1890s Art

Beautiful lithograph on silk made by Gaspar Camps (1874 - 1942) who was a Spanish illustrator and painter, influenced by modernism and advertising. Hydrangeas were first identified ...

Pioneering English Female Illustrator Helen Stratton masterfully renders in pen and ink a scene from "The Little Mermaid" in George Newnes's 1899 editi...

The Outing Magazine commissioned Parrish to provide a cover illustration for their 1899 Last Rose of Summer edition (published December 1899). In the poster, Maxfield used his own face and figure to portray a youth in Grecian costume examining a rose he holds in his hand. The figure is shown sitting below one of the massive oaks on the artist’s property, flanked by two plaster lions the artist had moulded in his studio. The depiction harks back to the 1805 poem by the Irish poet, Thomas Moore: ‘Tis the last rose of summer, Left blooming alone; All her lovely companions Are faded and gone; No flower of her kindred, No rose-bud is nigh, To reflect back her blushes Or give sigh for sigh! I’ll not leave thee, thou lone one...

"From: Ilsee, Princess of Tripoli "Jaufre and Eymardine" is an original lithograph by Alphonse Mucha. From "Ilsee, Princesse de Tripoli," a rare illustrated book. Image: 8.12" x 6"...

An artist who knew the vessels he painted firsthand, Baltimore artist Otto Muhlenfeld has captured the Great Lakes Steam Tug CALUMET in a colorful, working profile. Her American Ensi...

"From: Ilsée, Princess of Tripoli Recto: "Jaufre's Entrance" Verso: "Father Scolds Son" is an original color lithograph by Alphonse Mucha. Exquisite double-sided color lithographs f...

RICARDO BRUGADA Y PANIZO Spanish, 1867 - 1919 LA HORA DEL TÉ signed & dated "Ricardo Brugada. 1897." (lower left) oil on canvas 22-1/8 x 31.5 inches (5...

Maurice Realier-Dumas Corrine.Plate from May 1897 issue of L'Estampe Modern. Color Lithograph. Sheet Size: 16 x 12". L'Estampe Moderne was a brilliant portfolio printed betwe...

Gauguin came back to Paris in August 1893 from his first stay in Tahiti, In the luggage numerous drawings and preparatory work for a book designed by him. In collaboration with the writer Charles Morice, parts of the text "NOA NOA" were created in Paris in the winter of 1893-1894. The plan was for a preferred edition with 10 almost identical woodcuts, all of which were made in the winter of 1893-1894. According to the individual proto-prints by Gauguin, the artist left the artist to Louis Roy...

DUYCK, EDOUARD (1872 -1897) CRESPIN, ADOLPH (1859 –1944) "Hippodrome des Art" Original lithograph from "Les Maitres de L'Affiche" series Printed by Imprimerie Chaix, Paris Bearing MDL stamp lower right, from issue #6, 1894. Plate #28 Unframed Size:11 3/8 x 15 3/4” The "Les Maitres de l'Affiche" series was offered as a subscription series to collectors every month for 60 months, from December 1895 through November 1900. The "Maitres de l'Affiche," were issued as separate numbered sheets, referred to as "plates". They were numbered, with the printers name "Imprimerie Chaix," in the margin at the bottom left hand corner, "PL.1" to "PL.240." In the margin at the bottom right hand corner of each, is a blind embossed stamp from a design of Cheret's. The smaller format and the fact the "Maitres" were a paid subscription series, allowed Imprimerie Chaix to use the latest state of the art printing techniques, not normally used in the large format posters due to cost. A very high quality of paper was used, where as the large format posters were printed on lesser quality newsprint, due to cost and a short expected life span. This explains why the quality of the printing, in the "Maitres de l'Affiche," usually far exceeds that of their larger counterparts. "...Posters were created by the team of Duyck & Crespin, whose close collaborative efforts garnered them the nickname 'the Siamese twins.' Between their first joint attempt at poster-making in 1885-1886 and Duyck's death in 1897, the duo produced a large corpus of works... as well as set designs and costumes for the theatre " (Brussels p.76) This is a Belgian poster for the Ferme de Frahinfaz, on the Hippodrome des Art road near Spa. "Accommodations for riders and pedestrians. Fork and knife lunches, fresh milk, real "Faro" beer from Brussels and English beers"

*PLEASE NOTE UK BUYERS WILL ONLY PAY 5% VAT ON THIS PURCHASE. Paysage d'Automne à Nesle la Vallée by Gustave Loiseau (1865-1935) Oil on canvas 65 X 81.2 cm (25 ⁵/₈ x 32 inches) Signed lower left, G Loiseau Executed in 1898 This work is accompanied by a certificate of authenticity issued by Didier Imbert. Painted in 1898 this oil landscape, shows Loiseau’s sophisticated approach to capturing rural landscapes. In both 1890 and 1896, Loiseau exhibited in the Impressionist exhibitions, with this piece proving indicative of the level of artistic maturity he had acquired towards the turn of the twentieth century. Provenance: Wally Findlay Galleries, Palm Beach ​Private collection, USA,​ acquired from the above in April 1975 Artist biography: Gustave Loiseau was born 3 October 1865 in Paris. A Post-Impressionist painter, he is remembered above all for his landscapes and scenes of Paris streets. Brought up in Paris and Pontoise by parents who owned a butchers shop, Loiseau served an apprenticeship with a decorator who was a friend of the family. In 1887, when an inheritance from his grandmother allowed him to concentrate on painting, he enrolled at the École des arts décoratifs where he studied life drawing. However, a year later he left the school after an argument with his teacher. While working as a decorator, Loiseau redecorated the apartment of the landscape painter Fernand Quignon (1854-1941). After he left the École des arts décoratifs, Quignon tutored him in painting. In 1890, he went to Pont-Aven in Brittany for the first time, fraternizing with the artists there, especially Paul Gauguin and Émile Bernard. After experimenting with Pointillism, he adopted his own approach to Post-Impressionism, painting landscapes directly from nature. His technique, known as en treillis or cross-hatching, gave his works a special quality. Loiseau first exhibited at the Salon des Indépendants in 1893 and at the Salon de la Société Nationale in 1895. He also exhibited at Impressionist exhibitions in 1890 and 1896. Loiseau's paintings, revealing his passion for the seasons from the beginning of spring to the harvests later in the autumn, often depict the same orchard or garden scene as time goes by. Series of this kind, which also include cliffs, harbours or churches, are reminiscent of Claude Monet. Although Loiseau did not complete many portraits, he often painted people at work: dockers together with their boats, villagers leaving a Sunday service in Brittany or arriving at the market in Pont-Aven, or even carriages in Paris driving across the Place de la Bastille and the Étoile. He is also remembered for his paintings of Paris streets...

A gorgeous novecento animalier painting, depicting a curious colt and.a white rabbit, by Gaetano Jerace (1860-1940) Gaetano Jerace was born in Polistena in Calabrian into a dynasty of artists: his brothers Francesco (1894-1937) and Vincenzo (1862-1947) also became painters. Gaetano moved to Naples as a young man, where a attended the Academy of Fine Arts, studying with Francesco Lojacono...

CHERET, JULES (1836 - 1932) "Quinquina Dubonnet" Original lithograph from “Les Maitres de L’Affiche” series Printed by Imprimerie Chaix, Paris Bearing MDL stamp lower right, from issue #28, 1898. Plate #109 Unframed Size: 11 3/8 x 15 3/4” The “Les Maitres de l’Affiche” series was offered as a subscription series to collectors every month for 60 months, from December 1895 through November 1900. The “Maitres de l’Affiche,” were issued as separate numbered sheets, referred to as “plates”. They were numbered, with the printers name “Imprimerie Chaix,” in the margin at the bottom left hand corner, “PL.1” to “PL.240.” In the margin at the bottom right hand corner of each, is a blind embossed stamp from a design of Cheret’s. The smaller format and the fact the “Maitres” were a paid subscription series, allowed Imprimerie Chaix to use the latest state of the art printing techniques, not normally used in the large format posters due to cost. A very high quality of paper was used, where as the large format posters were printed on lesser quality newsprint, due to cost and a short expected life span. This explains why the quality of the printing, in the “Maitres de l’Affiche,” usually far exceeds that of their larger counterparts. “The Dubonnet poster...

Venise sauvee, play in five acts by Thomas Otway. 1895. Lithograph on simili Japan Framed. .Very good condition with the exception of a slight center fold. Framed. Rare Ref: Artis...

LEBAS Léonie (19th-20th) "Lady in Paris Street 1900" Oil on wood panel signed low right Old Frame regilded with gold leaves Dim panel : 16 X 22 cm Dim frame : 50 X 41 cm LEBAS Léoni...

“America was quick to reveal strong Art Nouveau voices; it was Louis Comfort Tiffany who encouraged Bing to open his salon, and artists Will Bradley and Ethel Reed exhibited a Japonist simplicity that presented a strong, refined take on the Art Nouveau ideal. Louis Rhead was born in England but emigrated to the United States in 1883 at the age of 24, and quickly found himself celebrated both in the United States and in France, exhibiting his designs in the prestigious Salon des Cent in Paris in 1897.” -Quoted from Flowering Lines: Rare Art Nouveau Graphics 1883-1911 by Thomas Negovan (2017) Lithograph of Louis Rhead’s Prang’s Easter Publications, published in 1897 by Imprimerie Chaix, the printing house known for publishing the works of Belle Epoque master Jules Chéret. This example was printed with a plate of shimmering gold ink. This piece is presented professionally framed using all archival materials, including a hand-wrapped silk mat and gold fillet. This work arrives accompanied by a certificate of authenticity. Notable museum collections containing this work include: Metropolitan Museum of Art, New York City (medium-format version) (1984.1202.146) Notable museum collections featuring works by John Louis...

JOSÉ JIMÉNEZ ARANDA Spanish, 1837 - 1903 PARTIDA DE TRESILLO signed, located & dated “Jz. Aranda / Madrid. 1893.” (lower right) oil on canvas 31-1/2 x 39-1/3 inches (80 x 100 cm) unframed BIBLIOGRAPHY - This picture being mentioned and illustrated in “LA ILUSTRACION ESPAÑOLA Y AMERICANA”, Madrid, September 15, 1895 - B. Pantorba, José Jiménez Aranda, 1973, p. 75, 203 - José Jiménez Aranda, 1837-1903: Centro Cultural El Monte, Seville, October 2005, illustrated p. 102 EXHIBITED Madrid National Exhibition of 1895 PROVENANCE Private Collection, USA José Jiménez Aranda (7 February 1837 – 6 May 1903) was a Spanish painter and brother of the painters Luis Jiménez...

Nymphe dansante, decorative panel, two-color lithograph, 1899, signed in the stone. One corner defective but not affecting image. Ref: Berthon and Grasset p. No.5. The early works...

Medium: original etching. This impression is from the rare 1897 portfolio "Art et Nature" by Leon Roger-Miles, published in Paris by Boudet in an edition of 525. Printed on Marais wo...

A. C. DOUGLAS HAMILTON, 1918 - 2001 Studied at the Lancaster School of Art under Walter Bayes and won his National Diploma in 1949. Original oil on canvas, 18.5 x 25.5 inches, Fra...

Ferdinand LUIGINI The Cook, 1898 Original lithograph (Champenois workshop) Printed signature in the plate On vellum, 40 x 31 cm (c. 16 x 12 in) INFORMATION: Lithograph created for ...

Henri GUINIER Art Nouveau : Beauty of the Sea, 1898 Original lithograph (Champenois workshop) Printed signature in the plate On vellum, 40 x 31 cm (c. 16 x 12 in) INFORMATION: Lith...

Fernand CORMON Sea Workers, 1898 Original lithograph (Champenois workshop) Printed signature in the plate On vellum, 40 x 31 cm (c. 16 x 12 in) INFORMATION: Lithograph created for ...

Henri Patrice DILLON Carnival : Happy Demonstration, 1898 Original lithograph (Champenois workshop) Printed signature in the plate On vellum, 40 x 31 cm (c. 16 x 12 in) INFORMATION...

A beautiful and rare example of a figurative work by the French post-impressionist Ferdinand du Puigaudeau

Victor PROUVE Family : Mother and Father Kissing a Baby, 1898 Original lithograph (Champenois workshop) Printed signature in the plate On vellum, 40 x 31 cm (c. 16 x 12 in) INFORMA...

Francis JOURDAIN Melancolic Seascape with Sailboats, 1898 Original lithograph (Champenois workshop) Printed signature in the plate On vellum, 40 x 31 cm (c. 16 x 12 in) INFORMATION...

Angelo JANK Woman with Parrot, 1898 Original lithograph (Champenois workshop) Printed signature in the plate On vellum, 40 x 31 cm (c. 16 x 12 in) INFORMATION: Lithograph created f...

Alfredo MULLER Piano Lesson : The Three Sisters, 1898 Original lithograph (Champenois workshop) Unsigned On vellum, 40 x 31 cm (c. 16 x 12 in) INFORMATION: Lithograph created for t...

Maurice Desvallières Mythology: Amphora Bearer , 1898 Original lithograph (Champenois workshop) Unsigned On vellum, 40 x 31 cm (c. 16 x 12 in) INFORMATION: Lithograph created for t...

Eugene DELATRE Young Girl Playing in the Woods, 1898 Original lithograph (Champenois workshop) Printed signature in the plate On vellum, 40 x 31 cm (c. 16 x 12 in) INFORMATION: Lit...

Henri Gabriel IBELS Pantomime : Harlequin and Pierrot, 1898 Original lithograph (Champenois workshop) Printed signature in the plate On vellum, 40 x 31 cm (c. 16 x 12 in) INFORMATI...

Maximilienne Guyon Woman with a Lace Headdress, 1898 Original lithograph (Champenois workshop) Printed signature in the plate On vellum, 40 x 31 cm (c. 16 x 12 in) INFORMATION: Lit...

Very beautiful lithograph printed on silk by Luigi Rossi (1853-1923) representing a young elegant woman and a swan.

Le Rêve (The Dream) Color gillotage poster, 1890 Signed in the image lower right corner (see photo) This poster for a ballet at the Académie nationale de musique in Paris is typical ...

A very beautiful watercolor painting by the celebrated Italian artist Daniele Bucciarelli (1839–1911), of a interior scene circa 1880. The painting depicts the interior of a grand ro...

Oil on canvas, signed & dated '1890' lower right Image size: 6 1/2 x 6 1/2 inches (16.5 cm round) Cushion size: 19 x 19 inches (48cm square) Original gilt frame and cushioned mount...

In the late 19th century, the bustling streets of Belle Époque Paris were adorned with vibrant posters, and at the forefront of this visual revolution stood the pioneering artist Jul...

William Nicholson (1872-1949) Lady 1898 Original Colour Lithograph Image: 27.5 x 24.5 cm Frame: 45.2 x 42.0 cm William Nicholson was born at Newark in 1872. He left to study in Pari...

Medium: original etching and drypoint. This rare and beautiful impression on japon paper is one of 50 printed for the deluxe edition of the Gazette des Beaux Arts. Published in Paris...

Young Woman The Vegetable Seller Roma Francesco Ferraresi Original watercolor A courtyard painting of a vegetable seller by Francesco Ferraresi (1858 - 1942). the is pensive and awai...

Jean Baptiste Duffaud French, 1853-1927 St. Tropez Oil on canvas 13 by 21 ¾ in. W/frame 24 by 32 ¾ in. Signed lower left Jean-Baptiste Duffaud studied at the Ecole des Beaux-Arts in Marseilles under the direction of Dominique Antoine Magaud (1817-1899). Wishing to complete his artistic training, he went to Paris and received the teaching of Jean-Léon Gérôme. He exhibited at the Salon from 1875 to 1892, obtaining several honorable mentions. He was awarded the prestigious Marie Bashkirtseff...

This exquisite 1898 Art Nouveau poster celebrates the 500th performance of Roméo et Juliette at the prestigious Théâtre National de l'Opéra in Paris. A grand milestone for Charles Go...

William Nicholson (1872-1949) Newspaper Boy 1897 Original Colour Lithograph Image27.5 x 24.5 cm Frame: 45.2 x 42.0 cm William Nicholson was born at Newark in 1872. He left to study...

William Gale British 1823 - 1909 A Restful Moment signed with artist's monogram WG lower left oil on canvas Unframed: 30.6 by 41cm., 12 by 16¼in. Framed: 52 by 62cm., 20½ by 24½in. William Gale was a talented history and genre oil painter, born in London in 1823. He won many accolades as a student at Royal Academy Schools, and travelled to Italy in 1851 and the Middle East in 1862 and 1867. Due to his many influences , Gale's paintings are in an array of styles including sentimental, biblical, mythological subjects, portraits and orientalist pictures. Examples of his work are held by the Tate, Glasgow City Art Galleries and Museums and Art Gallery of New South Wales. William Gale was one of the many artists who, upon finishing his study at the Royal Academy Schools, set out to explore the east: namely North Africa, Algeria, Palestine and Syria. These remote countries at the crossroads of civilizations captivated his imagination, which he explored through his work. Following in the footsteps of the great Orientalists John Frederic Lewis and Jean Leon Gerome, William Gale evokes the Eastern Woman, the bright colors and delicate textures that can be found in the East. Using pure, rich glazes and extraordinary attention to detail, he renders the luxurious, beautifully embroidered headscarf. Eastern women kindled a curiosity in almost every Orientalist artist...

This painting by Olof Sager-Nelson, executed during his time in Bruges in 1894, is a splendid example of symbolism. It depicts a serene canal in Bruges, surrounded by sunlit houses w...

Au Bois De Boulogne (illustrating the congregation of French nobility outside the Chalets du Cycle Chromolithograph, 1897 Signed in the plate lower right corner From the Special Supp...

Two patrons examine art objects in Georg Muller-Breslau’s medieval-style poster for the 1896 exhibition of Saxon artisanry and works of art in Dresden, “the old city” (Die Alte Stadt...

Exhibited: Société Nationale des Beaux-arts, Paris, 1893 (as Jeune Fille arrosant ses fleurs) Literature: Michel, Jean Pierre, François Guiguet (Corbelin, France, 1996), p. 102 (n...

"Large Oil Painting On Canvas Belle époque Art Nouveau With Frame" Georges Redon (1869-1943) is a famous French painter, draftsman, caricaturist, post...

A stunning sky and cloud study by Gaston Prunier. Originally from Le Havre, the sea port where the Seine empties into the English Channel, Prunier was c...

Paul Albert LAURENS Bath of Nymphs, 1897 Original lithograph Printed signature in the plate On paper 40 x 31 cm (c. 16 x 12") INFORMATION : Published by 'Estampe Moderne, Paris, 18...

Henri de Toulouse-Lautrec, French (1864 - 1901) - Ta Bouche, Year: 1893, Medium: Lithograph, Image Size: 7 x 10 inches, Size: 11 x 14.75 in. (27.94 x 37.47 cm), Description: From t...

The gallery is opening its private collection of art nouveau and art deco paintings, lithographs and antiques for the first time in more than twenty years. Presenting an original li...

Medium: original lithograph. This impression is from the rare 1897 portfolio "Art et Nature" by Leon Roger-Miles, published in Paris by Boudet in an edition of 525. Printed on Marais...

Nishiki-e (woodcut print), in vertical oban format (31x20.5) realized by Mizuno Toshikata in 1893 (Meiji 26). Belongs to the Series "Sanjûroku Kasen" (Thirty-Six Beauties in Compari...

Medium: Oil on Panel Signature: Signed "H. Pyle" Lower Right and Inscribed Indistinctly On the Reverse "At the same time he extended toward King Louis the ...

Original poster for the North Pole, the first artificial ice rink in Paris. According to Japhet's poster, going to the North Pole is about seeing and being seen, with a little skatin...