1970s Art

Delve into the provocative world of Larry Clark with this exclusive collection of three striking photographs, featuring outtakes scenes from Supreme photoshoots. Each photograph, mea...

Alexander Redein (American, 1912 - 1990) At Home, 1975 Oil on board 12 x 15 3/4 in. Framed: 17 1/2 x 21 3/8 in. Signed lower right: Redein Inscribed verso: At Home 1975 Alex Redein was born on January 21, 1912 in Bridgeport, Connecticut. He was a prominent member of the New York art community for many years. He studied at Yale School of Fine Art, The Art Students League, and in Mexico City. Along with Remo Farrugio, Byron Browne, Herbert and Henry Kallem, Joseph DeMartini, Michael Lekakis...

Richard Anuszkiewicz Celebrate New York (hand signed limited edition poster), 1974 Silkscreen on wove paper Hand-signed by artist, signed, dated and inscribed "to Lowell" on the fron...

Eye catching oil on paper of an outdoor flower market brimming with colorful blooms by French artist Raymond Bailly, circa 1970. Original one-of-a-kind artwork on paper displayed on...

Heavy Impasto Portrait of Chief Crazy Horse by Harald Dry Schmidt Abstract expressionist portrait of a man by California artist Harald "Harry" Dry Schmidt (American, 1933-1979). The...

This early 1970s photograph, taken by society photographer Slim Aarons, features former fashion model Helen Dzo Dzo Kaptur (in white lace), Nelda Linsk (in yellow), wife of art deale...

Sam Francis Untitled Abstract Expressionist lithograph (Hand Signed from the Carnegie Museum Deluxe Edition), 1972 Catalogue Raisonné: 155, Lembark Hand signed and numbered 25/30 on...

Hand signed and numbered by artist with pencil. Edition of 100 prints. Colour lithograph on paper, trimmed margins. Medium Foxing. 

Yaacov Agam (Israeli, b. 1928), "Composition I", Screenprint in Colors, circa 1975, signed in white ink lower right, numbered edition "CXXIII/CLXXX" [123/180] lower left, white frame...

Artist: Arthur Boden, American Title: T Series (Red) Year: circa 1970 Medium: Screenprint, signed and numbered in pencil Edition: 100 Size: 29 in. x 23 in...

Appareil et Main is an artwork realized after a painting by the Surrealist Catalan artist Salvador Dalí (Figueres, 1904-1989). This is a color lithograph on wove paper, properly e...

Salvador Dali (1904-1989) Psychoanalysis : Tribute to Freud, 1972 Original coloured lithograph Handsigned in pencil Numbered 984/ 1000 On Arches Vellum 35 x 26" (87 x 64 cm) Ref...

Woodcut print on paper. Not signed. Matte included : 39 x 29 cm. Very good condition.

Abstract red, green and grey interior scene with lines, shapes and hand painted brushstroke texture. Colorful large scale work ideal for display in minimalist, modern and contemporar...

Paste on paper realized by Sirio Pellegrini in 1971. Hand signed and dated in pencil lower right. Includes a wooden frame, one-of-a-kind realized by the Artist cm. 50x59.5 Sirio P...

11 x 14" vintage silver gelatin photograph of dancer/choreographer/director Matthew Diamond, 1979. Signed by Jack Mitchell on the print recto. Comes directly from the Jack Mitchell ...

SUMMER COUPLE is a rarely seen, original limited edition lithograph by the Dutch artist Karel Appel printed using hand lithography techniques on Somerset paper, 100% acid free. SUMME...

Medium: original lithograph. Printed in 1972 for the art revue Derriere le Miroir (issue number 196) and published in Paris by Maeght. Size: 15 x 11 inches (378 x 276 mm). There is t...

Lithograph on paper realized by Mario Bardi in 1979. Hand signed and numbered in pencil. Edition of 99. Very good condition.

This limited edition print, La Grenouille et la Scie, is a unique and intriguing work that reflects the whimsical and imaginative spirit of contemporary art. Published in 1971, this ...

Artist: Clayton J. Gorder, American (1936 - 1987) Title: Neon Bullseye Year: circa 1974 Medium: Acrylic and Airbrush on Custom Shaped Canvas, signed on label verso Size: 32.5 x 57 x ...

ANDRE LANSKOY (French / Russian 1902-1976) 1966 Original color lithograph on watermarked Arches paper The title sheet was hand signed in pencil on the justification page by the arti...

Vincent HADDELSEY (1934-2010) Horse : Mexican Riders, 1974 Original Lithograph Handsigned in pencil Numbered / 100 On Arches vellum 53 x 38 cm (c. 23 x 15 in) Excellent condition

Andy Warhol Nicola (Nicky) Weymouth, ca. 1976 Acetate positive, acquired directly from Chromacomp, Inc. Andy Warhol's printer in the 1970s. Accompanied by a Letter of Provenance from the representative of Chromacomp Unique Frame included: Elegantly framed in a museum quality white wood frame with UV plexiglass: Measurements: Frame: 18 x 15.5 x 1.5 inches Acetate: 11 x 8 inches This is the original, unique photographic acetate positive taken by Andy Warhol as the basis for his portrait of Nicky Weymouth, that came from Andy Warhol's studio, The Factory to his printer. It was acquired directly from Chromacomp, Inc. Andy Warhol's printer in the 1970s. It is accompanied by a Letter of Provenance from the representative of Chromacomp. This is one of the images used by Andy Warhol to create his iconic portrait of the socialite Nicola Samuel Weymouth, also called Nicky Weymouth, Nicky Waymouth, Nicky Lane Weymouth or Nicky Samuel. Weymouth (nee Samuel) was a British socialite, who went on to briefly marry the jewelry designer Kenneth Lane, whom she met through Warhol. This acetate positive is unique, and was sent to Chromacomp because Warhol was considering making a silkscreen out of this portrait. As Bob Colacello, former Editor in Chief of Interview magazine (and right hand man to Andy Warhol), explained, "many hands were involved in the rather mechanical silkscreening process... but only Andy in all the years I knew him, worked on the acetates." An acetate is a photographic negative or positive transferred to a transparency, allowing an image to be magnified and projected onto a screen. As only Andy worked on the acetates, it was the last original step prior to the screenprinting of an image, and the most important element in Warhol's creative process for silkscreening. Warhol realized the value of his unique original acetates like this one, and is known to have traded the acetates for valuable services. This acetate was brought by Warhol to Eunice and Jackson Lowell, owners of Chromacomp, a fine art printing studio in NYC, and was acquired directly from the Lowell's private collection. During the 1970s and 80s, Chromacomp was the premier atelier for fine art limited edition silkscreen prints; indeed, Chromacomp was the largest studio producing fine art prints in the world for artists such as Andy Warhol, Leroy Neiman, Erte, Robert Natkin, Larry Zox, David Hockney and many more. All of the plates were done by hand and in some cases photographically. Famed printer Alexander Heinrici worked for Eunice & Jackson Lowell at Chromacomp and brought Andy Warhol in as an account. Shortly after, Warhol or his workers brought in several boxes of photographs, paper and/or acetates and asked Jackson Lowell to use his equipment to enlarge certain images or portions of images. Warhol made comments and or changes and asked the Lowells to print some editions; others were printed elsewhere. Chromacomp Inc. ended up printing Warhol's Mick Jagger Suite and the Ladies & Gentlemen Suite, as well as other works, based on the box of photographic acetates that Warhol brought to them. The Lowell's allowed the printer to be named as Alexander Heinrici rather than Chromacomp, since Heinrici was the one who brought the account in. Other images were never printed by Chromacomp- they were simply being considered by Warhol. Warhol left the remaining acetates with Eunice and Jackson Lowell. After the Lowells closed the shop, the photographs were packed away where they remained for nearly a quarter of a century. This work is exactly as it was delivered from the factory. Unevenly cut by Warhol himself. This work is accompanied by a signed letter of provenance from the representative of Chromacomp, Andy Warhol's printer for many of his works in the 1970s. About Andy Warhol: Isn’t life a series of images that change as they repeat themselves? —Andy Warhol Andy Warhol’s (1928–1987) art encapsulates the 1960s through the 1980s in New York. By imitating the familiar aesthetics of mass media, advertising, and celebrity culture, Warhol blurred the boundaries between his work and the world that inspired it, producing images that have become as pervasive as their sources. Warhol grew up in a working-class suburb of Pittsburgh. His parents were Slovak immigrants, and he was the only member of his family to attend college. He entered the Carnegie Institute of Technology (now Carnegie Mellon University) in 1945, where he majored in pictorial design. After graduation, he moved to New York with fellow student Philip Pearlstein and found steady work as a commercial illustrator at several magazines, including Vogue, Harper’s Bazaar, and the New Yorker. Throughout the 1950s Warhol enjoyed a successful career as a commercial artist, winning several commendations from the Art Directors Club and the American Institute of Graphic Arts. He had his first solo exhibition at the Hugo Gallery in 1952, showing drawings based on the writings of Truman Capote; three years later his work was included in a group show at the Museum of Modern Art for the first time. The year 1960 marked a turning point in Warhol’s prolific career. He painted his first works based on comics and advertisements, enlarging and transferring the source images onto canvas using a projector. In 1961 Warhol showed these hand-painted works, including Little King (1961) and Saturday’s Popeye (1961), in a window display at the department store Bonwit Teller; in 1962 he painted his famous Campbell’s Soup Cans, thirty-two separate canvases, each depicting a canned soup of a different flavor. Soon after, Warhol began to borrow not only the subject matter of printed media, but the technology as well. Incorporating the silkscreen technique, he created grids of stamps, Coca-Cola bottles, shipping and handling labels, dollar bills, coffee labels...

In February and March 1974, for a period of 40 days, a 820-foot long section of the Aurelian Walls was wrapped in polypropylene and rope, covering both sides, the top and the arches of the wall. Forty construction workers completed the temporary work of art in four days. Christo Vladimirov Javachev (Christo) and his wife Jeanne-Claude are famous for making impressive and often controversial art installations. Their works include the wrapping of the Reichstag in Berlin, the Pont Neuf in Paris, a Roman wall...

Oil on canvas realized by Franco Marzilli (1934-2010) in 1970s. Hand signed lower right. Very good condition. Franco Marzilli was born in Rome in 1934. He received his first artis...

TECHNICAL INFORMATION Victor Vasarely Tri-Vega 1975 Silkscreen on Arches paper 33 1/4 x 30 1/8 in. Edition 166 of 250 Pencil signed & numbered Condition: This work is in e...

Acrobat in Heels from Derriere Le Miroir by Alexander Calder, American (1898–1976) Date: 1975 Lithograph Size: 15 x 11 in. (38.1 x 27.94 cm) Printer: Maeght, Paris Publisher: Maeght ...

Etching and pochoir in white ink on black paper. Hand signed lower right by Man Ray. Hand numbered 89/100 lower left. Anselmino 87; Slusher 244. Artwork size: 25.25 x 19.75 inche...

Artist: Roy Ahlgren, American (1927 - 2011) Title: Luna Year: 1977 Edition: AP Medium: Serigraph, signed and numbered in pencil Image Size: 17.5 x 17.5 inches Size: 20 x 20 inches

Signed lower right, 'Pisani' for Vittorio Pisani (Italian, born 1916) and dated 1975; additionally titled 'Pasta'. An elegantly framed and character-filled, study of a Maltese captu...

Drypoint etching on Lana paper, edited in 1970. Limited edition of 175 copies, numbered as 150/175 in lower left corner. Hand-signed by artist in pencil in the lower right corner. Plate size: 52 x 39 cm Paper size: 76 x 56 cm Framed size: 94,5 x 78 cm Very good conditions. Publisher: Editions de Francony (Paris) Printer: Ateliers Rigal (Fontenay-aux-Roses) Bibliography: Dalì - Catalogue Raisonnè of Etchings and Mixed-Media Prints, 1924-1980 p. 190 Ref. 452 A regular certificate of authenticity and publication will be included. Also placed on the back is the original certificate hand-signed by Salvador Dali...

Medium: lithograph (after Matisse). Printed in sanguine ink on cream laid paper from the Papeteries Casteljoux and published in Geneva by Edito-Service in 1970. This reproduces one o...

Here we have two gorgeous colorful paintings by Tsugio Hattori (1952-1958), selling them separately. Tsugio Hattori is an American/Japanese Abstract painter who exhibited many important shows, museums and galleries. Painting depicts a beautiful abstract done in the 1970’s with Reece Gallery label verso. Painting is signed in American and Japanese, titled Rio Tajos verso. The other one is just as beautiful and colorful as well as same size titled Archipelago. Please Check my listings...

Expressive late 1970's green and red abstract on rough plywood, with scribbled linear forms in the style of Basquiat, by Bay Area artist Micha...

Medium shot of Jimmy Page playing his 1969 EDS-1275 Double neck at the Forum in 1972. John Bonham can be seen in soft focus in the background. About The Print: Archival pigment prin...

Bright orange leaps up like flames, or swaying grass, over which hovers a large-eyed bee sketched in black and orange. Over the fire-red in neat handwriting Ron Padgett...

Original 1979 “HAIR let the sun shine in!" vintage musical movie poster. Archival linen backed with the original fold marks restored. Grade A condition. Size: 27” x 41”. Se...

Artist: Joan Miro, Spanish (1893 - 1983) Title: Maravillas con Variaciones Acrosticas en el jardin de Miro (Number 22) Year: 1975 Medium: Lithograph, signed ...

Chris Smith (b.1937) Float like a Butterfly 1971 silver gelatin fibre based print 20 x 30 in. / 34.5 x 48 in. / 46 x 66 in. signed and numbered printed later This work is available in the following sizes (paper size): 20 x 30 in., edition of 25 plus 2 AP, £3,000 GBP (inc. 20% UK VAT) 34.5 x 48 in., edition of 50 plus 2 AP, £6,600 GBP (inc. 20% UK VAT) 46 x 66 in., edition of 25 plus 2 AP, £9,600 GBP (inc. 20% UK VAT) Provenance: Direct from the artist’s studio Notes: All photographs are signed and numbered and accompanied by a certificate of authenticity signed by the photographer. 'Float Like a Butterfly, Sting Like a Bee...

Color etching and aquatint, 1970. Signed by the artist in pencil, lower right. Numbered 2/50 in pencil, lower left. Titled in pencil, lower central. With the artist's blind stamp, l...

Lithograph on paper. Edition of 100. Hand signed and numbered.

Medium: original lithograph. The catalogue reference is Mourlot 948. Printed in Paris in 1974 by the Atelier Arte and published by Maeght. Size: 11 x 22 inches (275 x 562 mm). This l...

Vintage modernist abstract still life oil painting. Oil on board. Nicely framed. Signed. Excellent ready to hang condition.

Screen print realized in 1970s. Hand signed. Artist proof. Very good condition.

Linda Stein, Profile Solid 383.044 - Signed Feminist LGBTQ+ Colorful Acrylic and Gouache on Paper Drawing Profile Solid 383.044 is from Linda Stein's Profiles series--drawings, coll...

Medium: original lithograph. The catalogue reference is Mourlot 1106. Printed in 1976 for the art revue XXe Siecle (issue number 46) and published in Paris by San Lazzaro. Sheet size...

This evocative 1978 poster was produced by the Unified Information Department of the Palestine Liberation Organization (PLO), during a period when political posters played a crucial ...

Vintage poster realized by Galleria Rondanini in 1978. Offset print. Excellent condition.

Artist: John Kacere, American (1920 - 1999) Title: Reina Year: 1979 Medium: Lithograph, signed and numbered in pencil Edition: 300, 40 AP Image Size: 15 x 25.5 inches Size: 22 in. x ...

Genre: Israeli Batia Adith Subject: Biblical Medium: Print Surface: Paper Dimensions w/Frame: 30 1/2" x 21 1/2"

COMÉDIE ITALIENNE is an original stone lithograph by the American artist Henry D. Regis. COMÉDIE ITALIENNE was hand printed from a hand drawn lithography stone in black ink on archi...

This geometric, minimalist print glows in rainbow shades. Vibrant raspberry pink, magenta, yellow, lime green, and sky-blue lines take on the organic quality of handmade paper, resul...

Sun, 1975 - from Our Unfinished Revolution portfolio Lithograph in colors ***Professionally framed*** One of 250 copies, with the printed signature and date on offset paper. Print...

Jordi Curós Ventura (1930-2007) - Woman Acrylic on canvas on cardboard. Work measurements 55x46 cm. Frameless. Jordi Curós Ventura (Olot, Girona, March 4, 1930) is a Spanish painter...

Etching and aquatint in colors by Italian artist Marino Marini (1901–1980), titled "Shakespeare II," created in 1977. This impression is numbered XVIII from the deluxe Roman numeral ...

Black and White Print from a Limited Edition of 50. Paper size: 16" x 20" Print size: 12" x 16" Sean Connery is a striking portrait, on fibre paper, from iconic 20th Century photographer David Steen...

Medium: original lithograph. Printed in 1970 and published by Art In America. Size: 11 1/4 x 16 3/4 inches (283 x 427 mm). This lithograph was published as a folded sheet with a cent...

Valerio Adami Untitled Composition I from "DLM No. 220" Original Color Lithograph on Vellum Year: 1976 Edition: 2,000 Size: 14.9 x 22 inches (37.8 × 55.9 cm) Unsigned and not indivi...

Frameless.