1880s Art

Date: 1888 Medium: Watercolor on Paper Dimensions: 19.00" x 23.00" Signature: "IS" Monogram and Date of 1888 lower left a colloquial scene of newsboys arguing on a street, with "IS"...

JUAN GIMÉNEZ MARTÍN Spanish 1855 - 1901 THE MANDOLIN SERENADE signed & located "Gimenez-Martin, Roma" lower left watercolour on cardboard 21-1/4 x ...

Medium: Ink, Graphite, and Watercolor on Paper Mounted Signature: Signed Lower Right circa 1881 Exhibited: Kennedy Galleries, with their label suggesting the creation date of 1881.

Date: 1880 Medium: Oil on Board Dimensions: 18.20" x 24.00" Signature: Signed Lower Right

ERNEST BLANC-GARIN (1843-1916) Portrait of a Young Lady around 1880 Oil on wood panel signed low Old Original frame gilded with leaves Dimensions wood : 40 X 30 cm Dimensions frame : 62 X 53 cm ERNEST BLANC-GARIN (1843-1916) Belgian Painter 19th Century Born 8 October 1843 in Givet (France) Died 1916 in Brussels (Belgium) Painter of Portraits and Urbanscapes. In Brusssels he was taught by Jan Portaëls (1818-1895); then in Paris by Alexandre Cabanel (1823-1889) He took part in the Salon de Paris from 1868. After a trip to Italy in 1870, he came back to Brussels for creating a private Art Academy providing a very liberal teaching. His portraits are made with a lot of freedom and gracefulness. Bibliography : Dictionary of Artists E. Benezit Book II / 373 Gérald SHURR : Les petits Maîtres de la Peinture 1820- 1920 Book V

Proud Liner of the Aberdeen White Star Line, AUSTRALASIAN carried emigrants and first-class passengers to Australia and South Asia in the late 1880s & 1890s. This colorful period woo...

Human and Animal Locomotion. Plate 665. Ass; walking bareback; a boy riding Jennie. 14 x 20 inch original vintage collotype print from 1887 Image size 9 x 12 1/2 inches Muybridge c...

Human and Animal Locomotion. Plate 740. Bactrian camel; (young), galloping. 14 x 20 inch original vintage collotype print from 1887 Image size 8 5/8 x 13 1/8 inches Muybridge copyr...

Human and Animal Locomotion. Plate 297. Lawn tennis; serving. 14 x 20 inch original vintage collotype print from 1887 Image size 8 7/8 x 12 7/8 inches Muybridge copyright imprint be...

Human and Animal Locomotion. Plate 564. Hauling; broken leg chain; dark-gray Belgian horse Dusel. 14 x 20 inch original vintage collotype print from 1887 Image size 9.5 x 12.25 inch...

Human and Animal Locomotion. Plate 647. Jumping a hurdle; bareback; rider, 105, nude; gray mare Pandora 14 x 20 inch original vintage collotype print from 1887 Image size 5 7/8 x 17 ...

Human and Animal Locomotion. Plate 211. Stooping and lifting handkerchief; parasol in left hand. 14 x 20 inch original vintage collotype print from 1887 (image size 7.75 x 13.75 inch...

Human and Animal Locomotion. Plate 60. Running at a half-mile gait (shoes). 14 x 20 inch original vintage collotype print from 1887 (image size 9.375 x 12.625 inches) Inventor, phot...

Human and Animal Locomotion. Plate 365. Head spring, a flying pigeon interfering. 14 x 20 inch original vintage collotype print from 1887 (image size 8 x 14.25 inches) Inventor, pho...

Human and Animal Locomotion. Plate 465. Two models, child 70 N, bringing bouquet to 12. 14 x 20 inch original vintage collotype print from 1887 (image size 7.63 x 14.88 inches) Inv...

Human and Animal Locomotion. Plate 207. "Stooping and lifting train." 14 x 20 inch original collotype print from 1887 (image size 7.38 X 15.38 inches...

Classic colour plate of Bucks" by 'Spy' aka Sir Leslie Ward for Vanity Fair published Nov 7, 1885 Print Sz: 13 3/4"H x 8 1/2"W Frame Sz: 19"H x 14"W w/ billiard green mat & gilt b...

Classic fox-hunt colour print by Finch Mason (1850-1915) signed (LL) published 1886 by Fores of Piccadilly London Print Sz: 12 3/4"H x 14 3/4"W Frame Sz:...

Classic fox-hunt colour print by Finch Mason (1850-1915) signed (LR) published 1886 by Fore's of Piccadilly London Print Sz: 12 3/4"H x 14 7/8"W Frame Sz...

Charming hand-colour litho by Finch Mason depicting Miss Blanche (who has carefully left the governor behind in Oakapple wood) c1886 Art Sz: 12 1/4"H x 1...

Image Sz: 24 3/8"H x 13 1/2"W Frame Sz: 29"H x 18"W Classic Jerome Park Steeplechase board c1885 game in great color graphics w/ 100 slots Jerome Park Steeplechase is a very early...

Medium: Watercolor on Paper Signature: Signed Lower Right Dimensions: Diameter 10.00" Harper's Young People magazine cover, published November 30, 1886. The image features two chil...

Date: 1880s Medium: Ink and Wash Heightened with White on Paper Dimensions: 5.75" x 12.75" Signature: Signed in Initials on Lower Right

Inscribed with Muybridge's letterpress credit, series title, plate number and date Stamped on reverse with Museum of Edinburgh 'Science and Art' stamp Collotype print 18 x 23 1/2 inc...

Inscribed with Muybridge's letterpress credit, series title, plate number and date Stamped on reverse with Museum of Edinburgh 'Science and Art' stamp Collotype print 18 x 23 1/2 inc...

Inscribed with Muybridge's letterpress credit, series title, plate number and date Stamped on reverse with Museum of Edinburgh 'Science and Art' stamp Collotype print 18 x 23 1/2 inc...

Inscribed with Muybridge's letterpress credit, series title, plate number and date Stamped on reverse with Museum of Edinburgh 'Science and Art' stamp Collotype print 18 x 23 1/2 inc...

Inscribed with Muybridge's letterpress credit, series title, plate number and date Stamped on reverse with Museum of Edinburgh 'Science and Art' stamp Collotype print 18 x 23 1/2 inc...

Vintage Hand Colored Albumen Print Paper is 11 3/4 x 9 1/2 inches, Matted to 20 x 16 inches

David Hayes (1931 - 2013) Study for Monumental Sculpture, 1987 Gouache on Paper 26 x 22 in

George Inness (1825 - 1894) A Cloudy Day, 1886 Oil on canvas 25 x 30 inches Signed and dated lower center Provenance: The artist Estate of the above Fifth Avenue Galleries, New York, Executor's Sale of Paintings by the Late George Inness, N.A., February 12 - 14, 1895, Lot 132 Joseph H. Spafford, acquired from the above Mrs. Spafford, by bequest from the above Leroy Ireland, New York, 1951 Ernest Closuit, Fort Worth, Texas Meredith Long & Company, Houston, Texas, circa 1960 Private Collection Shannon's Fine Art, American and European Fine Art Auction, October 27, 2016, Lot 42 Exhibited: New York, American Fine Arts Society, Exhibition of the Paintings Left by the Late George Inness, December 27, 1894, no. 90.  Literature: LeRoy Ireland, The Works of George Inness: An Illustrated Catalogue Raisonne, Austin, Texas, 1965, p. 336, no. 1324, illustrated. Michael Quick, "George Inness: A Catalogue Raisonne," Vol. II, New Brunswick, New Jersey, 2007, pp. 282-83, 311, no. 966, illustrated.  George Inness, one of America's foremost landscape painters of the late nineteenth century, was born in 1825 near Newburgh, New York. He spent most of his childhood in Newark, New Jersey. He was apprenticed to an engraving firm until 1843, when he studied art in New York with Regis Gignoux, a landscape painter from whom he learned the classical styles and techniques of the Old Masters. In 1851, sponsored by a patron, Inness made a fifteen-month trip to Italy. In 1853 he traveled to France, where he discovered Barbizon landscape painting, leading him to adopt a style that used looser, sketchier brushwork and more open compositions, emphasizing the expressive qualities of nature. After working in New York from 1854 to 1859, he moved to Medfield, Massachusetts, and four years later to New Jersey, where through a fellow painter he began to experiment with using glazes that would allow him to fill his compositions with subtle effects of light. Duncan Phillips remarked on Inness’s mellow light as a unifying force, saying, “…he was equipped to modernize the grand manner of Claude and to apply the methods of Barbizon to American subjects." At this time also, Inness developed an interest in the religious theories of Emanuel Swedenborg...

William Henry Howe (1846-1929) "Made in the Shade" 1887 Oil on Canvas Signed and Dated Site Size: approx. 14.5 x 21.5 inches Frames Size: approx. 17.5 x 24.5 inches Provenance: Private Collection, St. Louis, Missouri thence by descent William Henry Howe was born in Ravenna, Ohio in 1846. Of him it was written: "In the late nineteenth century no American artist was more thoroughly identified with the painting of cows than William Henry Howe." (Richter 128). In a style that combined Tonalism and Realism, he was a painter of light-filled pastoral landscapes that sometimes had sheep as well as cattle tended by their shepherds and herders. He began a career as a businessman in St. Louis, and in his mid-thirties, changed course and went to Dusseldorf Germany to study art at the Royal Academy. In 1881, he went to Paris and studied with animal painters Felix Vuillefroy and Otto de Thoren. He also exhibited his work at the Paris Salons and the Paris Universal Exposition of 1889. Travels in Holland in the 1880s with other artists inspired his interest in pastoral subjects, and during that time he began his cattle paintings...

LESSER URY 1861-1931 Międzychód, Poland 1861 - 1931 Berlin (German) Title: The Sculptor’s Studio Das Bildhauer Atelier, 1883 Technique: Hand Signed and Dated Oil on Canvas Pape...

Ferdinand V.L. Roybet (1840-1920) "The Cellist" c. 1880s Oil on Panel Site: 20 x 14 inches Framed Size: 28 x 14 inches Ferdinand Roybet is considere...

James Fairman "Sunset" c. 1880 Oil on Canvas Signed Lower Left Site: 32.5 x 29.5 inches Framed: 46 x 42 inches James Fairman worked as a landscape painter, critic, lecturer, musicia...

Framed Dimensions: 36.00" x 48.00" Signature: Signed Lower Right J.G Brown's "Monopolist" was listed in 1885's Spring Exhibit catalogue of M.A. It was displayed on a panel in The We...

All editions signed by the photographer.

Signed by the photographer

All editions signed by the photographer.