Framed Photography

"Pola Girls 12" Nude Polaroid Photography - Unique piece by Larsen Sotelo 4.2" x 3.5" inch - including white Polaroid frame 3.1" x 3,1" inch - image area ...

large format photograph by iconic Italian photographer Massimo Vitali, renowned for his grand scale topographical observations of the rites and rituals of modern leisure Pan di Zucchero...

Framed Photograph by Hallie Geller 30 × 40 in 76.2 × 101.6 cm Edition of 10 Edition #5/10, #6/10, 8/10 available Signed by Hallie Geller Signed on reverse

Jack Mitchell, American Photographer (1925-2013). Jane Forth & Joe Dallesandro, 1970. 11 x 14 inches; 12 x 15 inches framed. Period print from artist's studio. The image was inte...

Andy Warhol Nicola (Nicky) Weymouth, ca. 1976 Acetate positive, acquired directly from Chromacomp, Inc. Andy Warhol's printer in the 1970s. Accompanied by a Letter of Provenance from the representative of Chromacomp Unique Frame included: Elegantly framed in a museum quality white wood frame with UV plexiglass: Measurements: Frame: 18 x 15.5 x 1.5 inches Acetate: 11 x 8 inches This is the original, unique photographic acetate positive taken by Andy Warhol as the basis for his portrait of Nicky Weymouth, that came from Andy Warhol's studio, The Factory to his printer. It was acquired directly from Chromacomp, Inc. Andy Warhol's printer in the 1970s. It is accompanied by a Letter of Provenance from the representative of Chromacomp. This is one of the images used by Andy Warhol to create his iconic portrait of the socialite Nicola Samuel Weymouth, also called Nicky Weymouth, Nicky Waymouth, Nicky Lane Weymouth or Nicky Samuel. Weymouth (nee Samuel) was a British socialite, who went on to briefly marry the jewelry designer Kenneth Lane, whom she met through Warhol. This acetate positive is unique, and was sent to Chromacomp because Warhol was considering making a silkscreen out of this portrait. As Bob Colacello, former Editor in Chief of Interview magazine (and right hand man to Andy Warhol), explained, "many hands were involved in the rather mechanical silkscreening process... but only Andy in all the years I knew him, worked on the acetates." An acetate is a photographic negative or positive transferred to a transparency, allowing an image to be magnified and projected onto a screen. As only Andy worked on the acetates, it was the last original step prior to the screenprinting of an image, and the most important element in Warhol's creative process for silkscreening. Warhol realized the value of his unique original acetates like this one, and is known to have traded the acetates for valuable services. This acetate was brought by Warhol to Eunice and Jackson Lowell, owners of Chromacomp, a fine art printing studio in NYC, and was acquired directly from the Lowell's private collection. During the 1970s and 80s, Chromacomp was the premier atelier for fine art limited edition silkscreen prints; indeed, Chromacomp was the largest studio producing fine art prints in the world for artists such as Andy Warhol, Leroy Neiman, Erte, Robert Natkin, Larry Zox, David Hockney and many more. All of the plates were done by hand and in some cases photographically. Famed printer Alexander Heinrici worked for Eunice & Jackson Lowell at Chromacomp and brought Andy Warhol in as an account. Shortly after, Warhol or his workers brought in several boxes of photographs, paper and/or acetates and asked Jackson Lowell to use his equipment to enlarge certain images or portions of images. Warhol made comments and or changes and asked the Lowells to print some editions; others were printed elsewhere. Chromacomp Inc. ended up printing Warhol's Mick Jagger Suite and the Ladies & Gentlemen Suite, as well as other works, based on the box of photographic acetates that Warhol brought to them. The Lowell's allowed the printer to be named as Alexander Heinrici rather than Chromacomp, since Heinrici was the one who brought the account in. Other images were never printed by Chromacomp- they were simply being considered by Warhol. Warhol left the remaining acetates with Eunice and Jackson Lowell. After the Lowells closed the shop, the photographs were packed away where they remained for nearly a quarter of a century. This work is exactly as it was delivered from the factory. Unevenly cut by Warhol himself. This work is accompanied by a signed letter of provenance from the representative of Chromacomp, Andy Warhol's printer for many of his works in the 1970s. About Andy Warhol: Isn’t life a series of images that change as they repeat themselves? —Andy Warhol Andy Warhol’s (1928–1987) art encapsulates the 1960s through the 1980s in New York. By imitating the familiar aesthetics of mass media, advertising, and celebrity culture, Warhol blurred the boundaries between his work and the world that inspired it, producing images that have become as pervasive as their sources. Warhol grew up in a working-class suburb of Pittsburgh. His parents were Slovak immigrants, and he was the only member of his family to attend college. He entered the Carnegie Institute of Technology (now Carnegie Mellon University) in 1945, where he majored in pictorial design. After graduation, he moved to New York with fellow student Philip Pearlstein and found steady work as a commercial illustrator at several magazines, including Vogue, Harper’s Bazaar, and the New Yorker. Throughout the 1950s Warhol enjoyed a successful career as a commercial artist, winning several commendations from the Art Directors Club and the American Institute of Graphic Arts. He had his first solo exhibition at the Hugo Gallery in 1952, showing drawings based on the writings of Truman Capote; three years later his work was included in a group show at the Museum of Modern Art for the first time. The year 1960 marked a turning point in Warhol’s prolific career. He painted his first works based on comics and advertisements, enlarging and transferring the source images onto canvas using a projector. In 1961 Warhol showed these hand-painted works, including Little King (1961) and Saturday’s Popeye (1961), in a window display at the department store Bonwit Teller; in 1962 he painted his famous Campbell’s Soup Cans, thirty-two separate canvases, each depicting a canned soup of a different flavor. Soon after, Warhol began to borrow not only the subject matter of printed media, but the technology as well. Incorporating the silkscreen technique, he created grids of stamps, Coca-Cola bottles, shipping and handling labels, dollar bills, coffee labels...

A black and white photograph of a perfect woman's buttocks and her handcuffed hands giving a finger. Original digital print on aluminum plate signed by the artist. Limited edition o...

Series: The Western Collection Archival Pigment Print Unframed Sizes: 32" x 40" - $6,250.00 48" x 60" - $9,500.00 60" x 75" - $12,250.00 Framed Sizes: 39" x 47" - $7,750.00 55" x 6...

Steel Pier, Atlantic City, seaside architecture photograph by Richard Heeps. Captured in the early morning following a storm, the misty sea air under the dramatic structure creates a...

Keith Richards on stage, Rolling Stones U.S. 1972 Tour “Some of my most outrageous nights– I can only believe actually happened because of corroborating evidence. No wonder I’m famo...

I was visiting Newfoundland when I spotted this opportunity for a wonderful picture, spanning two worlds. My wife and I had gone on a 2-hour hike with my sister ending in a beautiful...

Palm Springs Pool Side, photograph by Richard Heeps taken at Ballantines Movie Colony. This artwork captures the classic mid-century Palm Springs architecture set against saturated b...

You have read about the extraordinary donut portraits by Candice CMC on social media world-wide and we are excited and proud to represent her work. "Alfred E. Donuts" by Candice CMC was actually featured in Mad Magazine...

Richard Heeps 'Ordinary Places' Series, captures Britain on the brink of change. It was Richard's first colour series and it achieved much success with an exhibition at the Photograp...

Hand printed silver gelatin photograph by artist. Signed in pencil lower right hand side on mat. Stamped on verso with artists address. Dry mounted to acid free board. Framed in bl...

Roy Blakey (1930-2024). Portrait of Black Dancer, Grainy Version, ca. 1972. Original photographic print on paper, image measures 11 x 14 inches. Framed measurement 12 x 15 inches. ...

Calm as a Palm - 21st Century Contemporary Black and White Photographic Print, Polaroid Original, Shadow Gapped Frame - Photographic Print on Aluminium Dibond - Edition of 10 + 1, wi...

Cats, British Vintage interior photograph from Richard Heeps' series, Ordinary Places. Ordinary Places was Richard's first colour collection shot between 1986-1991 and it instantly ...

Framed and matted under glass, William Klein "Smoke and Veil" depicts model, Evelyn Tripp with a cigarette held between two elegantly polished fingers. Signed in pencil on verso "S...

Artist/Designer; Manufacturer: Andy Warhol (American, 1928-1987) Marking(s); notes: no marking(s) apparent; 1974 Materials: Polaroid Polacolor mounted to foam core Dimensions (H, W, ...

Ashtray Heart - 2019 Original Polaroid - Unique Piece, signed and titled on back. 7.8 x 7,7cm (image area) 10.7 x 8.7 cm ( including white Polaroid frame) Artist inventory PL2019...

Terry O’Neill CBE is one of the world’s most collected photographers, with work hanging in national art galleries and private collections worldwide. From presidents to pop stars, he ...

Hand-painted cyanotype still life of pink flowers on indigo with custom frame Nocturnal Nature (Double Hibiscus, Rose) — painted cyanotype by Julia Whitney Barnes 2024 watercolor, go...

Images size 55 x 70 cm Limited Edition of 12 Platinum Print Framed with Wengé and Passepartout Framed Size 92 x 112 cm Signed on a label and a certificate of authenticity Evocative,...

Still life photographer Russel Kiehn’s interests lie in images that are in plain sight yet are often overlooked. He seeks a dialogue between a subject and the photographic medium; be...

Mascot, photograph from Richard Heeps' series, Man's Ruin. Captured at the Hot Rod Hayride this Jesus on a Cross, was meant to protect the Hot Rodders in their cars. There is somethi...

This is a unique photographic work taken by Andy Warhol of an unknown man. Stamped twice on the reverse by both The Estate of Andy Warhol and The Andy Warhol Foundation for the Visu...

Daisy on Bed (Till Death do us Part) - 2005 - 125x154cm, Edition 3/3, analog C-Print, hand-printed by the artist, based on an original Polaroid. Artist ...

When the trembling heart stops beating, what remains is a tiny beautiful corpse. I make a portrait to commemorate that life and to express my sorrow and regret. It’s my gesture towar...

RISAKU SUZUKI (*1963, Japan) SAKURA 10,4-72 2010 Chromogenic print Sheet 120 x 155 cm (47 1/4 x 61 in.) Edition of 5; Ed. no. 1/5 Framed The Sakura (Japanese term for ‘cherry blosso...

Vintage signed and extremely rare photograph of Humphrey Bogart by Philippe Halsman (1906 - 1979). Signed. Framed. Measuring 17 by 21 inches overall and 10.25 by 13.25 photograph a...

Richard Heeps became well-known for his Burlesque Photography after he spent 2003 capturing performances in Britain & America. He spent a lot on time with his subjects on a number of...

Cigars come out and congratulations abound as Michael Jordan wins his 5th Championship in 1997. Here, Richard Shay has captured the moment when fan Bruce Willis looks at the superstar with such admiration and awe to be in his presence. This A.P. photograph is matted and framed in a simple black frame measuring 14.5h x 15.75w inches. Richard Shay Michael Jordan with Bruce Willis Celebrating Bulls 5th Championship, 1997 archival pigment print 9.75h x 11w in 24.77h x 27.94w cm A.P. RSY013 Richard Shay grew up in Deerfield, Illinois where his father, the famed photojournalist, Art Shay and his wife Florence had moved to raise their family. Surrounded by the influence of his larger-than-life dad, Richard would go on to follow in his father's path. After traveling the world in his early 20's, Richard returned to Chicago and began photographing at The Oprah Winfrey Show. He became the family photographer for basketball player and Chicago treasure, Michael Jordan. He would go on to tour the US and Russia with The Smashing Pumpkins...

Julius Shulman Case Study House #22. Playboy 1960 C print Paper size: 20.5″ x 41.5″ (52.07 cm. x 104.14 cm.) Print size: 19″ x 40″ (48.26 cm. x 101.6 cm.) Shulman's studio stamp and...

Cawston’s work has a very painterly feel in both his use of colour and choice of subject matter. He is particularly influenced by Edward Hopper and found this very Hopperesque scen...

As the personal photographer for this much loved Chicago icon, Richard Shay captured MJ on his 40th birthday celebration. This Artist Proof is matted and framed in a simple black frame measuring 16.25h x 20.25w x 1d inches. Richard Shay Michael Jordan on His 40th Birthday, 2003 archival pigment print 12h x 16w in 30.48h x 40.64w cm A.P. RSY006 Richard Shay grew up in Deerfield, Illinois where his father, the famed photojournalist, Art Shay and his wife Florence had moved to raise their family. Surrounded by the influence of his larger-than-life dad, Richard would go on to follow in his father's path. After traveling the world in his early 20's, Richard returned to Chicago and began photographing at The Oprah Winfrey Show. He became the family photographer for basketball player and Chicago treasure, Michael Jordan. He would go on to tour the US and Russia with The Smashing Pumpkins...

Archival Pigment Print Mounted and Framed Museum Standards Available sizes: 40 x 60 inches edition of 7 48 x 72 inches edition of 7 Certificate of Authenticity, Signed by the Artis...

'Monte Amiata I' and 'Utopian Foyer IV', Milan, 2020. Italian Brutalist architecture photography by Richard Heeps. Two framed artworks each measuring 20" x 16". Each artwork is a li...

Minimalist landscape photograph of black and white lilies on water "Lily Pond", photographed by Betsy Weis in 2006 archival inkjet print on watercolor paper 20 x 30 inches, 27 x 37 inches in white frame with white mat & anti-reflective non-glare glass Wire backing for easy installation, ready to hang as is Photographed at the Brooklyn Botanic Garden, this black and white archival pigment print by Betsy Weis captures a cluster of water lilies afloat on a glassy, onyx-like body of water. Looming clouds are reflected in the pond's serene surface. Crisp, moody, and rich in texture, the photograph can stand on its own as a quiet glimpse at nature, or can be juxtaposed with others in the series to form a more complete vision. This photograph is available unframed, $1700. The image measures 20 x 30 inches, and the paper measures 24 x 26 inches. Artist statement: Nature provides the perfect model of beauty, according to Plato and Socrates. In the classical period, something was considered beautiful because it existed in nature; art was secondary. In the 18th Century, the German philosopher Johann Joachim Winckelmann argued against the idea that art imitates life, believing that qualities superior to nature are found in art, specifically, ideal beauty, and “brain-born images”. Neoclassical thought represented that art need not serve any end other than its own existence. For me, beauty is an ideal, nature is real, and art comes from the brain. I take pictures in nature, finding shifting, disparate, and beautiful landscapes. I develop my pictures of trees...

Silver gelatin print The present work is hand signed with the artist's copyright, dated 1983, and titled on the back. It is numbered 3 of an edition of only 10. On October 3, 1983, Madonna headlined a memorial concert in honor of Michael Stewart, a graffiti artist in the midst of the AIDS crisis who became a victim of police brutality. Madonna was only 24 years old in 1983, but had already signed her first record deal and was on the cusp of superstardom. In 1984, the year after Madonna appeared in Kroll's shoot, she would release chart hits Like A Virgin, Material Girl and Crazy For You, cementing her place as an international star. This photograph was taken by renowned photographer and editor Eric Kroll backstage at Danceteria - a gritty and popular after hours club and concert venue on West 21st Street in Manhattan, operating out of the first three floors in an old industrial 12-story building. The visible text "ACCUTUNKTIONA TO THE POINT!" and "UNK" are actual, gritty wall graffiti from the venue, adding to the candid nature of the shot. Eric Kroll is a notable photographer, best known for his many fetish subjects, and for documenting America’s seediest spots and denizens, sharing a certain aesthetic with fellow photographers Larry Clark and Richard Kern...

This work is unique. Stamped twice on the reverse by both The Estate of Andy Warhol and The Andy Warhol Foundation for the Visual Arts. The Andy Warhol Foundation for the Visual Art...

This is a unique photographic work taken by Andy Warhol of Victor Hugo and and unidentified man. Image dimensions: 10 x 8 in. Framed dimensions: 18.125 x 16.625 in. Work is framed ...

Ready to ship immediately. Free domestic US shipping. Framed 16x20" signed lifetime edition print by Terry O'Neill of David Bowie taken in Los Angeles in 1974, with Bowie wearing th...

40x40in ed.18 Archival Pigment Print MOUNTED AND FRAMED Also available in 48x48in and 60x60in. Limited edition signed print by Guido Argentini. Guido Argentini was born in Florenc...

Astrid Kirchherr ( 20 May 1938 – 12 May 2020) was a German photographer and artist known for her association with the Beatles (along with her friends Klaus Voormann...

large format photography diptych by Italian photographer Massimo Vitali, renowned for his grand scale topographical observations of the rites and ritua...

Listing includes framing with UV Plexi, free shipping to the continental US, and a 14-day return policy. This is also available for local pick up at our New York City location. Kr...

Framed in a plexiglass and black wood. Hand printed by artist. Famous Location in Carmel. Comes with his self published book!

Signed large scale original photograph with "frameless" glass face mounting of the Mediterranean marble quarries in Carrara, Italy, iconic material source of classic Italian art and ...

Nick Veasey Easy Listener Silver Silkscreen 2025 From Print Series Signed and numbered by artist 75 x 105 cm frame included Numbered 5 out of 75

Round Up (B&W Photograph from 1950s of amusement park ride and apartments) by Arthur King, 1958 Silver Gelatin print on Archival paper 24 x 20 in, 28 x 27in framed All prints are Li...

Two nude males lie on a bare wood floor. The angle of the photograph suggests that their bodies have melded into one. The artist uses traditional photography methods shooting the i...

Minimalist landscape photograph of black and white lilies on water "Dusk Lilies", photographed by Betsy Weis in 2006 archival inkjet print on watercolor paper 20 x 30 inches, 27 x 37 inches in white frame with white mat & anti-reflective non-glare glass Wire backing for easy installation, ready to hang as is Photographed at the Brooklyn Botanic Garden, this black and white archival pigment print by Betsy Weis captures a cluster of water lilies afloat on a glassy, onyx-like body of water. Looming clouds and nearby trees are reflected in the pond's serene surface. Crisp, moody, and rich in texture, the photograph can stand on its own as a quiet glimpse at nature, or can be juxtaposed with others in the series to form a more complete vision. This photograph is available unframed, $1800. The image measures 20 x 30 inches, and the paper measures 24 x 26 inches. Artist statement: Nature provides the perfect model of beauty, according to Plato and Socrates. In the classical period, something was considered beautiful because it existed in nature; art was secondary. In the 18th Century, the German philosopher Johann Joachim Winckelmann argued against the idea that art imitates life, believing that qualities superior to nature are found in art, specifically, ideal beauty, and “brain-born images”. Neoclassical thought represented that art need not serve any end other than its own existence. For me, beauty is an ideal, nature is real, and art comes from the brain. I take pictures in nature, finding shifting, disparate, and beautiful landscapes. I develop my pictures of trees...

Series: The Equestrian Collection Archival Pigment Print Unframed Sizes: 40" x 32" - $7,500.00 60" x 48" - $11,000.00 75" x 60" - $14,750.00 Framed Sizes: 47" x 39" - $9,250.00 67"...

Series: The Equestrian Collection Archival Pigment Print Unframed Sizes: 40" x 32" - $7,500.00 60" x 48" - $11,000.00 75" x 60" - $14,750.00 Framed Sizes: 47" x 39" - $9,250.00 67"...

Minimalist landscape photograph of black and white waterlilies "Summer Lilies", photographed by Betsy Weis in 2006 archival inkjet print on watercolor paper 20 x 30 inches, 27 x 37 inches in white frame with white mat & anti-reflective non-glare glass Wire backing for easy installation, ready to hang as is Photographed at the Brooklyn Botanic Garden, this black and white archival pigment print by Betsy Weis captures a cluster of water lilies afloat on a glassy, onyx-like body of water. Looming clouds are reflected in the pond's serene surface. Crisp, moody, and rich in texture, the photograph can stand on its own as a quiet glimpse at nature, or can be juxtaposed with others in the series to form a more complete vision. This photograph is available unframed, $1700. The image measures 20 x 30 inches, and the paper measures 24 x 26 inches. Artist statement: Nature provides the perfect model of beauty, according to Plato and Socrates. In the classical period, something was considered beautiful because it existed in nature; art was secondary. In the 18th Century, the German philosopher Johann Joachim Winckelmann argued against the idea that art imitates life, believing that qualities superior to nature are found in art, specifically, ideal beauty, and “brain-born images”. Neoclassical thought represented that art need not serve any end other than its own existence. For me, beauty is an ideal, nature is real, and art comes from the brain. I take pictures in nature, finding shifting, disparate, and beautiful landscapes. I develop my pictures of trees...

An original silver gelatin black and white photograph by Press Agency Keystone View Company. New York City skyscrapers, July 7th, 1931. Features: Original Silver Gelatin Print Photog...

Series: The Equestrian Collection Archival Pigment Print Unframed Sizes: 40" x 32" - $7,500.00 60" x 48" - $11,000.00 75" x 60" - $14,750.00 Framed Sizes: 47" x 39" - $9,250.00 67"...

Utopian Foyer, from Richard Heeps series A Short History of Milan which began as a special project for the 2018 Affordable Art Fair Milan. It was well received and the artwork has be...

Edition No. 10/12 image size 37,6 x 24,6 cm signed and numbered Framed with mat and anti-reflex glass A beautiful portrait of a cheetah lying in the savannah Joachim Schmeisser is ...

"A Few Days Before Sally Moved in With Leonard" - Hand Tinted Vintage Photograph Sensitive hand-tinted photograph by Santa Cruz-based artist Sally Jorgensen (20th Century-present.) ...