19th Century Art

This is an antique original oil painting on canvas depicting a serene and tranquil scene - the cows gathered around a watering hole with some of them drinking or cooling off in the ...

Frame Size: Height: 23.25″ x Width: 26.75″ Frame Thickness: 4″ Picture Size: Height : 16″ x Width: 19.75″ Immerse yourself in the enchanting beauty of nature with this exquisite Italian Antique Micro Mosaic Picture depicting pigeons in a serene moment of drinking water. Crafted with meticulous artistry, this captivating artwork showcases the intricate micro mosaic technique, capturing the elegance and allure of these birds in stunning detail. The micro mosaic picture presents a remarkable depiction of pigeons, with countless gold-colored metal bowl tesserae meticulously arranged to create a lifelike image. The shimmering effect of the gold tesserae adds an extra dimension of elegance and sophistication to the artwork, enhancing the visual impact of the pigeons in their tranquil activity. The artwork is accompanied by an antique frame that adds to its allure, measuring at a height of 23.25″ and width of 26.75″. With a thickness of 4″, the frame provides depth and prominence, enhancing the overall presentation of the micro mosaic picture. The picture itself measures 16″ in height and 19.75″ in width, allowing for a closer appreciation of the intricate mosaic details and the graceful movement of the pigeons. This Italian Antique Micro Mosaic Picture of Pigeons serves as a testament to the rich heritage of Italian micro mosaic art...

The Sculpture Torso with well highlighted muscles would seem in line with the figures of the athletes, It is a naked figure who rests his weight on his left leg with a slight inclina...

The 1896 original poster by Henri de Toulouse-Lautrec for La Chaîne Simpson L.B. Spoke is a celebrated piece of 19th-century advertising art. Commissioned to promote the Simpson bicy...

The Barbizon Forest circle of Jean-Baptiste Camille Corot (French 19th century bears signature, oil on wood panel (cradled), unframed panel: 30 x 19 inches provenance: private collec...

An original American impressionist oil painting of a country road in Maine by Emile Gruppe's cousin, American artist Haley B. Nell. Not much else is known about Nell, although the a...

John Cowey (1786-1833) Christ Church Cathedral, Oxford, 1816, from the Dean's gardens  Engraving  23 x 32 cm Early nineteenth-century view of Christ Church Cathedral from the Dean's...

Albert Clark British, (1843-1928) Dark Seal Brown Horse in a Stable Oil on canvas, signed & dated 1885 Image size: 17 inches x 23.5 inches Size including frame: 23.25 inches x 29.75...

The Highland Path Scottish School, circa 1830's Oil painting on canvas, framed framed size: 34 x 28 inches canvas: 26 x 20 inches condition: very good and ready to hang provenance: f...

'Miniature Mallow' Process print from Frederick William Hulme’s ‘Familiar Wild Flowers’, circa 1890. Hulme was known as a teacher and an amateur botanist. He was the Professor of F...

Monogrammed work Oil on copper Wooden carved frame 57 x 47.5 x 5 cm

Paul César Helleu. La Duchesse de Marlborough, Consuelo Vanderbilt. c. 1901. Drypoint. 21 1/2 x 13 3/4 (sheet 24 x 15). A rich impression printed o...

Artist/ School: Italian School, 19th century Title: Classical nude draped in robes with dancing dog. The work looks as though it might have been a ceiling...

‘Tombs of the Sultans’ by Frank Dillon R.I. R.O.I. (1823-1909). The painting – which depicts the ancient Egyptian “City of the Dead” outside the old walls of Cairo – is signed by th...

Barbara Urslerin, The Hairy Faced Woman, born in Germany in 1629 and exhibited as circus attraction. Suffered from Hypertrichosis (Ambras Syndrome). Barbara Urslerin presents one o...

Notes: This painting was reviewed via digital photographs by Max and Dr. Christoph Andreas who confirmed it authenticity. They commented that the painting would benefit from removal of the discolored varnish. Provenance: Provenance: Christie's New York, 19th Century European Paintings, Drawings, Watercolors, and Sculpture, February 23, 1989, Lot 125. Private Collection, Boston MA, Skinner Auction, Nov 2021 Arab Horsemen" by Adolf Schreyer captures the grace and power of Arab horsemen in a vibrant Middle Eastern setting. Schreyer, a renowned artist of the 19th century, adeptly portrays equestrian scenes with exceptional skill and detail. The painting showcases a group of horsemen galloping through a desert landscape, evoking a sense of freedom and adventure. Schreyer's meticulous attention to detail brings the scene to life, with sunlight reflecting off the horses' coats and dust rising beneath their hooves. Beyond its visual appeal, the artwork holds cultural significance, bridging the gap between cultures and inviting appreciation of Arabian heritage. Schreyer's experiences in North Africa, Turkey, and Syria inform his captivating depictions. "Arab Horsemen" is highly regarded in both America and France, where Schreyer's works found admiration among collectors and his association with the Barbizon School solidified his reputation. Owning this artwork not only adds beauty but also connects to a pivotal period in art history, showcasing Schreyer's artistic brilliance and cross-cultural appreciation. Experience the timeless allure of "Arab Horsemen" and embrace the spirit of the Middle East. Frame Size: Width: 36″ x Hight: 24.75″ Frame Thickness: 6.50″ Picture Size: Width: 24″ x 12.75″ Description: Introducing “Arab Horsemen” by Adolf Schreyer: A Captivating Blend of Artistry and Cultural Significance Capture the essence of the vibrant Middle Eastern culture with “Arab Horsemen,” a masterpiece by the renowned artist Adolf Schreyer. This captivating painting takes you on a journey through time, allowing you to witness the grace, power, and elegance of Arab horsemen in their natural element. Adolf Schreyer, a celebrated artist of the 19th century, gained immense popularity and admiration for his exceptional ability to depict equestrian scenes with unparalleled skill and detail. Born in Frankfurt, Germany in 1828, Schreyer developed a profound fascination for the Orientalist movement, which celebrated the exoticism and allure of the Middle East. “Arab Horsemen” exemplifies Schreyer’s signature style, highlighting his mastery of capturing the energy and spirit of his subjects. The painting portrays a group of Arab horsemen galloping across a vast desert landscape, their silhouettes evoking a sense of freedom and adventure. Schreyer’s meticulous attention to detail is evident in every brushstroke, as he adeptly captures the shimmering sunlight bouncing off the horses’ coats and the billowing dust beneath their hooves. What sets Schreyer apart is his ability to transcend mere representation and infuse his artworks with a profound cultural significance. His depictions of Arab horsemen are not only visually stunning but also serve as a bridge between cultures, inviting viewers to explore and appreciate the richness of Arabian heritage. The artist’s fascination with the Middle East stems from his experiences traveling through North Africa, Turkey, and Syria, immersing himself in the sights, sounds, and traditions of these enchanting lands. “Arab Horsemen” holds a special place in the hearts of art enthusiasts in both America and France. Schreyer’s works found great admiration and recognition in these countries during his lifetime and continue to captivate audiences to this day. In America, his paintings were sought after by collectors who were drawn to the romanticism and exoticism of the Orient. In France, Schreyer’s association with the Barbizon School, a group of artists who favored realistic depictions of rural life, further solidified his reputation as a respected painter. Owning a piece by Adolf Schreyer, especially “Arab Horsemen,” is not merely acquiring a beautiful artwork but also an opportunity to possess a tangible link to a pivotal period in art history. Schreyer’s ability to seamlessly blend artistic brilliance with cross-cultural appreciation makes this painting an invaluable addition to any collection. Experience the timeless allure of “Arab Horsemen” and let the spirit of the Middle East gallop into your life. Collections holding paintings by Adolf Schreyer include the Collections: Schwerin Gallery Count Mensdorff-Pouilly Collection Raven Gallery, Berlin Rockefeller Family Collection Vanderbilt Family Collection John Jacob Astor Collection William Backhouse Astor, Sr. Collection August Belmont Collection William Walters Collection...

Oil on Canvas. The scene presents the aftermath of a battle, with survivors giving first aid to the wounded, carrying the bodies of fallen comrades, and a friar blessing the dying. ...

Oil on Canvas. Central European School of the 19th century. The large scene is set at the banks of a river, which flows near a village and is crossed by a small wooden bridge. On the...

Pierre Emmanuel Damoye (1847–1916) French Barbizon School A desolate snow covered landscape of fishing boats and nets drying on the banks of the river ...

Neapolitan School, late 19th century oil on board, framed signed initials framed: 9 x 7 inches painting: 6.25 x 4.25 inches provenance: private collection, London condition: very goo...

Artist/ School: English School, 19th century, dated 1863 Title: botannical study 'Ne Plus Meuris' Medium: watercolour drawing on paper, with ink inscription below Size: image: 9.5...

An important and impressive sculpture portrait of Giulia Domna after the bust at the Vatican Museum, carved in a rare and specimen marble named Marmor Taenarium, an ornamental stone used by Roman and characterized by a bright red background, with tones varying from pink to purple, sometimes associated in the same find. There are often black veins a few millimeters wide and with a sub-parallel trend, or greyish-white spots of millimeter to centimeter size, or more rarely greyish-white stripes a few centimeters wide and sub-parallel. Julia Domna was Roman empress from 193 to 211 as the wife of Emperor Septimius Severus. She was the first empress of the Severan dynasty. Domna was born in Emesa (present-day Homs) in Roman Syria to an Arab family[2] of priests of the deity Elagabalus. In 187, she married Severus, who at the time was governor of the Roman province of Gallia Lugdunensis. They had two sons, Caracalla and Geta. A civil war over the Roman throne...

This European metal sculpture, most likely bronze or brass, is probably Anteros, God of requited love. The piece altogether is 18" in height; the figure itself 7.25". The bottom and...

Little Red Riding Hood by John Talbot Adams (1827-1909) oil on canvas, unframed canvas: 50 x 40 inches provenance: private collection, UK condition: very good and sound condition hav...

Mt Shasta Spring Stroll on the River Beneath the Mountain Original Oil on Linen A solitary hiker on a trail with Northern California's Mt. Shasta in the distance by Joseph John Engl...

‘Awakening’ by Herbert James Draper (1864-1920). This monumental oil painting – which depicts two wood nymphs rising to meet the morning sun – is signed by the artist and dated 1918...

"Saddled Horse Playing with a Dog"  Pierre Lenordez (1815-1892)  Bronze with green marble base, circa 1860 11 x 7 inches Painter and sculptor, professor at the Academy of Fine Arts ...

Antique Victorian English 19th Century, three Spaniel dogs in an Interior. George Armfield was a mid-Victorian painter of mostly dog scenes but also painted other animal subjects su...

The Country Pathway English School, 19th century signed 'G. Thompson' oil on canvas, framed framed: 20 x 28 inches canvas: 16 x 24 inches Provenance: private collection, England Cond...

Anonymous Chinese Painter Clipper Ship Tin Sing of Hong Kong Oil on Canvas 25 X 32 inches

The "Caravansary at Shiraz," is accompanied by the book "From The Black Sea Through Persia and India" by Weeks. In his book, on page 115, Weeks provides an insightful explanation abo...

Amaizing 19' century Roman landscape depicting a part of Villa Borghese with Trinità dei Monti. With a finely carved gilt wood coeval frame. Measurements with frame cm 65 x78 wit...

This framed and matted 16" x 19" watercolor painting by an Unknown artist depicts an historic English chapel interior. The interior of the church features the large stained glass window pane...

Up for sale is an original antique 19th-century oil painting on canvas depicting a scene in the interior of a house with a male figure dressed in a traditional hooded robe seated at ...

Antique American impressionist harbor scene oil painting. Oil on board. Titled verso. Framed. Measuring 17 by 22 inches overall and 12 by 16 painting alone.

This antique painting on board depicts a tranquil and atmospheric landscape, bathed in the soft glow of dawn or dusk. The composition is rich in depth, with towering trees framing a ...

This is an original 19th century duotone lithograph entitled "Great Hall at Karnac, Thebes" by David Roberts, from his Egypt and Nubia volumes of the larg...

This piece is pencil signed by the artist, it is a very limited editions in very good condition. It is part of my private collection.( Guilde De La Gravure).

Colour lithograph, 1890. 285mm by 210mm (sheet). From W Peck's 'A Handbook and Atlas of Astronomy', 1890. Sir William Peck FRSE FRAS (1862 – 1925) was a Scottish astronomer and scien...

Artist/ School: Adolphe Lalyre (French, 1848-1933) Title: Sirens and dolphin beside rocks Medium: signed oil on canvas, framed. canvas size: 21.5 x 31 inches plus the frame Co...

Viggo Loos lists the painting under works from 1875 as a "Skåne farmstead," but this is likely incorrect. Skånberg was in France at that time. In this composition, he incorporates a ...

A charming scene depicting a mother embracing her child in a quaint interior. Signed illegibly. On canvas.

This mid-19th-century oil painting attributed to Scottish artist William Clark of Greenock (1803-1883) depicts a fully-rigged British frigate sailing off Yarmouth and The Needles, Is...

Signed with a monogram and dated to the lower right. Presented in a gilt frame with foliate strapwork and laurel and berry running pattern. On canvas.

Joan Cardona Lladós (1877-1957) - Modernist Paris scene - Mixed media (charcoal and white wax). Drawing measurements 40x29 cm. Frame measurements 66x54 cm. He was born in Barcelona on June 30, 1877, he was registered with the name of Juan Bautista José Pedro. His parents Josep Cardona i Farré (Sant Salvador, 1852-Barcelona, ​​?) and Maria Lladós i Vidal (Isona, 1855-Barcelona, ​​1935) came from Sant Salvador de Toló and Isona, respectively, two towns very close to Tremp, in the Pallars Jussà region, close to the Lleida Pyrenees. The Cardona Lladós family was of humble origins, linked to the rural and peasant world. José Cardona and María Lladós married around 1876, when they were twenty-five and twenty-one years old respectively. The couple decided to improve their precarious situation by moving to live in Barcelona. In 1877 Joan Cardona was born in the family home, at 62 Mediana de San Pedro Street, in the Ribera neighborhood of Barcelona and very close to the Rec Comtal. Joan Cardona was the firstborn of three brothers. When he was six years old, his sister Consuelo was born (1883) and later his younger sister, María (1888), was born. Josep Cardona i Farré was a day laborer and lived at least until the birth of his third daughter, María, in 1888. Her death, for reasons unknown to us, would occur shortly after. After the death of Josep Cardona, León Farré i Duró (Isona, 1867-Barcelona, ​​1932) became part of the family nucleus with his mother María Lladós, who took care of the child Cardona and his sisters Consuelo and María. Farré learned to play the guitar and was the most extraordinary disciple of the composer and guitarist Francesc Tàrrega i Eixea (Vila-real, 1852-Barcelona, ​​1909). Joan Cardona had in her stepfather the man who instilled in her a special musical and artistic sensitivity. The young Cardona took classes at the Academia Baixas, inaugurated in 1892 by the painter Joan Baixas i Carreter and installed on Carrer del Pi, a private center where a good batch of leading Catalan Modernisme artists were trained. Cardona married Clemencia Parade Cazabat at the beginning of the century. Daughter of Carles Parade and Amara Cazabat, she was born in 1870 in Bagnères de Bigorre...

With a socially critical eye and Berlin humor, the prints by Heinrich Zille (1858 - 1929) capture the milieu of the "little people" around 1900. The fact that the famous artist was a...

Provenance: Private Collection Atlanta, GA Estate sale Everard Gallery, Savannah, GA, Private Collection Callen Estate, Savannah GA 2018 Description: The painting is signed on the lower right side. Francesco Beda (1840-1900) was an Italian painter celebrated for his exquisite genre scenes and historical subjects. Born in Italy, Beda displayed a natural talent for art from a young age and received formal training in painting. He developed a distinctive style characterized by meticulous attention to detail, vibrant colors, and a keen eye for capturing the essence of his subjects. One of Beda’s notable oil paintings on canvas is titled “Musical Interlude.” This masterpiece measures 24×36″ and bears the artist’s signature. The painting showcases Beda’s exceptional skill in depicting textures, colors, and architectural details with stunning realism. In “Musical Interlude,” Beda transports the viewer to a scene of musical entertainment in the 19th century. The bold and vibrant colors of the dresses and period-style clothing evoke the richness and elegance of the time. Beda’s attention to fabric texture allows the viewer to almost feel the weight and flow of the garments through their eyes. The interior architecture depicted in the painting reveals Beda’s mastery in capturing delicate details. The beautifully painted marble column and intricately carved wood chair...

Artist: Clemente Pujol de Guastavino (1850-1905) Origin: Spanish Signature: signed C. Pujol (lower right) Medium: oil on canvas Dimension: 25 1/2 in x 19 3/4 in. Framed 34 by 2...

Cloudy mountain landscape is an original modern artwork attributed to Edward Theodore Compton. Located and dated on the back of the artwork. ...

Margaret Collyer, (1872 - 1945). A London painter of animal scenes, whether horse portraits or dramatic highland scenes such as her "Lord of the Isles". She exhibited at the Royal Ac...

‘Melancholic Sappho’ by Arthur Hill RBA (1841-1908). The painting – which depicts the celebrated poet of Ancient Greece appealing to the Goddess Aphrodite, with the Parthenon on the...

The Scottish Landscape By J.Green (19th Century) oil on canvas, framed framed: 14 x 24 inches canvas : 12 x 18 inches provenance: private collection, England ...

Adolphus Knell 19th-century English fishing boast at Sea. Owning in a 19th-century English fishing boat captured at sea circa 1880 by Adolphus Knell, with the sun rising or setting...

**Technical Sheet** **Title:** "Street of the Old Quarter" **Author:** British School, 19th Century **Date:** 1892 **Technique:** Oil on canvas **Dimensions:** 14.17 x 10.63 inc...

George William Mote (1832-1909) British oil painting on canvas, framed framed: 25 x 28 inches canvas: 22 x 27 inches provenance: private collection condition: very good and sound co...

Canvas Size: 28 x 36" (71 x 91cm) Outside Frame Size 36 x 44" (91 x 111cm) It is signed on the middle right on the wooden window. This is a stunning painting of a racehorse signed and dated J F Herring Sen 1842. The horse is named above the water trough as Attilla. As Herring was a renowned painter of racehorses it is likely that this was done for a wealthy patron who owned several. Although he painted many of the winners of the St. Ledger Cup Attilla was not one of these. Free carriage worldwide John Frederick HERRING Snr 1795 – 1865 A sporting painter, born in Surrey of American/Dutch extraction. At first he was a sign and coach painter. He then worked as a stable boy and coachman in Yorkshire until with the help of patrons he was able to study with Abraham Cooper RA, the only art education he appears to have had. He specialised in racing subjects and his few hunting scenes are rare. Herring painted the start of the 1844 Derby, which became known as ‘the dirtiest Derby in history’. He sometimes collaborated with his three sons, J.F.Jnr, Benjamin Jnr and Charles. He also collaborated with James Pollard on a number of racing scenes inc. ‘The Doncaster Gold Cup’, 1838, ‘The Emperor of Russia’s Cup at Ascot’ 1845 and ‘The Dead Heat for the Doncaster Great St. Ledger’ 1849 Herring painted 33 successive winners of the St. Ledger and not surprisingly lived a large part of his life in the Doncaster area before settling in Newmarket in 1830 and then in London in 1835. He suffered serious financial difficulties after his move to London which, thanks to a great friend and patron William Taylor Copeland (1797 – 1868) head of the Spode Porcelain factory at Stoke on Trent, was resolved. He painted many pictures of the Copeland family, some of which were adapted and used as designs on the Spode china...

The Highland Cottage Irish School, 19th century signed and dated 1888 oil painting on canvas, unframed canvas: 30 x 50.5inches provenance: private collec...

The River Cottages English School, 19th century indistinctly signed "E. Hunt"?? dated oil on canvas, framed in antique original period gilt frame. framed: 20 x 28 inches canvas: 12...

Antique American Hudson River School coastal seascape. Most likely a view of Maine. Oil on board. Image size, 8 by 12 inches.

This pastoral landscape painting depicts a tranquil country road with two working men meeting below the overhanging trees. The scene is brought to life with the inclusion of small fi...

Portrait of a Nun by Joseph Albert, signed and dated to the back, 1898 oil painting on canvas, unframed canvas: 24 x 18 inches provenance: private collection, England condition: ove...

William Mason Brown’s Still Life with Peaches is a sumptuous celebration of nature’s bounty, rendered with exquisite precision and warmth. At the heart of the composition, a grouping...

The painting is signed on the top left side. Description: Tito Conti (1842-1924) was an esteemed Italian painter renowned for his exceptional skill in portr...

An early 19th century, figural oil of a young woman with chestnut hair, shown wearing a headscarf and glancing towards the viewers left. A detail from a copy of 'Rebeca at the Well',...

Edmund Bristow (1787-1876) A bay hunter in a landscape, Windsor castle beyond Signed with initials lower left Oil on canvas Canvas Size 22 1/2 x 27 1/2 in Framed Size 27 x 32 in Pro...

Pietro Chiapparelli (Italian, 19th Century) Sleeping Ariadne, c. 1865 Bronze on marble base Inscribed 'P. Chiapparelli F.I. Roma' 22 x 24 x 10.5 inches 136 lb. (34 lb. bottom marble,...

A striking 19th-century oil depicting Robert Peel of Knowlmere. Presented in a gilt frame. Unsigned. On board.

Lithograph hand watercolored. Belongs to the Series "Atlante di Botanica popolare ossia Illustrazione di Piante Notevoli di ogni famiglia" (Atlas of popular botany or illustration o...

Portrait of a Bavarian Gentleman with Pipe by Theodor Recknagl (1865-1945) German signed oil on board, framed board : 7 x 5.5 inches Provenance: private collection, UK Condition: som...

This charming English Victorian painting by Arthur Jackson beautifully captures a rustic scene of chickens in a barn. The artist's meticulou...

Artist/ School: French School, 19th century Title: Classical Landscape with figures amongst ancient ruins. Medium: oil painting on canvas, unframed. canvas: 24.5 x 36 inches P...

Fue miembro del grupo pictórico de Sitges. En 1888 formó parte del jurado de la Exposición Universal de Barcelona. Comenzó su formación en la Escuela de Bellas Artes de Barcelona, do...

This charming English Victorian painting by Arthur Jackson beautifully captures a rustic scene of chickens in a barn. The artist's meticulou...