1990s Art

In the portraits of The History of Sex, taken in 1996 in the Netherlands, the camera looks directly at the models, who respond in kind. Eyes first seems to be the guiding principle o...

Frank Stella (after) Untitled, for the Very Special Arts Gallery (Hand Signed by Frank Stella), 1992 Photo lithograph and offset litho on thin board (hand signed by Frank Stella) Fra...

“Nude with Blue Hair” by Roy Lichtenstein, from the Nudes series published by Tyler Graphics in 1994. A striking late-period work showcasing Lichtenstein’s signature Pop language — b...

A classic British fish & chips van, on a classic English day Haddenham Steam Rally Country Fair, photograph by Richard Heeps. This artwork is a limited edition of 25 gloss phot...

KAWS VERY FIRST COMPANION - HISTORIC Uniquely Hand signed by the artist. (the regular edition was unsigned) KAWS Limited Edition 1st Companion (Hand Signed by KAWS), 1999 Painted Ca...

Kenneth Noland Untitled Target, 2001 Acrylic paint on offset lithograph paper Signed, dated, and dedicated along lower edge: For Howard and Susan with Love Kenneth Noland 6.10.01 Fra...

Inner Energy is a bronze sculpture by contemporary artist Yann Guillon, dimensions are 30 × 25 × 20 cm (11.8 × 9.8 × 7.9 in). The sculpture is signed and numbered, it is part of a l...

Offset lithograph poster featuring Mark Rothko’s No. 37, a powerful example of his signature exploration of color, form, and emotional depth. The artwork is framed in a black wood fr...

The Group is a bronze sculpture by French contemporary artist Martine Demal, dimensions are 40 × 21.5 × 5.5 cm (15.7 × 8.5 × 2.2 in). The sculpture is signed and numbered, it is par...

Offset lithograph poster featuring Mark Rothko’s Untitled (1950), exemplifying the artist’s iconic color field style and emotive abstraction. The piece is framed in a black wood fram...

Poster advertising the National Gallery of Art, Washington, featuring Mark Rothko’s Pink, Black, Orange (1953). This iconic work showcases Rothko's signature use of color and depth, ...

The Road Across the Wolds reflects David Hockney’s lifelong connection to the Yorkshire landscape, with sweeping roads, undulating fields, and expansive skies that evoke both movemen...

Jean-Michel Basquiat (1960-1988) Crowned T-Rex, 1997 Lithograph Printed signature in the plate On paper 76 x 56 cm (c. 29.9 x 22 in) Published by Galerie Enrico Navarra Authentica...

Male Nude V (29 Palms, CA) - 1999, 20x20cm, sold out Edition of 10, this is Artist Proof 1/2. Archival C-Print, based on the original Polaroid. Certificate and Signature label....

This colourful contemporary pastel on paper in grid form is by Milly Ristvedt. The classic grid pattern becomes more than a ‘container’ for colour in the hands of master colourist M...

This Italian print, published by Nuova Arti Grafiche Ricordi and printed in Italy, features Galleria Con Vedute Di Roma Antica by the renowned 18th-century artist Paolo Pannini. Know...

Christo and Jeanne-Claude Art Card: Wrapped Magazines with Marilyn Monroe (Revues Empaquetees), 1962, (Hand Signed by Christo), 1991 Offset lithograph postcard (hand signed by Christ...

Rare Limited Edition Serigraph of John Lennon's "You Are Here" drawing, which is a loving image of John and Yoko in the year there were married. Originally drawn in 1969 this limite...

Skull and Candle By Gerhard Richter 1995 Hand signed Offset lithograph 64.5 x 48.5 cm Edition of 500

In the mid-1990s, David Hockney was deeply devoted to his two miniature dachshunds, Stanley and Boodge, who became his constant companions and artistic muses. Their presence inspired...

Torso is an offset lithograph from a portfolio of five Andy Warhol prints published by te Neues, now out of print. This striking work reflects Warhol's ongoing fascination with the h...

Jean-Michel Basquiat (1960-1988) Welcoming Jeers, 1997 Lithograph Printed signature in the plate On Arches vellum 76 x 56 cm (c. 29.9 x 22 in) Published by Galerie Enrico Navarra ...

Date: 1990 Screenprint Poster, signed and dated in plate, numbered in pencil Edition of 1000 Image Size: 28 x 20 inches Size: 32 x 23 in. (81.28 x 58.42 cm) Commissioned by Playboy. ...

Male Nude (29 Palms, CA) - 1999 20x20cm, Edition 4/10. Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory # 293. Not mounted THE GREA...

Guillaume Corneille (1922-2010) Cat and Bird at the Sunset, 1991 Original color lithograph Signed and dated in pencil Artist proof On vellum, 53 x 76 cm (c. 21 x 30 in) Very good ...

This framed piece features an estate-authorized 1999 reproduction of Henri Matisse’s One Thousand and One Nights (Les Mille et Une Nuits), originally created in 1950 during the artis...

No two shapes are alike. Yet they work together as a harmonious whole. Painter David Braden has described his vision overall in abstract terms. Inspired by individuality, he especial...

Agnes Martin Untitled #10, 1990 Lithograph on vellum transparency paper Unsigned Limited Edition of 2500 Publisher: Nemela & Lenzen GmbH, Monchengladback & Stedelijk Museum, ...

Poster created for the exhibition The Lens of Impressionism, held at the Dallas Museum of Art in 1997. The image features a detail from Gustave Courbet’s A Bay with Cliffs, highlight...

Gordes, The Luberon Valley, Provence French artist, signed and dated 95 oil on canvas, framed framed: 29 x 38 inches canvas: 24 x 32 inches Provenance: private collection, France Co...

This beautifully produced poster features Egon Schiele’s 1912 masterpiece Friendship, an intimate and emotionally charged composition from one of the most pivotal years in the artist...

Vintage American modernist abstract oil painting. Oil on canvas. Framed. Signed. Measuring: 17 by 21 inches overall, and 16 by 20 painting alone.. In excellent original condition. ...

Signed lower right, 'Mark S' for Mark Shepherd (English, 20th century) and dated 1995. Titled on the original Royal Academy exhibition label, verso. This figural work by Shepherd wa...

Heart (Open Candy Box) is an offset lithograph from a portfolio of five Andy Warhol prints published by te Neues, now long out of print and increasingly sought after by collectors. I...

This evocative image by Robert Mapplethorpe, titled Antinous, reflects the photographer’s reverence for classical beauty and sculptural form. The statue of Antinous—Hadrian’s famed c...

This exquisite lithograph by Keith Haring (1958–1990), titled Untitled, from the album Against All Odds, 20 drawings - Oct. 3, 1989 (Against All Odds, 20 drawings - Oct. 3, 1989), originates from the 1990 edition published by Publishing House Bebert, Rotterdam, in collaboration with Mera Rubell, New York, and Donald Rubell, New York, and printed by Nieuwe Grafische, Rotterdam, Spring, 1990. Untitled embodies Haring’s signature visual vocabulary—dynamic lines, rhythmic energy, and universal symbolism—infused with the social urgency and optimism that defined his generation. Executed as a lithograph on velin acid-free Rivoli paper, this work measures 8.5 x 10.3 inches. Unsigned and unnumbered as issued. The edition exemplifies the refined craftsmanship of Nieuwe Grafische, Rotterdam, and the bold spirit of Bebert’s late twentieth-century artist collaborations. Artwork Details: Artist: Keith Haring (1958–1990) Title: Untitled, from the album Against All Odds, 20 drawings - Oct. 3, 1989 (Against All Odds, 20 drawings - Oct. 3, 1989) Medium: Lithograph on velin acid-free Rivoli paper Dimensions: 8.5 x 10.3 inches (21.59 x 26.16 cm) Inscription: Unsigned and unnumbered as issued Date: 1990 Publisher: Publishing House Bebert, Rotterdam, in collaboration with Mera Rubell, New York, and Donald Rubell, New York Printer: Nieuwe Grafische, Rotterdam Condition: Well preserved, consistent with age and medium Provenance: From the album Against All Odds, 20 drawings - Oct. 3, 1989 (Against All Odds, 20 drawings - Oct. 3, 1989), Bebert, Rotterdam, 1990 Notes: Excerpted from the album, 20 drawings - Oct. 3, 1989 was published with the collaboration of Mera and Donald Rubell by Bebert Publishing House in Spring 1990. The edition consists of MMD hard cover examples, of which D are numbered (I/D - D/D) and signed by the artist. The edition was printed on acid-free Rivoli paper by Nieuwe Grafische in Rotterdam. and bound by Stokkink B.V. in Amsterdam. ©Keith Haring, M.Y.6. 1990. Mera + Don Rubell, NYC 1990. Bebert Publishing House. Westersingel 22-3014 GP, Rotterdam, Holland - 1990. About the Publication: Against All Odds is both an artist’s album and memorial publication comprising twenty lithographs created by Keith Haring on October 3, 1989, just months before his death in February 1990. Conceived in collaboration with Mera and Donald Rubell and published by Bebert Publishing House, Rotterdam, the album encapsulates Haring’s final creative statement. Haring’s accompanying handwritten foreword and brief text meditate on the fragility of human life, ecological collapse, and the artist’s struggle to preserve hope “against all odds.” The drawings—executed in Haring’s immediately recognizable graphic line—depict writhing figures, embryos, skeletons, animals, and cosmic symbols that echo his lifelong concern with birth, death, sexuality, and transcendence. Together, the images and text form a narrative of resistance and endurance amid personal illness and global crisis. The album’s title encapsulates Haring’s sense of perseverance: humanity’s and the planet’s fight for survival despite overwhelming forces of destruction. Published posthumously in spring 1990, Against All Odds stands as a poignant summation of his ethos—celebrating vitality and compassion in the face of mortality and despair. About the Artist: Keith Haring (1958–1990) was an American artist, activist, and cultural innovator whose bold visual language and socially engaged practice redefined contemporary art and the role of the artist in society. Born in Reading, Pennsylvania, and raised in Kutztown, Haring was inspired from an early age by comic art, calligraphy, and graphic design, influences that would later shape his instantly recognizable style of radiant lines, rhythmic movement, and universal symbols. After moving to New York City in 1978 to study at the School of Visual Arts, he immersed himself in the downtown art scene, drawing influence from modernist pioneers such as Pablo Picasso, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray, whose innovations in form, abstraction, and conceptual art informed his radical approach to public expression. Haring began creating chalk drawings in the New York subway system, transforming urban walls into democratic spaces for creativity and communication. His imagery—radiant babies, barking dogs, flying saucers, and dancing figures—spoke a universal visual language that combined accessibility with profound emotional and political resonance. He became a leading figure in 1980s New York, working alongside Jean-Michel Basquiat, Andy Warhol, and Kenny Scharf to bridge the worlds of street art, pop culture, and fine art. Influenced by Picasso’s expressive energy, Calder’s movement, Miro’s playfulness, and Duchamp’s conceptual wit, Haring developed an art of optimism, immediacy, and activism that addressed issues of love, unity, social justice, and human rights. His work carried urgent commentary on apartheid, AIDS awareness, drug abuse, and inequality, while radiating the joy and vitality of life. In 1986, he opened the Pop Shop, a groundbreaking experiment in making art accessible to all, selling affordable objects featuring his designs without compromising his artistic vision. His monumental public murals, including Crack Is Wack in Harlem and Tuttomondo in Pisa, Italy, continue to stand as symbols of art’s power to educate and inspire collective action. Haring’s dynamic compositions merged the energy of graffiti with the structural clarity of modernism, synthesizing the spiritual abstraction of Kandinsky, the surreal imagination of Dali, and the sensual immediacy of Man Ray. His work influenced generations of artists, including Banksy, Shepard Fairey, KAWS, Takashi Murakami, and RETNA, who continue to echo his fusion of activism and aesthetics. Despite his untimely death from AIDS at age 31, Haring’s impact on art and culture endures globally through the Keith Haring Foundation, which supports children’s programs and HIV/AIDS research. His works are housed in major museums such as the Museum of Modern Art, the Whitney Museum of American Art, the Centre Pompidou, and the Tate Modern, affirming his legacy as a cornerstone of twentieth-century art. The highest auction record for Keith Haring was achieved with Untitled (1982), which sold for $6.5 million USD at Sotheby’s, New York, on May 16, 2017, solidifying his status as one of the most influential, beloved, and enduring artists of the modern era. Keith Haring Untitled Against All Odds 20 drawings Oct 3 1989 Bebert Publishing House Rotterdam 1990 lithograph...

This fold-out card showcases Donald Judd's Series of Ten Woodcuts in Three Color States: Cadmium Red Light, Ultramarine Blue, and Ivory Black. Published by Brooke Alexander, the card...

This framed piece celebrates the beloved character Babar, the charming elephant who has captivated children and adults alike for generations. Created by Jean de Brunhoff in the 1930s...

Very rare Limited Edition Serigraph of John Lennon's handwritten lyrics for the song "Imagine," first released on the LP of the same name in 1971. The best-selling single of his s...

Total Edition of 15 signed and numbered Also available in: 90 x 120 cm / 35.4 x 47.2 in Portrait of a woman from above. Thierry Le Gouès, born in Brittany, France, is currently a f...

Still Life with Flowers is a high-quality reproduction included in a 1994 portfolio published by Taschen and printed in Germany. This vibrant composition exemplifies Marc Chagall’s u...

David Hockney, 'K' from 'Hockney's Alphabet', 1991 Edition of 250 Free delivery within the UK From the special edition of Hockney's Alphabet, published in 1991, and signed on the ...

The subject, a nude, is shot from the female gaze. As a woman artist Roberta Fineberg enjoys working with life models for both her art and photography. The title of the photograph, Triggered, references both the cable release used to release the shutter of the camera to make the image and the volatility of human moods and emotions. Triggered, 1994 by Roberta Fineberg is 14" x 11" a gelatin silver print in an edition of 5 with 2 artist's proofs. Signed, dated, titled by the artist. Available: Ed 3/5 Provenance: RF Studio *** Artist's Bio: As a visual artist, Roberta Fineberg (RF) focuses on the themes of serendipity, inventiveness, the development of ideas and color fields for her mixed media works. Drawn to experimentation, she explores diverse mediums and concepts such as the ephemeral (Butterfly Series), stolen moments (documentary), play, timelessness, the enduring, and the significance of matter. RF’s selected exhibitions: Women of Spirit Zurcher Gallery New York (2025); Sojourner Gallery New York (2022); Phyllis Harriman Gallery New York studio shows (2020, 2022); CADAF online art fair (2020); Gallery122 New York pop-up group...

Lithograph realized by Lucio Rofrano in 1990s. Edition of 150, numbered and hand signed. Excellent condition.

Wrestlers IV is a bronze sculpture by French contemporary artist Yann Guillon, dimensions are 70 × 113 × 66 cm (27.6 × 44.5 × 26 in). A base can be created as necessary. This sculptu...

#5-3333 A white tulips still life ,oil on canvas applied on board, set in a vintage curved white painted wood frame .Signed lower left by P.Russo Neapolitan artist

David Hockney Richard Strauss: Los Angeles Music Center Opera (Hand Signed and Inscribed), 1993 Offset Lithograph (hand signed and inscribed by David Hockney) 30 × 20 inches Signed a...

Palm Trees on Wilcox (Stranger than Paradise) - 1999 78x76cm, Edition of 100. Archival C-Print based on the original Polaroid. Mounted under matte Plexiglass. Artist inventory number: 398. Signed on back and Certificate. Stefanie Schneider – Palm Trees on Wilcox...

Artist: John Kacere (1930-1999) Title: Illeana II Year: 1991 Edition: A.P.; 100, plus proofs. Medium: Lithograph on wove paper Size: 23.5 x 31.5 inches Inscription: Signed by the art...

Stripper Performers, Atlanta, 1996 by Leonard Freed is an 11" x 14" vintage print, stamped on verso (back of photo) with Freed's copyright stamp and...

In 1983, Keith Haring collaborated with the Italian company LEM to produce larger reproductions of his untitled artworks. This initiative was part of Haring's broader effort to make ...

Caroline's Torso is a bronze sculpture by contemporary artist Yann Guillon, dimensions are 30 × 15 × 15 cm (11.8 × 5.9 × 5.9 in). Total height of the sculpture with base and shaft: 5...

Frank Stella Homage, 1997, 1997 Mixed media with paper collage Signed, dated and inscribed " "Homage" to Dieter Honisch and many many good wishes, cheers again and again Many Many th...

This is an original unsigned print for selection to the 1994 Pirelli Calendar, shot by Herb Ritts. Certificate of Authenticity and provenance will be provided. There were 4 x prints...

Tony Bennett Title: South of France Lithograph Signed and Marked ATL  5/5 ( Printers Proof ) Paper Size: 31" x 24" inches Image Size : 26" x 20" inches Published By : Atelier E. Ettinger Gallery Anthony Dominick Benedetto, known professionally as Tony Bennett, is an American singer of traditional pop standards, big band, show tunes, and jazz. He is also a painter, having created works under his birth name that are on permanent public display in several institutions. Whether he is performing as Tony Bennett or painting as Anthony Benedetto...

Samella Sanders Lewis, 'The House of Shango', lithograph, 1992, edition 60. Signed, dated, titled, and numbered '31/60' in pencil. A superb, richly-inked impression, on Arches cream wove paper; the full sheet with margins (1 1/4 to 3 1/2 inches), in excellent condition. Image size 24 x 18 inches (610 x 457 mm); sheet size 30 inches x 22 1/4 inches (762 x 565 mm). Archivally matted to museum standards, unframed. ABOUT THIS WORK “The title of this piece is an unmistakable harkening to African roots. Shango is a religious practice with origins in Yoruba (Nigerian) belief, deifying a god of thunder by the same name. Shango has been adopted in the Caribbean, most notably in Trinidad and Tobago, a fact that underscores the importance of transnationalism to Samella Lewis’s piece. Her work often grapples with issues of race in the U.S., and The House of Shango is no exception. Through a reliance on the gradual transformation of Shango—one that took place across continents and time—Lewis’s piece forms a powerful link between black Americans and their African and Caribbean counterparts. The figure depicted in the piece appears to emerge, quite literally, from the house of Shango. Given the roots and transformative process of the religion, The House of Shango can draw attention to the historical intersections to which black American culture is indebted.” —Laura Woods, Scripps College, Ruth Chander Williamson Gallery, Collection Highlights, 2018 ABOUT THE ARTIST Samella Lewis’ lifelong career as an artist, art historian, critic, curator, collector, and advocate of African American art has helped empower generations of artists in the United States and worldwide, earning her the designation “the Godmother of African American art.” Born and raised in Jim Crow era New Orleans, Lewis began her art education at Dillard University in 1941, transferring to Hampton University in Virginia, where she earned her B. A. and master's degrees. She completed her master's and a doctorate in art history and cultural anthropology at Ohio State University in 1951, becoming the first female African American to earn a doctorate in fine art and art history. Lewis taught art at Morgan State University while completing her doctorate. She became the first Chair of the Fine Arts Department at Florida A&M University in 1953. That same year Lewis also became the first African American to convene the National Conference of African American artists held at Florida A&M University. She was a professor at the State University of New York, California State University, Long Beach, and at Scripps College in Claremont, California. Lewis co-founded, with Bernie Casey, the Contemporary Crafts Gallery in Los Angeles in 1970. In 1973, she served on the selection committee for the exhibition BLACKS: USA: 1973 held at the New York Cultural Center. Samella Lewis's 1969 catalog 'Black Artists on Art', featured accomplished black artists typically overlooked in mainstream art galleries. She said of the book, "I wanted to make a chronology of African American artists, and artists of African descent, to document our history. The historians weren't doing it. It was really about the movement." From the 1960s through the 1970s, her work, which included lithographs, linocuts, and serigraphs, reflected her concerns with the values of human dignity, democracy, and freedom of expression. Between 1969 and 70, Lewis and E.J. Montgomery were consultants for a groundbreaking exhibition at the Oakland Public L designed to create greater awareness of African American history and art. Lewis was the founder of the International Review of African American Art in 1975. In 1976, she founded the Museum of African-American Art with a group of artistic, academic, business, and community leaders in Los Angeles, California. Lewis, the museum’s senior curator, organized exhibitions and developed new ways of educating the public about African American art. She celebrated African American art as an 'art of experience’ inspired by the artists’ lives. And she espoused the concept of African American art as an 'art of tradition', urging museums to explore the African roots of African American art. In 1984, Lewis produced an extensive monograph on Elizabeth Catlett, her beloved mentor at Dillard University. Lewis has been collecting art since 1942, focusing primarily on the WPA era and work created during the Harlem Renaissance. Pieces from her collection were acquired by the Hampton University Museum in Virginia, the world’s earliest collection of African American fine art...

Big Nude By Helmut Newton 1992 Medium: Offset Lithograph Paper Size: 33 x 23.25 inches ( 84 x 59 cm ) Image Size: 25.5 x 19.75 inches ( 65 x 50 cm ) Edition Size: Unknown

Male Nude (29 Palms, CA) - 1999 58x56cm, Edition of 10, analog C-Print, hand-printed by the artist on Fuji Crystal Archive paper, matte surface, based on a Polaroid. Signature la...

This reproduction of Edingsville by renowned American artist Jasper Johns, published by Edition 5 in Germany, offers a faithful and striking representation of the original artwork. J...

Nizza (Nice, South of France) by Artan Shabani, signed and dated 1999 signed oil on canvas, framed framed: 28 x 32 inches canvas : 20 x 24 inches inscribed verso Provenance: private ...