1990s Art

Screen print in colors on hand made wove paper. Hand signed on horizontal black bar by Jim Dine. Hand numbered 78/200 lower left. From 11 Pop Artist's Volume II (Mikro 36). Publi...

Still life with flowers and apples. Oil on paper, 42 x 30. 5 cm Victor Karnauh (1950, Dnepropetrovsk Oblast, Ukrainian SSR – 2012, Dnepropetrovsk Oblast, Ukraine) – a painter, a mon...

Relish by Ralph Goings, American (1928–2016) Date: circa 1990 Screenprint, Signed and numbered in pencil Edition of 195,AP 55 Size: 25 in. x 38 in. (63.5 cm x 96.52 cm)

Central structure is a contemporary metallic sculpture, realized in 1998 by the Italian artist Claudio Palmieri. Original Title: Struttura Centrale In excellent conditions, this o...

Glenna Goodacre was commissioned to create the largescale bronze Sidewalk Society in Albuquerque Plaza, New Mexico. Her intention was for people to interact with her sculpture, and t...

Michel Delacroix Roofs in Paris in the Snow, 1991 Original lithograph Hand signed in pencil lower right Numbered 134/200 lower left Published by Axelle Fine Arts classic paris str...

Gasoline I (Stranger than Paradise) - 1999 3 pieces, each 120x120cm plus 10 cm in between each print together 120x380cm, Edition 1/5 (only Edition 1 and 2 are still available) Anal...

Male Nude in Motel II (29 Palms, CA) - 1999 - 30x40cm, Edition of 10. Archival C-Print, based on a Polaroid. Signature label and Certificate. . Artist Inventory No. 2777. “It ...

Complete Set of 6 Guggenheim Museum Retrospective Limited Edition Robert Rauschenberg porcelain plates dated 1997. Each plate features a different screen-printed image of Rauschenber...

This striking exhibited large abstract oil painting is by noted Scottish artist Iain Robertson. Painted in 1998 and exhibited in the same year in London, it was completed just before he moved to Cornwall. Entitled Midsummer verso it is a riot of summery colours and heavy impasto and late twentieth century abstract expressionism. A really uplifting piece of art. Signed and inscribed with title and dated 1998 verso. Provenance. Solo show, 'Art First', London, 1998. Condition. Oil on Canvas. Size 60 x 24 inches Frame. Housed in surround frame, 62 inches by 26 inches and in good condition. Iain Robertson (b. 1955) was born in Cyprus but grew up in Edinburgh before studying art, 1978-1982. In 1993 he worked as Artist In Residence at Grizedale Sculpture Park before relocating to Cornwall where he now lives and works. He has retained studio 7 at Porthmeor Studios in St Ives, since 2007. Previously Robertson worked in Montgomery Street Studio, Edinburgh, 1991-1999. He has exhibited widely with numerous solo shows in the UK and Europe. His work is held in public and private collections in Germany, Denmark, Norway, Scotland, England, USA and Hong Kong. His work was included in the ‘Art Now Cornwall’ exhibition at TATE St Ives Spring 2007 and at the City Art Centre, Edinburgh, 2007. The recipient of a number of awards including Scottish Arts Council, British Council and Arts Council, Robertson was the first Scottish recipient of the Pollock Krasner Foundation, New York, in 1988. Notable exhibitions include, Contemporary Abstract Printmaking, Artists- Rachel Clark, Ian Davenport, Christopher Le Brun, John McLean, Mali Morris...

Wonderful double-sided oil painting of the artist Jane Voitel Mellin reading a book and also a landscape of an ocean path on verso by Nicholas Read (American), circa 1975. Unsigned. ...

"Irregular Arcs from Four Sides" colorful, geometric abstract etching with aquatint in colors on Somerset paper with full margins. Signed and numbered PP 2/3 in pencil on front lower...

Artist: Lady Pink, Ecuadorian (1964 - ) Title: Under the Brooklyn Bridge from Bullet Space, Your House is Mine Year: 1988-1992 Medium: Silkscreen, signed in pencil Image Size: 22...

A limited edition silkscreen poster Keith Haring designed for Playboy. This limited edition run of 1000 was published in 1990 by Special Editions Ltd. The signature and date is in th...

Figure in red, green, blue conte crayon by San Francisco artist Michael William Eggleston (American, 20th Century). Unsigned, from a collection of his works. Image size: 24"H x 18"W....

Morning Breakfast Fruits Muhammad Amanov Date: 1995 Oil on Canvas, signed Size: 40 x 31.5 in. (101.6 x 80.01 cm) Frame Size: 47 x 39 inches

The Scare is an original painting realized by Sergio Barletta in 1997. Applied on passepartout: 51 x 72 cm. Image Dimensions: 30 x 43 cm Hand-signed on the lower left. In good con...

Purvis Young (1943 - 2010) Drawing from the 1990's #364 Acrylic paint on paper 11 x 8.50 in

FLORA & FAUNA SERIES, c.1998, Fuji crystal archive paper. Hand-signed on verso. Photographer Jeffrey Rothstein focuses on different elements within Nature for his subject matter, ra...

Signed lower right, 'Tremewen' for Ian Tremewen (Australian, born 1954), additionally signed, verso, dated 1993 and titled, 'Poster Idea, #9328, Pink Palms, Rainforest Beach' A watercolor and gouache study for a gallery exhibition at the Village Gallery, Lahaina, Maui, Hawaii. Ian Tremewen began showing his watercolors with Village Gallery in 1976 while living on Maui. Born in Montreal and now based in Australia, Tremewen has spent much of his life in the Caribbean and Hawaiian tropics. Tremewen's work reflects the interest he feels for light, space and shadow working in sculpture, contemporary glass and textiles. His abstract interpretation of the amorphic shapes of nature, coupled with his design and composition enable him to present his work with a view that is distinctly his own. Artist's Statement: "As an artist, I can experiment with many aspects and combinations. I've always been fascinated by the psychedelic colours hidden in rainforests. For me, these elements invite abstraction, where a shape, along with colour and texture, defines an object. There now appears to be a refreshing openness emerging in the art world. I feel there is a freedom to stretch and explore ideas and alternatives like never before using mediums and concepts that are expanding the world of art and design.” Solo Exhibitions: Napua Gallery, USA Village Gallery Contemporary, USA Karratha Art Centre, Australia Metro Arts, Australia Gold Coast City Art Gallery, Australia Grand Orbit, Australia Paperworks Gallery, Canada Corporate Art West, USA Budds Beach Gallery, Australia Pandanus Art, Australia Tremewen@Marine, Australia Group Exhibitions: S.H. Ervin Gallery, Australia Ritz-Carlton, USA Contemporary Art Gallery, USA Parliament Building, Australia Gold Coast City Art Gallery, Australia Nordstroms, USA Tattersalls Club, Australia Honolulu Academy of Art, USA Federation...What About the Nation? Museums and Galleries Foundation, Australia Selected Awards: Hui Noeau, USA Suncorp Biennial, Australia S.O.S. Festival, Australia Hawaii Watercolour Society, USA Heritage Art Festival, Australia R.E.I.Q. Bicentennial, Australia Woven Image, Australia Art Maui, USA Courier Mail Art Prize, Australia Tweed Regional Art Gallery, Australia Paradise Art Award, Australia Commissions: Sydney Airports Corporation, Australia Lloyds Of London...

Aerial view with sunbathers and parasols and, dotted with yachts and small boats, the waters off the coast of Porto Ercole, Italy, in July 1991. The image was taken from Hotel Il Pel...

An original hand-signed lithograph by Native American artist, RC Gorman. Numbered AP 15.

Original poster of Chu Ling printed in 1991 entitled Gatto Seduto ( Crouching Cat ). This poster printed in serigraphy is edited by Silvio Zamorani in ...

Arturs Nikitins (born 1936) - painter, graphic artist. 1962 – graduated from the Latvian Art Academy, Graphic Department with the diploma work “The workers of Novorosijsk” under th...

Artist: Robert Motherwell, American (1915 - 1991) Title: Lincoln Center Mostly Mozart, 25th Anniversary Year: 1991 Medium: Lithograph and Screenprint on ...

An abstract expressionist painting by Duayne Hatchett . Oil on canvas, circa 1990. Signed verso. Framed. Image size, 60"H x 55"L. Duayne Hatchett was a visual artist whose work included prints, paintings, sculpture, and found objects. He was born on May 12, 1925 in Shawnee, Oklahoma. He enlisted in the Air Force where he trained to become a fighter pilot. After leaving the militrary he studied design at the University of Oklahoma. His highly technical military training combined a mathematical intelligence with a love for physics and a daring embrace of new experience, all of which would soon be the tools for his evolution through art. Two major influences interacted on his early development at OU. Emelio Omero, a colleague and close friend of Diego Rivera, introduced him to the revolutionary art ideas of Mexico City, while teaching him a wide range of printing techniques that would culminate in a Masters Degree in Painting in 1952. During this time he met Bruce Goff, a renowned Wright disciple, who was teaching architecture at OU and befriended Hatchett, introducing him to the most avant-garde architecture of that time. He spent his summers while at OU designing for a small sign shop, which introduced him to new materials used for building neon, plastic, and metal signs. The use of new materials and a keen sense for design would soon become invaluable building blocks for future sculpture. During this time he met and married Mary Ellen Jeffries. They would spend their lives together and raise three children, David (me), my brother Dana, and my sister Jeffri. As children, they were immersed in art from childhood and benefited greatly from this loving art and domestic environment. Hatchett was always interested in the techniques of construction, often watching different tradesmen working, understanding how materials are put together to create the manmade environment that surrounded him. While teaching printmaking at Oklahoma City University from 1951 through ‘54, he began to build sculpture employing some of the materials and techniques that he saw workers using. He was beginning to draw the attention of architects and he became interested in their work-trade processes, moving from blue prints to construction. He accepted an invitation from Alexander Hogue...

Wonderful vibrant acrylic painting figurative with "I couldn't but this body could" wrap around text by Northern California artist Aleta Reese (American, 20th Century), 1993. Signed ...

Ganesh Pyne - Untitled - 8.25 x 11 inches (unframed size) Pen & Ink on Paper Inclusive of shipment in roll form. Style : Initially, Pyne painted watercolo...

Summer day. 1994, oil on cardboard, 45x58 cm Edgars Vinters (1919-2014) Edgars Vinters is working in oil, watercolor and monotype techniques. He paints landscapes in different seaso...

LANDLINES is an original limited edition lithograph from the Sacred Garden Series of works by the British artist David Leverett, printed using hand lithography techniques on archival...

Nude is original artwork in mixed media, ink and tempera applied on cardboard, realized by Sergio Barletta in 1994. Hand-signed on the lower right, dated on the lower left. Image Di...

Act. Oil on canvas, 58x69 cm Victor Karnaukh (1950, Dnepropetrovsk Oblast, Ukrainian SSR – 2012, Dnepropetrovsk Oblast, Ukraine) – a painter, a monument designer, graduate of Latvia...

Ancient Views of Colombo Sri Lanka is a set of 2 original vintage albumen prints on single cardboard: 25 x 34 cm. Size of photos: 21.5 x 27.5 cm. Good conditions. Caption in Ital...

"Ridge Oak" Northern Mt Tamalpais California Watercolor 1991 Perfectly executed plein air watercolor looking out towards Mt. Tamalpais in spring by J. Gal...

HEROIC SPIRIT is a hand drawn limited edition lithograph after the sketch by Frederick Hart for his sculpture entitled "Heroic Spirit" created for the 19...

This Blue Dog work consists of a black background with a blue dog wearing a red cape from the top of the head and ears to the feet of the dog. The dog has soulful yellow eyes. This...

Sight and Sound is an original portfolio by Balthus including three coloured xilograph. Hand signed lower right. Edition of 51 numbered copies plus 5 a...

An atmospheric and serene study depicting a quiet city street in the early morning mist. Well presented in a silver-gilt effect frame. Signed and dated. On canvas on stretchers.

Etching in colors on vélin de Lana Royal paper. Paper Size: 11.93 x 9.81 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Heart of Darkness, 1992. Publ...

Artist: Joel Shapiro Title: Untitled Year: 1994 Medium: Woodcut on hand-made paper, Signed and Numbered in Pencil Edition: 27/75 Image Size: 18 x 4.5 inches (46 x 11.5 cm) Pap...

Abstract Composition by Sally Vaughan (contemporary) gouache painting on card, unframed measurements: 9.5 x 8 inches condition: very good provenance: fro...

Wonderful figurative landscape of a crowd of people visiting a temple in Nepal by Alok Gurung (Nepalese, late 20th Century). Signature, date, and location are in lower left corner, "...

HIROSHI SUGIMOTO (*1948, Japan) Plaza, New York, 1978 Silver Gelatin Print 50,8 x 58,42 cm (20 x 23 in.) Edition of 25 For over 40 years, the Japanese artist Hiroshi Sugimoto (*1948...

Photorealist oil painting by Manon Cleary (1942-2011). Painting is signed on reverse Manon Cleary and titled Unicorn #3. Manon Cleary had a remarkable ability to draw and paint with photographic fidelity, but she was also known as a charismatic teacher at the University of the District of Columbia and as a free spirit whose exuberant life may have been her most enduring work of art. Since the 1970s, Ms. Cleary had been at the center of a group of artists in Adams Morgan. She exhibited her meticulous artwork throughout the city and around the world, but she also became known for her striking presence, her colorful love life and the rats she kept as pets. As an artist, Ms. Cleary borrowed classical techniques from her deep study of Renaissance masters to create paintings and drawings memorable for their frank realism and sometimes disturbing themes. In addition to her many nude self-portraits, Ms. Cleary made erotically charged paintings of flowers. She took inspiration from a painful personal history in a series of works depicting the terror of rape and, in later years, of not being able to breathe without mechanical assistance. Critics considered her a leading figurative artist of the photo-realist school, in which painters render their subjects with camera-like precision. In fact, Ms. Cleary occasionally won awards for photography when adjudicators didn’t realize her works were free-hand creations. She was “widely acknowledged to be among the best, if not the best, of the city’s figurative painters,” Washington Post critic Michael O’Sullivan wrote in 2006. “There is a tension between the cool, clinical detachment of photography and painting’s warm idealization of form.” Ms. Cleary exhibited her art in galleries and museums from Moscow to Paris to Hickory, N.C., but Washington was her home for the past 42 years. In 1974, she settled in the decrepit Beverly Court apartments on Columbia Road NW, where a coterie of artists soon grew up around her. She painted her walls purple, and her fourth-floor apartment — even with the pet rats — became something of a bohemian salon. “She was a star,” painter Judy Jashinsky told the Washington City Paper in 2004. “She was stunning, beautiful; long, brownish–black hair; real thin; wore . . . little sundresses and sandals. She was just very cool, and there was always a crowd around her.” Ms. Cleary had a long list of male admirers, including several whose confrontational attempts at “performance art” led to their arrests. She had a brief marriage in 1981 to a Danish artist known as Tommy — “just Tommy,” Ms. Cleary said — whom she divorced in less than a year. As a kind of graphic homage to her various lovers, Ms. Cleary made a series of intimately revealing portraits that were featured years later on the HBO program “Real Sex.” She met her second husband after a gallery opening in Baltimore. By way of introduction, Kijek, a dancer, stripped naked at a crowded party, walked up to Ms. Cleary and said, “Wouldn’t you like me to pose for you?” They were married in 2001. In spite of her unconventional life, Ms. Cleary was more than a mere provocateur. After a day of teaching at UDC, she would return to her studio, with its windows painted over to block out sunlight, and work late into the night, with a bottle of Dr Pepper at her side. She took nude photographs of herself from every angle, then painstakingly created lifelike images that seemed alive with the warmth of human flesh. After studying in Rome in her youth, she developed what she called “an obsession” with Caravaggio, an iconoclastic painter who lived from 1573 to 1610. She often copied paintings at the National Gallery of Art and, in her own work, blended Renaissance styles with a distinctly modern sensibility. Manon Catherine Cleary was born Nov. 14, 1942, in St. Louis. Her father was a doctor, and her identical twin sister, Shirley...

Abram Lerner (founding director of Hirshorn Museum, 1917-2009) Still Life with Mango, 1999 Oil on wood panel 10 x 10 1/3 in. Signed and inscribed verso: A...

MEDIUM: ​Original Production Cel on Original Background with Matching Drawing IMAGE SIZE: 12 Field PRODUCTION: Beetlejuice SKU: IFA2465 ABOUT THE IMAGE: Beetlejuice: The Animated Se...

Polaroid transfer on Rives BFK paper Signed and inscribed (AP 1/3) in pencil, recto Also blindstamped, l.r. 22 x 15 inches, sheet 10 x 8 inches, image This artwork is offered by Cl...

Wonderful woodblock print titled "Weaver" by Aptos, California artist Virginia J Hughins,(Virginia Brubaker DeWolf), (American, 1923-2004), circa 1990. Presented in a rustic black wo...

Photos pictured of information cards after the images of the black and white photos are not included. La Chute D'Icare (The Fall of Icarus) is a original, black and white photograp...

A wonderful English watercolor painting depicting A Donkey, Lambs and a Robin in a stable the night before Christmas.. This piece was drawn ...

Illustration 2 From "Inverosimile" is an original lithograph on Graphia paper realized by Piero Gilardi in 1990. Hand signed on lower right in pencil and numbered on lower left. Edi...

Atlas Shrugged 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Signature Label and Certificate. Not mounted.

Pioneer Activists is an ongoing series of artworks by Suzanne Benton. Consisting largely of monoprints with Chine collé where the artist references suffragists, feminists, writers and educators from the 19th century and beyond. These works embody the artist’s stellar theme of bringing past to present. Antoinette B Blackwell in the Blue Circle, monoprint with Chine collé, 9 3/4 x 7 3/4 inches, 1996 (1825 –1921) Reverend Antoinette Louisa Brown Blackwell graduated from the Ladies¹Department in 1847 and returned to Oberlin to take theology courses, having been denied the right to participate as a member of the Theological Department.  When she completed the course of study in 1850, she was also denied ordination and recognition at commencement, but in 1853 was ordained in her home church in Butler New York and, despite Oberlin Collége...

Publisher GKM. Unframed. Edition of 150 ex. Signed, dated and numbered. Free shipment worldwide. Vladimir Velickovic was born in 1935 in Belgrade. He graduated from the Faculty of ...

Artist: After Pablo Picasso (1881-1973) Title: Flûtiste et Jeune Fille au Tambourin (after Bloch 213) Year: 1992 Medium: Reproduced from the original edition using the grain Autotype...

"Making a Beseech" (Frill Dog series). A colorful contemporary dog painting of a Scottish Terrier dog with accompanying text from a book is an inspirational departure from the traditional illustrations found in British Rudyard Kipling's "Thy Servant a Dog", 1930. The book was the first ever narrated by a dog, Boots, a Scottie. Making a beseech is the only trick the Scottie, Boots knows, paws over nose. Nancy van Meter...

Awakening by Martiros Manoukian, Armenian (1947) Date: 1999 Screenprint with Embellishments, signed and numbered in ink Edition of 363/395 Size: 22 ...

Two signed and dated colored screen-prints on woven paper political analogy with a motif of the United States as a target. The overlayed text rails against the lack of response to th...