1980s Art

Medium: original lithograph. Printed in 1981 for the art revue Derriere le Miroir (issue number 247) and published in Paris by Maeght. Size: 15 x 11 inches (378 x 277 mm). There is t...

Phantom of the Opera - Andrew Lloyd Webber Broadway Musical Tony Awards 38/100 Al Hirschfeld 1903-2003) Phantom of the Opera Lithograph on rag pap...

4090 An abstract graffiti art, oil on artist board displayed in a custom -made wood frame Image size 12H x 12 W

Yuri Larin (1936-2014). Landscape, 1984. Watercolor on paper, 17 x 18 inches. Unframed and unmounted. Signed and dated lower left. Excellent condition. Image is painted on verso side of block print wallpaper sheet of Russian manufacture. Estate of Giovanni and Dagmar Migliuolo, NYC. Giovanni Migliuolo is the former Italian Ambassador to the United Nations, USSR and Egypt. Yuri Larin, also Yuriy Larin (1936–2014) is a Russian painter and graphic artist, a member of the Union of Artists of the USSR since 1977. Larin was born in Moscow to the family of a key Soviet political leader, Nikolay Bukharin, and Anna Larina. Following the arrests of his parents in 1938 and until 1946, he lived with his relatives, and following the arrest of his step-father, he was taken to an orphanage near Stalingrad. A hydraulic engineer by training, he worked at the construction of the Saratov Hydro-Electric Plant and at design institutions. In 1960, he began his studies at the department of drawing and painting of the Krupskaya People’s University of Arts, and then, from 1965 until 1970, he studied at the department of art design at the Moscow State Higher School of Arts and Industry (the former Stroganov Institution). His career as a professional artist began in the early 1970s. From 1970 until 1986, he taught at the Moscow 1905 Memorial Arts School. His letter to prof. Vittorio Strada sent in 1980 contained the first statement of his artistic method he would later dub the “concept of the limit state”. He quit teaching after a serious illness, when he lost the ability to use his right hand. He only worked with his left hand since 1986. He died and was buried in Moscow. Exhibitions: 1981 The sixth All-Union watercolor exhibition. Moscow 1982 Personal exhibition in Moscow Drama Theater after M.N.Ermolova (together with Ye.Kravchenko). Moscow. 1985 The eighth All-Union watercolor exhibition. Moscow 1987 The ninth All-Union watercolor exhibition. Moscow. 1989 Personal watercolor exhibition. Gallery “Books&Company Art”, NY, USA Personal exhibition. The Central House of the Artist on Krymskiy Val, Moscow. 13 Biennale of the countries of the Baltic Region in Rostock, Germany. 1992 Personal exhibition of Russian and German landscapes. Duren, Germany. The exhibition of the Russian graphics. Gallery «Raissa». Erfurt, Germany. 1993 Personal exhibition in exhibition hall of magazine “Nashe Nasledie” (Russian Cultural Foundation), Moscow 1994 Personal watercolor exhibition. Gallery “The Art of the XX century”. Bonn, Germany 1996 Personal exhibition of portraits and landscapes. World Bank Moscow Office 1997 Personal exhibition “From Italian cycle”. The State Institute of Art Studies. Moscow Exhibition “THe Russian Art of the second half of the XX century. Harmony of Contrasts”. The Academy of Arts of the Russian Federation. Moscow. 1998 Personal exhibition “The seasons of Yuriy Larin. From the Russian cycle”. Moscow State Museum of Vadim Sidur...

Edition 10 Also available in 40 x 50 cm / 16 x 20 inch, Edition 25 Signed on a label and a certificate of authenticity Black and white portrait of Singer and Songwriter David Bowie...

Jean-Michel Basquiat Hanover 1986: Rare 1986 Basquiat catalog published on the occasion of Jean-Michel Basquiat Kestner-Gesellschaft Hannover: 28 November 1986 to 25 January 1987. Featuring 60 works by a then 25 year old Basquiat, Kestner is widely remembered as Basquiat’s last major exhibition during his lifetime. Medium: softcover exhibition catalogue. Bound in stiff wraps. Text in German. Approximately 100 pages. Features full-page images of over 30 Basquiat paintings, in addition to several in collaboration with Andy Warhol. Very good overall vintage condition. From a scarce edition of unknown. _ We are a 1stDibs seller since 2016 specializing in Basquiat, Keith Haring, Andy Warhol, KAWS & more. _ Jean-Michel Basquiat was an influential African-American artist who rose to success during the 1980s. Basquiat’s paintings are largely responsible for elevating graffiti artists into the realm of the New York gallery scene. His spray-painted crowns and scribbled words referenced everything from his Haitian and Puerto Rican heritage, to political issues, pop-culture icons, and Biblical verse. The gestural marks and expressive nature of his work not only aligned him with the street art of Keith Haring and Kenny Scharf, but also the Neo-Expressionists Julian Schnabel and David Salle. “If you wanna talk about influence, man, then you've got to realize that influence is not influence,” he said of his process. “It's simply someone's idea going through my new mind.” Born on December 22, 1960 in Brooklyn, NY, Basquiat never finished high school but developed an appreciation for art as a youth, from his many visits to the Brooklyn Museum of Art with his mother. His early work consisted of spray painting buildings and trains in downtown New York alongside his friend Al Diaz. The artist’s tag was the now infamous pseudonym SAMO. After quickly rising to fame in the early 1980s, Basquiat was befriended by many celebrities and artists, including Andy Warhol, with whom he made several collaborative works. At only 27, his troubles with fame and drug addiction led to his tragic death from a heroin overdose on August 12, 1988 in New York, NY. The Whitney Museum of American Art held the artist’s first retrospective from October 1992 to February 1993. In 2017, after having set Basquiat’s auction record the previous year with a $57.3 million purchase, the Japanese billionaire Yusaku Maezawa surpassed it, buying the artist’s Untitled (1982) at Sotheby's for $110.5 million. This set a new record for the highest price ever paid at auction for an American artist's work. Today, Basquiat's works are held in the collections of The Museum of Modern Art in New York, the Rubell Family Collection in Miami, and the Museum of Contemporary Art in Los Angeles, among others. Related Categories: Jean-Michel Basquiat Bischofberger...

Robert Kelly (American, 1956-) Abstract Mixed Media on paper Study for Alma 1983 Pencil titled Hand signed lower right Dimensions: Frame: 26 X 19 Image: 24 X 17.5 Robert Kelly (born 1956) is an American artist. He is based in New York City. Kelly was born in Santa Fe, New Mexico, and studied at Harvard University, Cambridge, Massachusetts (B.A. 1978). His paintings have been acquired by public and private collections in Europe and the United States, including The Whitney Museum of American Art, New York, NY; The Brooklyn Museum, Brooklyn, NY; The Museum of Fine Arts, Santa Fe, NM; Milwaukee Art Museum, Milwaukee, WI; Smith College Art Museum, Northampton MA; Jane Voorhees Zimmerli Art Museum, Rutger’s University, NJ; Montgomery Museum of Fine Arts, Montgomery; The Fogg Museum, Cambridge, MA; The Margulies Collection, Miami, FL; and the McNay Art Museum, San Antonio, TX. Kelly has traveled throughout the United States, Europe, North Africa, the Near East, and Nepal. His work often incorporates unusual materials from his journeys, among them vintage posters and printed antique paper, obscured and layered in saturated pigments on a canvas faintly scored with irregular grids. Kelly’s paintings have been likened to palimpsests and his method described as one of building “meticulously on inhabited ground, layering materials, documents, and signs, covering them, wiping out their beauty, nearly, but allowing something of the labor and their languages to persist.” Kelly worked as a commercial photographer for Polaroid in Cambridge, Massachusetts, and completed residencies at The MacDowell Colony and The Karolyi Foundation, Vence, France, before devoting himself entirely to painting in 1982. His work has been the subject of more than forty-five solo shows at venues in North America and Europe, including Spazio Bianco/AR Contemporary Art, Milan, Italy; Leslie Feely Fine Art, New York; and The John Berggruen Gallery, San Francisco, California. He has participated in more than one hundred group shows in the United States and abroad. including the Projects Inaugural Exhibition at Bentley Gallery Featuring works by Jim Dine, Jennifer Bartlett, Donald Sultan, Frank Stella, John Chamberlain, Julian Schnabel and, Dominique Blain. Kelly’s influences include the De Stijl movement, Malevich and Mondrian and modernists like Bauhaus, Joaquin Torres-Garcia, Philip Guston, Richard Diebenkorn, Kurt Schwitters, Blinky Palermo and Brazilian Neo-Concretists Lygia Clark and Helio Oiticica. Kelly himself cites Hans Arp, Myron Stout, Tony Smith, Brancusi, Calder, Bill Traylor, Louise Bourgeois, and Ellsworth Kelly. Primary Abstraction, Process-Oriented, Hard-Edged, New York School Artists, Line, Form, and Color, Curvilinear Forms. “Kelly compares his work method to the practice of a stonemason building a wall, setting the components in place as they rise with an astuteness and precision found in the process of composing formal puzzles. Addressing the full expanse of a canvas covered entirely with paper, he masterfully builds up his surface with the pared down tools of line, form and color. Given their remarkable elegance, sheen and tactile qualities, the paintings invite drop-dead awe.” Edward Leffingwell, Robert Kelly: Paper Trails “In these works the sophisticated play between translucency and opacity, representation and abstraction conflates past and present—be it the history of art or of a psyche.” Hilarie M. Sheets, Art in America “[His] process yields the self-sustaining and harmonious ‘rightness’ of so much of Kelly’s work, a sense that each form could never be other than it is; were it sharper, more obtuse, or thicker, each angle, curve, or horizontal band would collapse into formlessness. Kelly’s compositions are held in such perfect moments of balance...” João Ribas, Robert Kelly: Praxis and Poesis “The works are paradoxical: by disassembling and then reassembling the pieces, Kelly seems to undermine visual ‘completeness’ by a fragmented presentation. Yet it nonetheless feels as though the image is a cohesive whole.” Melissa Kuntz, Art in America “Confronted as all artists are now with the exhaustion of subjectivity, Robert Kelly insists on the capacity of painting to mediate subjective apprehension through symbolic forms and sensual experience. Nothing less.” Lyle Rexer, Robert Kelly: Painting’s Place “Robert Kelly’s art is exemplary. It reveals an intelligence that is as alert and modern as one could wish but is at the same time saturated in the knowledge of other times and places.” John Ash...

Acrylic and silkscreen ink on paper 101.5 by 151.5 cm. 40 by 59⅝ in. framed: 112 by 161.6 cm. 44⅛ by 63⅝ in. Executed in 1980. Stamped by The Estate of Andy Warhol and The Andy Warh...

A striking original lithograph from Hockney's popular The Moving Focus series with Cubist influences. Hockney depicts his studio interior with varying perspectives, shadows, views an...

Jean-Michel Basquiat Downtown 81 / New York Beat 1980: Basquiat created this impossibly rare printed flyer to advertise a band performance within his feature acted film: Downtown 81 ...

Born in 1934 in the city of Tlaxcala. He began his artistic training at the National School of Plastic Arts in 1966, remaining there until 1970. He continued his studies at the Colle...

Combined Edition 25 Also available in 50 x 60 cm/ 20 x 24 inch and as combined Edition 10 in 76 x 101 cm / 30 x 40 inch 101 x 127 cm / 40 x 50 inch Portrait of famous American sing...

"Sade Ade" by Express Newspapers Nigerian-born British singer and songwriter Sade (Helen Folasade). Unframed Paper Size: 24"x 20'' (inches) Printed 2022 Silver Gelatin Fibre Print

Beautiful Sugar Shack painting by Rik Fitch. Oil on canvas with bold brushwork. Likely painted in the late 1980's before Rik escaped to Hawaii. He attended the Boston Museum School...

Thomas L. McCartney was born in Grove City, PA in 1938. He began his career in Veterinary Medicine and later became interested in photography. Originally involved in wildlife photogr...

CARL SCHUMANN (American) More Than This Poster 38 x 25.125 in. Unframed Plate signed Copyright 1989 Haddad’s Fine Arts, Inc. Anaheim, California. Good/Fair Condition-indentation/wr...

Don Nice New York, New York (hand signed and inscribed by Don Nice), 1984 Rare offset lithograph poster (signed and inscribed from Don Nice to Dick Polich) Signed and inscribed in gr...

In the world of graphic design and visual art, few names resonate as strongly as that of Raymond Savignac (1907-2002). Known for his distinctive and whimsical style, Savignac's work ...

Friedel Dzubas Night Star, 1984 Silkscreen on wove paper with deckled edges Pencil signed and numbered 26/90 on the front 32 3/10 × 19 1/10 inches Unframed Terrific silkscreen by ren...

Grand Canyon Susan Shatter, American (1943–2011) Date: 1981 Lithograph, signed and numbered in pencil Edition of 80 Size: 31.5 x 44 in. (80.01 x 111.76 cm)

Serge LASSUS (1933-) Horses : Riders in Winter, 1983 Original Lithograph Handsigned in pencil Numbered / 600 (the number you can see can be different) On Vellum 56 x 76 cm (c. 22 x ...

Studio portrait from the 1940s of Ingrid Bergman rendered in Warhol's signature style published by Galerie Borjeson. Known for his bold, repetitive portrait style, Warhol transformed...

This exquisite lithograph after Marc Chagall (1887–1985), titled Die Sirenen (The Sirens), from Homer, Die Odyssee (The Odyssey), originates from the 1989 German-language folio publi...

A lithograph from the Marina Picasso Estate Collection after the Pablo Picasso painting "Deux Pigeons". The original painting was completed in 1960. In the 1970's after Picasso's de...

PROPHESY by the Israeli artist Moshe Castel (1909-1991) is a limited edition lithograph printed in 13 colors using traditional hand lithography techniques on archival Somerset paper ...

This vintage David Hockney poster features whimsical imagery and rich, bright color. Palm trees, boats in the ocean, a cafe, and a bodega with an elaborate iron-wrought balcony sit a...

Yuri Larin (1936-2014). Landscape, 1986. Watercolor on paper, 16.5 x 18.25 inches. Mounted on cardboard sheet measuring 24 x 28 inches. Signed and dated lower left. Excellent condition. Image is painted on verso side of block print wallpaper sheet of Russian manufacture. Sheet is carefully hinged at corners and can be removed from cardboard backing with relative ease. Estate of Giovanni and Dagmar Migliuolo, NYC. Giovanni Migliuolo is the former Italian Ambassador to the United Nations, USSR and Egypt. Yuri Larin, also Yuriy Larin (1936–2014) is a Russian painter and graphic artist, a member of the Union of Artists of the USSR since 1977. Larin was born in Moscow to the family of a key Soviet political leader, Nikolay Bukharin, and Anna Larina. Following the arrests of his parents in 1938 and until 1946, he lived with his relatives, and following the arrest of his step-father, he was taken to an orphanage near Stalingrad. A hydraulic engineer by training, he worked at the construction of the Saratov Hydro-Electric Plant and at design institutions. In 1960, he began his studies at the department of drawing and painting of the Krupskaya People’s University of Arts, and then, from 1965 until 1970, he studied at the department of art design at the Moscow State Higher School of Arts and Industry (the former Stroganov Institution). His career as a professional artist began in the early 1970s. From 1970 until 1986, he taught at the Moscow 1905 Memorial Arts School. His letter to prof. Vittorio Strada sent in 1980 contained the first statement of his artistic method he would later dub the “concept of the limit state”. He quit teaching after a serious illness, when he lost the ability to use his right hand. He only worked with his left hand since 1986. He died and was buried in Moscow. Exhibitions: 1981 The sixth All-Union watercolor exhibition. Moscow 1982 Personal exhibition in Moscow Drama Theater after M.N.Ermolova (together with Ye.Kravchenko). Moscow. 1985 The eighth All-Union watercolor exhibition. Moscow 1987 The ninth All-Union watercolor exhibition. Moscow. 1989 Personal watercolor exhibition. Gallery “Books&Company Art”, NY, USA Personal exhibition. The Central House of the Artist on Krymskiy Val, Moscow. 13 Biennale of the countries of the Baltic Region in Rostock, Germany. 1992 Personal exhibition of Russian and German landscapes. Duren, Germany. The exhibition of the Russian graphics. Gallery «Raissa». Erfurt, Germany. 1993 Personal exhibition in exhibition hall of magazine “Nashe Nasledie” (Russian Cultural Foundation), Moscow 1994 Personal watercolor exhibition. Gallery “The Art of the XX century”. Bonn, Germany 1996 Personal exhibition of portraits and landscapes. World Bank Moscow Office 1997 Personal exhibition “From Italian cycle”. The State Institute of Art Studies. Moscow Exhibition “THe Russian Art of the second half of the XX century. Harmony of Contrasts”. The Academy of Arts of the Russian Federation. Moscow. 1998 Personal exhibition “The seasons of Yuriy Larin. From the Russian cycle”. Moscow State Museum of Vadim Sidur. Exhibition of new collections and gifts. Historical-Architectural and Art Museum “New Jerusalem”. Istra. Moscow region. 2000 Exhibition “Image and transformation in art”. The Ministry of Cultural Affairs of the Russian Federation, Russian Cultural Foundation. Moscow Personal exhibition “German landscapes in the eyes of the Russian artist”. Gallery “Yunge”, Dortmund, Germany. 2001 Exhibition “East and West”. Historical-Architectural and Art Museum “New Jerusalem”. Istra. Moscow region. Exhibition devoted to nudes. Gallery on Peschanaya. Moscow. 2002 Personal exhibition “Yuriy Larin. The works of different years”. Bulgarian Cultural Center, Art-studio “TAGRY”. Moscow. 2004 Personal exhibition “YURIY LARIN. Harmony and plasticity”. Radischev Saratov State Art Museum. 2006 Personal exhibition “Saint-Pol-de-Mar”. Exhibition hall of Magazine “Nashe Nasledie”. Moscow. 2011 Personal exhibition “Harmony and plasticity. The artist Yuriy Larin’s works”. Museum-reserve Tsaritsyno. Moscow. 2013 Personal exhibition and album presentation. Yuriy Larin “Selected”. Gallery “Kino”. 9-18 October, 2013 Personal exhibition “Yuriy Larin’s space”. State Literature Museum. January, 29 - February, 23 2015 Personal exhibition “The reality of the space lighting” The gallery of Nazarov. Lipetsk. March, 14- April, 11. Personal exhibition “Yuriy Larin. Monolog of a happy person” State Museum of St.Petersburg’s History. Petropavlovskaya fortress, Nevskaya courtina.July, 30 - September, 13 2016 Personal exhibition “Yuriy Larin. Art- timeless plot. Yaroslavl Art Museum. December, 12, 2015 - February, 18, 2016 2016 Personal exhibition “The geography of light. Art and graphic of Yuriy Larin”. Moscow. Noviy Manej. April. 1 - April, 24, 2016 Museum Collections: The State Russian Museum Saint Petersburg The State Tretyakov Gallery Moscow The State Museum of Oriental Art Moscow Radischev Art Museum in Saratov Saratov Historical-Architectural and Art Museum “New Jerusalem” Istra (Moscow Region) Branch of the State Museum of People’s Art in Armenia Dilijan The Union of Art Museums and the centers of aesthetic education of the republic Udmurtiya Ijevsk Volgograd Museum of Fine Arts Volgograd Tomsk Regional Art Museum Tomsk Eastern-Kazakhstan Art Museum Semey Moscow State Museum of Vadim Sidur Moscow Andrey Sakharov Museum Moscow State Literature Museum Moscow The collection of the magazine “Nashe Nasledie” Moscow The collection of the Heinrich Boell Foundation Berlin Chronology: May, 8, 1936 Yuriy Larin was born in Moscow in a family of a prominent statesman Nikolay Ivanovich Bukharin and Anna Mikhaylovna Larina; 1938–1946 years After his parents’ arrest the artist was brought up by his relatives- Boris Izrailevich and Ida Grigorievna Gusman 1946 After B.I.Gusman’s arrest was raised in an orphanage from the age of 10 near Stalingrad (Volgograd); Since the childhood the artist demonstrated his turn for arts that he inherited from his father (it’s known that N.I.Bukharin was a gifted artist-amateur). 1949 Sent to the camp. 1956 At the age of twenty when A.M.Larina returned from the Stalinist camp, learned for the first time his father’s name which was N.I.Bukharin; 1958 Graduated Novocherkassk Engineering-Melioration Institute, which he was enrolled into under the influence of his farther B.I.Gusman. 1958-60 Work as hydraulics civil engineer on the construction of Hydroelectric Power Station in Saratov and in project organizations; Underwent tuberculosis 1960 With his mother A.M.Larina got permission to come back to Moscow; Started distance education at People’s University of Arts after N.K.Krupskaya at the department of drawing and painting (professor A.S. Trofimov) 1970 Yuriy Larin graduated from Moscow State Higher Art-Industry School ( Stragonovka), faculty of artwork development (industrial design), enrolled in 1965; Starts his career of a professional artist; from 1970 to 1986 teaches at Moscow Academy of Art in remembrance of 1905; here starts long creative cooperation with V.A.Volkov, the son of the prominent Soviet artist A.N.Volkov. Gets married. The wife - Inga Yakovlevna Ballod, an architect by training, writer and journalist. 1970-1974 Worked from life on landscapes (watercolor and oil). Works in traditional realistic direction, the main aim is to deliver different conditions of the nature (landscape conditions) 1972 Welcomes his son Nikolay from 1972 Takes part in Moscow, Russian and All-Union exhibitions; the second half of the 1970s Works on portraits, still-lifes, nude, continuing working on landscapes 1974 Trip to Kuban as a part of the group of the Union of Artist of RSFSR, the creation of watercolor landscapes of local nature, which set the beginning of the cycle “Caucasus”; Yuriy Larin works harder on the creation of his own formal signature, and on his own theory of art (for details see the letter of Y.Larin to V.Strada) 1975 First trip to the House of Creativity of the Union of Artists “Goryachiy Klyuch”, creation of new watercolors of Caucasus cycle. 1976 The end of the nature period. As a turning point in the artist’s career was a period when he worked at the House of Creativity “Cheluskinskaya” near Moscow. Starting from this period landscapes, portraits and still-lifes are drawn from memory. Using only some pencil sketches that are done from real life. Long walks around the neighborhoods of Cheluskinskaya, trips to Abramtsevo, Klazma served as a strong impetus to the development of cycle of Moscow region landscapes. 1977 Became part of Moscow Union of Artists in USSR. “Watercolors of Y.B.Larin are the world of senciar relationships between the artist and nature. The plots of his works are extremely simple, unsophisticated, but behind all that there is a whole concept: the living nature is shaped by the eyes of the artist into one-piece space masses, human creations as ships, cranes, bridges get soft, kind forms; dissolved they become part of complete, modern and artistically convincing form” (V.A.Volkov. From the reference given to Y.Larin to become part of Moscow Union of Artists in 1975) “Yuriy Borisovich Larin appears to me as a serious and deep artist,... mature artist. His watercolors are of proof of having coloristic gift, high culture and material understanding” (M.P.Miturich. From the reference given to Y.Larin to become part of Moscow Union of Artists in 1975) 1977 Yuriy Larin directs a group of young Moscow artists in their trip to Olskiy area of Magadan region. Creates a series of landscapes of Magadan nature. 1980 In the letter to V.Strada finally justifies the theoretical part of his artistic method, later calls it the concept of limit state. The end of the 1970s - the beginning of the 1980s Devoted four years to the translation of the book of S.Cohen, professor of Princeton University, about N.I.Bukharin. Ye.A.Gnedin was helping him to translate the book, they were meeting every Thursday. Afterwards, while publishing the Russian version of the book in the USA the translators Y.LArin and Ye.Gnedin were credited under pseudonyms Ye. and Y. Chetvergovy. Yevgeniy Alexandrovich Gnedin is a prominent Soviet diplomat, staff member of M.M. Litvinov, died in 1983. Y.Larin considers him to be one of the most incredible people of the XX century. Meets famous collectionner from Moscow Ya.Ye. Rubinshtein, who buys six works of the artist (oil and watercolor); Fall, 1981–1982 Again works at the House of Creativity “Goryachiy Klyuch”. As a result the Caucasus series are enlarged with first oil works. The long contact with the nature of Caucasus influenced greatly the creative development of the artist. 1980 The artist creates the cycle of the watercolors of Moscow region in winter, the part of which will be purchased by Ya.Ye. Rubinstein and the Russian Museum; V.Volkov indicated in the works “a new approach to the light” Fall, 1981–1982 Again works at the House of Creativity “Goryachiy Klyuch”. As a result the Caucasus series are enlarged with first oil works. The long contact with the nature of Caucasus influenced greatly the creative development of the artist. 1982 First own exhibition in Moscow Drama Theatre after M.N.Yermolova (together with Ye.N.Kravchenko). Mostly presented the paintings of the last decade that were painted in the central Russia, Krasnodar and Magadan regions. The exhibition and the discussion that took place afterwards helped to open up Y.Larin. He met the ambassador of Italy to USSR Giovanni Migliuolo and became friends for a long period of time. 1979-1985 Within a few years during summer vacations Yuriy Larin works in Baltic. Creates a cycle of graphic watercolors on German paperboard. The landscapes on the constructive base greatly differ from Moscow and Caucasus cycles. Fall, 1983 Trip to Armenia with his close friend Yu.M. Garushyants, historian. The result of that trip were thirty watercolor papers that continued the Caucasus cycle. 1985 In the almanac “Soviet Graphic” there is a publication about the watercolors of the artist that was written by G. Yelshevskaya. December, 1985 Underwent the neurosurgery; as a consequence the loss of strength and skill in his right hand. 1987 Death of his wife Inga Ballod  First personal exhibition overseas: exhibition of watercolors in the gallery Books&Company Art, NY, USA. Since then takes part in different foreign exhibitions. 1988 N.I.Bukharin’s rehabilitation, after that Yuriy Larin was able to change his patronymic “Borisovich” to “Nikolayevich” 1989 Gets married. The wife - Olga Arsenyevna Maksakova, doctor, Lead researcher at the Institute of neurosurgery named after Burdenko. Personal exhibition in Central House of Artists in Krymskiy Val. Displayed over two hundred of watercolor and oil paintings...

Luis Jimenez Dead Coyote Original Color Lithograph Year: 1989 Edition: 16 of 50 Paper Size: 28 x 34 inches (71.1 × 86.4 cm) Signed and numbered in pencil Publisher: Landfall Press, ...

Keith Haring designed a poster for the 1986 "Crackdown on Crack" concert in New York City, organized by concert promoter Bill Graham to combat the crack-cocaine epidemic. Haring's po...

Jim Jonson, American (1928 - 1999) - Tennis Match, Year: circa 1980, Medium: Lithograph, signed and numbered in pencil, Edition: 300, AP, Size: 28 in. x 21 in. (71.12 cm x 53.34 ...

Wyoming Gold Diggings, Large Scale Modern Abstract Geometric Landscape #3 Beautiful abstracted geometric landscape by Erle Loran (American, 1905-1999) of the Wyoming "Gold Diggins"....

Untitled, Sarayevo Winter Olympic Games 1984, is an etching with aquatint and lithograph in colors realized by Cy Twombly on the occasion of the Winter Olympics Games 1984 in Sarajev...

Medium: offset lithograph (after the monotype). This is an offset lithograph reproducing one of Jasper Johns' Savarin monotypes, and it was printed by Norman Lithographers in 1982 an...

Groucho Marx Caricature Drawing Movie Star Comedy Legend NTY Times Published Al Hirschfeld (American, 1903 - 2003) Groucho: A Life In Revue Sight: 23 3/4 x 11 3/4 Lithograph on pape...

This lithograph (after the 1947 pochoir) is from the 1983 edition, published in New York by The Museum of Modern Art. The original 1947 edition of Matisse "Jazz" is now so rare it is...

Original photo transfer on acetate and colored paper mounted on paper. Hand signed on front by the artist. Authenticated by Andy Warhol Art Authentication Board...

Rafael Duran Benet (1931-2015) - Landscape - Oil on canvas on cardboard Oil measurements 33x41 cm. Frameless. Rafael Duran Benet (Terrassa, 1931 - Barcelona, 2015) is a Catalan pain...

Andy Warhol Carly Simon, 1980 Stamped by The Estate of Andy Warhol on the reverse Gelatin silver print 8 x 10 inches The artist Estate of the artist Long-Sharp Gallery, Indianapolis...

Jack Roth (American, 1927-2004), "Idem 18", Acrylic on Canvas, 1982, titled, signed and dated "Roth 82" verso with "Jack Roth Estate" stamps, marked "JR 210-82" verso, unframed. 65....

Angelo Basso (Italy, 1943 – 2011) Gabriella  Dimensions 17.0" W x 18.0" H x 7.0" D This sculpture was cast in the Dyansen Studios Foundry in 1991 under...

5173 Vintage American blue Fauvist landscape oil painting city scene Framed Image size 15.5x19.5"

Fitz Henry Lane (commonly known as Fitz H Lane) originally painted Stage Fort Across Gloucester Harbor in 1862. This serene depiction of Gloucester Harbor, with its meticulous attent...

Trees & Cottage in the English Countryside by 20th Century British Landscape Artist, James Wright Signed, Original, Oil on Canvas, housed in a beautiful ornate gold frame. Provenanc...

A striking and highly collectible mid-century modern work on paper by George Vander Sluis, this original oil stick landscape captures the rustic ar...

Black and white landscape photograph of a Monterey pine tree partially silhouetted against a cloudy sky, by possibly Jim Deike (American, 20th Century). Signed illegibly lower right....

Cottages by the Sea in Ireland Vintage Oil Painting by 20th Century Irish Artist, Louis Humphrey. Humphrey was born in 1955 in Belfast, Nort...

Original sculpture 1/8 ex. Bocquel Foundry. Acquired directly from the artist. Free shipment worldwide. Arman wrote, “The bow on the strings releases an explosion of sounds,” in th...

'Polichinelle Et Ses Trois Chiens,' or in English 'Pulcinella and His Three Dogs,' is an original signed lithograph by the contemporary artist Claude Weisbuch – and it is an excellen...

Enrique Medina (b.1935). La Puerta, 1985. Acrylic on canvas, measuring 32 x 32 inches; 33 x 33 inches framed. Signed lower right. Signed, dated, titled on verso. Personal Information...

Wonderful silkscreen of Japanese diarist doll in glass case. Illegibly signed left corner, dated (October 8, 1983) and numbered (2/30). Presented in wood frame. Image size: 20"H x 14...

Conca dei Marini 1984 - Slim Aarons Estate Stamped A quiet bay in Conca dei Marini, on the Amalfi coast in Italy, August 1984 60 x 40" inches / 152 x 101 cm paper size Estate Sta...

Robert Rahway Zakanitch (American b. 1935), Lilies, Blue and Orange, Hand signed and dated 78 in pencil at the lower right, and inscribed Artists Proof with edition notation AP 6/6...

Keith Haring ACT UP 1989: RARE 1989 Keith Haring illustrated mailer used as promotional material for the AIDS Coalition to Unleash Power (ACT UP). Keith Haring designed & authored ...

Monoprint on paper Unique Signed, dated and titled in pencil on the front with publisher's blindstamp on the front (shown) Significance of the title - Barocco (Baroque): The French p...

'Las Ramblas Barcelona', watercolour on art paper, by Spanish artist, Josè Goday (1984). A wonderful snippet of the magical street in Barcelona called Las ...

Stu Levy's photographs often involve fragile landscapes that invoke a sense of timelessness. The landscape, is often his stimulus or point of departure, then asking the question, &qu...

Nancy Graves New York State Governor's Arts Award, 1988 Bronze, polychrome patina and baked enamel on base with Award plaque 10 1/4 × 7 × 10 1/4 inches Hand signed and dated with inc...

Alexander Liberman STOI V, 1986 Wood with paper and paint 97 1/2 × 28 × 37 inches This work is hand signed twice by Alexander Liberman: Signed on the side as well as the underside an...

Keith Haring Stedelijk Museum 1986: Rare original, silkscreened Keith Haring Stedelijk Museum exhibition poster, 1986. Designed & illustr...

Robert Kulicke, American (1924 - 2007) - Green Pear, Year: 1984, Medium: Oil on natural paper, signed and dated in pencil, Image Size: 2.75 x 2.75 inches, Frame Size: 12.5 x 12.5...