19th Century Mixed Media

Five papiers peints 'En Grisaille' from the psyche´ series manufactured by Dufour, Paris, after designs by Merry-Joseph Blondel and Louis Lafitte. -'Psyche´ returning from hades.' -'...

Medium: Mixed Media on Board Sight Size 21.50" x 14.50", Framed 26.00" x 19.00" Signature: Signed Lower Left Illustration for the "Exhibition of the American Water Color Society."

In Buddhist Tibet, patrons and monks commissioned thangka art, or sacred painting, to focus their meditations and prayers. Painted with blue, orange, and r...

With this piece, I’m projecting a young man in his prime to buttress the fact that Adulthood is a stage of life filled with possibilities and a phase where one can pull all resources...

A 19th Century Sampler by Eliza Hanna Oddy June 20th 1861 in original frame Dimensions framed: height 15" x width 16" All of the items that we advertise for sale have been as accu...

Charming antique sailors or honeymoon valentine with an unusual horse shoe form ambitiously decorated with exotic seashells around a convex glass lens decorated on the inside with sh...

A very good quality early 19th Century Austrian, Vienna style convex porcelain plaque depicting a hand painted portrait of the "Duchess of Devonshire." Georgiana Cavendish, Duchess o...

A charming study of a local man fishing on the banks of the River Somme. The bell towers of St. Wolfram can be seen to the distance, towering over the town of Abbeville. Well-present...

In "Moment of Reflections," Olatunbosun transports the audience into a world of contemplation and self-discovery. The centerpiece of the artwork is a young man seated in a casual, relaxed manner. His pose conveys a sense of tranquility as if he has found solace in the moments of quiet contemplation. The attention to detail in the artwork is striking, with intricate brushwork bringing out the textures of the subject's clothing and the surrounding environment. The setting of the artwork is deliberately minimalistic, allowing the viewer to focus entirely on the young man's expression and demeanor. The background is a subtle blend of soft colors, suggesting an ethereal space where thoughts roam freely. This simplicity further accentuates the theme of reflection, as the absence of distractions allows viewers to immerse themselves in their own thoughts while contemplating the emotions conveyed by the subject. Olatunbosun's "Moment of Reflections" is a remarkable piece that resonates deeply with viewers from all walks of life. The young man's expression exudes a sense of inner peace, prompting viewers to ponder their own life experiences and contemplate the paths they have taken. This introspective quality of the artwork creates an intimate connection between the audience and the subject, allowing for a deeply personal and emotional experience. The painting's title, "Moment of Reflections," is deliberately chosen to reinforce the idea of taking a moment for self-exploration and soul-searching. In the hustle and bustle of modern life, we often overlook the importance of pausing and reflecting on our journey. Olatunbosun's artwork serves as a gentle reminder to find time for introspection and to appreciate the beauty in moments of quietude. What makes "Moment of Reflections" even more extraordinary is its ability to transcend cultural boundaries. The emotions depicted in the artwork are universal, touching the core of human experiences. Whether the viewer is from the artist's homeland or halfway across the world, the profound message remains relevant – we all share moments of contemplation and self-discovery in our lives. In conclusion, Samson Olatunbosun's "Moment of Reflections" is a timeless masterpiece that captures the human spirit with its simplicity and emotional depth. Through his brilliant artistic skill, Olatunbosun creates an atmosphere of introspection, inviting viewers to engage in their own moments of contemplation and self-discovery. This extraordinary artwork serves as a poignant reminder of the power of art to connect us all through our shared humanity and emotions. As we gaze upon the young man seated in a relaxed manner, we are reminded to embrace the beauty of silence, to reflect on our past, and to seek meaning in the present – a truly profound and impactful journey offered by the artistic genius of Samson Olatunbosun. Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gallery) About Artist Samson Olatubosun...

In "Moment of Reflections," Olatunbosun transports the audience into a world of contemplation and self-discovery. The centerpiece of the artwork is a young man seated in a casual, relaxed manner. His pose conveys a sense of tranquility as if he has found solace in the moments of quiet contemplation. The attention to detail in the artwork is striking, with intricate brushwork bringing out the textures of the subject's clothing and the surrounding environment. The setting of the artwork is deliberately minimalistic, allowing the viewer to focus entirely on the young man's expression and demeanor. The background is a subtle blend of soft colors, suggesting an ethereal space where thoughts roam freely. This simplicity further accentuates the theme of reflection, as the absence of distractions allows viewers to immerse themselves in their own thoughts while contemplating the emotions conveyed by the subject. Olatunbosun's "Moment of Reflections" is a remarkable piece that resonates deeply with viewers from all walks of life. The young man's expression exudes a sense of inner peace, prompting viewers to ponder their own life experiences and contemplate the paths they have taken. This introspective quality of the artwork creates an intimate connection between the audience and the subject, allowing for a deeply personal and emotional experience. The painting's title, "Moment of Reflections," is deliberately chosen to reinforce the idea of taking a moment for self-exploration and soul-searching. In the hustle and bustle of modern life, we often overlook the importance of pausing and reflecting on our journey. Olatunbosun's artwork serves as a gentle reminder to find time for introspection and to appreciate the beauty in moments of quietude. What makes "Moment of Reflections" even more extraordinary is its ability to transcend cultural boundaries. The emotions depicted in the artwork are universal, touching the core of human experiences. Whether the viewer is from the artist's homeland or halfway across the world, the profound message remains relevant – we all share moments of contemplation and self-discovery in our lives. In conclusion, Samson Olatunbosun's "Moment of Reflections" is a timeless masterpiece that captures the human spirit with its simplicity and emotional depth. Through his brilliant artistic skill, Olatunbosun creates an atmosphere of introspection, inviting viewers to engage in their own moments of contemplation and self-discovery. This extraordinary artwork serves as a poignant reminder of the power of art to connect us all through our shared humanity and emotions. As we gaze upon the young man seated in a relaxed manner, we are reminded to embrace the beauty of silence, to reflect on our past, and to seek meaning in the present – a truly profound and impactful journey offered by the artistic genius of Samson Olatunbosun. Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gallery) About Artist Samson Olatubosun...

Rafael Contreras, A Large Spanish Alhambra Architectural Model Plaque. Late 19th century. Polychrome and gilt gesso. Original printed paper label vers...

The central figure in Afobaje is a majestic and regal woman, representing the embodiment of motherhood. She exudes an aura of wisdom, strength, and grace. Adorned in traditional Afri...

Proud Liner of the Aberdeen White Star Line, AUSTRALASIAN carried emigrants and first-class passengers to Australia and South Asia in the late 1880s & 1890s. This colorful period woo...

"Agbara Abo" portrays African women in all their natural beauty, radiating confidence and strength. The artwork captures the diverse physical features and skin tones that make Africa...

Tulips is a modern artwork realized by Edouard Maubert in 19th Century. Hand colored etching. Includes frame. Good conditions (yellowing of paper).

Symbol of Memories 1 is an original painting by Oladimeji Alabi. Oladimeji created the Symbol of Memories with Mixed Media on a 30W by 50H inches primed canvas. The symbol of Memories is inspired by the story of my childhood. The objects and signs we grew up with as a child in our homes become symbols of our memories today. Art has the ability to evoke strong emotions and convey meaningful messages. One such artwork that does just that is "Symbol of Memories," a stunning piece that uses the mother as a symbol of life and hope. This artwork is made even more significant by the use of damask fabric, which was popular among Nigerian women in the late 70s to 90s and used for making gele, the head ties worn by women. The artwork speaks volumes about the importance of mothers in society. The mother is dressed in a vibrant damask fabric, which adds a sense of richness and texture to the painting. The use of damask fabric in the painting is significant as it represents a part of Nigerian culture and history. Damask was a popular fashion among Nigerian women in the late 70s to 90s and was used to make gele, the head ties worn by women on special occasions. The fabric is often associated with elegance, sophistication, and beauty, which adds a layer of meaning to the artwork. The mother in the painting is the focal point of the artwork, symbolizing the importance of mothers in society. Mothers are the backbone of families, providing love, support, and guidance to their children. They are often the ones who hold families together through difficult times, serving as a symbol of hope and resilience. The use of the damask fabric in the painting also represents the concept of memories. The fabric has a rich history in Nigerian culture, and for many people, it is a symbol of their childhood and the memories they hold dear. The painting serves as a reminder of the importance of preserving memories, both good and bad, and how they shape our lives. Overall, "Symbol of Memories" is a beautiful piece of art that celebrates the role of mothers in society. The use of damask fabric adds a layer of meaning to the painting, representing the importance of preserving memories and the rich culture of Nigeria. The mother as a focused subject symbolizes life and hope, the fabric applied in this art is called damask, which was a popular fashion among Nigerian women around the late 70s to 90s used for making gele(the head ties). Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gallery) About Artist Oladimeji Alabi is an experimental contemporary visual artist based in Lagos. His works are based on social and environmental issues in modern Nigeria and the globe, while highlighting and archiving the social customs of his Yoruba ethnicity. Oladimeji's works are in paintings (acrylics, charcoal, spray cans, and LED), graffiti, illustrations, wood works, street art, and wearable art. Oladimeji studied Fine Art at the Yaba College of Technology in Lagos and has created works shown in exhibitions, auctions, and magazines in Nigeria and beyond. Dimeji's work has been featured in Vogue Germany, Royal Academy, BLK Arthouse Washington, Artist Movement 2020, Galleries of the Community College of Baltimore County, Nike Art...

Oladimeji Alabi, a Nigerian contemporary artist, created a thought-provoking artwork titled "Energy," which emphasizes the essence of energy, both positive and negative, according to African spirituality. The artwork is a vivid depiction of the concept of karma, which is fundamental to African spirituality, and the law of nature, which states that what you give out, you get back in turn. The central piece of the artwork is a painting of a human figure, seemingly in a state of contemplation with her flowing hair. "What you give out, you get back in turn." This phrase is a direct reference to the concept of karma, which is prevalent in African spirituality. Karma is the belief that our actions have consequences, and that every action we take has an effect on our lives and the lives of those around us. Furthermore, the artwork emphasizes the importance of energy, both positive and negative, and how it affects our lives. According to African spirituality, everything in the universe is interconnected, and energy flows through all things. Positive energy is associated with good fortune, success, and happiness, while negative energy is associated with misfortune, failure, and sadness. In conclusion, Oladimeji Alabi's artwork "Energy" is a beautiful and thought-provoking piece that embodies the essence of African spirituality. The artwork's central message of karma and the law of nature is a powerful reminder that our actions have consequences and that we must be mindful of the energy we put out into the world. The artwork is a testament to the artist's skill and creativity, and it is sure to leave a lasting impression on all who view it. Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gallery) About Artist Oladimeji Alabi is an experimental contemporary visual artist based in Lagos. His works are based on social and environmental issues in modern Nigeria and the globe while highlighting and archiving the social customs of his Yoruba ethnicity. Oladimeji's works are in paintings (acrylics, charcoal, spray cans, and LED), graffiti, illustrations, wood works, street art, and wearable art. Oladimeji studied Fine Art at the Yaba College of Technology in Lagos and has created works shown in exhibitions, auctions, and magazines in Nigeria and beyond. Dimeji's work has been featured in Vogue Germany, Royal Academy, BLK Arthouse Washington, Artist Movement 2020, Galleries of the Community College of Baltimore County, Nike Art...

Pink and blue flowers is a modern artwork realized by Edouard Maubert in 19th Century. Hand colored etching. Includes frame. Good conditions (yellowing of paper).

Oladimeji Alabi is a Nigerian-born artist whose works explore themes of identity, culture, and spirituality. His artwork titled "Creating Balance" is a captivating piece that is both aesthetically pleasing and thought-provoking. One of the most striking features of the artwork is the use of symmetry and balance. The figures are positioned in the center of the canvas. This creates a sense of harmony and equilibrium that is both pleasing to the eye and reflective of the artwork's message. The title of the artwork, "Creating Balance," is a reference to the importance of balance in life. The symbols and patterns in the artwork represent different aspects of life, such as nature, spirituality, and human relationships. By placing these symbols in a balanced and harmonious arrangement, the artwork encourages viewers to seek balance in their own lives. Overall, Oladimeji Alabi's "Creating Balance" is a beautiful and thought-provoking artwork that speaks to the importance of balance in life. Its use of symmetry and balance creates a sense of harmony that is both pleasing to the eye and reflective of the artwork's message. Through this artwork, Alabi encourages viewers to seek balance in their own lives and to embrace the various aspects of life that contribute to a sense of wholeness and well-being. Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gallery) About Artist Oladimeji Alabi is an experimental contemporary visual artist based in Lagos. His works are based on social and environmental issues in modern Nigeria and the globe while highlighting and archiving the social customs of his Yoruba ethnicity. Oladimeji's works are in paintings (acrylics, charcoal, spray cans, and LED), graffiti, illustrations, wood works, street art, and wearable art. Oladimeji studied Fine Art at the Yaba College of Technology in Lagos and has created works shown in exhibitions, auctions, and magazines in Nigeria and beyond. Dimeji's work has been featured in Vogue Germany, Royal Academy, BLK Arthouse Washington, Artist Movement 2020, Galleries of the Community College of Baltimore County, Nike Art...

Symbol of Memories 1 is an original painting by Oladimeji Alabi. Oladimeji created the Symbol of Memories with Mixed Media on a 30W by 50H inches primed canvas. The symbol of Memories is inspired by the story of my childhood. The objects and signs we grew up with as a child in our homes become symbols of our memories today. Art has the ability to evoke strong emotions and convey meaningful messages. One such artwork that does just that is "Symbol of Memories," a stunning piece that uses the mother as a symbol of life and hope. This artwork is made even more significant by the use of damask fabric, which was popular among Nigerian women in the late 70s to 90s and used for making gele, the head ties worn by women. The artwork speaks volumes about the importance of mothers in society. The mother is dressed in a vibrant damask fabric, which adds a sense of richness and texture to the painting. The use of damask fabric in the painting is significant as it represents a part of Nigerian culture and history. Damask was a popular fashion among Nigerian women in the late 70s to 90s and was used to make gele, the head ties worn by women on special occasions. The fabric is often associated with elegance, sophistication, and beauty, which adds a layer of meaning to the artwork. The mother in the painting is the focal point of the artwork, symbolizing the importance of mothers in society. Mothers are the backbone of families, providing love, support, and guidance to their children. They are often the ones who hold families together through difficult times, serving as a symbol of hope and resilience. The use of the damask fabric in the painting also represents the concept of memories. The fabric has a rich history in Nigerian culture, and for many people, it is a symbol of their childhood and the memories they hold dear. The painting serves as a reminder of the importance of preserving memories, both good and bad, and how they shape our lives. Overall, "Symbol of Memories" is a beautiful piece of art that celebrates the role of mothers in society. The use of damask fabric adds a layer of meaning to the painting, representing the importance of preserving memories and the rich culture of Nigeria. The mother as a focused subject symbolizes life and hope, the fabric applied in this art is called damask, which was a popular fashion among Nigerian women around the late 70s to 90s used for making gele(the head ties). Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gallery) About Artist Oladimeji Alabi is an experimental contemporary visual artist based in Lagos. His works are based on social and environmental issues in modern Nigeria and the globe, while highlighting and archiving the social customs of his Yoruba ethnicity. Oladimeji's works are in paintings (acrylics, charcoal, spray cans, and LED), graffiti, illustrations, wood works, street art, and wearable art. Oladimeji studied Fine Art at the Yaba College of Technology in Lagos and has created works shown in exhibitions, auctions, and magazines in Nigeria and beyond. Dimeji's work has been featured in Vogue Germany, Royal Academy, BLK Arthouse Washington, Artist Movement 2020, Galleries of the Community College of Baltimore County, Nike Art...

Obirin Asiko (Fashionable Woman) is an original painting by Oladimeji Alabi. Oladimeji created the Obirin Asiko (Fashionable Woman) with Mixed Media on a 21W by 24H inches primed canvas. This painting is created to document the uniqueness of African women's fashion style and ideology. My childhood experiences seeing my Mother dressed up in her "Iro and bubba" standing in front of the mirror making up while showing much charisma and attitude, shows a way of appreciating oneself, it's sí interesting and this inspires my art. Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gallery) About Artist Oladimeji Alabi is an experimental contemporary visual artist based in Lagos. His works are based on social and environmental issues in modern Nigeria and the globe, while highlighting and archiving the social customs of his Yoruba ethnicity. Oladimeji's works are in paintings (acrylics, charcoal, spray cans, and LED), graffiti, illustrations, wood works, street art, and wearable art. Oladimeji studied Fine Art at the Yaba College of Technology in Lagos and has created works shown in exhibitions, auctions, and magazines in Nigeria and beyond. Dimeji's work has been featured in Vogue Germany, Royal Academy, BLK Arthouse Washington, Artist Movement 2020, Galleries of the Community College of Baltimore County, Nike Art...

Roses is an original modern artwork realized by Artist of 19th Century. Mixed colored etching. Printed name on lower margin: "Maubert pinx" Good conditions (light yellowing of pap...

Pair of Buddhist Foo Dogs Polychrome porcelain Japan, Meiji era (1868 – 1912), circa late 19th century Satsuma Kilns 12 3/8 x 9 5/8 inches This exquisite pair of Japanese Foo-dogs ...

It’s difficult to pinpoint what makes this handcrafted panel so impressive: the artful relief carvings of seasonal fruit and lush, foliage-filled vases ...

"Pair Of Empire Period Candlesticks" Pair of Empire-period bronze candlesticks with brown and golden patina with 3 Athenian heads at the top of the...

Toilettes de Mme Bréant-Castel, from La Mode Illustrée is a modern artwork realized in 19th Century. Mixed colored etching and collages on paper. Titled on plate. Good conditions ...

Image Sz: 24 3/8"H x 13 1/2"W Frame Sz: 29"H x 18"W Classic Jerome Park Steeplechase board c1885 game in great color graphics w/ 100 slots Jerome Park Steeplechase is a very early...

Painted porcelain tile, on which Louise of Prussia is depicted. The queen is dressed in a white dress edged with gold, in an Empire style, while on one of her shoulders she wears a blue cloak lined with ermine; her blond hair is gathered and held in place thanks to a golden diadem. Luisa is coming down the steps of a classical building: the base and the lower part of a tapered column can be glimpsed, just as the herms in the background look to the ancient world, while in the background she sees a wooded landscape. The porcelain is branded on the back with the royal scepter...

Trajan's Pillar is a modern artwork realized in 19th Century. Black and white etching. Good conditions Includes frame: 27 x 31 cm

This set of four antique 19th century Italian mixed media painting on paper hand made with gouache, tempera and watercolor, features several characters silhouettes acting in a theater play. These fine artworks are very unusual, they probably were sketches for theatrical costumes and sets. A rare example of Venetian 19th century theatrical figures in the scenery of Italian opera or characters of the Italian Commedia dell'arte. These four paintings featuring costume design figurines, with the characters acting in a theatrical set, are rendered through the decoupage technique mixing watercolor painting or gouache with tempera on paper. Each tiny figurine is made of paper hand-colored in watercolor, then cut and applied to an antique sheet...

Paris: 1862. Cliché-verre on lightweight photosensitive wove paper, 8 3/4 x 7 1/8 inches (220 x 180 mm) (sheet), full margins. Signed in the plate, lower right. Because this impressi...

Indonesian shadow puppet/Wayang kulit, 19th century Wayang kulit, or Indonesian shadow puppets are typically carved out of water buffalo hide and wood. T...

Flower is an original modern artwork realized by Artist of 19th Century. Mixed colored "scagliola" technique" Note: Scagliola (from the Italian scaglia, meaning "chips"), is a technique for producing stucco columns, sculptures, and other architectural elements that resemble inlays in marble and semi-precious stones. The Scagliola technique came into fashion in 17th century in Tuscany as an effective substitute for costly marble inlays, the hard stone works created for the Medici family...

a wonderful antique pokerwork/pyrography panel by I W Wells, an American artist who flourished between 1845 - 1880. He was active in Pennsylvania/Philadelphia, yet most of his work is conserved in the Pinto Collection, which is part of the Birmingham Museums Trust in the UK. A portrait of Tennyson by Wells is in the Virginia State...

Contemporary Art, Antique Japanese Paper, Textile Art-Unwritten History A B O U T T H I S P I E C E : This 100 year old holistic dyed paper has...

Emperor of Austria is an original print realized in 1816 ca. Original mixed colored hand water-colored lithograph . Title printed on plate on the lower margin. Published by Richar...

The present illuminated page was once part of a larger manuscript, as evidenced by the tears along the right edge, illustrating a story from the Islamic world. The scene presents two figures in a landscape, one on horseback and another gesturing to a fallen deer. The stylization of the landscape shows influence from the Byzantine tradition of painting, with jagged rocks jutting into a golden sky. The page contains handwritten text on both sides, and is surrounded by gold illustrations of peacocks and a running deer. 11 x 6.5 inches, artwork 18.63 x 14 inches, frame accompanied on the back with an image of the verso framed to conservation standards with a 100% rag silk-lined mat in a gold gilded frame A Persian miniature is a small Persian painting on paper, whether a book illustration or a separate work of art intended to be kept in an album of such works called a muraqqa. The techniques are broadly comparable to the Western and Byzantine traditions of miniatures in illuminated manuscripts. Although there is an equally well-established Persian tradition of wall-painting, the survival rate and state of preservation of miniatures is better, and miniatures are much the best-known form of Persian painting in the West, and many of the most important examples are in Western, or Turkish, museums. Miniature painting became a significant genre in Persian art in the 13th century, receiving Chinese influence after the Mongol conquests, and the highest point in the tradition was reached in the 15th and 16th centuries. The tradition continued, under some Western influence, after this, and has many modern exponents. The Persian miniature was the dominant influence on other Islamic miniature traditions, principally the Ottoman miniature...

This antique architectural fragment beautifully exemplifies the textured wear and soft patina that only time can achieve. Given its cusp...

Contemporary Art, Antique Textiles, Paper Art, Textiles-Centurial Curio A B O U T T H I S P I E C E : This 100 year old holistic dyed paper has used to wrapping textiles in old Japa...

General Sir Eire Coote is an original print realized in 1816 ca. Original mixed colored hand watercolored lithograph . Title printed on plate on the lower margin. Published by Ric...

Ancient View of Der Grossglockner is an original modern artwork realized in the first half of the 19th Century. Original B/W Lithograph on Ivory Paper. Inscripted on the lower ma...

The Prince Regent of Great Britain is an original print realized in 1816 ca. Original mixed colored hand water-colored lithograph. Title printed on pla...

BARBIER, George Le Bonheur du Jour ou les Graces à la Mode, texte et dessins par George Barbier. Chez Meyniel, Paris, 1924. Group of six lithographs, hand-...

Alexander Emperor is an original print realized in 1816 ca. Original mixed colored hand watercolor lithograph . Title printed on plate on the lower margin. Published by Richard Ev...

The present illuminated folio page contains a fine miniature depicting four figures playing polo. Polo, also called 'chagun,' was the sport of kings and princes of central Asia and Iran, and the sport probably originated there in the 6th century BCE. Polo matches appear in a large number of early Persian texts, including in the writings of the 10th century epic writer Abu l-Qasim al-Firdawsi: He describes numerous polo matches in his famous 'Shahnameh' (The Persian Book of Kings). This particular illumination also is closely related to an example held at the Smithsonian Museum of Asian Art: a folio from 'Guy u Chawgan' (The ball and the polo-mallet) which shows a polo game with the dervish and the shah. 12 x 8.25 inches, artwork 19.75 x 15.88 inches, frame accompanied on the back with an image of the verso framed to conservation standards with a 100% rag silk-lined mat in a gold gilded frame A Persian miniature is a small Persian painting on paper, whether a book illustration or a separate work of art intended to be kept in an album of such works called a muraqqa. The techniques are broadly comparable to the Western and Byzantine traditions of miniatures in illuminated manuscripts. Although there is an equally well-established Persian tradition of wall-painting, the survival rate and state of preservation of miniatures is better, and miniatures are much the best-known form of Persian painting in the West, and many of the most important examples are in Western, or Turkish, museums. Miniature painting became a significant genre in Persian art in the 13th century, receiving Chinese influence after the Mongol conquests, and the highest point in the tradition was reached in the 15th and 16th centuries. The tradition continued, under some Western influence, after this, and has many modern exponents. The Persian miniature was the dominant influence on other Islamic miniature traditions, principally the Ottoman miniature...

William DeKoornbolt "Wonton Malice" Original Mixed Media Abstract Painting c.1981 Fine mixed media abstract painting by noted artist William DeKoornbolt (American, b.1945) Acrylic,...

[CHINESE SCHOOL]. Chinese Craft on the Pearl River. Canton, circa 1810. A pencil, water colour and body colour drawing of craft, heightened with white on paper watermarked ‘J Whatm...

[CHINESE SCHOOL]. Chinese Craft on the Pearl River. Canton, circa 1810. Pencil, water colour and body colour drawings of craft, heightened with white on paper watermarked ‘J Whatm...

Prince of Sweeden is an original print realized in 1816 ca. Original mixed colored hand watercolored lithograph . Title printed on plate on the lower margin. Published by Richard ...

Medium: Gouache on Several Pieces of Collaged Watercolor P Signature: Signed Center Right Original art for the Art Supplement to The Philadelphia Inquirer's July 25, 1897 issue Acc...

Miroir de Paris, n. 11 is a satirical illustration by the French draftsman Edmé-Jean Pigal (1798-1872). Original colored lithograph with pouchoir details. In very good condition. ...

A fine early nineteenth century Regency Period pastel, depicting the goddess Hebe. Pastel upon paper, housed within a period circular mounted rectangular frame. In Greek mythology, Hebe was the goddess of...

CHEZ SAGOT EXPOSITION CH. MAURIN 39 BIS RUE DE CHATEAUDUN. Signed pencil drawing with the artist's owl head' stamp circa 1899. Paper size 9 7/8 x 12 3/4" (25 x 32.6 cm). This orig...

The present illuminated folio page contains a fine miniature depicting three figures hunting while on horseback, an image meant to accompany a historic epic. During the medieval period, hunting was an important pastime of male nobility throughout the Islamic world. The Quran itself explicitly endorses hunting and the use of animals to aid in capturing prey: "Lawful to you are foodstuffs that are good to eat and any game that, at your wish, is captured by beasts of prey which train as you do dogs, according to the method that Allah has taught you, after you have spoken the name of Allah over it." (Q 6:4) Muslim princes and nobles enjoyed the chase of the prey via horseback, using bow and arrow, crossbows, and blowpipes to capture their prey Horseback riding itself trained young men in the necessary skills for armed combat and warfare, developing their speed and strength. 12 x 8.25 inches, artwork 19.75 x 15.88 inches, frame accompanied on the back with an image of the verso framed to conservation standards with a 100% rag silk-lined mat in a gold gilded frame A Persian miniature is a small Persian painting on paper, whether a book illustration or a separate work of art intended to be kept in an album of such works called a muraqqa. The techniques are broadly comparable to the Western and Byzantine traditions of miniatures in illuminated manuscripts. Although there is an equally well-established Persian tradition of wall-painting, the survival rate and state of preservation of miniatures is better, and miniatures are much the best-known form of Persian painting in the West, and many of the most important examples are in Western, or Turkish, museums. Miniature painting became a significant genre in Persian art in the 13th century, receiving Chinese influence after the Mongol conquests, and the highest point in the tradition was reached in the 15th and 16th centuries. The tradition continued, under some Western influence, after this, and has many modern exponents. The Persian miniature was the dominant influence on other Islamic miniature traditions, principally the Ottoman miniature...

Portrait is an original photo of a print on cardboard realized in 1850 ca. by an Anonymous artist. Good conditions, except for some foxings of original print. The artwork represent...

Musical Uniform is an original painting in mixed media, ink, pastels and watercolor, realized in 1881 by an Anonymous artist of the XIX century. Dated with the title on the middle l...

Portrait is an original drawing on ivory-colored paper, realized by an anonymous artists of the XIX century. Original mix media (ink and watercolor) drawing on paper. Good condit...

A substantial mid-nineteenth century figural embroidery showing the bard with a full beard playing a lyre, seated on a classical colonnade and gazin...