1890s Art

Beautiful poster by Charles Toché for Chemins de fer d'Orléans in 1892: Bains de mer de Bretagne - Pornichet - Bonne source Charles Toché, born July 26, 1851 in Nantes and died Augu...

Picture of the opening of the temporary Diet building is an original artwork realized in the 1890s by Ginko Adachi (born 1853; active c. 1870 – 1908). Sheet dimensions: 22 x 48 cm. ...

La Tribuna is a colored lithographed original manifesto on cardboard, realized around 1897 by the Italian artist Giovanni Mataloni. Printed by Officine Ricordi, Milan, this advertisi...

After Edward Henry Potthast The Century Magazine Chromolithograph, July 7, 1896 Printed by W.B. Orcutt Co., NY Note: This image won an honorable mention in a poster contest sponsored...

Bronze bronze on a marble base, H 46 - 49 cm (without - with base) Signed on the bronze base. bronze sculpture depicting Diana the Huntress holding a bow. Mathurin Moreau (1822-1...

Jeanne Bloch - From Le Café Concert is an original print, realized in 1893 by Henri-Gabriel Ibels. Black and white lithograph on paper. Good conditions except for some ripple alo...

Anna Thibaud - From Le Café Concert is an original print, realized in 1893 by Henri-Gabriel Ibels. Black and white lithograph on paper. Good conditions except for some ripples an...

Yellowstone Lake - September 25th, 1893 - is an original vintage black and white photo realized during a journey throughout the world performed by Prince Franz Ferdinand von Osterreich Este (1863-1914), heir to the throne of the Austro-Hungarian Empire. Despite his affairs and the growing importance of his role within the Empire, he took a year off his duties to travel the world, from North Africa to India, East Asia, Australia, and America, where he attended the 1893 Chicago World’s Fair...

Mévisto - From Le Café Concert is an original print, realized in 1893 by Henri-Gabriel Ibels. Black and white lithograph on paper. Good conditions except for some ripple along th...

The Promenade is an Original Etching realized by Pierre Georges Jeanniot (1848-1934) in 1895. Hand-Signed by the artist on the lower left corner. Good condition included a white c...

Rome- Termini Station is an original Vintage b/w photograph after a painting of the late 19th Century realized in the 1890s. Good conditions. The artwork represents the master of t...

Hand signed and signed on plate. A copy of this print is in the collection of the Van Gogh Museum in Amsterdam. Includes passepartout : 53 x 37cm Image Dimensions : 23.5 x 15.5 cm H...

Theatrical Costume is an original pencil, pastel and watercolor realized by Alfredo Edel in 1895. Good condition, the artwork is from Amleto and represents Ofelia, with a note writes from the artist on the lower margin. Hand signed with pencil by the artist. Alfredo Leonardo Edel (1856–1912), sometimes credited as Alfredo Edel Colorno, was an Italian costume designer popular during the late 19th and early 20th century. He worked at the La Scala opera...

Columbia River - Tooth Bridge - September 18, 1893 - is an original vintage black and white photo realized as part of a journey throughout the world per...

U.St. Columbia River - Echofalls and Pallisades - 18 September 1893 - is an original vintage photo realized as part of a journey to Asia performed by pr...

"Porcelain Lumen" 1890s is an original china ink and watercolor drawing on ivory-colored paper by Anonymous French Artist of 19th Century. In excellent conditions: As good as new. ...

Rouen, France, 19th century Impressionist, 1898, City, River, Gray, blue, Landscape Paintings Charles-Jean AGARD (Savignac de Nontron, 1866 - 1950) He studied with Bonnat. Since 189...

Ancient Views of Yokohama is a set of 4 original vintage albumen prints on single cardboard: 26 x 34 cm. They were realized in the 1890s. Good conditions except for being aged. Ca...

Soldiers is an original pen drawing realized by Georges Dascher. Good condition on a yellowed cardboard. Signed on the lower left corner. Georges Dascher, born on October 6, 1851 ...

Bulls in the Roman Countryside is an original artwork realized after Charles Coleman (1807, Yorkshire - 1874, Roma) in 1992. Good condition. Not signed. 1992 edition in 25 copies....

Bulls in the Roman Countryside is an original artwork realized after Charles Coleman (1807, Yorkshire - 1874, Roma) in 1992. Good condition. Not signed. 1992 edition in 25 copies....

Ancient Views of Yokohama is a set of four original vintage albumen prints on single cardboard: 26 x 34 cm. They were realized in 1890s. Good conditions except for being aged. Cap...

Ancient Views of Beijing is a set of 11 original vintage albumen prints on single cardboard: 25 x 34 cm. Size of photos: 4 of 5.5x8, 2 of 8x11, 11.5 x 8.5 and on the rear 4 of 11x8....

Ancient Views of Johor and Singapore is a set of 9 original vintage Albumen prints on a single cardboard 25 x 34 cm. Size of photos: 4 of 10.5x15.5 and other five on the rear. Goo...

The Fujiama Krater (Original Title: Der Krater des Fugjiama - 13 August 1893 - Japan) is an original vintage black and white photo realized during a journey throughout the world perf...

Beim Uramino Jacki Fall - is an original vintage black and white photo realized during a journey throughout the world performed by Prince Franz Ferdinand von Osterreich Este (1863-19...

Nepal. On the way from Dakh-na Bah to Barbara Valley (Auf der reise von dakh-na bah nach Barbara-Tal) - March 18th 1893 - is an original vintage black and white photo realized during...

Coronation Procession is an original photograph realized by Joseph Daziaro (1896). The photo represent the coronation procession of Zar Nicola II in 1896,...

Picture of Woman is an original artwork realized by Manuel Robbe (Parigi, 1872 - Nesles-la-Vallée, 1936). The artist with the use of etching represents the figure of an elderly woma...

In the Attic is an original drawing in pen on paper realized in 1890 ca. by an Anonymous artist of 19th Century. Hand-signed on the lower right, illegible. Good conditions. Passep...

Polin - From Le Café Concert is an original print, realized in 1893 by Henri-Gabriel Ibels. Black and white lithograph on paper. Good conditions except for some ripple along the ...

The Bridge is an original etching realized by the Italian master Bruno Croatto. Hand-signed on the lower right. '97 Good conditions except for some sma...

Memories from Marina di Pisa is an Autograph Postcard Signed by the Italian painter Giovanni Costa (Rome, 1826 – Marina di Pisa, 1903), best-known as Nino Costa, to Adele Verducci. ...

The realist portrait is of a no-nonsense woman. A mystery woman, one accustomed to being respected. By her subdued costume, not selected to flatter her, as well as by her analytical ...

Farmers with Bundle of Spikes is an original pair of modern artworks realized in 1892 by an Italian artist. Original watercolors on paper. Hand-signed and dated on the lower right...

Group of Female Nudes is an original pencil drawing on paper realized by Ernest Rouart by the turn of the XX century. Original stamp of the artist on the center of the sheet. Good ...

Gary Head Absolut Statehood: Missouri 1992 Lithograph 97/400 38.5 x 26 inches

Frühling is a wonderful black and white photogravure of the original painting by Arnold Böcklin (Basel 1827 - Fiesole 1901), probably edited by Bruckman...

Image dimensions: 14x22 cm. Horse with Herds is a really beautiful china ink original drawing on paper, signed and dated in black ink on lower margin by the Italian artist, Filippo Palizzi...

Madame M. is a black an white etching and drypoint realized by a French artist active at the end of XIX century, Maurice Deville in 1894. This original print, representing a superb...

Pendant l'entracte is a beautiful and colored lithograph on paper, signed in pencil on lower left margin by Alexandre Lunois (1863 -1916). This original print, representing a couple...

Le Choix du Modèle is an original artwork realized by Eugène Champollion in 1898. Etching on paper. Signed on plate on the lower right corner. Etching d'aprés Fortuny. Fortuny is written on plate on the lower right corner. Mint conditions. Passepartout included (cm 39.5 x 49). very beautiful etching realized representing the choice of a model. The scene is represented in a big hall with huge colums on the background. On the right side of the composition, a female figure on a proscenium and, on the left side there are some people well-dressed watching the female figure. The artwork has been realized by Eugène Champollion (Embrun, 1848 - Lettret, 1901) a French engraver and illustrator and one of the pupils on Léon...

Whistler, James A. M. THE MEDICI COLLAR. Spink 170, Way 153, Levy 186. Transfer lithograph, 1897. Number of impressions unknown. Printed in Paris by Le...

Ora Coltman (American, 1858-1940) Julia Maud De Forest, 1898 Watercolor on paper Signed and dated upper left 9.25 x 12.75 inches 15 x 18.25 inches, framed Ora Coltman was born in 18...

after Carl Otto Czeschka, (1878-1960), Austrian A leading member of the Vienna Secession and later the Wiener Werkstätte (Viennese Workshop), Carl Otto Czeschka was a vital figur...

Adolph Eduard Otto von Faber du Faur (1828 Ludwigsburg - 1901 Munich). Man sitting in the studio. Watercolour painting, 43 x 27 cm (visible size), 73 x 53 cm (frame), monogrammed at lower right, estate stamp. Upper right corner neatly repaired, small tear in the wall to the left of the sitter. - Thinking about art - About the artwork The sitter, an elderly man, is seated in a studio on a pedestal reminiscent of an academy hall. The earthy, dark tones give the scene a weighty quality. The lightest tones are found in the incarnate parts of the figure, which do not stand out from the other colours of the picture, but are linked to them. As a result, the sitter's face is both part of and the highlight of the colour references in the picture. The colour of the sitter's skin is reflected in his pink coat, while his white-grey hair matches the colour of the wall next to him. This almost monochrome wall surface, in turn, is connected across the portrait to the framed picture standing on the floor, which seems to have been erased by this correspondence with the empty wall surface. Through the palette, which is positioned directly behind the sitter's head, the reference to painting, which is already given by the studio space, is explicitly linked to the sitter, who thus seems to be contemplating the question of the meaning of art. This raises the question of whether Faber Du Faur, who had become lonely in his old age, might have painted a self-portrait here in his later years. In addition to the studio setting, the sitter's explicit reference to the palette and the fact that the picture was part of his estate, the only summary elaboration of the body suggests a self-portrait, while the representation of the face is concretised with the wide-open eyes typical of a self-portrait. This concentration on the face gives the impression of the artist's melancholy introspection, captured by the palette and related to the meaning of painting, whose dark character is reinforced by the concealment of the palette hanging on the right of the picture in the light tones so characteristic of Faber Du Faur. In the course of this resignation, Faber du Faur advises his son Hans, who has also become a painter: "Promise me one thing: never move to Munich, they'll kill you here!" Whoever the sitter may be, the references to painting make the portrait a resigned self-contemplation by Faber Du Faur, focused on art. About the artist After leaving school, Otto Faber du Faur entered the service of the Württemberg army, at the same time cultivating his artistic talent. In 1851, on the recommendation of his father Christian Wilhelm, who was himself a battle painter, he spent six months in Munich as an apprentice to Alexander von Kotzebue. In 1852 he was granted a year's leave of absence from military service to study battle painting in the studio of Adolphe Yvon...

Medium: etching. Etched by L. Gaucherel after Narcisse-Virgile Diaz de la Pena and published in 1890 in an edition of 200. This is a nice impression printed on a japon-style paper. T...

Etching on laid paper, hand signed and numbered in pencil. This powerful etching presents a stark, vertical composition dominated by a towering rocky precipice rendered through dens...

Wonderful original color lithograph by Paul Berthon (1872-1909). In excellent condition with great color. Unframed. Presents in a 4-Ply Archival Mat. Titled: "Les Chrysanthemes.” Cre...

Watercolor depicting 24 military flags signed & dated 1897 Art Sz: 13"H x 20"W Frame Sz: 19"H x 26"W Corps Commanders: A.E. Burnside/ J.L. Reno/ J.D. Cox/ O.B. Willcox/ W.F. Smit...

Elegantly-dressed society women observe silhouettes of Commedia dell’Arte characters Pierrot, Columbine, and Harlequin at the shadow play theater Le Cénacle. In a manner reminiscent...

This image was an integral part of the Maitres de L'Affiche series of posters created for a subscription audience in the late 1890's. It showcased the most influential posters of the...

Karl Bitter Reclining Woman, 1897 Signed: Bitter 97 Stamped: GORHAM M F G CO. Bronze 10.25 x 10.25 x 4 inches Initially from Vienna, Karl Bitter first studied art at the city’s Kunstgewerbeschule and the Kunstakademie before being drafted into the Austrian army. He deserted his position in the military while on leave, and departed for New York City where he would discover considerable success. Early on, he won a competition for the Astor memorial bronze gates at Trinity Church, which awarded him enough capital to open his own studio. He went on to execute sculptures of Alexander Hamilton and Thomas Jefferson at the Cuyahoga Courthouse in Cleveland; he also created portraits of Jefferson for the state of Missouri and the University of Virginia. These commissions caught the attention of sculptor Richard Morris Hunt (who famously designed the façade of the Metropolitan Museum), earning Bitter the duty of producing the portrait medallions that now appear near the top of the museum’s grand face. Notably, he presented at Chicago’s 1893 World’s Columbian Exposition and directed the Pan-American Exposition in Buffalo in 1901. Over his career, his artwork became more flexible – his early academy training is easily identifiable within his work, but after moving to America, conventions of Modernism became more prevalent within his sculpture. In addition to many awards, Bitter presided over the National Sculpture Society in 1906-1907, and was a member of the National Institute of Arts and Sciences, the National Academy of Design, the American Academy of Arts and Letters, the Architectural League, and the Art Commission, New York. His public work can be found at the Biltmore Estate, Asheville, NC; Gettysburg National Military Park, Gettysburg, PA; Wisconsin State Capitol, Madison, WI; United States Naval Academy...

A fashionable brunette smiles playfully at her black cat while enjoying JOB cigarette papers. Lithograph of Georges Meunier’s Papier à Cigarettes JOB, ...

Edward Percy Moran Portrait of a Woman Signed lower right Oil on canvas 30 x 20 inches Provenance: The Madison Gallery, Atlanta Percy Moran was the son of marine painter Edward Mo...

Hans Thoma (1839 Bernau - 1924 Karlsruhe), S. Anton Patenkirchen, 1895. Algraph on strong wove paper, published by Breitkopf und Härtel in Leipzig as ‘Zeitgenössisches Kunstblatt Nr....

Camille Pissarro (1830-1903), Paysanne au Puits (Peasant Woman at the Well), etching and aquatint, 1891, signed, titled and numbered (3 etat no 2). Refer...

Hans Thoma (1839 Bernau - 1924 Karlsruhe), Muse, 1893. Algraph on strong wove paper, published by Breitkopf und Härtel in Leipzig as ‘Zeitgenössisches Kunstblatt Nr. 174’, 43.5 cm x ...

Hans Thoma (1839 Bernau - 1924 Karlsruhe), Southern German summer landscape, around 1897. Algraph on strong wove paper, published by Breitkopf und Härtel in Leipzig as ‘Zeitgenössisc...

"Chicago in Early Days" is an original color lithograph by Kurz & Allison. This piece features multiple views of the city of Chicago. 16 3/4" x 23 1/4" art 28 1/8" x 33 7/8" frame ...