Framed Photography

Jimmy Page and Robert Plant feeling it at the Forum in Inglewood, Calif. in 1977. This would be among the last Led Zeppelin concerts in the US. About The Print: Archival pigment pri...

This large, dramatic black-and-white photograph by one of the most important photographers of the 20th-century, Brett Weston, is perhaps the artist's most iconic image. This relative...

From The Jon Gould Collection of Andy Warhol Photographs This work is not signed by the artist, however, each photo is unique and blind embossed “Andy Warhol” in the lower right co...

This is a signed, limited edition (of 10) framed botanical photograph of several Nigella stems with blossoms on a black background. It is printed on a thin, durable aluminum panel. T...

Limited edition Fuji Chrystal Archival paper (archival "C" print) emanating from the original photographic transparency, which was taken by Bert Stern of Marilyn Monroe wig in June 1...

large format original photograph of the iconic Mediterranean rock pools of Calafuria Vaschette in Tuscany by iconic Italian photographer Massimo Vitali, renowned for his grand scale ...

Joan Didion in front of her Daytona Yellow Stingray Corvette, 1968, Time magazine TIME commissioned this portrait of author Joan Didion photographed...

Series: The Equestrian Collection Archival Pigment Print Unframed Sizes: 32" x 40" - $7,500.00 48" x 60" - $11,000.00 60" x 75" - $14,750.00 Framed Sizes: 39" x 47" - $9,250.00 55"...

Annie Leibovitz ( 1949- ) photo : 24 x19 cm . Ella Fitzgerald devant un cabriolet Mercedes . 1988 Original Vintage work . Framed : 42 X 42 cm

Richard Heeps 'Ordinary Places' Series, captures Britain on the brink of change. It was Richard's first colour series and it achieved much success with an exhibition at the Photograp...

Jimmy Page backstage at the Fillmore East, NYC 1969, eating a hamburger. About The Print: Archival pigment print on 100% cotton paper with a satin baryta finish. It is from a limite...

Fishermen's Mission, is a photograph that captures a specific moment in time within a functional space. Through Richard's artistic lens, the seemingly simple interior becomes a study...

The Coolest Place, Ballantines Movie Colony, Palm Springs, California. Part of Richard Heeps 'Dream in Colour' Series, this cool Palm Springs interiors picture featuring a vintage te...

Edward Burtynsky (b. 1955) is Canada's most successful photographer. A noted filmmaker, entrepreneur and environmental advocate, Burtynsky is best known internationally for his larg...

Craig y Don Pool, looking across the bay of Llandudno, Wales in the United Kingdom. Dreamy symmetry in shades of blue mesmerise your eyes in this photograph by Richard Heeps. This a...

_ _ ADA, Italian street photography from Richard Heeps series, 'A Short History of Milan' which began in November 2018 for a special project at the Affor...

Listing includes framing with UV plexi ($1,000 value), free shipping for the continental US and EU/UK, and a 14 day return policy. Also available for local pick up at our New York City gallery. A Moment of Solitude... (2019) by Karen Knorr Archival pigment print Image Size: 24 x 30 inches Framed Size: 27 x 33 x 2 inches Edition 1 of 5 Signed on artist certificate and adhesive label Karen Knorr Artist Biography - While Knorr’s images take some of their inspiration from the Indian tradition of personifying animals in literature and art, there is another almost subconscious strain to her work. Going back to the time of cave painting we see that these early visual artists not only recorded their lives and surroundings, but used art to express themselves. The depiction of animals in symbolic and powerful ways and the urge to create these images with the best tools at hand is a line stretching from these unnamed cave painters to Karen Knorr. Playfully combining technologies and genres, Knorr mixes digital...

ICES Satsuma Orange, bold pop art street photography from Richard Heeps' series, On-Sea. Created as an ode to Richard's childhood visits to his grandparents living on the Sussex coa...

Fishermen's Mission, Fleetwood, British vintage interior with a nautical theme, photograph from Richard Heeps' series, Ordinary Places. Ordinary Places was Richard's first colour co...

Minimalist landscape photograph of black and white lily pads on water "End of Summer", photographed by Betsy Weis in 2006 archival inkjet print on watercolor paper 20 x 30 inches, 27 x 37 inches in white frame with white mat & anti-reflective non-glare glass Wire backing for easy installation, ready to hang as is Photographed at the Brooklyn Botanic Garden, this black and white archival pigment print by Betsy Weis captures a cluster of water lilies afloat on a glassy, onyx-like body of water. Looming clouds are reflected in the pond's serene surface. Crisp, moody, and rich in texture, the photograph can stand on its own as a quiet glimpse at nature, or can be juxtaposed with others in the series to form a more complete vision. This photograph is available unframed, $1700. The image measures 20 x 30 inches, and the paper measures 24 x 26 inches. Artist statement: Nature provides the perfect model of beauty, according to Plato and Socrates. In the classical period, something was considered beautiful because it existed in nature; art was secondary. In the 18th Century, the German philosopher Johann Joachim Winckelmann argued against the idea that art imitates life, believing that qualities superior to nature are found in art, specifically, ideal beauty, and “brain-born images”. Neoclassical thought represented that art need not serve any end other than its own existence. For me, beauty is an ideal, nature is real, and art comes from the brain. I take pictures in nature, finding shifting, disparate, and beautiful landscapes. I develop my pictures of trees...

Unique stunning piece consists of three individual prints, framed together in one frame as a triptych. All prints are signed by Masayoshi Sukita, and are all limited edition number 5/30. David Bowie, "See No Evil...

Chrome Blue, from the Heidler & Heeps Tape Collection - The B Sides. The Heidler & Heeps collaborations are creative representations of Natasha Heidler and Richard Heeps’, personal p...

'A Side Recording'. Acclaimed contemporary photographers, Richard Heeps and Natasha Heidler have collaborated to make this beautifully mesmerising collection. A celebration of the vi...

Gestures (Stranger than Paradise) Edition 1/5. 12 pieces, 48x46 cm each, installed: 207x155 cm. 12 Analog C-Prints, hand-printed by the artist, mounted on Aluminum with matte UV...

White Trash Beautiful I (29 Palms, CA) featuring Radha Mitchell - 1999 128x125cm, Edition 3/5. Analog C-Print, hand-printed by the artist on Fuji Crystal Archive Paper, based o...

Prize Bingo, Norfolk, Richard Heeps' typography sign photography centrally framed in the Kodak rebate border, against an expansive, vivid blue sky, isolating the subject and emphasiz...

Los Tangueros An intimate tango dance in the early hours of the morning James Sparshatt captures this intimate moment of dance, exuding an aura of timeless romance. The couple are...

Heidler & Heeps Dice Series Sixteen Piece Multicolor 'Twos' Square Installation. The number Two Dice, a symbol of balance and harmony, is repeated creating ...

Limited Edition of 10 Framed size 27 x 37 cm All works are Archival Pigment prints, floating in an all black wooden frame behind museums glass.  More sizes on request. Sara Punt...

Torso 1 2020 Signed and numbered, verso Cyanotype print toned with ammonia and tannic acid (Edition of 5) 7 x 5 inches (17.8 x 12.7 cm), image $1,500 + $250 matting/framing This...

'Lily in Charcoal' 2023 From raw energy to sublime. 'Lily in Charcoal' is an expression piece combining an abstract charcoal drawing with a live lily...

Andy Warhol Nicola (Nicky) Weymouth, ca. 1976 Acetate positive, acquired directly from Chromacomp, Inc. Andy Warhol's printer in the 1970s. Accompanied by a Letter of Provenance from the representative of Chromacomp Unique Frame included: Elegantly framed in a museum quality white wood frame with UV plexiglass: Measurements: Frame: 18 x 15.5 x 1.5 inches Acetate: 11 x 8 inches This is the original, unique photographic acetate positive taken by Andy Warhol as the basis for his portrait of Nicky Weymouth, that came from Andy Warhol's studio, The Factory to his printer. It was acquired directly from Chromacomp, Inc. Andy Warhol's printer in the 1970s. It is accompanied by a Letter of Provenance from the representative of Chromacomp. This is one of the images used by Andy Warhol to create his iconic portrait of the socialite Nicola Samuel Weymouth, also called Nicky Weymouth, Nicky Waymouth, Nicky Lane Weymouth or Nicky Samuel. Weymouth (nee Samuel) was a British socialite, who went on to briefly marry the jewelry designer Kenneth Lane, whom she met through Warhol. This acetate positive is unique, and was sent to Chromacomp because Warhol was considering making a silkscreen out of this portrait. As Bob Colacello, former Editor in Chief of Interview magazine (and right hand man to Andy Warhol), explained, "many hands were involved in the rather mechanical silkscreening process... but only Andy in all the years I knew him, worked on the acetates." An acetate is a photographic negative or positive transferred to a transparency, allowing an image to be magnified and projected onto a screen. As only Andy worked on the acetates, it was the last original step prior to the screenprinting of an image, and the most important element in Warhol's creative process for silkscreening. Warhol realized the value of his unique original acetates like this one, and is known to have traded the acetates for valuable services. This acetate was brought by Warhol to Eunice and Jackson Lowell, owners of Chromacomp, a fine art printing studio in NYC, and was acquired directly from the Lowell's private collection. During the 1970s and 80s, Chromacomp was the premier atelier for fine art limited edition silkscreen prints; indeed, Chromacomp was the largest studio producing fine art prints in the world for artists such as Andy Warhol, Leroy Neiman, Erte, Robert Natkin, Larry Zox, David Hockney and many more. All of the plates were done by hand and in some cases photographically. Famed printer Alexander Heinrici worked for Eunice & Jackson Lowell at Chromacomp and brought Andy Warhol in as an account. Shortly after, Warhol or his workers brought in several boxes of photographs, paper and/or acetates and asked Jackson Lowell to use his equipment to enlarge certain images or portions of images. Warhol made comments and or changes and asked the Lowells to print some editions; others were printed elsewhere. Chromacomp Inc. ended up printing Warhol's Mick Jagger Suite and the Ladies & Gentlemen Suite, as well as other works, based on the box of photographic acetates that Warhol brought to them. The Lowell's allowed the printer to be named as Alexander Heinrici rather than Chromacomp, since Heinrici was the one who brought the account in. Other images were never printed by Chromacomp- they were simply being considered by Warhol. Warhol left the remaining acetates with Eunice and Jackson Lowell. After the Lowells closed the shop, the photographs were packed away where they remained for nearly a quarter of a century. This work is exactly as it was delivered from the factory. Unevenly cut by Warhol himself. This work is accompanied by a signed letter of provenance from the representative of Chromacomp, Andy Warhol's printer for many of his works in the 1970s. About Andy Warhol: Isn’t life a series of images that change as they repeat themselves? —Andy Warhol Andy Warhol’s (1928–1987) art encapsulates the 1960s through the 1980s in New York. By imitating the familiar aesthetics of mass media, advertising, and celebrity culture, Warhol blurred the boundaries between his work and the world that inspired it, producing images that have become as pervasive as their sources. Warhol grew up in a working-class suburb of Pittsburgh. His parents were Slovak immigrants, and he was the only member of his family to attend college. He entered the Carnegie Institute of Technology (now Carnegie Mellon University) in 1945, where he majored in pictorial design. After graduation, he moved to New York with fellow student Philip Pearlstein and found steady work as a commercial illustrator at several magazines, including Vogue, Harper’s Bazaar, and the New Yorker. Throughout the 1950s Warhol enjoyed a successful career as a commercial artist, winning several commendations from the Art Directors Club and the American Institute of Graphic Arts. He had his first solo exhibition at the Hugo Gallery in 1952, showing drawings based on the writings of Truman Capote; three years later his work was included in a group show at the Museum of Modern Art for the first time. The year 1960 marked a turning point in Warhol’s prolific career. He painted his first works based on comics and advertisements, enlarging and transferring the source images onto canvas using a projector. In 1961 Warhol showed these hand-painted works, including Little King (1961) and Saturday’s Popeye (1961), in a window display at the department store Bonwit Teller; in 1962 he painted his famous Campbell’s Soup Cans, thirty-two separate canvases, each depicting a canned soup of a different flavor. Soon after, Warhol began to borrow not only the subject matter of printed media, but the technology as well. Incorporating the silkscreen technique, he created grids of stamps, Coca-Cola bottles, shipping and handling labels, dollar bills, coffee labels...

This artwork was created by the artistic duo Hunter & Gatti (2010–2023). These works are part of the archive managed and exhibited by Cristian Hunter. The artist's technique cons...

rare vertical work featuring iconic summer beach scene in Puglia by Italian photographer Massimo Vitali, renowned for his grand scale topographical observations of the summer rites and rituals of modern leisure Porto Miggiano...

British actress Jane Birkin and French poet, singer, and actor Serge Gainsbourg around the release of their single "Je t'aime... moi non plus" in 1969. Taken at the Sunday Times Stu...

Salt Water Taffy in the Mist, Atlantic City your eye takes you past the Boardwalk Empire facade down the atmospherically misty boardwalk. Photograph from Richard Heeps' Jersey Shore ...

Heidler & Heeps Vinyl Collection Set of Three Framed Artworks. Acclaimed contemporary photographers, Richard Heeps and Natasha Heidler have collaborated to make this beautifully mesm...

Foyer VI, from Richard Heeps series A Short History of Milan which began as a special project for the 2018 Affordable Art Fair Milan. It was well received and the artwork has become ...

Handmade signed on the back of the print by Melvin Sokolsky and numbered : 12 on 25 . Melvin Sokolsky was born and raised in New York in 1933, where he began his career as a still-l...

'NOMAD III (Film Rebate)', New York. Richard Heeps has photographed the iconic Empire State building in the mist. The NOMAD sequence of photographs capture the art deco architecture ...

Mother India, photograph from Richard Heeps series 'The Ambassador's Window', a pilgrimage from Kerala in the South to Meerut in the North, the birthplace of his Grandfather. As boo...

Photograph of Robert Plant, Led Zeppelin's front man striking his famous pose at the Forum in Inglewood, Calif. in 1975. About The Print: Archival pigment print on 100% cotton paper...

ICES Burnt Orange, bold pop art street photography from Richard Heeps' series, On-Sea. Created as an ode to Richard's childhood visits to his grandparents living on the Sussex coast...

Candid photo of Zeppelin's Robert Plant and John Paul Jones watching John Bonham's drum solo from behind the speaker stack at Kezar Stadium in 1973. About The Print: Archival pigmen...

Breakfast Table, is a rare studio creation by Richard Heeps, inspired by a recent visit to Fleetwood, incorporating autobiographical elements, brought...

'Utopian Foyer III', Italian Brutalist architecture photography by Richard Heeps' from his series 'A Short History of Milan'. There is a reoccurring linear, structural theme through...

Hand-painted cyanotype still life of pink flowers on indigo with custom frame Nocturnal Nature (Double Hibiscus, Rose) — painted cyanotype by Julia Whitney Barnes 2024 watercolor, go...

Nick Veasey Easy Listener Silver Silkscreen 2025 From Print Series Signed and numbered by artist 75 x 105 cm frame included Numbered 5 out of 75

British actress Jane Birkin and French poet, singer, and actor Serge Gainsbourg around the release of their single "Je t'aime... moi non plus" in 1969. Taken at the Sunday Times Stu...

Listing includes framing with UV plexiglas. Joan Didion by Julian Wasser Silver gelatin print Image Size: 11 x 8 inches Frame Size: 17 x 14 x 2 inches Edition 11 of 15 Signed on verso by Julian Wasser Please note the frame is in good condition. The print is in mint condition. Artist Biography - Julian Wasser started his career in photography in the Washington DC bureau of the Associated Press where he met and accompanied the famous news photographer Weegee – who would become a lasting influence on him. In the mid-60s Wasser moved to Los Angeles as a contract photographer for TIME, LIFE, and FORTUNE magazines and becoming internationally known as the go to guy for getting candid but memorably composed photographs. (His iconic images of Jack Nicholson and Anjelica Huston; Marcel Duchamp and Eve Babitz...

Richard Heeps photographed Bletchley Park in partnership with Hertfordshire University and Bletchley Park Trust, to document Alan Turing’s historic past at Bletchley. He was privileg...

Photograph of Jimmy Page playing his classic '69 Gibson Les Paul, shot at Kezar Stadium in 1973. About The Print: Archival pigment print on 100% cotton paper with a satin baryta fin...

Super Giant Oversize - C3PO Star Wars Archival Pigment Print 1977 by Geoff Wilkinson / Mirror Trinity Group Archive size : 71 x 45.5" inches / 180 x 116 cm paper size print type ...

Limited Edition of 7 Framed size 49 x 69 cm All works are Archival Pigment prints, floating in an all black wooden frame behind museums glass.  More sizes on request. Sara Punt...

Archival Pigment Photograph 64 x 52 inch framed. 51 x 39 inch image size Signed, dated, and numbered from edition of 12 on recto. Signed, titled, dated, and editioned on certificat...

49 Via Dezza at Sunset, Italian architecture street photography from Richard Heeps series, A Short History of Milan. A Short History of Milan' began in November 2018 for a special p...

This listing includes framing ($1,750 value) and a 14-day return policy. Shipping will be charged at cost with a white glove delivery service. Also available for local pick up at our New York City gallery. The Way of Ishq (2019) by Karen Knorr. Archival pigment print Image size: 48 x 60 inches Frame Size: 52 x 64 inches framed Edition 2 of 5 Signed, with certificate of authenticity Artist Biography - While Knorr’s images take some of their inspiration from the Indian tradition of personifying animals in literature and art, there is another almost subconscious strain to her work. Going back to the time of cave painting we see that these early visual artists not only recorded their lives and surroundings, but used art to express themselves. The depiction of animals in symbolic and powerful ways and the urge to create these images with the best tools at hand is a line stretching from these unnamed cave painters to Karen Knorr. Playfully combining technologies and genres, Knorr mixes digital...

Initially taken as part of Cawston’s series juxtaposing images from Banksy’s Dismaland with its host town of Weston-super-Mare for his book Are We There Yet?, The Perfect Fish and C...

Eat, Sleep, HK$1, Repeat from the Heidler & Heeps Stamp Collection is a pop art evolution of the single stamp 'HK$1'. The multiple effect replicates the effect of the pulsating city ...

ICES Cornflower Blue, bold pop art street photography from Richard Heeps' series, On-Sea. Created as an ode to Richard's childhood visits to his grandparents living on the Sussex co...