19th Century Art

Ancient Style Greek Black Figure Calyx Krater, 19th/20th Century Terracotta 17 x 14.5 inches A calyx krater is a type of ancient Greek pottery, specifically a type of krater (a bowl...

Henry Bernard Chalon (1770–1849) Newmarket, 1807 Oil on canvas, signed and dated centre middle 39 x 49 inches Provenance: Richard Green, London This impressive and finely detailed s...

Loading the Hay Cart English School (19th century) inscribed verso, oil on canvas, framed framed: 11 x 15 inches canvas : 7 x 11 inches Provenance: private collection, England Condit...

Greek Sculpture is an artwork realized in 19th century. Lithograph on paper.

Tranquil Pastures by Walter James Slater (British, 1845-1923) signed oil on canvas, framed framed: 41.5 x 33 inches canvas: 36 x 28 inches Provenance: private collection, UK Conditi...

Portrait of a Lady (could be straight out of a Jane Austen novel!) English School (very early 19th Century, circa 1800-1820) oil on canvas, framed in an antique gilt frame with shell...

The Borghese Gladiator, 19th Century Bronze on marble base Musée du Louvre signed on base 15 x 12 x 8 inches Since its discovery in the early seventeenth century, the Borghese Gladi...

John Nost Sartorius (1759–1828) Fox Hunter and Hounds Oil on canvas, circa 1810 Provenance: Ackermann & Johnson, London A fine and spirited example of early 19th-century English spo...

A beautiful large early 19th century Georgian oil on canvas portrait of a young lady wrapped in silk. Excellent quality portrait which is indistinctly inscribed on the reverse with ...

"Stone of Unction, Church of the Holy Sepulchre" is a framed 19th century hand-colored lithograph by David Roberts from the large folio edition of his monumental 6 volume publication...

Sheep in the Highlands Frank Clark (British, late 19th/ early 20th century) signed oil painting on canvas board, framed framed: 19.5 x 27 inches painting: 16 x 24 inches condition: v...

The Wooden Punt English School, late 19th century oil on board, framed framed: 20.5 x 17.5 inches board : 18 x 15 inches Provenance: private collection, England Condition: very sound...

Carl Skånberg (1850-1883) Sweden A Barbizon Garden (1879) oil on wood panel signed C. Skånberg, dated 1879 (lower front) unframed: 19 × 24 cm (7.5 × 9.4 inches) framed: 40 × 45 cm ...

Terriers Ratting in Stable Circle of Alfred Banner (act.c.1880-c.1915) incised initials "A.B." and dated 1875 oil on canvas, framed framed: 7.5 x 9.5 inches canvas : 6 x 8 inches Pr...

Wonderful John Joseph Enneking painting, iconic view of his The Summer House at Hyde Park. 10" * 14" oil on canvas by one of the fathers of American Impressionism. Signed Enneking lo...

Evening in the Dunes of Hossegor France 19th C Original Oil by Issaac A. Josephi Soir dans les dunes d'Hossegor" (Evening in the Dunes of Hossegor) by Isaac A. Josephi (American, 186...

Hélène of Septeuil (enfant au perroquet) (child with a parakeet). c. 1889-1890. Drypoint. Breeskin, 134.v. 9 3/8 x 6 1/4 (sheet 15 3/4 x 9 7/8). A rich impression with burr and plate...

Sunset at Kullen near Mölle in the very south of Sweden. Between two steep cliffs, a narrow stony beach unfolds, offering a tranquil vantage point over a still sea toward Denmark. T...

St. Joseph, identified by the flowering lily, tenderly cradles the infant Jesus. The reverse features an additional depiction of the same subject. The piece is presented in a wooden ...

‘The English Channel, off Pompey’ by Ebenezer Colls (1812-1887). The painting is signed by the artist and presented in fine quality gilded frame. Historically, “Pompey” was the sai...

Portrait of a Woman in Traditional Headpiece French/ Swiss, dated 1855 signed oil on canvas, framed dated 1855 framed: 34 x 27 inches canvas: 32 x 25 inches Provenance: private coll...

Medium: original etching. Executed in 1883; this is a rich, dark impression on heavy cream wove paper, from the "Original Etchings by American Artists" portfolio, published in 1883 b...

Italian, Late 19th Century Finely Finished Bust of Renaissance Lady White marble, garment in veined buff colored marble on fitted green marble pedestal Bust: 22 x 18 x 9 inches Pedes...

Etching and drypoint on watermarked Hudelist laid paper, 9 5/8 x 5 inches (245 x 129mm) full margins. Second state (of five) after lettering. A superb condition with a pencil inscrip...

John Frederick Herring Snr (Surrey 1795-1863 Kent) The Pharaoh's Horses Oil on canvas Painting Size - 32 x 32 in Framed Size - 39 x 39 in Provenance Frost & Reed, London, where pur...

19th Century English Folk Art School Portrait of a Cavalier King Charles Spaniel Oil on canvas, 13 x 15 inches Provenance: Iona Antiques As normal these folk art paintings are unsign...

The Logging Team by John Falconar Slater (British, 1857-1937) signed oil on canvas, framed framed: 25 x 32 inches canvas: 20 x 27 inches Provenance: private collection, UK Condition...

John Rabone Harvey ( 1966 - 1922) graphic and chalk deep green artist paper , unframed artist paper : 5.5 x 7 inches Provenance: private collection Condition: very good condition Ha...

Jan KOBELL the elder Delfshaven (Rotterdam), 1756 – 1833 Landscape with ruins, bridge and river Oil on cardboard 35 x 44 cm (49.5 x 60.5 cm with frame) Signed lower left “JK f.” Very...

Portrait of a Gentleman reading the 'London Journal', English school (mid 19th century) oil painting on canvas, unframed canvas: 36 x 28 inches condition: some minor surface abrasion...

A finely executed mid-19th-century oil painting on panel depicting "The Milkmaid" after Jean-Baptiste Greuze (1725–1805). This captivating portrait, painted in a charming manner with...

A captivating oil still life executed in the old master "Golden Age" style. The painting is presented in an ornate gilt effect frame with floral and acanthus ornamentation. Illegibly...

Pair of Hunting Dogs at Rest; Artist unknown, French, 19th century (monogrammed "JS" Circa 1850 10 x 7 (14 3/8 x 17 1/8 frame) inches This is finely realized portrait of pair of h...

The Woodland Path circle of George Turner (English 1841-1910) oil painting on canvas, framed framed: 19 x 25.5 inches canvas: 14 x 21.5 inches condition: very good provenance: privat...

The Cornish Fisherman Signed by David W. Haddon (British, flourished end of the 19th century) Oil on board, framed framed: 13 x 11 inches board: 10 x 8 inches Provenance: Private col...

John Rabone Harvey ( 1966 - 1922) graphic and chalk deep green artist paper , unframed artist paper : 5.5 x 7 inches Provenance: private collection Condition: very good condition Ha...

A superb late 19th century oil on canvas portrait of a terrier by the sought after animal painter Colin Graeme Roe. The work is excellent quality, signed lower left and presented in...

After Antonio Canova (Italian, 1757-1822) Psyche Revived by Cupid's Kiss Marble 24 x 19 x 16 inches 135 lb. The love affair between Cupid and Psyche is one of the best known classic...

Alphonse Mucha Lorenzaccio (Sarah Bernhardt), 1897 Stone lithograph Printed signature in the plate On vellum Size 39 x 29 cm (c. 15.3 x 11.4") REFERENCES : Small version of the li...

The Country Lane English School, circa 1830's period oil on panel, framed in period antique gilt frame framed: 19 x 17 inches board: 14 x 13 inches Provenance: private collection, En...

Antique American sunset seascape beach scene oil painting. Oil on board. Framed. Signed. Measuring: 15 by 21 inches overall, and 9 by 15 painting alone.. In excellent original cond...

Gorgeous panoramic sunset landscape by unknown artist, ca. 1890. Oil on canvas measuring 20 x 34 inches. Depicted are the Catskill Mountains facing west from somewhere in Dutchess County NY...

A late 19th century, American School seascape showing a lyrical view of sunlit waves flowing in towards a rocky beach. The unknown artist shows exceptionally sensitive handling of li...

Romantic, Pre-Raphaelite painting titled 'Cinderella', this oil on canvas painting is in the Victorian period after a painting by Sir John Everett Millais noted to be in the collection of Sir Andrew Lloyd Webber...

Se trata de un Óleo sobre tela La obra no va firmada, pero por su pincelada y estilo, se aproxima mucho a una obra del círculo o taller de Francesco Hayez Buen estado de conservaci...

Eugene Galien Laloue (French, 1854-1941) The Banks of the Seine near Chatelet Gouache and watercolor on paper Signed lower left 9.5 x 12.75 inches 16.5 x 21 inches, framed Provenance...

Medium: etching (after the painting). Etched by French artist Frederic Auguste Laguillermie after the Corot painting. Published in Paris in 1873 by the Galerie Durand-Ruel for the ra...

Alfred Stevens Brussels 1823 – 1906 Paris Belgian Painter 'Moonlight on the Sea' Signature: signed lower right and dated 1892 ‘A Stevens 92' Medium: oil on canvas Dimensions: image size 81 x 65 cm, frame size 97,5 x 81,5 cm Provenance: Collection M. Klein, 1900 Galerie Petit, Paris, 18 June 1926, no. 22 Private collection, Europe De Vuyst, Belgium, 1998 Galerie Kupperman, Amsterdam Private collection, The Netherlands Exhibitions: Exposition of the Works of Alfred Stevens, Palais des Beaux-Arts, Brussels, 1928 Retrospective Alfred Stevens, École des Beaux-Arts, Paris, 1900, no. 100 Literature: A. Stevens, Mercatorfonds, Brussels, p. 100 Alfred Stevens, François Boucher, Ed. Rieder, Paris, 1930, illustrated on p. 36 Documentation by Mrs. Christiane Lefebvre, 1998 Biography: Alfred Émile Léopold Stevens (11 May 1823 – 24 August 1906) was a prominent Belgian painter renowned for his depictions of elegant modern women. His works, characterized by a realistic style and meticulous attention to detail, reveal the influence of 17th-century Dutch genre painting. While he initially gained attention for his social realist portrayal of the hardships faced by impoverished vagrants, he later achieved great critical and popular success with his portrayals of upper-middle class Parisian life. Notably, he often used the same models repeatedly, with some of them being identified in the infamous Book of the Courtesans, a confidential surveillance file maintained by the Paris vice squad, as noted by author Summer Brennan. Stevens was born in Brussels, into a family deeply connected with the visual arts. His older brother Joseph (1816–1892) and his son Léopold (1866–1935) were both painters, while his other brother Arthur (1825–1899) was an art dealer and critic. His father, a veteran of the Napoleonic wars under the army of William I of the Netherlands, was an art collector with a notable collection of watercolors by Eugène Delacroix and other esteemed artists. Stevens’s upbringing was influenced by the environment of Café de l’Amitié, run by his maternal grandparents in Brussels, which served as a meeting place for prominent figures from the political, literary, and artistic spheres. Following the death of his father in 1837, Stevens left middle school to enroll at the Académie Royale des Beaux-Arts in Brussels. There, he came under the tutelage of François Navez, a Neo-Classical painter and former student of Jacques-Louis David, who was both the director of the academy and an old acquaintance of Stevens’s grandfather. Following a traditional curriculum, he initially drew from casts of classical sculptures and later transitioned to drawing from live models. In 1843, Stevens journeyed to Paris to join his already established brother, Joseph. He gained admission to the École des Beaux-Arts, the preeminent art school in Paris, although claims of him being a student of the director, Jean Auguste Dominique Ingres, are likely unfounded. One of his early works, The Pardon or Absolution (Hermitage, St. Petersburg), signed and dated 1849, showcased his mastery of a conventional naturalistic style influenced by 17th-century Dutch genre painting. Stevens’s work was first publicly exhibited in 1851, when three of his paintings were featured at the Brussels Salon. He received a third-class medal at the Paris Salon in 1853, followed by a second-class medal at the Universal Exposition in Paris in 1855. His painting Ce qu’on appelle le vagabondage [What is called vagrancy] (Musée d’Orsay, Paris) garnered attention from Napoleon III, leading to a change in policy regarding the use of soldiers to remove the poor from the streets. Two other paintings displayed at the Salon in Antwerp in the same year, Chez soi or At Home and The Painter and his Model, introduced subjects from “la vie moderne” that became characteristic of his oeuvre: elegant young women dressed in contemporary fashion and artists in their studios. In 1857, Stevens made his first significant sale to a private collector when Consolation was purchased for a rumored 6,000 francs by the Berlin collector and dealer Ravéné. He and his brother also became part of the artistic milieu in Paris, frequenting salons hosted by Princess Mathilde and popular cafes, where they mingled with the likes of the Goncourt brothers, Théophile Gautier, and Alexandre Dumas. Stevens married Fanny Juliette Albertine Marie Hortense Blanc (1836-1891), a member of a wealthy Belgian family and a long-time acquaintance of the Stevens family, in 1858. The wedding was witnessed by the renowned painter Eugène Delacroix. The couple had four children: Leopold, Jean, Catherine, and Pierre. Stevens depicted his wife in numerous portraits, including Regrets and Memories. After her passing, he expressed enduring grief at her loss. During the 1860s, Stevens rose...

Antique portrait painting of two woman having an art lesson by Swiss artist, Louis Patru (1871-1905). This is an unusual painting from an artist who only enjoyed a short life. Two ...

A superb 19th century Belgian oil on panel still life depicting three fish hanging against a wood background. The work is indistinctly signed upper right and retains a Brussels gal...

Théophile Alexandre STEINLEN Dancing in Paris (Tribute to Toulouse Lautrec), 1898 Original lithograph (Champenois workshop) Printed signature in the plate On vellum, 40 x 31 cm (c. ...

Large Figure of Seated Hermes, Grand Tour Bronze, Early 19th Century 19th Century Continental School After the Antique The large size figure well cast, with brownish green patination...

After Lysippos (Greek, 390 BC-300 BC) 19th Century Grand Tour Bronze of the Uffizi Wrestlers Bronze J. Chiurrazi & Fils, Naples 17 x 20 x 12 inches 76 lb. The Wrestlers is a Roman m...

Austrian or Central European School. Portrait of a Lady in White Dress with Floral Shawl and Long Chain with Pendant, ca. 1825-1835 Oil on canvas, relined Size: 76 × 62 cm Half-le...

3942 Antique gouache and watercolor on paper set in a period 19th century frame Image size 10x5.5"

This oil on metal plate composition depicts Saint Francis of Paola, founder of the Order of Minims. His teachings emphasised penance, charity, and humility. Inscribed to the lower ma...

Watercolor with white heightening through abrasion with the brush stick on watercolor paper, 7 x 9 7/8 inches (177 x 248 mm), the full sheet. In good condition with scattered light f...

The sculpture, is a Grand Tour scale, derived from the splendid marble that once belonged to the collection of the Roman prelate Eurialo Silvestri. After a brief stay at Villa Giulia...

The Brass Band Musician 19th Century, French/ Italian School signed oil on canvas mounted board, framed framed: 19 x 15 inches board: 14 x 10.5 inches Provenance: private collection...

Alfred Fontville de Breanski (British, 1877–1957) Scottish Loch Scene, oil on canvas, circa early 20th century This luminous Highland landscape by Alfred Fontville de Breanski captu...