Framed Photography

Gerald Berghammer - Limited Edition 04/20. Silver Gelatin Prints, Selenium Toned, Printed 2019. Signed, numbered, dated by Artis. Handmade wood frame, dark-brown, natural white ar...

Richard Heeps became well-known for his Burlesque Photography after he spent 2003 capturing performances in Britain & America. He spent a lot on time with his subjects on a number of...

Silver Gelatin Prints, Selenium Toned, Printed 2017. Limited Edition 3/20. Signed, numbered, dated by Artis. Handmade wood frame, black, natural white archival Passepartout, anti-r...

Gerald Berghammer - Limited Edition 1/9. Silver Gelatin Prints, Selenium Toned, Printed 2019. Signed, numbered, dated by Artis. Handmade wood frame, dark-brown, natural white archiva...

A classic British fish & chips van, on a classic English day Haddenham Steam Rally Country Fair, photograph by Richard Heeps. This artwork is a limited edition of 25 gloss phot...

Troy House, Red Umbrella, archival pigment print. A bright red umbrella opens onto the promise of spring, sunlight, and the anticipation of travel. House captures the simple joy of a...

'Coupled Poppies' 2023 97×120 cm printed on organic cotton canvas, limited edition of 5 + 1AP Canvas fixed on bamboo fixtures, to be and hanged as a scroll. Photograph is signed a...

Golden Gate Study 14, CA, USA - no. 11634 © Gerald Berghammer - Limited Edition 2/20. Silver Gelatin Prints, Selenium Toned, Printed 2017. Signed, numbered, dated by Artis. Handmad...

Image size 55 x 70 cm Limited Edition of 12 Platinum Print Framed with Wengé and Passepartout Framed Size 92 x 112 cm signed on extra certificate Evocative, sensual and voluptuous, ...

Gerald Berghammer - Limited Edition 1/9 Archival Pigment Ink Print, Printed 2020. Signed, numbered, dated by Artis. Handmade wood frame, dark-brown, natural white archival Passepart...

Mother India, photograph from Richard Heeps series 'The Ambassador's Window', a pilgrimage from Kerala in the South to Meerut in the North, the birthplace of his Grandfather. As boo...

Golden Gate Study 7, CA, USA - no. 11638 Black and white analog fine art cityscape - landscape photography, Gerald Berghammer. Limited Edition 1/9. Silver Gelatin Print, Selenium Ton...

Jill Peters finds her inspiration in the quickly changing architectural landmarks of her youth, like the demolished Miami Herald building, an abandoned roller coaster or a neglected ...

'Monte Amiata I', photographed in February 2020 for his ongoing series 'A Short History of Milan'. There is a reoccurring linear, structural theme throughout the series, capturing t...

"Apriel" captures a serene underwater moment in striking black and white. This fine art underwater photograph showcases delicate interplay between light, shadow, and movement as hair...

This commanding industrial photograph dates from 1928, a pivotal year in the early career of Margaret Bourke-White, and belongs to the body of work that established her as one of the...

Roy Blakey (b.1930). Portrait of John Tattos, 1974. Original photographic print on paper, image measures 8.75 x 13 inches, sheet measures 12 x 16 inches. Me...

Artwork # 1 on 5 sold in limited edition in perfect condition This photo was made in the 50's, the negative was digitized during the artist's lifetime and the technical parameters (...

'Utopian Foyer III', Italian Brutalist architecture photography by Richard Heeps' from his series 'A Short History of Milan'. There is a reoccurring linear, structural theme through...

Washeteria - Looking In, vintage interior photograph from Richard Heeps series, A Short History of London. "I discovered this launderette while London was in lockdown during the pand...

1973 Chromogenic print in colours on photographic paper Image 23.9 x 17.8 cm Sheet 26.9 x 20.8 cm From the Series Twenty Photographic Pictures by David Hockney Signed with initials a...

Ed. of 7, includes signed signature label. Additional sizes available upon request. Nathan Coe is thrilled to introduce his widely anticipated Jackson Hole series, photographed ac...

This is a 3-D motion lenticular - its moves when you walk past it and it is incredibly 3-D there are little lenses on the face that create this effect. It is professionally framed a...

Thelma Appel French Hill Spring, 2010 Acrylic and Oil on Canvas painting Hand signed and titled on the back Frame included This unique painting is signed, titled and dated on the bac...

'Neon Cross', part of Richard Heeps' 'This is Not America' series photographed in Vietnam in 2016. This artwork has a fun kitsch vibe, the neon really makes...

A classic American icon, the roadside giant Cowboy "Muffler Man", captured on Richard Heeps' road trip between Mecca and the Salton Sea. Part of a series of pictures by Richard Heeps...

Richard Heeps Dream in Color Swimming Pool Artworks. A set of three individual artworks, vibrant yet serene they take you to the swimming pool on a hot day. Featuring, 'Sun Lounger, ...

The artist was enchanted by some images he had a relationship with since childhood, working them into iconographies, such as the image of the fisherman carrying on his back a cod alm...

Belles of Shoreditch, Richard Heeps photograph taken backstage at the London Burlesque event The Whoopee Club. Richard Heeps became well-known for his Burlesque Photography after he...

Stunning green abstract photograph reminiscent of Ikat fabric by Janet Van Arsdale (American, 20th Century). Signed in pencil lower left corner. Presented in black frame with double ...

Flowers are an important theme in Iris Gonzalez's photography. "Flowers are the beauty of nature, they are fragile and transitory". This is exactly what Iris likes to capture: "A bou...

large scale photograph of an epic view of the iconic Hollywood sign and sprawling downtown Los Angeles in the distance HOLLYWOOD by Christian Stoll 40 x 40 inches / 102 x 102cm si...

This stunning black-and-white photograph by renowned British photographer Horace Roye (1906 – 2002) captures the timeless elegance of the female nude with artistic eroticism. The ret...

Los Tangueros An intimate tango dance in the early hours of the morning James Sparshatt captures this intimate moment of dance, exuding an aura of timeless romance. The couple are...

163.05.12 is a limited-edition colour photograph by contemporary artist Klaus Kampert from the series "Water Creatures". This photograph is a limited edition of 15 copies, it is sol...

The Rolling Stones during a rehearsal for ABC’s ‘Thank Your Lucky Stars’ TV pop music show, 1964. From left to right Brian Jones, Bill Wyman, Mick Jagger and Keith Richards. Paper s...

MICHAELE VOLLBRECHT – "TDE LEMPICKA" ⚜ Mixed Media Collage ⚜ Artist’s Signature Incorporated on Pencil ⚜ Shadow Box Frame A BOLD JUXTAPOSITION OF EROTICISM, OBJECTS, AND ART HISTORI...

Subway 43 by John Conn was originally photographed in New York City between 1975 and 1982. Each black and white photograph is signed and numbered. Edition of 15. It is a 20x30 ima...

Listing includes framing with non-glare UV plexiglas and a 14 day return policy. Also available for local pick up at our Los Angeles gallery. Shipping services available worldwide at a discounted rate. Friends in Need, Juna Mahal, Dungarpur Palace, 2020 48 x 60 inches (52 x 64 x 2.5 inches framed) Archival pigment print Edition 4 of 5 (last edition available) Signed on separate artist certificate Artist Biography - While Knorr’s images take some of their inspiration from the Indian tradition of personifying animals in literature and art, there is another almost subconscious strain to her work. Going back to the time of cave painting we see that these early visual artists not only recorded their lives and surroundings, but used art to express themselves. The depiction of animals in symbolic and powerful ways and the urge to create these images with the best tools at hand is a line stretching from these unnamed cave painters to Karen Knorr. Playfully combining technologies and genres, Knorr mixes digital...

Bonanza Café, iconic photograph from Richard Heeps Dream in Colour series, it was the cover artwork on his book Man's Ruin. The photo takes you back to small town Americana with the ...

In Machina Mundi / New York, Claudio Edinger offers an aerial vision of the city that oscillates between photographic representation and pictorial abstraction. Captured with a large-...

A rare unique panoramic format photograph of an iconic summer beach scene along the Mediterranean coast of Tuscany by Italian photographer Massimo Vitali, renowned for his grand scale topographical observations of the summer rites and rituals of modern leisure. Published in March 2024 on the occasion of the 30th anniversary of his beach project, Massimo Vitali selected this never published work for a special 30th Anniversary panoramic edition: Viareggio Pano (1999) 42” x 93” / 106 x 236cm (framed) limited edition of 12 + 2AP signed, titled, dated certificate of authenticity original archival photography print with diasec (acrylic glass) face mount in light grey lacquered gallery frame Each original photograph is printed at the artist studio in Italy under artist supervision in strictly limited edition (12 + 2AP), signed/titled/dated upon final inspection and expertly framed at a renowned art framing facility in Germany specializing in large scale art photography works. Disclaimer of authenticity: although it is possible to acquire (smaller size) single page offset prints from the book "A Portfolio of Landscapes and Figures" (published by Steidl) in the secondary market, the artist studio strongly dissuades collectors from purchasing these single page prints outside of the context and authenticity of the complete portfolio. _____________________ About the artist Massimo Vitali was born in Como, Italy, in 1944. He studied photography at the London College of Printing, in the 1970s initially working as a photojournalist, but at the beginning of the 80s a growing mistrust in the belief, that photography had an absolute capacity to reproduce the subtleties of reality, led to a change in his career path. He worked in cinematography for film and television before beginning a fine art practice in 1995. Over the next two decades, Vitali’s large scale works would become recognizable for his highly detailed, epic scale panoramas, sociopolitical observations of the natural habitat of humankind at leisure. His iconic series of beach panoramas, captured from a distance with an elevated large format camera platform, began in the light of drastic political changes in Italy. Drawing inspiration from Renaissance and Old Flemish masters, in which the central space is fully exploited and the urban or natural landscape becomes the background, Vitali’s photographs grasp the viewer by capturing highly detailed observances of the recreational habitats of modern civilization. Vitali’s work has been collected in six monographs: Beach and Disco, Natural Habitats, Landscapes With Figures, Swimming Pools, Short Stories and the just released Entering A New World. Additionally, his work is represented in the world’s major museums, including the Centro de Arte Reina Sofia in Madrid, the Guggenheim Museum in New York, the Museum of Contemporary Art in Denver, the Fond National Art Contemporaine in Paris, the Centre Pompidou in Paris, the Musée National d’Art Moderne in Paris, the Fondation Cartier in Paris and the Museo Luigi Pecci in Prato. Massimo Vitali lives and works in Lucca (Italy) and in Berlin (Germany). __________________________ SOLO EXHIBITIONS 2024 Photolux Festival - Il Bel Paese? Palazzo Ducale, Lucca, Italy 2023 La Grande Oasi - The way we live, now OCA, Oasy Contemporary Art - Pistoia 2023 Standing Still Cortona On The Move, Arezzo, Italy 2022 Massimo Vitali PhotoESPANA Biblioteca Central Cantabria, Santander 2022 Endless Summer Edwin Hook Gallery, New York 2022 Massimo Vitali: Leporello 2020 Melbourne 2022 Ti ho visto Mazzoleni Gallery, Turin 2021 PienoVuoto Forte di Belvedere, Florence 2021 No Country For Old Men Visionarea Art Space, Rome 2020 Human Constellations Museo Ettore Fico, Turin 2019 Massimo Vitali: Short Stories Mazzoleni, London 2018 Coastal Colonies Spiral, Tokyo 2017 ‘Disturbed Coastal Systems’ Benrubi Gallery...

BERT STERN – "MARILYN MONROE (NAVY/LIGHT BLUE)" Photo Silkscreen ⚜ Hand Signed ⚜ Numbered ⚜ Framed A HIGHLY COLLECTIBLE WORK FROM THE MARILYN MONROE SERIES This original 1973 photo ...

Richard Heeps' eye for capturing "Sign Porn" has meant he is extremely popular in this genre. He has a big collection of "Signs" from around the world and he is always adding to them...

Dale Bessire Winter Landscape Signed lower right Oil on canvas 20 x 24 inches A founding member of the Brown County Art Gallery Association, Dale Bessire was a native of Indianapol...

Grid No.6, 2009 (Contemporary Framed Abstract Grid in Neutral Shades Black & Coffee) by Birgit Blyth 40" X 25" paper vertical chromoskedesic monoprint 44 x 29 inches framed, custom frame with black wood molding and anti-reflective glass This contemporary, abstract style chromoskedasic monoprint was created by experimental photographer, Birgit Blyth. Without the use of a camera, the artist produced this chromoskedasic image by applying the photographic chemicals to black and white photo pager and exposing it to light. The variety of caramel, toffee, brown and black tones is determined by the different chemicals used and the amount of time they are exposed to light. Here, the artist paints with the photographic materials in a gestural, linear motion. Beautiful hues of coffee, caramel, brown, grey, and black intersect to create unique abstract, intersecting grid patterns that resembles a basket weave motif. The photograph is complimented with a black metal frame with non-glare glass. It is equipped with sturdy wire on the back for instant and professional quality hanging. About the artist and work: Birgit Blyth is one of our most innovative and prolific photographers who works in a darkroom yet uses no camera! Blyth has been experimenting with a technique known as Chromoskedasic painting since the early ‘90s and variations on this concept have been shown at the gallery for the last 20 years. The unusual process involves the use of silver particles in black and white photographic paper to scatter light at different wavelengths when exposed. A chemist of sorts, Blyth demonstrates a thorough knowledge of how the various photographic chemicals will react when applied to paper and exposed. Each work is unique with palettes that resonate brilliant tonalities of brown, green, black, and purple. Using this technique, Blyth creates abstract crosshatching grids and most recently has developed a more gestural series of 20 x 16 inch chromoskedasic paintings that explores the ethereal qualities made possible by the unconventional material. Birgit Blyth succeeds at keeping her work fresh and cutting-edge using analog methods that are being quickly replaced elsewhere with digital technology. Though Birgit Blyth began her photographic career using conventional photographic methods, she quickly became more interested in alternative processes. In the mid 1990’s a colleague showed her an article in Scientific American and it was here that she first discovered the technique called “chromoskedasic” painting, which would eventually lead her to fully finding her voice as a photographer. Blyth had always aligned herself with and been moved by abstract expressionist painting. The series of veil paintings by post-abstract expressionist, Morris Louis, was especially inspiring to her and caused her to ask herself how she could do similar interpretations photographically. In “chromoskedasic” painting, she found the answers and would begin on a new path in her artwork. The term “chromoskedasic” is derived from Greek roots meaning color by light scattering. Developed by a photographer named Dr. Dominic Man-Kit Lam, this process exploits the capability of silver particles in black and white photographic paper to “scatter” light at different wavelengths when exposed to light and chemicals. In her mastery of this photochemical drawing process, Blyth has painted lush washes of color into her own “Veil Series;” she has envisioned landscapes, both rural and urban, with melting swirls and marbled colors into rich palettes of toffee and lead. She has used this essentially experimental process to help her “see” the world around her. Blyth says she continues to be fascinated by the process because it requires “a combination of discipline, experimentation, and imagination, making possible a wonderful balance between control and surprise.” Because the chromoskedasic work is all analog, Blyth spends much of her studio time in the darkroom, which has become a rarity in the current world of digital photography. She does however, continue her preference for experimentation in numerous directions, even employing aspects of the digital age – this exhibit will also feature a new series of pieces created with the now defunct but much loved SX-70 polaroid camera, scanned and archivally printed on 24” x 24” fine cotton rag paper. Whatever the process, Blyth’s work is, as the painter and poet, Peter Sacks noted, a blend of “precision and mystery, of articulation and atmosphere.” Her images leave us with the feeling of ongoing action despite the apparent stillness; of qualities both dreamy and stark as light hits a stand of birch trees in a valley or a group of buildings in New York City. As Morris Louis evolved a style of painting that produced a complete integration of paint and canvas, so too has Blyth, with photo paper and chemicals, created a perfect integration of method and content. Artist CV: Born: Kousted, Denmark Resident in U.S.A. since 1963 Education: Denmark and U.S.A. Project, Inc., Cambridge MA (Photography) DeCordova Museum School, Lincoln MA (Printmaking) Maine Photography...

Artist: Man Ray (American born, 1890 - 1976) Title: MRS ROWELL Date Of Negative: 1930 Type Of Print: Authentic Vintage Sheet Fed Photogravure/Heliogravure. Date Of Print: 1934 1st Ed...

**This artwork is on exhibition and if purchased will be available to ship after June 15, 2025 The incomparable Dolly Parton doing what she does best, performing. In this vintage si...

Ed. of 7, includes signed signature label. Additional sizes available upon request. Nathan Coe is thrilled to introduce his widely anticipated Jackson Hole series, photographed ac...

Nan Goldin Suzanne in the Shower, Palenque, Mexico, 1981 Signed and titled on reverse Cibachrome print 13 3/4 x 9 inches Edition 2/25 Provenance The artist Matthew Marks Gallery, Ne...

Black and white fine art landscape photography Gerald Berghammer. Archival Pigment Ink Print, Edition 1/7, signed, numbered, dated. Aluminum frame, matt black, natural white archival...

Utopian Foyer II, from Richard Heeps series A Short History of Milan, which began as a special project for the 2018 Affordable Art Fair Milan. It was well received and the artwork ha...

Jeff Robb is a British artist, who graduated with Distinction from the Royal College of Art in 1992 with a master's degree in fine art Holography. Shortly after graduating, he was in...

large format photograph of a summer beach scene along Portugal's Atlantic coast by iconic Italian photographer Massimo Vitali, renowned for his grand scale topographical observations of the rites and rituals of modern leisure Carcavelos Pier Paddle (2016) 61.25” x 81.68” / 155.60 cm x 207.46 cm limited edition of 6 + 2AP (signed, titled and dated on certificate of authenticity) original archival photography print with diasec (acrylic glass) face mount in contemporary white lacquered gallery frame Each limited edition original Massimo Vitali photograph is printed in Italy under artist supervision in strictly limited edition (6 + 2AP) , signed/titled/dated upon final inspection and expertly framed at renowned European art framing facility Disclaimer of authenticity: although it is possible to acquire (small size) single page offset prints from the book "A Portfolio of Landscapes and Figures" (published by Steidl) in the secondary market, the artist studio strongly dissuades collectors from purchasing these single page prints outside of the context and authenticity of the complete portfolio. About the artist: Massimo Vitali was born in Como, Italy, in 1944. He studied photography at the London College of Printing, in the 1970s initially working as a photojournalist, but at the beginning of the 80s a growing mistrust in the belief that photography had an absolute capacity to reproduce the subtleties of reality led to a change in his career path. Vitali worked in cinematography for film and television before beginning a fine art practice in 1995. Over the next two decades, he would gain recognition for his highly detailed, epic-scale panoramas — sociopolitical observations of the natural habitat of humankind at leisure. Vitali’s iconic series of beach panoramas, captured from a distance with an elevated large-format camera platform, began in the light of drastic political changes in Italy. Drawing inspiration from Renaissance and Old Flemish masters, in which the central space is fully exploited and the urban or natural landscape becomes the background, Vitali’s photographs grasp the viewer by capturing highly detailed observances of the recreational habitats of modern civilization. Vitali’s work has been collected in six monographs: Beach and Disco, Natural Habitats, Landscapes With Figures, Swimming Pools, Short Stories and Entering A New World. Additionally, his work is represented in the world’s major museums, including the Centro de Arte Reina Sofia in Madrid, the Guggenheim Museum in New York, the Museum of Contemporary Art in Denver, the Fond National Art Contemporaine in Paris, the Centre Pompidou in Paris, the Musée National d’Art Moderne in Paris, the Fondation Cartier in Paris and the Museo Luigi Pecci in Prato. Massimo Vitali lives and works in Lucca (Italy) and in Berlin (Germany). __________________________ SOLO EXHIBITIONS 2021 'PienoVuoto' Forte di Belvedere, Florence 2020 'Human Constellations' Museo Ettore Fico, Turin 2019 Massimo Vitali: Short Stories' Mazzoleni, London 2018 'Coastal Colonies' Spiral, Tokyo 2017 ‘Disturbed Coastal Systems’ Benrubi Gallery (New York, USA) 2016 ‘Landscapes with Figures’ Guido & Schoen Arte Contemponania (Genoa, Italy) 2016 ‘Massimo Vitali’ Crown Gallery (Knokke-Zoute, Belgium) 2016 ‘Massimo Vitali’ Ronchini Gallery (London, UK) 2015 ‘New Prints’ Hilger Next (Vienna, Austria) 2014 ‘Massimo Vitali’ Studio La Citta (Verona, Italy) 2014 ‘Into The White’ Erich Lindenberg Art Foundation (Porza, Switzerland) 2014 ‘Sempre più pallide. Towards Achrome’ Palazzo Tadea (Spilimbergo, Italy) 2013 ‘Between Normalities’ Bonni Benrubi...

This color photograph by Slava Mogutin entitled "Anton (Helmet), Moscow)" is offered by CLAMP in New York City. Signed, titled, dated, and numbered, ver...

The Pirelli Calendar, known and trade-marked as "The Cal", is an annual trade calendar which has been published by the UK subsidiary of the Italian tyre manufacturing company Pirelli...

Archivally framed with Museum Glass which filters out 99% of UV rays and reflective glare. Titled and dated in pen lower left corner. Signed in pen lower right corner.

Artist: Bert Stern, American (1929 - 2013) Title: Marilyn Monroe: The Last Sitting Year: 1962 Medium: Chromogenic C-Print Photograph, signed and numbered in marker Edition: 209/250 ...

Signed and dated on the front of the mount. Currently framed in custom white wood. See photograph of the piece on the wall.

Homage to Ali: Neil Leifer pays tribute to the legendary Muhammad Ali in an exclusive set of classic photographs. Each photograph is in an edition of 40 signed dye-sublimation prints...