Framed Photography

Chrome Blue, from the Heidler & Heeps Tape Collection - The B Sides. The Heidler & Heeps collaborations are creative representations of Natasha Heidler and Richard Heeps’, personal p...

Sally Mann Larry Shaving, 1991 Gelatin silver print Framed Dimensions: 25.75 x 29.67 inches (65.4 x 75.4 cm) Image Dimensions: 18 x 22.3 inches (45.7 x 56.6 cm) Edition 3/25

An exceptional opportunity to own an edition of one of the most celebrated photographs in Hollywood history. Captured by legendary British photographer Terry O’Neill on the morning o...

Epic Western No. 13 (2022) by Jim Krantz. Price includes framing with U.V. lamination in white or a raw walnut frame ($1,250 cost). 40 x 60 inch archival pigment print Edition 4 of ...

Photograph of Jimmy Page playing his classic '69 Gibson Les Paul, shot at Kezar Stadium in 1973. About The Print: Archival pigment print on 100% cotton paper with a satin baryta fin...

Heidler & Heeps Dice Series Sixteen Piece Multicolor 'Twos' Square Installation. The number Two Dice, a symbol of balance and harmony, is repeated creating ...

This is a signed, limited edition (of 10) framed botanical photograph of several Nigella stems with blossoms on a black background. It is printed on a thin, durable aluminum panel. T...

The Pirelli Calendar, known and trade-marked as "The Cal", is an annual trade calendar which has been published by the UK subsidiary of the Italian tyre manufacturing company Pirelli...

'NOMAD III (Film Rebate)', New York. Richard Heeps has photographed the iconic Empire State building in the mist. The NOMAD sequence of photographs capture the art deco architecture ...

ICES Cornflower Blue, bold pop art street photography from Richard Heeps' series, On-Sea. Created as an ode to Richard's childhood visits to his grandparents living on the Sussex co...

49 Via Dezza at Sunset, Italian architecture street photography from Richard Heeps series, A Short History of Milan. A Short History of Milan' began in November 2018 for a special p...

Gibson is a master of dramatic understatement. His high-contrast pictures - usually focusing on one geometric element (the corner of a room) or a single human gesture (the curve of a...

Mother India, photograph from Richard Heeps series 'The Ambassador's Window', a pilgrimage from Kerala in the South to Meerut in the North, the birthplace of his Grandfather. As boo...

ICES - Four Framed Artworks, Photographs by Richard Heeps. Featured here Vivid Lime Green, Pink Lemonade, Cornflower Blue, Lemon Yellow. Get in touch to request other sizes or colo...

Series: The Equestrian Collection Archival Pigment Print Unframed Sizes: 32" x 40" - $7,500.00 48" x 60" - $11,000.00 60" x 75" - $14,750.00 Framed Sizes: 39" x 47" - $9,250.00 55"...

Limited Edition of 10 Framed size 27 x 37 cm All works are Archival Pigment prints, floating in an all black wooden frame behind museums glass.  More sizes on request. Sara Punt...

Centric, Italian architecture street photography from Richard Heeps' series, A Short History of Milan. The composition resembles a modern, architectural mosaic, merging minimalism wi...

Neon Flamingo, photograph from Richard Heeps' Norfolk series. This artwork is a limited edition of 25, gloss photographic print, dry-mounted to aluminium, it is presented in a muse...

Marie Craig’s “Warming 2” is a 10 x 13 inch color photograph, a part of the artist’s “ Natural Consequences” series. Rich blues dominate this photo, which is surrounded by a white ma...

Part of the BLOOMY VIEW series taken in Bern 2020 in collaboration with Heym Collections, the images gained new life in their ambiguity, which often stimulates the viewer to project ...

The Jetty, Great Yarmouth, seaside landmark photograph from Richard Heeps' series, On-Sea. This Jetty, a place of rich maritime history and has also drawn notable artists, such as Tu...

Limited Edition of 7 Framed size 49 x 69 cm All works are Archival Pigment prints, floating in an all black wooden frame behind museums glass.  More sizes on request. Sara Punt...

Listing includes framing with UV Plexi ($900 value), free shipping, and a 14-day return policy. Seydou Keïta Untitled Portrait, 1952 - 1955 (00089-MA.K...

Published in France in 1948, this framed photogravure by Brassaï reproduces one of Picasso’s sculptural works with striking clarity and tonal depth. Issued by Editions du Chêne for T...

BERT STERN – "MARILYN MONROE (NAVY/LIGHT BLUE)" Photo Silkscreen ⚜ Hand Signed ⚜ Numbered ⚜ Framed A HIGHLY COLLECTIBLE WORK FROM THE MARILYN MONROE SERIES This original 1973 photo ...

This large, dramatic black-and-white photograph by one of the most important photographers of the 20th-century, Brett Weston, is perhaps the artist's most iconic image. This relative...

Breakfast Table, is a rare studio creation by Richard Heeps, inspired by a recent visit to Fleetwood, incorporating autobiographical elements, brought...

Listing includes framing with UV plexi ($1,000 value), free shipping for the continental US and EU/UK, and a 14 day return policy. Also available for local pick up at our New York City gallery. A Moment of Solitude... (2019) by Karen Knorr Archival pigment print Image Size: 24 x 30 inches Framed Size: 27 x 33 x 2 inches Edition 1 of 5 Signed on artist certificate and adhesive label Karen Knorr Artist Biography - While Knorr’s images take some of their inspiration from the Indian tradition of personifying animals in literature and art, there is another almost subconscious strain to her work. Going back to the time of cave painting we see that these early visual artists not only recorded their lives and surroundings, but used art to express themselves. The depiction of animals in symbolic and powerful ways and the urge to create these images with the best tools at hand is a line stretching from these unnamed cave painters to Karen Knorr. Playfully combining technologies and genres, Knorr mixes digital...

Hell's Gate, American landscape photograph from Richard Heeps' series, Dream in Colour. This beautiful bright capture of the desert flower was taken at the gateway to Death Valley sh...

Shot by Jeffrey Mayer at the the Forum in Inglewood California in 1972 during the tour supporting the Zeppelin’s untitled fourth studio album commonly called Led Zeppelin IV. This im...

Mint Tinted Cassette from the Heidler & Heeps Tape Collection. The Heidler & Heeps collaborations are creative representations of Natasha Heidler and Richard Heeps’ personal past and...

large scale photograph capturing the color palette of nature's blue hour with soothing tones of ocean and cloudscape at dusk Seascape I by Frank Schott 48 x 64 inches / 122cm x 162...

Bitter Campari Sign, Italian architecture street photography from Richard Heeps series, A Short History of Milan. 'A Short History of Milan' began in Nov...

Framed in a plexiglass and black wood. Hand printed by artist. Famous Location in Carmel. Comes with his self published book!

Yellow Corridor, from Richard Heeps series A Short History of Milan which began as a special project for the 2018 Affordable Art Fair Milan. It was well received and the artwork has ...

Initially taken as part of Cawston’s series juxtaposing images from Banksy’s Dismaland with its host town of Weston-super-Mare for his book Are We There Yet?, The Perfect Fish and C...

Super Giant Oversize - C3PO Star Wars Archival Pigment Print 1977 by Geoff Wilkinson / Mirror Trinity Group Archive size : 71 x 45.5" inches / 180 x 116 cm paper size print type ...

Christine's '52 Henry J & Teardrop Caravan, photograph by Richard Heeps, captured in the iconic home of speed, Bonneville Salt Flats. Just as the mountains contrast with the flatness...

Whisky Dance I (Sidewinder) - 2005 Edition 5/10, 8 pieces installed including gaps 172x,338cm, 82x80cm each. 8 analog C-Prints, hand-printed by the artist, on Fuji Crystal Archiv...

The Heidler & Heeps collaborations are creative representations of Natasha Heidler and Richard Heeps’, personal past and their personalities. Tapes are significant in both their live...

Art Shay's true love was street photography. It is evidently clear in this shot entitled "The Three, Maybe Four, Ages of Women" with the young mannequin bride, the middle aged women...

RISAKU SUZUKI (*1963, Japan) SAKURA 10,4-72 2010 Chromogenic print Sheet 120 x 155 cm (47 1/4 x 61 in.) Edition of 5; Ed. no. 1/5 Framed The Sakura (Japanese term for ‘cherry blosso...

This giant isolated roadside sign set against a vast blue sky is a remnant of 'The Sundowner Bar and Restaurant' of the motel which is sadly no more. This photograph, part of Richard...

Thomas Monaster has photographed many great rock and roll legends like John Lennon, Bob Dylan, The Rolling Stones, Janis Joplin and Jimi Hendrix to name just a few. We are please to ...

Sports Photographer Klaas Jan van der Weij Edition of 10, Hand-signed and numbered by Klaas Jan van der Weij. Printed with Epson UltraChrome Pro ink on Hahnemühle Pearl photo paper,...

'RV in the Morning Sun' from Richard Heeps Dream in Colour series. This artwork brings about a romantic dream of living in an RV. Captured in the morning sun at the start of a beauti...

Mascot, photograph from Richard Heeps' series, Man's Ruin. Captured at the Hot Rod Hayride this Jesus on a Cross, was meant to protect the Hot Rodders in their cars. There is somethi...

"Doris and Henry (and her brothers)" is an original piece by Shawn Theodore made from found/family photos, polaroid lift, acrylic on wood panel. This pieces measures 16.75"h x 16.75"...

Les Vacances I The west coast of France is a place to eat delectable oysters, drink fine wines and walk along endless beaches in the glare of the summer sun. The Atlantic swell and ...

'Monte Amiata I', photographed in February 2020 for his ongoing series 'A Short History of Milan'. There is a reoccurring linear, structural theme throughout the series, capturing t...

_ _ ADA, from Richard Heeps series A Short History of Milan which began as a special project for the 2018 Affordable Art Fair Milan. It was well received and the artwork has become p...

Heidler & Heeps Vinyl Collection Set of Three Framed Artworks. Acclaimed contemporary photographers, Richard Heeps and Natasha Heidler have collaborated to make this beautifully mesm...

large format beach photograph by Italian photographer Massimo Vitali, renowned for his grand scale topographical observations of the rites and rituals of modern leisure Cala Conta...

Baltic Ice, Kakumaee 004 is a limited-edition photograph by German contemporary artist Bernhard Lang. This photograph is a limited edition of 8 copies, it is sold framed. Dimension...

Charming hand painted photograph, portrait of a young ballerina as Tinker Bell by an unknown artist (American, 20th Century). Circa 1957. Signed "Studio d'Art Los Altos...

AILA Blue, from the Heidler & Heeps Tape Collection - The B Sides. The Heidler & Heeps collaborations are creative representations of Natasha Heidler and Richard Heeps’, personal pas...

This listing includes framing ($1,750 value) and a 14-day return policy. Shipping will be charged at cost with a white glove delivery service. Also available for local pick up at our New York City gallery. The Way of Ishq (2019) by Karen Knorr. Archival pigment print Image size: 48 x 60 inches Frame Size: 52 x 64 inches framed Edition 2 of 5 Signed, with certificate of authenticity Artist Biography - While Knorr’s images take some of their inspiration from the Indian tradition of personifying animals in literature and art, there is another almost subconscious strain to her work. Going back to the time of cave painting we see that these early visual artists not only recorded their lives and surroundings, but used art to express themselves. The depiction of animals in symbolic and powerful ways and the urge to create these images with the best tools at hand is a line stretching from these unnamed cave painters to Karen Knorr. Playfully combining technologies and genres, Knorr mixes digital...

Dominique TEUFEN (*1975, Switzerland) Between, from the series 'Rays of Light', 2019 Hahnemühle Fine Art Baryta Sheet 80 x 120 cm (31 1/2 x 47 1/4 in.) Frame 91 x 130 x 4 cm (35 7/8...

Thrills, the iconic Coney Island Wonder Wheel photograph by Richard Heeps. The bold typography of the architectural structure fills the Fuji Film frame combining Richard's signature ...

Andy Warhol Nicola (Nicky) Weymouth, ca. 1976 Acetate positive, acquired directly from Chromacomp, Inc. Andy Warhol's printer in the 1970s. Accompanied by a Letter of Provenance from the representative of Chromacomp Unique Frame included: Elegantly framed in a museum quality white wood frame with UV plexiglass: Measurements: Frame: 18 x 15.5 x 1.5 inches Acetate: 11 x 8 inches This is the original, unique photographic acetate positive taken by Andy Warhol as the basis for his portrait of Nicky Weymouth, that came from Andy Warhol's studio, The Factory to his printer. It was acquired directly from Chromacomp, Inc. Andy Warhol's printer in the 1970s. It is accompanied by a Letter of Provenance from the representative of Chromacomp. This is one of the images used by Andy Warhol to create his iconic portrait of the socialite Nicola Samuel Weymouth, also called Nicky Weymouth, Nicky Waymouth, Nicky Lane Weymouth or Nicky Samuel. Weymouth (nee Samuel) was a British socialite, who went on to briefly marry the jewelry designer Kenneth Lane, whom she met through Warhol. This acetate positive is unique, and was sent to Chromacomp because Warhol was considering making a silkscreen out of this portrait. As Bob Colacello, former Editor in Chief of Interview magazine (and right hand man to Andy Warhol), explained, "many hands were involved in the rather mechanical silkscreening process... but only Andy in all the years I knew him, worked on the acetates." An acetate is a photographic negative or positive transferred to a transparency, allowing an image to be magnified and projected onto a screen. As only Andy worked on the acetates, it was the last original step prior to the screenprinting of an image, and the most important element in Warhol's creative process for silkscreening. Warhol realized the value of his unique original acetates like this one, and is known to have traded the acetates for valuable services. This acetate was brought by Warhol to Eunice and Jackson Lowell, owners of Chromacomp, a fine art printing studio in NYC, and was acquired directly from the Lowell's private collection. During the 1970s and 80s, Chromacomp was the premier atelier for fine art limited edition silkscreen prints; indeed, Chromacomp was the largest studio producing fine art prints in the world for artists such as Andy Warhol, Leroy Neiman, Erte, Robert Natkin, Larry Zox, David Hockney and many more. All of the plates were done by hand and in some cases photographically. Famed printer Alexander Heinrici worked for Eunice & Jackson Lowell at Chromacomp and brought Andy Warhol in as an account. Shortly after, Warhol or his workers brought in several boxes of photographs, paper and/or acetates and asked Jackson Lowell to use his equipment to enlarge certain images or portions of images. Warhol made comments and or changes and asked the Lowells to print some editions; others were printed elsewhere. Chromacomp Inc. ended up printing Warhol's Mick Jagger Suite and the Ladies & Gentlemen Suite, as well as other works, based on the box of photographic acetates that Warhol brought to them. The Lowell's allowed the printer to be named as Alexander Heinrici rather than Chromacomp, since Heinrici was the one who brought the account in. Other images were never printed by Chromacomp- they were simply being considered by Warhol. Warhol left the remaining acetates with Eunice and Jackson Lowell. After the Lowells closed the shop, the photographs were packed away where they remained for nearly a quarter of a century. This work is exactly as it was delivered from the factory. Unevenly cut by Warhol himself. This work is accompanied by a signed letter of provenance from the representative of Chromacomp, Andy Warhol's printer for many of his works in the 1970s. About Andy Warhol: Isn’t life a series of images that change as they repeat themselves? —Andy Warhol Andy Warhol’s (1928–1987) art encapsulates the 1960s through the 1980s in New York. By imitating the familiar aesthetics of mass media, advertising, and celebrity culture, Warhol blurred the boundaries between his work and the world that inspired it, producing images that have become as pervasive as their sources. Warhol grew up in a working-class suburb of Pittsburgh. His parents were Slovak immigrants, and he was the only member of his family to attend college. He entered the Carnegie Institute of Technology (now Carnegie Mellon University) in 1945, where he majored in pictorial design. After graduation, he moved to New York with fellow student Philip Pearlstein and found steady work as a commercial illustrator at several magazines, including Vogue, Harper’s Bazaar, and the New Yorker. Throughout the 1950s Warhol enjoyed a successful career as a commercial artist, winning several commendations from the Art Directors Club and the American Institute of Graphic Arts. He had his first solo exhibition at the Hugo Gallery in 1952, showing drawings based on the writings of Truman Capote; three years later his work was included in a group show at the Museum of Modern Art for the first time. The year 1960 marked a turning point in Warhol’s prolific career. He painted his first works based on comics and advertisements, enlarging and transferring the source images onto canvas using a projector. In 1961 Warhol showed these hand-painted works, including Little King (1961) and Saturday’s Popeye (1961), in a window display at the department store Bonwit Teller; in 1962 he painted his famous Campbell’s Soup Cans, thirty-two separate canvases, each depicting a canned soup of a different flavor. Soon after, Warhol began to borrow not only the subject matter of printed media, but the technology as well. Incorporating the silkscreen technique, he created grids of stamps, Coca-Cola bottles, shipping and handling labels, dollar bills, coffee labels...