Framed Photography

The Rolling Stones "Mick Feeding Goat" - Outtake from the famous photo shoot of The Rolling Stones for their Beggars Banquet album at Sarum Chase mansion, Hampstead, London, 1968, si...

Blackboard - Hut 2, Bletchley Park, documentary photograph by Richard Heeps. "I photographed Bletchley Park in partnership with Hertfordshire University and Bletchley Park Trust, to...

large format photograph of Malbacco Desiata, a secret swim hole in Tuscany, by iconic Italian photographer Massimo Vitali, renowned for his grand scale to...

Actress Audrey Hepburn relaxing by a pool during filming for Stanley Donen’s 1967 ‘Two for the Road’ in St Tropez. Signed and Numbered Lifetime Edition Gelatin Silver Print from the...

Two framed pop artworks from the Heidler and Heeps Tape Collection 'Ferric 60 (Aqua)' and '90 Minutes Vintage Blue' The Heidler & Heeps collaborations are creative representations o...

Framed dimensions: 18h x 24w inches. Edition 2 of 10. David Emmite says of his work... My work seeks to ask questions about human relationships with technology, nature, and each ot...

Palm Springs Poolside, photograph from Richard Heeps, Dream in Colour series. Classic mid-century Palm Springs architecture, featuring cool blue skies and swimming pool with accents...

Peter Lik original print signed and numbered “October”. In good condition measures 43by32

ICES, by Richard Heeps, photographed at the British Seaside at the end of summer 2020. This artwork is about evoking memories of the simple joy of days by the beach. The blue teal co...

Isabelle Schneider's meditative work is a convergence of shadows and light. The mixed-media Throughline #4, 2024 is a contemporary photographic resin work, capturing a zen afternoon....

'Utopian Foyer III', Italian Brutalist architecture photography by Richard Heeps' from his series 'A Short History of Milan'. There is a reoccurring linear, structural theme through...

John Baldessari Love and Work 1991: Baldessari’s Love & Work 1991, photogravure and color aquatint, features clasped hands clutching surrealistically amidst a black background. Classic, timeless Baldessari imagery that is sure to work well in any setting. Medium: Color photogravure and aquatint on wove paper. 1991. Dimensions: 26 x 11.5 inches. Well-preserved and in very good overall condition. Framed in acrylic plexiglass. One of the 15 numbered artist's proofs, aside from the general edition of 60. Signed, inscribed "A.P." and numbered 12/15 in pencil, lower margin. Published by Brooke Alexander, Inc., New York. Collections: MoMa New York John Baldessari: It is hard to characterize John Baldessari's varied practice—which includes photomontage, artist’s books, prints, paintings, film, performance, and installation—except through his approach of good-humored irreverence. Baldessari is commonly associated with Conceptual or Minimalist art, though he has called this characterization “a little bit boring.” His two-dimensional works often incorporate found images, composed in layers or presented as distinct pieces with an element of surprise, like a brightly colored geometric shape in the place of a face or a starkly printed sardonic caption. Baldessari has demonstrated a lasting interest in language and semantics, articulating these concerns through the use of puns or the juxtaposition of seemingly unrelated images and words, as in his 1978 work Blasted Allegories. His self-referencing photomontages and use of text have been sources of inspiration for countless artists, including Cindy Sherman, David Salle, and Barbara Kruger. Baldessari identifies his own artistic lineage, saying, "I would prefer to go to the source with Duchamp rather than credit Warhol as an influence." Related Categories: Surrealist. Ed Ruscha. Los Angeles. Conceptual art. Photography. Minimalist. John Baldessari prints.

Framed, 20x24" signed lifetime edition print by Terry O'Neill of David Bowie taken in Los Angeles in 1975 on the set of “The Man Who Fell To Earth” Signed limited edition number 2/5...

Heidler & Heeps Stamp Collection, multicolour Statue of Liberty sequence. The fine detailed tapestry of the original small postage has been brought to life, made unique by the 19...

Gestures (Stranger than Paradise) Edition 1/5. 12 pieces, 48x46 cm each, installed: 207x155 cm. 12 Analog C-Prints, hand-printed by the artist, mounted on Aluminum with matte UV...

From The Jon Gould Collection of Andy Warhol Photographs This work is not signed by the artist, however, each photo is unique and blind embossed “Andy Warhol” in the lower right co...

large format photograph of Cote d'Azur beach by iconic Italian photographer Massimo Vitali, renowned for his grand scale topographical observations of the rites and rituals of modern leisure Plage des Catalans...

From The Jon Gould Collection of Andy Warhol Photographs Photograph of an unknown male model, possibly in Paris, 1980 This work is not signed by the artist, however, each photo is...

Beautiful b/w photo depicting a little Peruvian girl

Small bleached found abstract photographic artwork by Jim Dingilian. Offered framed in plexiglass. Frame size: 5 x 6.25 inches Paper size: 3 3/8 x 4.75 inches Jim Dingilian makes ...

On a musical and pleasure seeking pilgrimage… during Las Romerias de Mayo festival in Holguín. The Spirit of the Revolution series documents the generation of Cubans that saw the dramatic changes of 1959 as young adults. They have a strength of character and underlying humour that transcends the struggle that has defined their lives. James Sparshatt went to Cuba in 1999 and was so taken with the island and its people that he returned 15 times in the following 7 years. His images are largely of the music and dance and innate rhythm of the island but he also found himself drawn to an older generation that had been old enough to understand the revolution in 1959, that lived through 40 years of tumultuous and often difficult times and who now watch with some bemusement the return of the outside world in wave upon wave of tourists. James Sparshatt’s photographs of the “Revolutionary” generation of Cubans capture their grit and indominatable spirit. The black and white portrait photograph...

Matiz managed to create intimate portraits, in which Frida seemed happy to surrender to her lens. The result was dynamic portraits of Khalo, a wonderful example of both the photograp...

Thrills, the iconic Coney Island Wonder Wheel photograph by Richard Heeps. The bold typography of the architectural structure fills the Fuji Film frame combining Richard's signature ...

Grid No.6, 2009 (Contemporary Framed Abstract Grid in Neutral Shades Black & Coffee) by Birgit Blyth 40" X 25" paper vertical chromoskedesic monoprint 44 x 29 inches framed, custom frame with black wood molding and anti-reflective glass This contemporary, abstract style chromoskedasic monoprint was created by experimental photographer, Birgit Blyth. Without the use of a camera, the artist produced this chromoskedasic image by applying the photographic chemicals to black and white photo pager and exposing it to light. The variety of caramel, toffee, brown and black tones is determined by the different chemicals used and the amount of time they are exposed to light. Here, the artist paints with the photographic materials in a gestural, linear motion. Beautiful hues of coffee, caramel, brown, grey, and black intersect to create unique abstract, intersecting grid patterns that resembles a basket weave motif. The photograph is complimented with a black metal frame with non-glare glass. It is equipped with sturdy wire on the back for instant and professional quality hanging. About the artist and work: Birgit Blyth is one of our most innovative and prolific photographers who works in a darkroom yet uses no camera! Blyth has been experimenting with a technique known as Chromoskedasic painting since the early ‘90s and variations on this concept have been shown at the gallery for the last 20 years. The unusual process involves the use of silver particles in black and white photographic paper to scatter light at different wavelengths when exposed. A chemist of sorts, Blyth demonstrates a thorough knowledge of how the various photographic chemicals will react when applied to paper and exposed. Each work is unique with palettes that resonate brilliant tonalities of brown, green, black, and purple. Using this technique, Blyth creates abstract crosshatching grids and most recently has developed a more gestural series of 20 x 16 inch chromoskedasic paintings that explores the ethereal qualities made possible by the unconventional material. Birgit Blyth succeeds at keeping her work fresh and cutting-edge using analog methods that are being quickly replaced elsewhere with digital technology. Though Birgit Blyth began her photographic career using conventional photographic methods, she quickly became more interested in alternative processes. In the mid 1990’s a colleague showed her an article in Scientific American and it was here that she first discovered the technique called “chromoskedasic” painting, which would eventually lead her to fully finding her voice as a photographer. Blyth had always aligned herself with and been moved by abstract expressionist painting. The series of veil paintings by post-abstract expressionist, Morris Louis, was especially inspiring to her and caused her to ask herself how she could do similar interpretations photographically. In “chromoskedasic” painting, she found the answers and would begin on a new path in her artwork. The term “chromoskedasic” is derived from Greek roots meaning color by light scattering. Developed by a photographer named Dr. Dominic Man-Kit Lam, this process exploits the capability of silver particles in black and white photographic paper to “scatter” light at different wavelengths when exposed to light and chemicals. In her mastery of this photochemical drawing process, Blyth has painted lush washes of color into her own “Veil Series;” she has envisioned landscapes, both rural and urban, with melting swirls and marbled colors into rich palettes of toffee and lead. She has used this essentially experimental process to help her “see” the world around her. Blyth says she continues to be fascinated by the process because it requires “a combination of discipline, experimentation, and imagination, making possible a wonderful balance between control and surprise.” Because the chromoskedasic work is all analog, Blyth spends much of her studio time in the darkroom, which has become a rarity in the current world of digital photography. She does however, continue her preference for experimentation in numerous directions, even employing aspects of the digital age – this exhibit will also feature a new series of pieces created with the now defunct but much loved SX-70 polaroid camera, scanned and archivally printed on 24” x 24” fine cotton rag paper. Whatever the process, Blyth’s work is, as the painter and poet, Peter Sacks noted, a blend of “precision and mystery, of articulation and atmosphere.” Her images leave us with the feeling of ongoing action despite the apparent stillness; of qualities both dreamy and stark as light hits a stand of birch trees in a valley or a group of buildings in New York City. As Morris Louis evolved a style of painting that produced a complete integration of paint and canvas, so too has Blyth, with photo paper and chemicals, created a perfect integration of method and content. Artist CV: Born: Kousted, Denmark Resident in U.S.A. since 1963 Education: Denmark and U.S.A. Project, Inc., Cambridge MA (Photography) DeCordova Museum School, Lincoln MA (Printmaking) Maine Photography...

ICES Kiosk, Richard recisited the location of his best selling artwork, capturing this cute vignette of the seaside kiosk. This artwork is a limited edition of 25, gloss photographi...

Framed large scale original photograph of the Mediterranean marble quarries in Carrara, Italy, iconic material source of classic Italian art and architecture, captured with a large format camera to allow epic scale print sizes with incredible image details Marmo di Carrara...

Treasure II (Stage of Consciousness) 29 Palms, CA, 2007, 75x93cm, Edition 3/5. Analog C-Print printed on Fuji Archive Paper, hand-printed by the artist, based on a Polaroid. Sign...

Nan Goldin (b. 1953) is unquestionably one of the most influential photographers of the 20th century. A successor to Diane Arbus and William Egglestone, her aesthetic and creative ap...

Original photo transfer on acetate and colored paper mounted on paper. Hand signed on front by the artist. Authenticated by Andy Warhol Art Authentication Board...

"LIPS - LD4 Dior" Photography (FRAMED) 38" x 38" inch Ed. 2/8 by Giuliano Bekor Lips series Title - LD4 Dior Edition 2 OF 8 Year created 2018 Print size: 26 Inch trim bleed Artwork finish size 38 x 38 Inch Medium: The artwork is printed on Archival fine art Fujiflex print. Print face-mounted on 1 inch non-reflective museum-grade acrylic. Comes with a custom-made laser-cut frame with a custom hardwood poplar semi-matte black museum-style floater frame face finished with black plexi with Optimum, a non-reflective museum grade UV Acrylic. Frame includes custom-made French cleat. Signed and numbered by the artist. Comes with COA issues by the artist. LIPS series Love...

Ice crystals form, freeze, melt, and dissolve; open water courses past the floe edge; icebergs drift along the horizon, their hazy underbellies buried deep in the waves; and new snow...

Initially taken as part of Cawston’s series juxtaposing images from Banksy’s Dismaland with its host town of Weston-super-Mare for his book Are We There Yet?, The Perfect Fish and C...

LIEKO SHIGA (*1980, Japan) Time Capsule 2010 C-type print, Face mounted to acrylic (Diasec) Image/Sheet 120 x 180 cm (47 1/4 x 70 7/8 in) Edition of 3; Ed...

Platinum Print Photo - Entrance of Victoria Tower at Westminster with Soft Focus This photo print shows the large scale doors at the entrance to Victoria Tower at the Palace of West...

Series: The Americana Collection Archival Pigment Print Unframed Sizes: 32" x 40" - $7,500.00 48" x 60" - $11,000.00 60" x 75" - $14,750.00 Framed Sizes: 39" x 47" - $9,250.00 55" ...

Delightful Paris scene circa 1950 artist's stamp, signed and titled in pencil on reverse Framed to 18 x 24 in with archival matt Rene-Jacques was born in Phnom Penh (Cambodia) in 19...

"EXAMINATION" is an original piece by Shawn Theodore made from found/family photos, polaroid lift, acrylic on wood panel. Theodore delves into the specific experiences of African American families, capturing a longing for lost photographs, missing heirlooms, and vanished archives. Using a blend of traditional portraiture, found photographs, paint, paper, pencils, and digital manipulation, Theodore creates archetypes representing hypothetical family members, spiritual guardians, and ancestors. These boldly crafted archetypes inhabit an imagined macro-family album, offering a unique perspective on portraiture, connection, and community. Theodore's work aims to deepen spiritual connections and encourage personal introspection. This pieces measures 16.75"h x 16.75"w framed and comes with a gallery-issued Certificate of Authenticity. Shawn Theodore (b. 1970) was born in Germany to American parents from Philadelphia, and currently lives and works in Philadelphia. Theodore was awarded the prestigious PDN’s 30 New & Emerging Photographers to Watch (2019), the Getty Images / ARRAY ‘Where We Stand’ grant, and a grant from the Knight Foundation for ‘A Dream Deferred’. Theodore was a two-time nominee for the Pew Center for Arts & Heritage Fellowship and a nominee for the Magnum Foundation Fund. He is an Associate Adjunct Professor at the University of the Arts, a trustee of The Print Center, a trustee of the Rush Philanthropic Arts Foundation, and a former trustee of the Philadelphia Photo Arts Center. Theodore was announced as a two-time nominee of The Pew Center for Arts & Heritage Fellowship and a nominee of the Magnum Foundation Fund in 2018. In the following years 2019 and 2020, he was awarded the PDN's 30 New & Emerging Photographers to Watch and AI-AP American Photography 35. He has had several solo exhibitions and is included in several group exhibitions. His work is held in the permanent collections of the Philadelphia Museum of Art, Philadelphia; the collection of the Philadelphia Library, Drexel University's Center for Black Culture, the Mennello Museum of American Art, Orlando; the Whitney Museum of American Art, New York; the Museum of Contemporary Art, Chicago; the Walker Center, Minneapolis; the National Museum of African American History and Culture, Washington D.C.; the Dallas Museum of Art, Dallas; and the Legacy Museum, Montgomery, among others. Artist photo...

Jimmy Page sprints across the stage at the Forum in 1972 Archival pigment print on 100% cotton paper with a satin baryta finish. It is from a limited edition series Published by FAT...

John Lennon standing on rooftop on E. 53rd St. NYC. From famous New York City tee shirt session. Signed by photographer Bob Gruen. Limited edition

Joan Didion in front of her Daytona Yellow Stingray Corvette, 1968, Time magazine TIME commissioned this portrait of author Joan Didion photographed...

Artist: Chuck Close Title: Untitled (Kate #18) Year: 2005 Medium: Digital pigment print on Hahnemuhle Satin paper Edition: 25 + Proofs; signed, dated and numbered in pencil Sheet: 20...

Just after dawn on the Henderson swamp in Louisiana, with only alligators and storks for company, the hanging moss and primeval cypress trees in calm magnificence. James Sparshatt’s...

Gelatin silver print This artwork is offered by CLAMP, New York.

Harriet, black and white photographs by Richard Heeps, taken on day one of his project in Fleetwood while working on the Ordinary Places series. The negatives have been in Richard's ...

Limited Edition of 7 Framed size 49 x 69 cm All works are Archival Pigment prints, floating in an all black wooden frame behind museums glass.  More sizes on request. Sara Punt's wo...

Chromogenic Print on Kodak Endura Luster Paper Price for MOUNTED AND FRAMED limited edition print Certificate of Authenticity signed by the artist Ask us for framing options FRAMED ...

Artwork # 1 on 5 sold in limited edition in perfect condition This photo was made in the 50's, the negative was digitized during the artist's lifetime and the technical parameters (...

'Telephone' from Richard Heeps 'Dream in Colour' Series. This cool Palm Springs interior photography has a dreamy mid-century modern nostalgic vibe. Primarily known as a color photo...

#00137 Solidago spp, Unique photogram, gum bichromate, framed This image is a unique photogram and is printed using Rives BFK, gouache, gum arabic, kitakata and ink. Pricing incl...

A set of nine black and white photographs by Richard Heeps. They can be hung in a grid, or spaced out throughout your interior. Richard Heeps, primarily known as a colour photographe...

Emerging Light, Maepang Beach, Gangwon-do, South Korea. 2018 © Michael Kenna Silver gelatin print Edition of 25 Signed and dated lower right Copyright ink stamp and countersigned ...

Hand-painted cyanotype still life of pink flowers on indigo with custom frame Nocturnal Nature (Double Hibiscus, Rose) — painted cyanotype by Julia Whitney Barnes 2024 watercolor, go...

Elektronik, pop art from the Heidler & Heeps Tape Collection The Heidler & Heeps collaborations are creative representations of Natasha Heidler and Richard Heeps’, personal past and...

Bonanza Café, iconic photograph from Richard Heeps Dream in Colour series, it was the cover artwork on his book Man's Ruin. The photo takes you back to small town Americana with the ...

Golden Gate Study 14, CA, USA - no. 11634 © Gerald Berghammer - Limited Edition 2/20. Silver Gelatin Prints, Selenium Toned, Printed 2017. Signed, numbered, dated by Artis. Handmad...

Venice Beach, CA Surfing. 2016 Signed by photographer Limited Edition photograph Available in various sizes and prices. Framing additional a...

David K. Pugh Trio From "BE, AND KNOW" Series Photographic Print on Fine Paper mounted on Foamcore 2026 Image Size: 15.75 x 19.625 inches (40.01 x 49.85 cm) Framed Size: 16.5 x 20.5...

Available Sizes & Editions 60 x 40 in. (152.4 x 101.6 cm) — Edition of 12 71 x 47 in. (180.3 x 119.4 cm) — Edition of 12 80 x 53 in. (203.2 x 134.6 cm) — Edition of 12 88 x 60 in...

Nick Veasey - The Bird in Colour No 5 MM Signed and numbered by artist Lenticular Digital C Print, framed 30.5 x 37.5 cm Edition of 15. Also available as a part of the full set. T...

An original silver gelatin black and white photography by Photographer Paul Louis - The start of the Nice Grand Prix on August 18, 1935. Features: Original Silver Gelatin Print Photo...