Framed Portrait Photography

Andy Warhol Baroness de Waldner, ca. 1975 Unique Acetate positive This piece comes with a signed letter of provenance from the representative of Chromacomp, Warhol's printer. Frame i...

A classic British fish & chips van, on a classic English day at Haddenham Steam Rally Country Fair, photograph by Richard Heeps. This artwork is a limited edition of 25 gloss p...

D. and Felix (Stranger than Paradise) - 1997 Edition of 2/30. Image size 16 x 21.6 inch, External dimensions: 17.7 x 23.3 inch. Archival C-Print, based on the Polaroid. Mounted...

Attached is a certificate from the Carmen Tatche Gallery and press clippings from the exhibition held in 2000 in Spain.

Andy Warhol Portrait of Roy Lichtenstein, 1975 Polaroid dye-diffusion print Authenticated by the Andy Warhol Foundation for the Visual Arts, bears the Foundation stamp verso Frame in...

Annie Leibovitz - Patti Smith - New Orleans - 1978 (Original), 1978 Cibachrome photograph (this is the original - not the later commemorative reprint) Please note: There was a later ...

The Rolling Stones "Mick Feeding Goat" - Outtake from the famous photo shoot of The Rolling Stones for their Beggars Banquet album at Sarum Chase mansion, Hampstead, London, 1968, si...

BERT STERN – "MARILYN MONROE (NAVY/LIGHT BLUE)" Photo Silkscreen ⚜ Hand Signed ⚜ Numbered ⚜ Framed A HIGHLY COLLECTIBLE WORK FROM THE MARILYN MONROE SERIES This original 1973 photo ...

Artist: Bert Stern, American (1929 - 2013) Title: Marilyn Monroe: The Last Sitting Year: 1962 Medium: Chromogenic C-Print Photograph, signed and numbered in marker Edition: 209/250 ...

"Marilyn Monroe, 1962" Photography 24 x 16 in Edition 40/75 by Lawrence Schiller Silver Gelatin print Edition 40/75 Signed and numbered on recto by the artist Printed later On Wednesday, May 23, 1962, Marilyn Monroe stepped onto the set of Something’s Got to Give to film what would become one of the most iconic and talked-about moments of her career: the now-legendary nude swimming pool scene. This extraordinary day—captured in a series of rare photographs by renowned photographer Lawrence Schiller—has since become a cornerstone of Hollywood history. Key moments that make this session truly historic: A Bold Cinematic First: Monroe spent nearly four hours in the pool on the 20th Century Fox lot, filming a sequence in which her character, Ellen Arden, appears to swim nude...

Cigars come out and congratulations abound as Michael Jordan wins his 5th Championship in 1997. Here, Richard Shay has captured the moment when fan Bruce Willis looks at the superstar with such admiration and awe to be in his presence. This A.P. photograph is matted and framed in a simple black frame measuring 14.5h x 15.75w inches. Richard Shay Michael Jordan with Bruce Willis Celebrating Bulls 5th Championship, 1997 archival pigment print 9.75h x 11w in 24.77h x 27.94w cm A.P. RSY013 Richard Shay grew up in Deerfield, Illinois where his father, the famed photojournalist, Art Shay and his wife Florence had moved to raise their family. Surrounded by the influence of his larger-than-life dad, Richard would go on to follow in his father's path. After traveling the world in his early 20's, Richard returned to Chicago and began photographing at The Oprah Winfrey Show. He became the family photographer for basketball player and Chicago treasure, Michael Jordan. He would go on to tour the US and Russia with The Smashing Pumpkins...

Andy Warhol Nicola (Nicky) Weymouth, ca. 1976 Acetate positive, acquired directly from Chromacomp, Inc. Andy Warhol's printer in the 1970s. Accompanied by a Letter of Provenance from the representative of Chromacomp Unique Frame included: Elegantly framed in a museum quality white wood frame with UV plexiglass: Measurements: Frame: 18 x 15.5 x 1.5 inches Acetate: 11 x 8 inches This is the original, unique photographic acetate positive taken by Andy Warhol as the basis for his portrait of Nicky Weymouth, that came from Andy Warhol's studio, The Factory to his printer. It was acquired directly from Chromacomp, Inc. Andy Warhol's printer in the 1970s. It is accompanied by a Letter of Provenance from the representative of Chromacomp. This is one of the images used by Andy Warhol to create his iconic portrait of the socialite Nicola Samuel Weymouth, also called Nicky Weymouth, Nicky Waymouth, Nicky Lane Weymouth or Nicky Samuel. Weymouth (nee Samuel) was a British socialite, who went on to briefly marry the jewelry designer Kenneth Lane, whom she met through Warhol. This acetate positive is unique, and was sent to Chromacomp because Warhol was considering making a silkscreen out of this portrait. As Bob Colacello, former Editor in Chief of Interview magazine (and right hand man to Andy Warhol), explained, "many hands were involved in the rather mechanical silkscreening process... but only Andy in all the years I knew him, worked on the acetates." An acetate is a photographic negative or positive transferred to a transparency, allowing an image to be magnified and projected onto a screen. As only Andy worked on the acetates, it was the last original step prior to the screenprinting of an image, and the most important element in Warhol's creative process for silkscreening. Warhol realized the value of his unique original acetates like this one, and is known to have traded the acetates for valuable services. This acetate was brought by Warhol to Eunice and Jackson Lowell, owners of Chromacomp, a fine art printing studio in NYC, and was acquired directly from the Lowell's private collection. During the 1970s and 80s, Chromacomp was the premier atelier for fine art limited edition silkscreen prints; indeed, Chromacomp was the largest studio producing fine art prints in the world for artists such as Andy Warhol, Leroy Neiman, Erte, Robert Natkin, Larry Zox, David Hockney and many more. All of the plates were done by hand and in some cases photographically. Famed printer Alexander Heinrici worked for Eunice & Jackson Lowell at Chromacomp and brought Andy Warhol in as an account. Shortly after, Warhol or his workers brought in several boxes of photographs, paper and/or acetates and asked Jackson Lowell to use his equipment to enlarge certain images or portions of images. Warhol made comments and or changes and asked the Lowells to print some editions; others were printed elsewhere. Chromacomp Inc. ended up printing Warhol's Mick Jagger Suite and the Ladies & Gentlemen Suite, as well as other works, based on the box of photographic acetates that Warhol brought to them. The Lowell's allowed the printer to be named as Alexander Heinrici rather than Chromacomp, since Heinrici was the one who brought the account in. Other images were never printed by Chromacomp- they were simply being considered by Warhol. Warhol left the remaining acetates with Eunice and Jackson Lowell. After the Lowells closed the shop, the photographs were packed away where they remained for nearly a quarter of a century. This work is exactly as it was delivered from the factory. Unevenly cut by Warhol himself. This work is accompanied by a signed letter of provenance from the representative of Chromacomp, Andy Warhol's printer for many of his works in the 1970s. About Andy Warhol: Isn’t life a series of images that change as they repeat themselves? —Andy Warhol Andy Warhol’s (1928–1987) art encapsulates the 1960s through the 1980s in New York. By imitating the familiar aesthetics of mass media, advertising, and celebrity culture, Warhol blurred the boundaries between his work and the world that inspired it, producing images that have become as pervasive as their sources. Warhol grew up in a working-class suburb of Pittsburgh. His parents were Slovak immigrants, and he was the only member of his family to attend college. He entered the Carnegie Institute of Technology (now Carnegie Mellon University) in 1945, where he majored in pictorial design. After graduation, he moved to New York with fellow student Philip Pearlstein and found steady work as a commercial illustrator at several magazines, including Vogue, Harper’s Bazaar, and the New Yorker. Throughout the 1950s Warhol enjoyed a successful career as a commercial artist, winning several commendations from the Art Directors Club and the American Institute of Graphic Arts. He had his first solo exhibition at the Hugo Gallery in 1952, showing drawings based on the writings of Truman Capote; three years later his work was included in a group show at the Museum of Modern Art for the first time. The year 1960 marked a turning point in Warhol’s prolific career. He painted his first works based on comics and advertisements, enlarging and transferring the source images onto canvas using a projector. In 1961 Warhol showed these hand-painted works, including Little King (1961) and Saturday’s Popeye (1961), in a window display at the department store Bonwit Teller; in 1962 he painted his famous Campbell’s Soup Cans, thirty-two separate canvases, each depicting a canned soup of a different flavor. Soon after, Warhol began to borrow not only the subject matter of printed media, but the technology as well. Incorporating the silkscreen technique, he created grids of stamps, Coca-Cola bottles, shipping and handling labels, dollar bills, coffee labels...

'Neon Cross', part of Richard Heeps' 'This is Not America' series photographed in Vietnam in 2016. This artwork has a fun kitsch vibe, the neon really makes...

Belles of Shoreditch, Richard Heeps photograph taken backstage at the London Burlesque event The Whoopee Club. Richard Heeps became well-known for his Burlesque Photography after he...

Large portrait of a teenage girl seated in orange prom dress, titled "Sweet Sixteen #13" by Angela West. Chromogenic dye coupler print on paper. Limited Edition #1/16. Print is offered framed. Print size: 20 x 16 inches Frame size: 27 x 23 inches Angela West's "Sweet 16" series is a collection of portraits taken in Dahlonega, Georgia and based on a photograph of the artist herself at 16 years old. The subjects were neither instructed nor prompted beyond the notion that they were having a "formal" portrait made. Using the conventions of the studio, Ms. West creates portraits that allude to society painting, but with one social class of subjects standing in for another. The purpose of photographic portraiture is to document an appearance on a particular day, or at a certain age. These portraits underscore an expectation of beauty particular to the South, while decoding "16" as a universal female condition. The young girls' dress, makeup, and posture provide subtle references to personality and social status while also capturing the process of "becoming" - either in their masquerade of proper feminine behavior or quietly defying the social demand of civilized femininity. teenager, prom, portrait photography, color photography, figurative photography, contemporary photography, limited edition, orange, female portrait, girl portrait, female artist, fashion, teen art,

Richard Heeps became well-known for his Burlesque Photography after he spent 2003 capturing performances in Britain & America. He spent a lot on time with his subjects on a number of...

The Pirelli Calendar, known and trade-marked as "The Cal", is an annual trade calendar which has been published by the UK subsidiary of the Italian tyre manufacturing company Pirelli...

Artist: Bert Stern, American (1929 - 2013) Title: Marilyn Monroe: The Last Sitting Year: 1962 Medium: Chromogenic C-Print Photograph, signed and numbered in marker Edition: 209/250 ...

Jacquelina was photographed in the early hours in a milonga tango club in Buenos Aires. James Sparshatt’s photographs of music and dance capture the emotion and intensity of people ...

Annie Leibovitz ( 1949- ) photo : 24 x19 cm . Ella Fitzgerald devant un cabriolet Mercedes . 1988 Original Vintage work . Framed : 42 X 42 cm

Signed limited edition 24" x 48" print, Custom framed with 8 ply matte and non-glare museum glass Frame dimensions: approx 56” wide x 32” high x 1” deep As a renowned graphic desig...

Los Angeles-based photographer Tyler Shields seeks “beauty in chaos,” capturing both young models and celebrities such as Lindsay Lohan and Mischa Barton. His polished editorial imag...

Listing includes framing with UV Plexi ($900 value), free shipping, and a 14-day return policy. Seydou Keïta Untitled Portrait, 1952 - 1955 (00089-MA.K...

Large-scale photograph from the Equine Beauty series. The legendary and complex relationship between humans and horses is an enduring one. The horse’s distinctive blend of grace and...

Anita, part of Richard Heeps autobiographical series, 'A View of the Fens from the Car With Wings', a journey on the roads of his childhood. Unusually for Richard this is a staged ph...

Xie Kitchin as Dane is an original vintage photograph realized in 1873 by Lewis Carroll (Daresbury, January 27, 1832 - Guildford, January 14, 1898). Original albumen print on postcard; dimensions: 14 x 10 cm. N° 2132 "The Dane manuscript" was written by the author in pencil on the back. Provenance: Jeffrey Stern Bookseller York UK. Certificate of Athenticity: provided by the Original Gallery. Framed in a coeval frame. Mint conditions. Lewis Carroll (Daresbury, January 27, 1832 - Guildford, January 14, 1898) in 1873. This work depicts the figure of Xie (Alexandra) Kitchin as "Dane", a standing children with an elegant dress and headgear. Charles Lutwidge Dodgson (27 January 1832 – 14 January 1898), better known by his pen name Lewis Carroll, was an English writer of children's fiction, notably Alice's Adventures in Wonderland and its sequel Through the Looking-Glass. He was noted for his facility with word play, logic, and fantasy. The poems "Jabberwocky" and The Hunting of the Snark are classified in the genre of literary nonsense. He was also a mathematician, photographer, inventor, and Anglican deacon. Carroll came from a family of high-church Anglicans, and developed a long relationship with Christ Church, Oxford, where he lived for most of his life as a scholar and teacher. Alice Liddell, daughter of the Dean of Christ Church, Henry Liddell, is widely identified as the original for Alice in Wonderland, though Carroll always denied this. Scholars are divided about whether his relationship with children included an erotic component. In 1982, a memorial stone...

Edition 15, framed Chromaluxe Michael Jackson doing his smooth criminal dance move. A man with x-ray vision, NICK VEASEY creates art that shows what it is really like inside. Nick...

Edition 15, Lenticular In this image Michael Jackson is doing the moonwalk and is x-rayed. A man with x-ray vision, NICK VEASEY creates art that shows what it is really like inside...

X-ray lenticular artwork Lenticular is a ribbed lens that refracts light from different angles. When sequential images are split behind the lenticular lens the image looks like it m...

Listing includes framing with UV plexi and a 14 day return policy. This is available for pick up framed at Los Angeles gallery at no additional charge. For transport the US and internationally, please inquire for more details. Kate Moss by Glen Luchford...

Billy Name Films of Andy Warhol, Whitney Museum of American Art (Hand Signed by Billy Name), 1988 Offset Lithograph Very rare vintage poster - hand signed by Billy Name on the front....

This photograph features John F Kennedy sitting on the back of a convertible with US Representative George McGovern in what at first glance appears to be a parade route in South Dako...

The photographic work of Raphael Macek offers profound meditation on the timeless bond between humans and horses. With exceptional sensitivity, Macek captures the equine form as both...

Los Tangueros An intimate tango dance in the early hours of the morning James Sparshatt captures this intimate moment of dance, exuding an aura of timeless romance. The couple are...

A Mardi Gras Indian known as Spoons during Super Sunday 2007, in which Mardi Gras Indians parade down from the Bayou St. John in New Orleans. Photograph Print is 12 x 9 inches, Frame is approximately 19.5 x 15 inches. Statement: "My mission is to capture the vitality of human experience and to present it on paper in a visually compelling manner. I work with daily life, ritual and celebration within which I look for moments of insight. From Coney Island, to New Orleans, Cuba, Haiti, Colombia and India I use my camera as a tool for understanding and mutual respect between cultures!" Andy...

Audrey Hepburn on the set of ‘Two for the Road’, 1966. Audrey Hepburn Swims 1966 by Terry O’Neill
 Hand SIGNED LIMITED EDITION 27/50 PAPER: C TYPE FULLY FRAMED: 26.5 x 21.1 INCH P...

Sally Mann Larry Shaving, 1991 Gelatin silver print Framed Dimensions: 25.75 x 29.67 inches (65.4 x 75.4 cm) Image Dimensions: 18 x 22.3 inches (45.7 x 56.6 cm) Edition 3/25

The photographic work of Raphael Macek offers profound meditation on the timeless bond between humans and horses. With exceptional sensitivity, Macek captures the equine form as both...

Richard Heeps became well-known for his Burlesque Photography after he spent 2003 capturing performances in Britain & America. He spent a lot on time with his subjects on a number of...

This artwork was created by the artistic duo Hunter & Gatti (2010–2023). These works are part of the archive managed and exhibited by Cristian Hunter. The artist's technique cons...

Edition No. 8/15 image size 50 x 38 cm / 20 x 15 in framed size 70 x 60 cm / 27.5 x 23.6 in signed and numbered Framed with mat and anti-reflex glass Young orphan elephants that nes...

Passionate, sensitive and an eye for detail, light and color, this is the working method of Dutch photographer Ursula van de Bunte (1969). She is a perfectionist, enthusiastic and di...

David Bailey OASIS, 2006 Archival Inkjet on paper Signed by the artist, on verso Image: 50.8 x 50.8 cm Sheet: 58.4 x 58.4 cm Edition of 15

This is a unique photographic work taken by Andy Warhol. Ulrik Trojaborg was a dancer with the New York City Ballet in the 1980s and among Andy Warhol's circle of dancer friends, which included Heather Watts...

Victor Arimondi (1942-2001). Portrait of Grace Jones, 1975. Period print measures 8.5 x 11.25 inches; 10 x 13 inches framed. Artist studio stamp on ver...

Andy Warhol Ladies & Gentlemen, ca. 1975 Acetate positive photograph Provenance: The Factory, (Andy Warhol's Studio) via Chromacomp (Warhol's printer, owned by Eunice & Jack ...

Francesca Woodman in Providence, Rhode Island (1976) photographed by George Lange. 14 x 11" archival pigment print 21 x 17 x 2" frame with UV plexgias Edition 2 of 10, signed and e...

Silver gelatin print The present work is hand signed with the artist's copyright, dated 1983, and titled on the back. It is numbered 3 of an edition of only 10. On October 3, 1983, Madonna headlined a memorial concert in honor of Michael Stewart, a graffiti artist in the midst of the AIDS crisis who became a victim of police brutality. Madonna was only 24 years old in 1983, but had already signed her first record deal and was on the cusp of superstardom. In 1984, the year after Madonna appeared in Kroll's shoot, she would release chart hits Like A Virgin, Material Girl and Crazy For You, cementing her place as an international star. This photograph was taken by renowned photographer and editor Eric Kroll backstage at Danceteria - a gritty and popular after hours club and concert venue on West 21st Street in Manhattan, operating out of the first three floors in an old industrial 12-story building. The visible text "ACCUTUNKTIONA TO THE POINT!" and "UNK" are actual, gritty wall graffiti from the venue, adding to the candid nature of the shot. Eric Kroll is a notable photographer, best known for his many fetish subjects, and for documenting America’s seediest spots and denizens, sharing a certain aesthetic with fellow photographers Larry Clark and Richard Kern...

Oldsmobile and Sinful Barbie's, from Richard Heeps' 'Man's Ruin' Series. This artwork is part of a sequence capturing Wendy at the Rockabilly Weekender, Viva Las Vegas, these Barbie'...

Joan Didion photographed by Julian Wasser for TIME magazine in 1968. This is a 20 x 24 inch platinum print made in 2022 at Weldon Labs in Los An...

Patti Smith taken in NYC during a 1975 Iran War protest by Lynn Goldsmith. Recently framed with non-glare museum glass, signed limited edition 16x20" print, edition #1/20 Lynn Go...

"Mademoiselle Chanel in the Atelier, 1962" Ed. 9/24 signed by Douglas Kirkland Hand signed by Douglas Kirkland Printed later Medium: archival pigment print on Hahnemühle watercolor ...

Francesca Woodman in Providence, Rhode Island (1976) photographed by George Lange. 11 x 14" archival pigment print 17 x 21 x 2" frame with UV plexgias Edition 2 of 10, signed and e...

"Marilyn Monroe, 1962" Photography 16 x 24 in Edition 57/75 by Lawrence Schiller Silver Gelatin print Edition 57/75 Signed and numbered by the artist Printed later On Wednesday, May 23, 1962, Marilyn Monroe stepped onto the set of Something’s Got to Give to film what would become one of the most iconic and talked-about moments of her career: the now-legendary nude swimming pool scene. This extraordinary day—captured in a series of rare photographs by renowned photographer Lawrence Schiller—has since become a cornerstone of Hollywood history. Key moments that make this session truly historic: A Bold Cinematic First: Monroe spent nearly four hours in the pool on the 20th Century Fox lot, filming a sequence in which her character, Ellen Arden, appears to swim nude...

Listing includes framing with UV Plexi ($900 value), free shipping, and a 14-day return policy. Seydou Keïta Untitled Portrait, 1952 - 1955 (02158) 23...

Lollipop (Beachshoot) - 2005 80x80cm, Edition 1/5. Analog C-Print, hand-Printed by the artist on Fuji Crystal Archive Paper, based on the Polaroid. Under glass with a white wooden...

100 x 150cm (40 x 60 inches) Edition of 4 Funk Body series by Vincent Rosenblatt Archival Pigment Print Mounted and Framed

Ed. 45/50, signed by Terry O'Neill. Includes black frame. Terry O’Neill CBE is one of the world’s most collected photographers with work hanging in national art galleries and privat...

Vintage signed and extremely rare photograph of Humphrey Bogart by Philippe Halsman (1906 - 1979). Signed. Framed. Measuring 17 by 21 inches overall and 10.25 by 13.25 photograph a...

"Marilyn Monroe and Paula Strasberg" 16 x 24 in Ed. 57/75 by Lawrence Schiller Silver Gelatin print Edition 57/75 Signed and numbered by the artist Printed later Marilyn Monroe and...