pompon French, 1854-1914 French Countryside Oil on canvas Signed lower right 11 by 21 in. w/frame 16 ½ by 26 ½ in. Charles Charl...

Proud Liner of the Aberdeen White Star Line, AUSTRALASIAN carried emigrants and first-class passengers to Australia and South Asia in the late 1880s & 1890s. This colorful period woo...

Art Sz: 9 3/4"H x 6"W Frame Sz: 16"H x 12 1/2"W

Image Sz: 24 3/8"H x 13 1/2"W Frame Sz: 29"H x 18"W Classic Jerome Park Steeplechase board c1885 game in great color graphics w/ 100 slots Jerome Park Steeplechase is a very early...

JUAN GIMÉNEZ MARTÍN Spanish 1855 - 1901 THE MANDOLIN SERENADE signed & located "Gimenez-Martin, Roma" lower left watercolour on cardboard 21-1/4 x ...

Frame Sz: 15 1/2"H x 11 3/4"W Art Sz: 10"H x 6"W Raced as Mr. Abington Derby Winner

Theodore Roussel (1847-1926), The Street, Chelsea Embankment, etching, 1888-9, signed in pencil on the tab and annotated “imp” [also signed lower left in the plate]. Reference: Hausb...

Léon BRARD (1830-1902) Views of The Nile Valley in pair Orientalist paintings Oils on wood signed low right New golden Frames Dim wood (each) : 22 X 41 cm Dim canvas (each) : 40 X 60...

The Chap-Book. Color lithograph/Price Cents /1895. Published by Stone & Kimball Chicago Designed by Claude F. Bragdon. On Linen .Minor wear at edges and at top of poster. Minor paper...

GARAT Francis (1870 - NC) The Farm of The Donkey Oil on canvas signed and dated 1883 low right Frame guilded Size canvas : 50 X 76 cm - Size frame : 60 X 76 cm GARAT Francis (1870 -...

Hazenplug, Frank. Chap Book. Color Lithograph, 1895. 20 1/2 x 14" Frank Hazenplug, was an artist who made engravings, typography, and posters. He also illustrated books Hazenplug worked for Chicago firm Stone & Kimball and designed books for them, continuing with the company even after it became Herbert S. Stone. Hazenplug also designed books for other publishers, such as Fleming Revell, George Doran, A.C. McClurg, Reilly and Britton, Rand McNally, and John Lane...

Signed Lower Right by Artist Illustrated for the cover of The Girls of Canby Hall, Trouble Maker" By Emily Chase. Published by Scholastic in June 1987.

Signed lower right & dated 1888.

Classic fox-hunt colour print by Finch Mason (1850-1915) signed (LL) published 1886 by Fores of Piccadilly London Print Sz: 12 3/4"H x 14 3/4"W Frame Sz:...

Date: 1888 Medium: Watercolor on Paper Dimensions: 19.00" x 23.00" Signature: "IS" Monogram and Date of 1888 lower left a colloquial scene of newsboys arguing on a street, with "IS"...

Medium: Watercolor on Paper Signature: Signed Lower Right Dimensions: Diameter 10.00" Harper's Young People magazine cover, published November 30, 1886. The image features two chil...

Inscribed with Muybridge's letterpress credit, series title, plate number and date Stamped on reverse with Museum of Edinburgh 'Science and Art' stamp Collotype print 18 x 23 1/2 inc...

Inscribed with Muybridge's letterpress credit, series title, plate number and date Stamped on reverse with Museum of Edinburgh 'Science and Art' stamp Collotype print 18 x 23 1/2 inc...

Inscribed with Muybridge's letterpress credit, series title, plate number and date Stamped on reverse with Museum of Edinburgh 'Science and Art' stamp Collotype print 18 x 23 1/2 inc...

Inscribed with Muybridge's letterpress credit, series title, plate number and date Stamped on reverse with Museum of Edinburgh 'Science and Art' stamp Collotype print 18 x 23 1/2 inc...

Inscribed with Muybridge's letterpress credit, series title, plate number and date Stamped on reverse with Museum of Edinburgh 'Science and Art' stamp Collotype print 18 x 23 1/2 inc...

Vintage Hand Colored Albumen Print Paper is 11 3/4 x 9 3/8 inches, Matted to 20 x 16 inches

Vintage Hand Colored Albumen Print Paper is 11 3/4 x 9 1/2 inches, Matted to 20 x 16 inches

Vintage Hand Colored Albumen Print Paper is 11 5/8 x 9 3/8 inches, Matted to 20 x 16 inches

Inscribed "Chrysanthemum (Senjogataki)" on recto Vintage Hand Colored Albumen Print Paper is 11 5/8 x 9 1/4 inches, Matted to 20 x 16 inches

Peony, c. 1880's Vintage Hand Colored Albumen Print Paper is 11 5/8 x 9 1/2 inches, Matted to 20 x 16 inches

Vintage Hand Colored Albumen Print Paper is 11 1/2 x 9 1/4 inches, Matted to 20 x 16 inches

David Hayes (1931 - 2013) Study for Monumental Sculpture, 1987 Gouache on Paper 26 x 22 in

George Inness (1825 - 1894) A Cloudy Day, 1886 Oil on canvas 25 x 30 inches Signed and dated lower center Provenance: The artist Estate of the above Fifth Avenue Galleries, New York, Executor's Sale of Paintings by the Late George Inness, N.A., February 12 - 14, 1895, Lot 132 Joseph H. Spafford, acquired from the above Mrs. Spafford, by bequest from the above Leroy Ireland, New York, 1951 Ernest Closuit, Fort Worth, Texas Meredith Long & Company, Houston, Texas, circa 1960 Private Collection Shannon's Fine Art, American and European Fine Art Auction, October 27, 2016, Lot 42 Exhibited: New York, American Fine Arts Society, Exhibition of the Paintings Left by the Late George Inness, December 27, 1894, no. 90.  Literature: LeRoy Ireland, The Works of George Inness: An Illustrated Catalogue Raisonne, Austin, Texas, 1965, p. 336, no. 1324, illustrated. Michael Quick, "George Inness: A Catalogue Raisonne," Vol. II, New Brunswick, New Jersey, 2007, pp. 282-83, 311, no. 966, illustrated.  George Inness, one of America's foremost landscape painters of the late nineteenth century, was born in 1825 near Newburgh, New York. He spent most of his childhood in Newark, New Jersey. He was apprenticed to an engraving firm until 1843, when he studied art in New York with Regis Gignoux, a landscape painter from whom he learned the classical styles and techniques of the Old Masters. In 1851, sponsored by a patron, Inness made a fifteen-month trip to Italy. In 1853 he traveled to France, where he discovered Barbizon landscape painting, leading him to adopt a style that used looser, sketchier brushwork and more open compositions, emphasizing the expressive qualities of nature. After working in New York from 1854 to 1859, he moved to Medfield, Massachusetts, and four years later to New Jersey, where through a fellow painter he began to experiment with using glazes that would allow him to fill his compositions with subtle effects of light. Duncan Phillips remarked on Inness’s mellow light as a unifying force, saying, “…he was equipped to modernize the grand manner of Claude and to apply the methods of Barbizon to American subjects." At this time also, Inness developed an interest in the religious theories of Emanuel Swedenborg...

William Henry Howe (1846-1929) "Made in the Shade" 1887 Oil on Canvas Signed and Dated Site Size: approx. 14.5 x 21.5 inches Frames Size: approx. 17.5 x 24.5 inches Provenance: Private Collection, St. Louis, Missouri thence by descent William Henry Howe was born in Ravenna, Ohio in 1846. Of him it was written: "In the late nineteenth century no American artist was more thoroughly identified with the painting of cows than William Henry Howe." (Richter 128). In a style that combined Tonalism and Realism, he was a painter of light-filled pastoral landscapes that sometimes had sheep as well as cattle tended by their shepherds and herders. He began a career as a businessman in St. Louis, and in his mid-thirties, changed course and went to Dusseldorf Germany to study art at the Royal Academy. In 1881, he went to Paris and studied with animal painters Felix Vuillefroy and Otto de Thoren. He also exhibited his work at the Paris Salons and the Paris Universal Exposition of 1889. Travels in Holland in the 1880s with other artists inspired his interest in pastoral subjects, and during that time he began his cattle paintings...

LESSER URY 1861-1931 Międzychód, Poland 1861 - 1931 Berlin (German) Title: The Sculptor’s Studio Das Bildhauer Atelier, 1883 Technique: Hand Signed and Dated Oil on Canvas Pape...

Ferdinand V.L. Roybet (1840-1920) "The Cellist" c. 1880s Oil on Panel Site: 20 x 14 inches Framed Size: 28 x 14 inches Ferdinand Roybet is considere...

James Fairman "Sunset" c. 1880 Oil on Canvas Signed Lower Left Site: 32.5 x 29.5 inches Framed: 46 x 42 inches James Fairman worked as a landscape painter, critic, lecturer, musicia...

Framed Dimensions: 36.00" x 48.00" Signature: Signed Lower Right J.G Brown's "Monopolist" was listed in 1885's Spring Exhibit catalogue of M.A. It was displayed on a panel in The We...