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Period: 18th Century
Set of Four Engravings from Nash's "History of Worcestershire" /// Landscape Art
Set of Four Engravings from Nash's "History of Worcestershire" /// Landscape Art

Set of Four Engravings from Nash's "History of Worcestershire" /// Landscape Art

By Treadway Russell Nash

Located in Saint Augustine, FL

Artist: Treadway Russell Nash (English, 1724-1811) Title: "A View of Stourbridge", "A View of Upton upon Severn, from Ryal Hill", "Bewdley", and "Tenbury" Portfolio: Collections for the History of Worcestershire Year: 1781-1782 (First edition) Medium: Set of Four Original Engravings on watermarked laid paper Limited edition: Unknown Printer: John Nichols, London, UK Publisher: T. Payne and Son, J. Robson, B. White, Leigh and Sotheby, London, UK; Fletcher, Oxford, UK; and Lewis, Worcester, UK Sheet size (each): approx. 10" x 16.5" Image size (each): approx. 6.88" x 11.75" Reference: Upcott III, page 1330 Condition: A few light handling creases. Have been professionally stored away for decades. They are all strong impressions in excellent condition Notes: Provenance: private collection - Aspen, CO. All four works were engraved by English artist Thomas Sanders (Active: Mid-Late 18th Century) after drawings by himself. Comes from Nash's two volume "Collections for the History of Worcestershire", (1781-1782) (First edition), which consists of 75 engravings. Each work is printed from one copper plate in one color: black. There was a (Second edition) "with Additions" bound in with Volume II of this portfolio published by John White in 1799. And, both the First and Second editions of "Collections for the History of Worcestershire" are based off Thomas Sanders' 1779-1781 "Perspective Views of the Market Towns within the County of Worcester". Both "A View of Stourbridge" and "A View of Upton upon Severn, from Ryal Hill" have unidentified fleur-de-lis watermarks in the center of their sheets. "Bewdley" has an unidentified watermark in the center of its sheet resembling "XV" and "Tenbury" has no watermark. Biography: Treadway Russell Nash (24 June 1724 – 26 January 1811) was an English clergyman, now known as an early historian of Worcestershire and the author of Collections for the History of Worcestershire, an important source document for Worcestershire county histories. He was a fellow of the Society of Antiquaries of London. Treadway Russell Nash was born on 24 June 1724 born at Clerkenleap, in Kempsey, Worcestershire. His family were from Ombersley. They had lands there and at Claines, and had later bought lands in the Reformation around St Peter's, Droitwich. He was related to James Nash and John Nash, both MPs for Worcester. His father Richard, a grandson of Sir Rowland Berkeley, died in 1740, and Richard's eldest son in 1757. As a result, Treadway Russell Nash inherited the Russells' Strensham estates from his brother, as well as the Nash estates, and took both names. He was educated from the age of twelve at King's School, Worcester, and became a scholar at Worcester College, Oxford aged fifteen. In March 1749, he accompanied his brother on a trip to the continent, to aid Richard's health. They visited Paris for about six weeks, before spending the summer "on the banks of the Loire". They then visited "Bourdeaux, Thoulouse, Montpelier, Marseilles, Leghorn, Florence, Rome, Naples, Bologna, Venice, Padua, Verona, Milan, Lyons, and again Paris"; such expeditions are often known as the Grand Tour. On his return in late summer 1751, Nash took up a post as Vicar of Eynsham through his friend and future brother-in-law, John Martin. He also had an income as a tutor at Oxford. He took his Doctor of Divinity degree and left Oxford, having "gone out grand compounder", following the death of his brother. He also left his benefice at Eynsham in 1757. While at Oxford he had proposed a road from there to Witney (now the A40 and B4022), and also stood for Parliament. Nash married Margaret Martin...

Category

Old Masters 18th Century Art

Materials

Laid Paper, Engraving

18th Century Italian Oil Madonna & Child with St. John the Baptist after Raphael
18th Century Italian Oil Madonna & Child with St. John the Baptist after Raphael

18th Century Italian Oil Madonna & Child with St. John the Baptist after Raphael

Located in Cirencester, Gloucestershire

Madonna and Child with St. John the Baptist Italian artist, 18th century, after the earlier painting by Raphael, unsigned oil on wood panel, framed in an Empire, gilt moulded frame F...

Category

Renaissance 18th Century Art

Materials

Oil

Still Life with Melon and Peaches, Classical 10th Century Oil Painting
Still Life with Melon and Peaches, Classical 10th Century Oil Painting

Still Life with Melon and Peaches, Classical 10th Century Oil Painting

Located in Genève, GE

Dimensions with frame: 37 x 45 x 3,5 cm Signed along the lower edge. This refined still life painting presents an elegant arrangement of fruit set upon a wooden table against a dark...

Category

Italian School 18th Century Art

Materials

Canvas, Oil

Figures and horses by a bridge in a river landscape
Figures and horses by a bridge in a river landscape

Figures and horses by a bridge in a river landscape

By John Wootton

Located in Stoke, Hampshire

John Wootton (1686-1765) Figures and horses by a bridge in a river landscape Oil on canvas 27 x 42 in John Wootton was one of the earliest and most influential British sporting pai...

Category

Old Masters 18th Century Art

Materials

Oil

Portrait of Mrs Jane Middleton (or Myddelton) (née Needham, 1645–1692)
Portrait of Mrs Jane Middleton (or Myddelton) (née Needham, 1645–1692)

Portrait of Mrs Jane Middleton (or Myddelton) (née Needham, 1645–1692)

Located in Stoke, Hampshire

Theodore Russell (London 1614-1689) Mrs Jane Middleton (or Myddelton) (née Needham, 1645–1692) Oil on panel Painting Size - 15 1/2 x 12 1/2 in Framed Size - 20 1/2 x 17 1/2 in Mrs J...

Category

Old Masters 18th Century Art

Materials

Oil

Fine 18th Century Italian Classical Huge Oil Painting Figures Animals Landscape
Fine 18th Century Italian Classical Huge Oil Painting Figures Animals Landscape

Fine 18th Century Italian Classical Huge Oil Painting Figures Animals Landscape

By Jan Frans van Bloemen (Orizzonte)

Located in Cirencester, Gloucestershire

Figures & Animals in Classical Landscape circle of Jans Frans Van Bloemen (Orizzonte 1662 - 1749), unsigned oil on canvas, framed framed: 28.5 x 42.5 inches canvas: 19 x 34 inches P...

Category

Old Masters 18th Century Art

Materials

Oil

18th Century French Oil Portrait of an Elegant Lady, 68x56 cm
18th Century French Oil Portrait of an Elegant Lady, 68x56 cm

18th Century French Oil Portrait of an Elegant Lady, 68x56 cm

Located in Aartselaar, BE

Elegant 18th-Century French Portrait of a Young Lady This refined and captivating portrait depicts a young lady rendered with remarkable sensitivity and grace, characteristic of th...

Category

Old Masters 18th Century Art

Materials

Canvas, Oil

18th-Century Forest and Chateâu Tapestry
18th-Century Forest and Chateâu Tapestry

18th-Century Forest and Chateâu Tapestry

Located in San Francisco, CA

On offer is a classic Verdure tapestry, popular in the 17th and 18th centuries for its lush nature scenes. "Verdure" comes from the French word for greenery, focusing on forest and g...

Category

Baroque 18th Century Art

Materials

Wool, Silk

Madonna and child, Italian school, 18th century
Madonna and child, Italian school, 18th century

Madonna and child, Italian school, 18th century

Located in DEVENTER, NL

Italian School, 18th century Depicted are the Madonna and Child Jesus, the virgin Mary is holding the Child Jesus lovingly in her arms. The child, lying on a bundle of cloth and with...

Category

18th Century Art

Materials

Canvas, Oil

18th century French Old Master Portrait of a woman in oriental costume
18th century French Old Master Portrait of a woman in oriental costume

18th century French Old Master Portrait of a woman in oriental costume

Located in Aartselaar, BE

French 18th century old master portrait of a majestic lady dressed "à la Turque" The sitter at the viewer with a kind and enigmatic smile and twinkling eyes. She looks elegant and kind, yet also has an intelligent and determined aura, reflecting the character of someone who is in charge of her own life and destiny. De Silvestre paid great attention to her spectacular outfit, which is striking in its portrayal of the sumptuous fabrics and their decorative richness. She is wearing a luxurious royal blue robe à la...

Category

Old Masters 18th Century Art

Materials

Canvas, Oil

18th Century French Oil Painting on Copper Portrait of Noble Lady
18th Century French Oil Painting on Copper Portrait of Noble Lady

18th Century French Oil Painting on Copper Portrait of Noble Lady

Located in Cirencester, Gloucestershire

Portrait of a Noble Lady French School, early 1700's period oil painting on copper, unframed copper: 5 x 3 inches condition: very good, minor paint fading and deteriation. provenanc...

Category

Renaissance 18th Century Art

Materials

Copper

Fine Italian Old Master Oil Painting c. 1700's The Madonna Christ Child St. John
Fine Italian Old Master Oil Painting c. 1700's The Madonna Christ Child St. John

Fine Italian Old Master Oil Painting c. 1700's The Madonna Christ Child St. John

Located in Cirencester, Gloucestershire

The Madonna, Christ Child and St. John Italian Old Master, circa 1700's period oil painting on canvas, unframed Canvas: 28.5 x 24 inches conditon: overall very good for its age, a fe...

Category

Old Masters 18th Century Art

Materials

Canvas, Oil

Mughal School, 18th century – Emperor Jahangir in his harem in flagrante delicto
Mughal School, 18th century – Emperor Jahangir in his harem in flagrante delicto

Mughal School, 18th century – Emperor Jahangir in his harem in flagrante delicto

Located in Middletown, NY

An illuminated page from a book likely in reference to palace life during Emperor Jahangir's reign over the Mughal Empire. Circa 1750. Gouache and ink with gold heightening on cre...

Category

Rajput 18th Century Art

Materials

Gold

Huge 18th Century Italian Old Master Oil Painting Still Life Fruit in Basket
Huge 18th Century Italian Old Master Oil Painting Still Life Fruit in Basket

Huge 18th Century Italian Old Master Oil Painting Still Life Fruit in Basket

Located in Cirencester, Gloucestershire

Classical Still Life of Fruit in Basket with other objects Italian artist, 18th century oil on canvas, unframed canvas: 24.5 x 33 inches provenance: private collection, UK condition:...

Category

Old Masters 18th Century Art

Materials

Oil

Mughal School, 18th century Emperor Jahangir taking tea in his harem
Mughal School, 18th century Emperor Jahangir taking tea in his harem

Mughal School, 18th century Emperor Jahangir taking tea in his harem

Located in Middletown, NY

An illuminated page from a book likely in reference to palace life during Emperor Jahangir's reign over the Mughal Empire. circa 1750. Gouache and ink with heightening in gold on li...

Category

Rajput 18th Century Art

Materials

Gold

‎⁨Les Causses du Minervois⁩
‎⁨Les Causses du Minervois⁩

‎⁨Les Causses du Minervois⁩

Located in North Clarendon, VT

Stunning old master oil on canvas of a French landscape with an aquaduct in the foreground and a medieval village in the distance. Possibly ‎⁨Les Causses du Minervois⁩. Oval canvas,...

Category

Old Masters 18th Century Art

Materials

Oil

Huge 18th Century Italian Old Master Oil Painting Figures & Animals Arcadian
Huge 18th Century Italian Old Master Oil Painting Figures & Animals Arcadian

Huge 18th Century Italian Old Master Oil Painting Figures & Animals Arcadian

Located in Cirencester, Gloucestershire

The Arcadian Landscape Italian School, 18th century oil painting on canvas, unframed canvas size: 32 x 40 inches condition: excellent condition for its age, fully restored. provenance: from a private collection in Paris, France. Large scale classical 18th century Italian Old Master...

Category

Old Masters 18th Century Art

Materials

Canvas, Oil

18th Century French Rococo Period Portrait of Women Oil Painting on Canvas
18th Century French Rococo Period Portrait of Women Oil Painting on Canvas

18th Century French Rococo Period Portrait of Women Oil Painting on Canvas

Located in Cirencester, Gloucestershire

Portrait of a Lady French artist, Rococo period 18th century oil on canvas, framed framed: 15 x 12.5 inches canvas: 10.5 x 8.5 inches provenance: private collection, France condition...

Category

Rococo 18th Century Art

Materials

Oil

18th C Italian Classical Grand Tour Ancient City Old Ruins & Figures
18th C Italian Classical Grand Tour Ancient City Old Ruins & Figures

18th C Italian Classical Grand Tour Ancient City Old Ruins & Figures

Located in Cirencester, Gloucestershire

Title: The Italian City Artist/ School: English/ Italian School, late 18th century; a Grand Tour work. Medium: pencil drawing. Size: 6.75 x 9.75 inches Provenance: from a priva...

Category

Old Masters 18th Century Art

Materials

Pencil

Grand Tour 18th Century Veduta Capriccio Painting, After Gennaro Greco
Grand Tour 18th Century Veduta Capriccio Painting, After Gennaro Greco

Grand Tour 18th Century Veduta Capriccio Painting, After Gennaro Greco

Located in Cotignac, FR

A fine, large 18th century veduta capriccio scene with temple ruins after Gennaro Greco from the circle of Pietro Cappelli. The painting is presented in a more modern carved gilt woo...

Category

Baroque 18th Century Art

Materials

Canvas, Oil

Large Bronze Bust Sculpture of Diane de Poitiers, 18th Century
Large Bronze Bust Sculpture of Diane de Poitiers, 18th Century

Large Bronze Bust Sculpture of Diane de Poitiers, 18th Century

Located in Beachwood, OH

After Jean Goujon (French, 1510-1568) Bust of Diane de Poitiers, 18th/19th Century Bronze 14 x 7 x 5 inches 22 x 8 x 7 inches, with base Diane de Poitiers was a French noblewoman and prominent courtier. She wielded much power and influence as King Henry II's royal mistress and adviser until his death. Her position increased her wealth and family's status. She was a major patron of French Renaissance architecture...

Category

18th Century Art

Materials

Bronze

Life at the Royal Court - Original etching, Signed
Life at the Royal Court - Original etching, Signed

Life at the Royal Court - Original etching, Signed

Located in Paris, IDF

Jacques Rigaud (c. 1671/91-1754) Life at the Royal Court Original etching Signed in the plate On Arches vellum 38 x 56.5 cm (14.9 x 22.2 inch) INFORMATION : Published by the Chalco...

Category

Other Art Style 18th Century Art

Materials

Etching

Copy of "Portrait of Beatrice dʼEste" by Leonardo da Vinci created 15th Century
Copy of "Portrait of Beatrice dʼEste" by Leonardo da Vinci created 15th Century

Copy of "Portrait of Beatrice dʼEste" by Leonardo da Vinci created 15th Century

Located in New York, NY

A masterful copy by an unknown artist, after the portrait of "Beatrice d'Este" by Leonardo Da Vinci also known as ‘Portrait of a Lady’ or ‘La Dama con la reticella di perle (The Lady With a Pearl Hairnet)’. The original work originally created in the 15th Century is currently on display in the Pinacoteca Ambrosiana Museum of Milan. Beatrice d'Este was the Duchess of Bari/Milan and was believed to be one of the most attractive princesses of the Renaissance. Her impeccable style won her many admirers throughout Italy and France, and she became a trendsetter of the highest order. This copy of the original painting, is an oil on canvas done in the 18th Century, and in this exquisite portrait, the artist has masterfully depicted the fine details with draped hair, pearls, royal dress, ornate headgear and sumptuous jewelry in front of a dark background. Once again, capturing the imagination with another enigmatic smile. It comes housed in an elegant period giltwood frame with ebonized trims and ready to be displayed with hanging wire on verso. Art measures 28 x 18 inches Frame measures 34.5 x 24.5 inches There is much debate and controversy over who actually painted the "Beatrice d'Este" was it Leonardo da Vinci (1452–1519), or Giovanni Ambrogio de Predis (1455–1508). So we may never know who executed the original portrait which hangs in the museum, but that need not deter from an appreciation of its singularity. Following the portraiture convention established by painters of the Quattrocentro, the artist has chosen to portray his sitter in profile. In doing so, he magnificently captures the essence of his sitter, a girl on the threshold of womanhood. Bedecked in the adornments—silk, velvet, pearls and embroidery (brocade) crafted of spun gold threads—afforded her by birthright and marriage, Beatrice looks forward in noble serenity. And at the same time her profile with its upturned nose and slight smile betrays an innocence that must have been the basis of the oft-repeated epithet: la più zentil donna in Italia” (“the sweetest lady in Italy”). It is believed the lady is Beatrice d'Este (1475-1497), duchess of Bari and later of Milan, the wife of Ludovico Sforza (known as "il Moro"). One of the most beautiful princesses of the Italian Renaissance, she was known for her good taste in fashion. Beatrice was a member of the Este-Sforza family, which joined by marriage two of the oldest reigning and already powerful houses in Italy. The house of Este, which held court in Ferrara, traced its lineage to the 11th century Dukes of Saxony and Bavaria. Beatriceʼs father, Ercole I ruled the Ferrara commune for 34 years, catapulting the city-state (and the Estes with it) to an unmatched level of economic prosperity and cultural prominence. The family was renowned for its love of letters and patronage of the arts. The first time Leonardo da Vinci’s name resounded in the Ambrosiana, it was through the pen of its founder, Cardinal Federico Borromeo, who attributed this little panel to the great Master, describing it as “A portrait of a Duchess of Milan, by the hand of Leonardo”. Following the Cardinal’s statement, the portrait was for long assumed to depict Beatrice d’Este, the wife of Ludovico il Moro. However, scholars have recently been more cautious and vague in their statements, with regard to both the artist (anonymous Lombard or Emilian...

Category

Northern Renaissance 18th Century Art

Materials

Canvas, Oil

Our Lady of Solitude, Spanish Colonial School, 18th Century
Our Lady of Solitude, Spanish Colonial School, 18th Century

Our Lady of Solitude, Spanish Colonial School, 18th Century

Located in DEVENTER, NL

Spanish Colonial School, 18th Century Our Lady of Solitude Oil on canvas In antique gilt frame Dimensions excl. frame: 92 x 72 cm. Dimensions incl. frame: 124 x 103.5 cm. Overall i...

Category

18th Century Art

Materials

Canvas, Oil

Fine 18th Century Italian Oil Painting Elegant Figures Rococo Interior Setting
Fine 18th Century Italian Oil Painting Elegant Figures Rococo Interior Setting

Fine 18th Century Italian Oil Painting Elegant Figures Rococo Interior Setting

Located in Cirencester, Gloucestershire

Elegant Figures in Interior *see notes below Italian School, mid 18th century most likely of Venetian origin oil on canvas, unframed canvas: 10.75 x 11.75 inches provenance: private ...

Category

Rococo 18th Century Art

Materials

Oil, Canvas

View of  Riva degli Schiavoni - Oil Painting - Late 18th century
View of  Riva degli Schiavoni - Oil Painting - Late 18th century

View of Riva degli Schiavoni - Oil Painting - Late 18th century

By Giovanni Antonio Canal (Canaletto)

Located in Roma, IT

View of Riva degli Schiavoni is an original old master artwork realized in the late 18th century by a follower of the School of the italian painter Canaletto. Oil on canvas. An imp...

Category

Modern 18th Century Art

Materials

Oil, Canvas

Framed 17th Century Oil - Portrait of Saint Helena
Framed 17th Century Oil - Portrait of Saint Helena

Framed 17th Century Oil - Portrait of Saint Helena

Located in Corsham, GB

An accomplished 17th renaissance portrait of Saint Helena, mother of Constantine I, holding the True Cross of Christ. Possibly a fragment study from a larger known fresco painting. W...

Category

18th Century Art

Materials

Oil

Huge 18th Century French Rococo Old Master Oil Allegorical Nude Winged Lady
Huge 18th Century French Rococo Old Master Oil Allegorical Nude Winged Lady

Huge 18th Century French Rococo Old Master Oil Allegorical Nude Winged Lady

Located in Cirencester, Gloucestershire

The Allegorical Winged Nude Lady, adorned with the attributes of Spring French School, 18th century (Rococo period) oil painting on canvas, unframed canvas: 30 x 52 inches provenance...

Category

Rococo 18th Century Art

Materials

Oil, Canvas

Hadrian's Mausoleum, Castel S. Angelo: A Framed 18th Century Etching by Piranesi
Hadrian's Mausoleum, Castel S. Angelo: A Framed 18th Century Etching by Piranesi

Hadrian's Mausoleum, Castel S. Angelo: A Framed 18th Century Etching by Piranesi

By Giovanni Battista Piranesi

Located in Alamo, CA

This large framed 18th century etching by Giovanni Battista Piranesi entitled "Veduta del Mausoleo d'Elio Adriana ora chiamato Castello S. Angelo nella parte opposta alla Facciata de...

Category

Old Masters 18th Century Art

Materials

Etching

18th Century Oil on Canvas Portrait, Major Alexander Brown in Military Uniform.
18th Century Oil on Canvas Portrait, Major Alexander Brown in Military Uniform.

18th Century Oil on Canvas Portrait, Major Alexander Brown in Military Uniform.

By Sir David Wilkie

Located in Cotignac, FR

18th Century Military portrait of a young officer in Napoleonic period military dress. The painting is not signed but the subject is Major Alexander Brown. The work is oil on canvas later mounted on board and presented in a fine 'Regence style' carved gilt frame. There are labels to the back referring to the subject, 'Major Brown of Trinity' and a framers trade label from Edinburgh. A magnificent and imposing portrait of a young military officer in the prime of his life. His red uniform adorned with fine buttons, fringed epaulettes and high gilt collar. His ruddy complexion offset by his stylish hair, a quiff and swept forward to the sides as was the fashion at the time. Sir David Wilkie RA (18 November 1785 – 1 June 1841) was a Scottish painter, especially known for his portraits, including formal royal ones, and scenes from his travels to Europe and the Middle East. He painted successfully in a wide variety of genres, including historical scenes. His main base was in London, but he died and was buried at sea, off Gibraltar, returning from his first trip to the Middle East. He was sometimes known as the "people's painter". He was Principal Painter in Ordinary to King William IV and Queen Victoria. Apart from royal portraits, his best-known painting today is probably The Chelsea Pensioners Reading the Waterloo Dispatch of 1822 in Apsley House. Sir David Wilkie was actually admitted in 1799 (despite only being 14) through the influence of the Earl of Leven...

Category

Old Masters 18th Century Art

Materials

Canvas, Oil, Board

'Bird on Rock with Blue Flowers',  By Unknown, Chinese Antique Scroll
'Bird on Rock with Blue Flowers',  By Unknown, Chinese Antique Scroll

'Bird on Rock with Blue Flowers', By Unknown, Chinese Antique Scroll

Located in Oklahoma City, OK

This 59" x 20" Chinese Antique Scroll depicts a simple yet serene scene of a bird on a rock. The bird stands on the rock, which is much larger in size in comparison to the bird. The ...

Category

Qing 18th Century Art

Materials

Silk, Paper, India Ink

18th Century Oil on Canvas Italian Religious Painting Madonna with Child, 1750
18th Century Oil on Canvas Italian Religious Painting Madonna with Child, 1750

18th Century Oil on Canvas Italian Religious Painting Madonna with Child, 1750

Located in Vicoforte, IT

A refined 18th-century Italian painting. This artwork oil on canvas depicts a splendid Madonna and Child with a cherub, crafted with exquisite skill. The composition dates stylistica...

Category

18th Century Art

Materials

Canvas, Oil

Studio di mano (study of hand)  – Florentine School 18th century
Studio di mano (study of hand)  – Florentine School 18th century

Studio di mano (study of hand) – Florentine School 18th century

Located in Middletown, NY

Red chalk on cream laid paper, 7 1/4 x 9 3/8 inches (182 x 236 mm), the full sheet. In very good condition with minor toning and two small nicks in the top sheet edge. Some modern no...

Category

Italian School 18th Century Art

Materials

Crayon, Laid Paper

18th-Century Baroque Oil Still Life Flowers Floral Arrangement in an Ornate Urn
18th-Century Baroque Oil Still Life Flowers Floral Arrangement in an Ornate Urn

18th-Century Baroque Oil Still Life Flowers Floral Arrangement in an Ornate Urn

Located in Cirencester, Gloucestershire

Elaborate Floral Arrangement French artist, 18th Century oil on canvas, framed Framed: 27 x 34 inches Canvas: 22 x 29 inches Provenance: private collection, England Condition: very...

Category

Baroque 18th Century Art

Materials

Oil, Canvas

Four Framed Hogarth Engravings "Four Times of the Day"
Four Framed Hogarth Engravings "Four Times of the Day"

Four Framed Hogarth Engravings "Four Times of the Day"

By William Hogarth

Located in Alamo, CA

The four plates in this "Four Times of the Day" set were created utilizing both engraving and etching techniques by William Hogarth in 1738. Hogarth's original copper plates were refurbished where needed by James Heath and these engravings were republished in London in 1822 by Braddock, Cradock & Joy. This was the last time Hogarth's original copper plates were used for printing. Most were melted down during World War I for the construction of bombs. Printed upon early nineteenth century wove paper and with large, full margins as published by William Heath in 1822. The inscription below each print reads "Invented Painted & Engraved by Wm. Hogarth & Publish'd March 25. 1738 according to Act of Parliament". These large folio sized "Four Times of the Day" engravings/etchings are presented in complex gold-colored wood frames with black bands and scalloped gold inner trim. A majority of each thick impressive frame is covered with glass applied near the outer edge. Each frame measures 25.75" high, 22.25" wide and 1.88" deep. There are a few small dents in the edge of these frames, which are otherwise in very good condition. "Morning" has two focal areas of discoloration in the upper margin and some discoloration in the right margin, a short tear in the left margin and a short tear or crease in the right margin. "Noon" has a spot in the upper margin that extends into the upper image, but it is otherwise in very good condition. "Evening" has a faint spot in the upper margin, but it is otherwise in very good condition. "Night" is in excellent condition. The "Four Times of the Day" series is in the collection of many major museums, including: The British Museum, The Metropolitan Museum of Art, The Tate Museum, The Chicago Art Institute and The Victoria and Albert Museum. Through this series Hogarth is portraying early 18th century London street life at "Four Times of the Day". His characters are exhibiting their personalities, quircks, strange activities, but he also wants to draw attention the disparities between the wealthy aristocracy and the common working class. Plate 1, "Morning" depicts morning in Covent Garden in the winter in front of Tom King...

Category

Old Masters 18th Century Art

Materials

Engraving, Etching