1970s Art

Paper Size: 40.25 x 25.25 inches ( 102.235 x 64.135 cm ) Image Size: 32 x 23 inches ( 81.28 x 58.42 cm ) Framed: No Condition: A: Mint Additional Details: Official poster desig...

ONCE I WAS THE SUN is a limited edition lithograph by the Dutch artist Karel Appel printed using hand lithography techniques on archival printmaking paper, 100% acid free. ONCE I WAS...

Jacqueline Lee "Jackie" Kennedy Onassis (July 28, 1929 – May 19, 1994) was an American socialite, writer, and photographer who became First Lady of the United States as the wife of President John F. Kennedy. Her popularity as First Lady was due to her devotion to historical preservation of the White House, her fashion sense, and her devotion to her children, which endeared her to the American public. During her lifetime, Jackie was regarded as an international fashion icon. Her ensemble of a pink Chanel...

Watercolor on paper sold with frame (wooden frame with glass) Total size with frame 33x43 cm

Artist: Bernard Buffet Medium: Original Lithographic Poster, 1979 (before lettering) Dimensions: 26 x 20.5 in, 66 x 52.1 cm Classic Poster Paper - Perfect Condition A+ This color...

Circeria Odissea is a modern artwork realized by Tono Zancanaro. Mixed colored lithograph. Hand signed and numbered on the lower margin. Edition of 52/150. Includes frame

Beautiful vintage California landscape of Carmel Mission with native plants in soft neutrals and subtle muted colors by Kathleen J. Canepa (American, 20...

Vincent HADDELSEY (1934-2010) Horse : Polo Game, 1974 Original Lithograph Handsigned in pencil Numbered / 100 On Arches vellum 53 x 38 cm (c. 23 x 15 in) Excellent condition

Pair of Landscapes: Dijon France, Burgundy Canal Jean Boulay (French, 1937-1994) Oil on canvas Signed and dated 21 1/2 x 15 inches (each) The pair landscape...

5167 American Modernist still life table setting framed oil painting Frame Image size 9.5x23.5"

Signed, titled and numbered etching from the edition of 100. In individual prints, and his illustrated books, Washburn cleverly skewers human frailties with Renaissance-style engravi...

English Impressionist landscape with cottages, set in the Norfolk countryside, Winterton, England Keith Arthur Johnson was born at South Pickenham, Swaffham, Norfolk in 1931, son o...

Silkscreen serigraph Op art print. Luitpold Domberger (1912-2005 ) was a pioneer of artistic screen printing in Germany. Luitpold (Poldi) Domberger...

© Michael Putland Bob Marley Bob Marley at the Island Records office, London, July 1975. Bob Marley was a legendary Jamaican singer, songwriter, and global icon known for populari...

The Black Panther Trials - In this historically significant work, African American Artist Vicent D. Smith functions as an Art Journalist/ Court Reporter as much as a Artist. Here, he depicts, in complete unity, 21 Black Panther Protestors raising their fist of defiance at the White Judge. Smith's composition is about utter simplicity, where the Black Panther Protestors are symmetrically lined up in a confrontation with a Judge whose size is exaggerated in scale. Set against a stylized American Flag, the supercilious Judge gazes down as the protesters as their fists thrust up. Signed Vincent lower right. Titled Panter 21. Original metal frame. Tape on upper left edge of frame. 255 . Panther 21. Framed under plexi. _____________________________ From Wikipedia In 1969-1971 there was a series of criminal prosecutions in New Haven, Connecticut, against various members and associates of the Black Panther Party.[1] The charges ranged from criminal conspiracy to first-degree murder. All charges stemmed from the murder of 19-year-old Alex Rackley in the early hours of May 21, 1969. The trials became a rallying-point for the American Left, and marked a decline in public support, even among the black community, for the Black Panther Party On May 17, 1969, members of the Black Panther Party kidnapped fellow Panther Alex Rackley, who had fallen under suspicion of informing for the FBI. He was held captive at the New Haven Panther headquarters on Orchard Street, where he was tortured and interrogated until he confessed. His interrogation was tape recorded by the Panthers.[2] During that time, national party chairman Bobby Seale visited New Haven and spoke on the campus of Yale University for the Yale Black Ensemble Theater Company.[3] The prosecution alleged, but Seale denied, that after his speech, Seale briefly stopped by the headquarters where Rackley was being held captive and ordered that Rackley be executed. Early in the morning of May 21, three Panthers – Warren Kimbro, Lonnie McLucas, and George Sams, one of the Panthers who had come East from California to investigate the police infiltration of the New York Panther chapter, drove Rackley to the nearby town of Middlefield, Connecticut. Kimbro shot Rackley once in the head and McLucas shot him once in the chest. They dumped his corpse in a swamp, where it was discovered the next day. New Haven police immediately arrested eight New Haven area Black Panthers. Sams and two other Panthers from California were captured later. Sams and Kimbro confessed to the murder, and agreed to testify against McLucas in exchange for a reduction in sentence. Sams also implicated Seale in the killing, telling his interrogators that while visiting the Panther headquarters on the night of his speech, Seale had directly ordered him to murder Rackley. In all, nine defendants were indicted on charges related to the case. In the heated political rhetoric of the day, these defendants were referred to as the "New Haven Nine", a deliberate allusion to other cause-celebre defendants like the "Chicago Seven". The first trial was that of Lonnie McLucas, the only person who physically took part in the killing who refused to plead guilty. In fact, McLucas had confessed to shooting Rackley, but nonetheless chose to go to trial. Jury selection began in May 1970. The case and trial were already a national cause célèbre among critics of the Nixon administration, and especially among those hostile to the actions of the FBI. Under the Bureau's then-secret "Counter-Intelligence Program" (COINTELPRO), FBI director J. Edgar Hoover had ordered his agents to disrupt, discredit, or otherwise neutralize radical groups like the Panthers. Hostility between groups organizing political dissent and the Bureau was, by the time of the trials, at a fever pitch. Hostility from the left was also directed at the two Panthers cooperating with the prosecutors. Sams in particular was accused of being an informant, and lying to implicate Seale for personal benefit. In the days leading up to a rally on May Day 1970, thousands of supporters of the Panthers arrived in New Haven individually and in organized groups. They were housed and fed by community organizations and by sympathetic Yale students in their dormitory rooms. The Yale college dining halls provided basic meals for everyone. Protesters met daily en masse on the New Haven Green across the street from the Courthouse (and one hundred yards from Yale's main gate). On May Day there was a rally on the Green, featuring speakers including Jean Genet, Abbie Hoffman, Jerry Rubin, and John Froines (an assistant professor of chemistry at the University of Oregon). Teach-ins and other events were also held in the colleges themselves. Towards midnight on May 1, two bombs exploded in Yale's Ingalls Rink, where a concert was being held in conjunction with the protests.[4] Although the rink was damaged, no one was injured, and no culprit was identified.[4] Yale chaplain William Sloane Coffin stated, "All of us conspired to bring on this tragedy by law enforcement agencies by their illegal acts against the Panthers, and the rest of us by our immoral silence in front of these acts," while Yale President Kingman Brewster Jr. issued the statement, "I personally want to say that I'm appalled and ashamed that things should have come to such a pass that I am skeptical of the ability of a Black revolutionary to receive a fair trial anywhere in the U.S." Brewster's generally sympathetic tone enraged many of the university's older, more conservative alumni, heightening tensions within the school community. As tensions mounted, Yale officials sought to avoid deeper unrest and to deflect the real possibility of riots or violent student demonstrations. Sam Chauncey has been credited with winning tactical management on behalf of the administration to quell anxiety among law enforcement and New Haven's citizens, while Kurt Schmoke, a future Rhodes Scholar, mayor of Baltimore, MD and Dean of Howard University School of Law, has received kudos as undergraduate spokesman to the faculty during some of the protest's tensest moments. Ralph Dawson, a classmate of Schmoke's, figured prominently as moderator of the Black Student Alliance at Yale (BSAY). In the end, compromises between the administration and the students - and, primarily, urgent calls for nonviolence from Bobby Seale and the Black Panthers themselves - quashed the possibility of violence. While Yale (and many other colleges) went "on strike" from May Day until the end of the term, like most schools it was not actually "shut down". Classes were made "voluntarily optional" for the time and students were graded "Pass/Fail" for the work done up to then. Trial of McLucas Black Panther trial sketch...

Ira Moskowitz, Polish/American (1912 - 2001) - Harp Player Beneath The Tree, Portfolio: Song of Songs, Year: 1972, Medium: Lithograph, signed and numbered in pencil, Edition: 100, ...

Bermuda Idyll 1977 by Slim Aarons Slim Aarons Limited Estate Edition Mrs Frank McMahon and guests around the pool at her seaside home in Bermuda, 1977. unframed c type print prin...

Salvador Dali Don Quichotte from Les Chevaux Daliniens, 1970 Lithograph with embossing Sheet size 68 x 50 cm Printed by Wolfensburger, Zurich Published by Wajntraub & Carpentier, Pa...

Antique Israeli modernist surreal landscape oil painting. Oil on board. Signed. Framed. Measuring: 13 by 15 inches overall. In excellent original condition. Handsomely framed in a g...

From the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 original silkscreens that are a definitive survey of the artist...

This aluminium painting engraved by Alberto Viani, is a soft female portrait. The woman's figure is in an ethereal way, as a poetry. This artwork is a multiple of a limited edition o...

Here for your consideration is an original beautifully patinated solid bronze standing female nude by the Bulgarian/American artist, Ana Ranguel Daltchev. Incised artist signature o...

Surrealist proto-Afropunk drawing by African-American artist, Roland Ayers (1932-2014). Animal Capers, ca. 1970 . Ink on illustration board, image measures 20 inches. inches; illustration panel measures 21.5 inches. Unsigned. Minor staining evident in detail photos Artist and art educator, Roland Ayers was born on July 2, 1932, the only child of Alice and Lorenzo Ayers, and grew up in the Germantown district of Philadelphia. Ayers served in the US Army (stationed in Germany) before studying at the Philadelphia College of Art (currently University of the Arts). He graduated with a BFA in Art Education, 1954. He traveled Europe 1966-67, spending time in Amsterdam and Greece in particular. During this period, he drifted away from painting to focus on linear figurative drawings of a surreal nature. His return home inaugurated the artist’s most prolific and inspired period (1968-1975). Shorty before his second major trip abroad in 1971-72 to West Africa, Ayers began to focus on African themes, and African American figures populated his work almost exclusively. In spite of Ayers’ travel and exploration of the world, he gravitated back to his beloved Germantown, a place he endowed with mythological qualities in his work and literature. His auto-biographical writing focuses on the importance of place during his childhood. Ayers’ journals meticulously document the ethnic and cultural make-up of Germantown, and tell a compelling story of class marginalization that brought together poor families despite racial differences. The distinctive look and design of Germantown inform Ayers’ visual vocabulary. It is a setting with distinctive Gothic Revival architecture and haunting natural beauty. These characteristics are translated and recur in the artist’s imagery. During his childhood, one of the only books in the Ayers household was an illustrated Bible. The images within had a profound effect on the themes and subjects that would appear in his adult work. Figures in an Ayers’ drawing often seem trapped in a narrative of loss and redemption. Powerful women loom large in the drawings: they suggest the female role models his journals record in early life. The drawings can sometimes convey a strong sense of conflict, and at other times, harmony. Nature and architecture seem to have an antagonistic relationship that is, ironically, symbiotic. A critical turning point in the artist’s career came in 1971 when he was included in the extremely controversial Whitney Museum show, Contemporary Black Artists in America. The exhibition gave Ayers an international audience and served as a calling card for introductions he would soon make in Europe. Ayers is a particularly compelling figure in a period when black artists struggled with the idea of authenticity. A questioned often asked was “Is your work too black, or not black enough?” Abstractionists were considered by some peers to be sell-outs, frauds or worse. Figurative* work was accused of being either sentimental or politically radical depending on the critical source. Ayers made the choice early on to be a figurative artist, but considered his work devoid of political content. Organizations such as Chicago’ s Afri-Cobra in the late 1960‘s asserted that the only true black art of any relevance must depict the black man and woman...

Lithograph on vélin de Rives paper. Inscription: hand signed and unnumbered, as issued. Good condition. Notes: From the folio, Variations sur l'imaginaire, 1972. Published by Philipp...

Original "The Rocky Horror Picture Show" US 1-sheet vintage movie poster. Archvial linen backed. 1975, Style B. Original fold marks pr...

Capricho de Goya n°7 is an héliogravure and stencil, realized in 1977, hand-signed and numbered n°125/200. Published by Berggruen Paris in 1977. Image dimensions: 21x15 cm. Incl...

Warrior and his Horse Greco-Roman Theme Original oil and Clay on Canvas Rendition of an ancient warrior and his horse by a unknown but prolific painter (Africa/USA 20th C.). Possibl...

Movie Poster Flesh is a 1968 American film directed by Paul Morrissey. It features Joe Dallesandro as a hustler working the streets of New York. It fe...

Signed on the lower right side. It has the original strip frame from the Museum exhibition at the Portland Museum of Art 1983. Illustrated in the catalog, page 35 illustration #40 ...

Tristan Fabris 1970's, French Surrealist artist Abstract Surrealist Figurative study oil on canvas, unframed signed and dated 75' inscribed verso canvas: 32 x 34 inches private colle...

Oil on linen. Estate stamp verso. Unsigned. 71.25 x 40.5 in. 72.75 x 42 in. (framed) Custom framed in a solid maple floater with a polyurethane clear coat finish. Provenance Estat...

Andy Warhol Cow , 1971 Silkscreen on wallpaper, unsigned Cow with a soft pink background, surrounded by a purple ground. Left margin in the same soft pink reading "Andy Warhol" and...

Reclining Nude "Dawn" Fauvist Colors Original Abstract Expressionist on Canvas Abstract expressionist figurative composition of a woman by California artist Harald "Harry" Dry Schm...

'Social Call' by Slim Aarons SLIM AARONS ESTATE EDITION PRINT Numbered in ink to 150 only and emboss stamped on front. Charley Weaver at the Las Brisas ...

Marcelle Lender en Buste is a lithograph realized after the homonymous work by Toulouse-Lautrec of 1895. Limited edition of 1.000 specimens. Very good conditions. Henri de Tolous...

Island is an original screen print artwork, realized by Maurilio Catalano. Hand-signed, numbered edition of 2/60 prints. The state of preservation is very good. The artwork repres...

Artist: Alexander Calder Title: Devil Medium: Etching and aquatint in colors Date: 1974 Edition: 20/80 Sheet Size: 25 7/8" x 20" Image Size: 19 1/8" x 13 1/2" Signature: Hand signed ...

Duane Bryers, American (1911 - 2012) - Morning Flight, Year: 1979, Medium: Lithograph, Signed and Numbered in Pencil, Edition: 300, AP, Image Size: 17.5 x 21 in., Size: 21 in. x...

Cityscape with skyscrapers. Stylized and almost abstract representation of a city with skyscrapers, some of which have the shape of a sail. Oil on canvas. In a 1970´s aluminium / wood period frame. Signed lower right: Raimondo. Landscape appears at first glance as a series of abstract, geometric, very bright objects. Very good condition. Painting comes from a collection in Turin, Italy which had numerous signed works...

Albert Junyent Quinquer (1903-1976) - Catalan coast - Oil on canvas Oil measures 46x38 cm. Frame measures 59x51 cm. Son of Sebastián Junyent Sans and Paulina Quinquer, he was the eldest of four siblings (Albert, María, Montserrat and Adelina). He was a disciple of his uncle Oleguer Junyent. His father, a prominent painter, died very young when he was barely five years old. With a degree in letters and a diploma from the École du Louvre (Paris, FR), he was a student of Amédée Ozenfant. In Barcelona (1927) he collaborated in the decoration of the Universal Exhibition of 1929, in Montjuich. He was a correspondent in Paris (1930) for the publications “Mirador” and “El Instante”. During the civil war he rose to the rank of republican captain and once the conflict ended he went into exile in Venezuela, where he was a writer, painter and art critic. He was also part of the group of professors at the School of Plastic and Applied Arts in Caracas, and he also published two important monographs: one on Cristóbal Rojas...

Artist: John Moore Title: Still Life (Sixth Annual Community Holiday Festival) Year: 1976 Signed: No Medium: Serigraph Paper Size: 47.25 x 31.25 inches ( 120.015 x 79.375 cm ) Image ...

11 x 14" vintage silver gelatin photograph of Adagio dancers Luis Villanueve and Zinaida Yeviko, 1975, signed by Jack Mitchell on the print verso. Comes directly from the Jack Mitch...

Noel Daggett, American (1925 - 2005) - Let's Move 'Em, Year: circa 1979, Medium: Lithograph, signed and numbered in pencil, Edition: 300, AP 40, Image Size: 18.5 x 27 inches, Siz...

Artist: Leonor Fini Title: Visage (June Fille II) Year: 1973 Medium: Lithograph in colors Edition: EA Signed and numbered E.A (Artist proof) in pencil Size: 21.5 x 18.25 Condition: ...

Joan Miró - Maravillas con variaciones acrósticas en el jardín de Miró II Date of creation: 1975 Medium: Lithograph on Gvarro paper Edition: 1500 Size: 49,5 x 35,5 cm Condition: In v...

Léonor FINI (1907-1996) Surrealist lady Original etching, 1973 Hand signed in pencil Numbered /275 copies On Arches vellum size 56 x 38 cm (c. 22 x 15 in) Very good condition

At The Linsk House 1970 by Slim Aarons Slim Aarons Limited Estate Edition Guests by the pool at Nelda Linsk’s desert house in Palm Springs, January 1970. The house was designed by...

Miniature oil on board original painting of a view of Sacre Coeur from the street in Montmartre, Paris. France. Circa 1975. Signed illegibly lower left. Condition is excellent. O...

Joan Palet (1911 - 1996) - Female figure - Oil on canvas Oil measures 81x65 cm. Frameless. Joan Palet was born in Barcelona on March 28, 1911 in a family of sculptors and wood carve...

Original exhibition poster printed on the occasion of Jim Dine's 1971 exhibition at Kunsthalle Bern, featuring Saw, 1971. Against a sea of electric blue, Dine has written “saw” in lo...

Complete set of 4 soft-ground etchings (2 with hand coloring in black gouache) on BFK Rives paper. Smallest - 29 1/2"x38 3/4" , Largest - 30 3/4"x40 1/4". Each artist's proofs, aside...

As always, Caviar20 is thrilled to present the esteemed work of Louise Nevelson - one of the most revered and unique artists of the 20th century. Although Nevelson is best known f...

Artist: Jack Brusca, American (1939 - 1993) Title: The Beach Year: 1979 Medium: Screenprint, signed and numbered in pencil Edition: 200, AP 30 Image Size: 23 x 23 inches Size: 27.5 i...

John Urbain (1920-2009) Composition , 1970 Acrylic Painting with Collage Fine early example from 1970 Provenance : Estate of the artist Very good condition size 19 x 13 in. w. f...

Héliogravure on vélin paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Diane Arbus, Electa Editrice Portfolios, 1979. Published by Unite...

Artist: Reuben Nakian Title: Leda and the Swan - 7 Year: circa 1980 Medium: Etching and Chine Colle, signed and numbered in pencil Edition: IV/XXV Image Size: 13.5 x 16.5 inches Siz...

Apache Mountain Spirit Dancers, lithograph, black & white, Allan Houser hand pulled black and white lithograph edition printed in Santa Fe, New Mexico L...

Abstract Composition is a Color Markers Drawing and Watercolour realized by Reynold Arnould (Le Havre 1919 - Paris 1980). Good condition. No signature. Reynold Arnould was born ...

Artist: Michael Knigin, American (1942 - 2011) Title: Majestic Manner Year: 1986 Medium: Screenprint, signed, numbered, dated, and titled in pencil Edition: 32/68 Image Size: 20.25 x...

Urbain HUCHET Montmartre : Cabaret du Moulin Rouge, 1970 Original lithograph Handsigned in pencil Numbered / 295 copies Size 19 x 27 cm (c. 7,4 x 10,6 in) Excellent condition