Framed Photography

Fun pop art typography, a total 'Sign Porn' fix, captured on an American road trip in Nevada. This artwork features in Richard Heeps' sold out book 'Man...

Signed and inscribed (AP), verso This artwork is offered by CLAMP, New York.

Details 44 x 55 inches (115 x 140 cm) edition of 10 Medium: Archival Pigment Print Mounted and framed Available sizes and editions: 21 x 26 inches, edition of 7 32 x 40 inches, ed...

Details 44 x 55 inches (115 x 140 cm) edition of 10 Medium: Archival Pigment Print Mounted and framed Available sizes and editions: 21 x 26 inches, edition of 7 32 x 40 inches, ed...

ALESSANDRO PUCCINELLI MARE series Seascape - From the Mare series - Mounted and Framed Aviailable sizes: 27 x 40 inches Edition of 10 40 x 60 inches Edition of 5 47 x 71 inches Ed...

"Marilyn Monroe, 1962" Photography 24 x 16 in Edition 3/35 by Lawrence Schiller Silver Gelatin print Edition 3/35 Signed and numbered on recto by the artist Printed later On Wednesday, May 23, 1962, Marilyn Monroe stepped onto the set of Something’s Got to Give to film what would become one of the most iconic and talked-about moments of her career: the now-legendary nude swimming pool scene. This extraordinary day—captured in a series of rare photographs by renowned photographer Lawrence Schiller—has since become a cornerstone of Hollywood history. Key moments that make this session truly historic: A Bold Cinematic First: Monroe spent nearly four hours in the pool on the 20th Century Fox lot, filming a sequence in which her character, Ellen Arden, appears to swim nude...

Art Edition “Whoopi Goldberg” (No. 1–450). Hardcover volume in a slipcase, accompanied by the portrait Whoopi Goldberg, Berkeley, California, 1984. For over 50 years, Annie Leibovit...

This photograph by Araquém Alcântara offers a luminous testament to Brazil's untamed beauty, rendered with the masterful clarity and profound sensitivity that define his celebrated b...

Hendrik Kerstens, Book, available in two formats: 30x40 and 50x60 inches

Oscar Ennui - Faye Dunaway Reclining 1977 by Terry O;'Neill ( 1938 - 2019 ) Framed lifetime hand signed limited edition C print from terry O;'Neill's mo...

Image size: 100 x 125 cm 7 Limited Editions + 2 Artist Proofs Archival Pigment Print White Floating Box frame size: 125 x 153 cm Evocative, sensual and voluptuous, Marc Lagrange's ...

Details 44 x 55 inches (115 x 140 cm) edition of 10 Medium: Archival Pigment Print Mounted and framed Available sizes and editions: 21 x 26 inches, edition of 7 32 x 40 inches, ed...

Ice Cream Truck, vibrant street photography from the seaside town of Wildwood, from Richard Heeps Jersey Shore series. This artwork is a limited edition of 25 gloss photographic pri...

Two framed pop artworks from the Heidler and Heeps Tape Collection 'Ferric 60 (Tinted Red)' and 'Yellow Tinted Cassette' The Heidler & Heeps collaborations are creative representati...

Victor Arimondi (1942-2001). Portrait of Senegalese Model, ca. 1975. Period print measures 8.5 x 11.5 inches; 17 x 20 inches frames. Artist studio stam...

Christopher Makos, Andy Warhol Portrait of Andy Warhol taken by photographer Christopher Makos (Hand signed by BOTH Andy Warhol and Christopher Makos...

Artwork #1 / 5 sold in perfect condition printed on baryta heavyweight paper & framed (black metal border) From the collection called "Art 2014", format 30x42 cm. SERIES OF 5 PRINTS + 2 AP Artwork printed later on fine art papers later (2014) from black & white negatives processed in 1962 During the 15 year period in which Fabrizio La Torre...

Embark on a journey through the nocturnal streets of "Paris de Nuit" with this exclusive rare heliogravure test print by Brassai. Prior to the publication of his iconic book, this ...

Details 44 x 55 inches (115 x 140 cm) edition of 10 Medium: Archival Pigment Print Mounted and framed Available sizes and editions: 21 x 26 inches, edition of 7 32 x 40 inches, ed...

PETER BEARD (1938–2020, USA) Elui with World Record Cow Elephant Tusk, 47 lbs., Marsabit Forest, Kenya, 1962/2006 Color print with gelatin silver print collage, watercolor, tempera paint, ink Sheet 141 x 108,6 cm (55 1/2 x 42 3/4 in.) Unique Signed recto and verso in ink Peter Beard (1938–2020) was an American artist who lived and worked in New York and Kenya. In Africa Peter Beard found the central theme of his life, the destruction of the natural animal world by man and civilization. His photographs of Africa, African animals and the journals that often integrate his photographs have been widely shown and published since the 1960s. Inspired by earlier trips to Africa in both 1955 and 1960, Beard traveled to Kenya upon graduation. Working at Tsavo National Park, he photographed and documented the demise of 35,000 elephants and other wildlife, later to become the subject of his iconic book, “The End of the Game...

Listing includes framing with UV plexi and a 14 day return policy. This is available for pick up framed at Los Angeles gallery at no additional charge. For transport the US and internationally, please inquire for more details. Kate Moss by Glen Luchford...

Majesty 41 x 59" Ed. of 10, Framed. A resolutely minimalist and suggestive approach to get to the essential. Not trying to show a subject for what it is, but for what it expresses. This is my way of telling stories, of translating my sensibility”. J-M. Lenoir A passion for nature from an early age led Lenoir to photography as a means to capture magical moments of nature and wildlife. Starting with wildlife and wide spaces, he developed his own vision of photography. Landscape photography is an eternal quest for atmosphere where the light and the quest of beauty are key references, his aesthetic landmark. His photographic intention relies on his magnetic attraction for wide spaces combined with his quest of beautiful lights. A way that inspires him and his instinct of freedom. In photography, he is looking for simple pictures, which go straight to the subject core, with very few things in the frame. Lenoir follows a suggestive approach: he does not try to show a subject as it is, but to share what it expresses. It is his way of telling stories and conveying his sensibility, like his recent work “Evanescence”. Combining his passion for pictures with rugged landscapes, he organizes and guides photo tours with Photographes du Monde agency for seven years. From north of Europe (Scotland, Norway, Finland) to South america (Chile and Bolivia),his photographic world leads him into areas of wilderness from where he draws his main source of inspiration. Lenoir is an ambassador for Fujifilm cameras...

Peter Beard Portraits of classical concert pianist Concert Pianist Chau-Giang Thi Nguyen in artists frame, 2006 Four (4) separate Chromogenic prints (c-print) in artist's frame. Hand...

Lithograph on on Arches wove paper from Men in the Cities portfolio. Hand signed and numbered by Robert Longo. Published by Wolfryd-Selway Fine Art, New York, with their blindstamp....

Richard Heeps 'Ordinary Places' Series, captures Britain on the brink of change. It was Richard's first colour series and it achieved much success with an exhibition at the Photograp...

Series: The Equestrian Collection Archival Pigment Print Unframed Sizes: 40" x 32" - $7,500.00 60" x 48" - $11,000.00 75" x 60" - $14,750.00 Framed Sizes: 47" x 39" - $9,250.00 67"...

Baltic Ice, Kakumaee 004 is a limited-edition photograph by German contemporary artist Bernhard Lang. This photograph is a limited edition of 8 copies, it is sold framed. Dimension...

ICES - Four Framed Artworks, Photographs by Richard Heeps. Featured here Lemon Yellow, Cornflower Blue, Pink Lemonade, Satsuma Orange. Get in touch to request other sizes or color c...

Two framed pop artworks from the Heidler and Heeps Tape Collection 'Ferric 60 (Aqua)' and '90 Minutes Vintage Blue' The Heidler & Heeps collaborations are creative representations o...

Ed. of 7, includes white frame. Sebastian Magnani is Switzerland based photographer known for his intimate portraits masterfully utilizing light and color to create emotional scenes...

Andy Warhol Nicola (Nicky) Weymouth, ca. 1976 Acetate positive, acquired directly from Chromacomp, Inc. Andy Warhol's printer in the 1970s. Accompanied by a Letter of Provenance from the representative of Chromacomp Unique Frame included: Elegantly framed in a museum quality white wood frame with UV plexiglass: Measurements: Frame: 18 x 15.5 x 1.5 inches Acetate: 11 x 8 inches This is the original, unique photographic acetate positive taken by Andy Warhol as the basis for his portrait of Nicky Weymouth, that came from Andy Warhol's studio, The Factory to his printer. It was acquired directly from Chromacomp, Inc. Andy Warhol's printer in the 1970s. It is accompanied by a Letter of Provenance from the representative of Chromacomp. This is one of the images used by Andy Warhol to create his iconic portrait of the socialite Nicola Samuel Weymouth, also called Nicky Weymouth, Nicky Waymouth, Nicky Lane Weymouth or Nicky Samuel. Weymouth (nee Samuel) was a British socialite, who went on to briefly marry the jewelry designer Kenneth Lane, whom she met through Warhol. This acetate positive is unique, and was sent to Chromacomp because Warhol was considering making a silkscreen out of this portrait. As Bob Colacello, former Editor in Chief of Interview magazine (and right hand man to Andy Warhol), explained, "many hands were involved in the rather mechanical silkscreening process... but only Andy in all the years I knew him, worked on the acetates." An acetate is a photographic negative or positive transferred to a transparency, allowing an image to be magnified and projected onto a screen. As only Andy worked on the acetates, it was the last original step prior to the screenprinting of an image, and the most important element in Warhol's creative process for silkscreening. Warhol realized the value of his unique original acetates like this one, and is known to have traded the acetates for valuable services. This acetate was brought by Warhol to Eunice and Jackson Lowell, owners of Chromacomp, a fine art printing studio in NYC, and was acquired directly from the Lowell's private collection. During the 1970s and 80s, Chromacomp was the premier atelier for fine art limited edition silkscreen prints; indeed, Chromacomp was the largest studio producing fine art prints in the world for artists such as Andy Warhol, Leroy Neiman, Erte, Robert Natkin, Larry Zox, David Hockney and many more. All of the plates were done by hand and in some cases photographically. Famed printer Alexander Heinrici worked for Eunice & Jackson Lowell at Chromacomp and brought Andy Warhol in as an account. Shortly after, Warhol or his workers brought in several boxes of photographs, paper and/or acetates and asked Jackson Lowell to use his equipment to enlarge certain images or portions of images. Warhol made comments and or changes and asked the Lowells to print some editions; others were printed elsewhere. Chromacomp Inc. ended up printing Warhol's Mick Jagger Suite and the Ladies & Gentlemen Suite, as well as other works, based on the box of photographic acetates that Warhol brought to them. The Lowell's allowed the printer to be named as Alexander Heinrici rather than Chromacomp, since Heinrici was the one who brought the account in. Other images were never printed by Chromacomp- they were simply being considered by Warhol. Warhol left the remaining acetates with Eunice and Jackson Lowell. After the Lowells closed the shop, the photographs were packed away where they remained for nearly a quarter of a century. This work is exactly as it was delivered from the factory. Unevenly cut by Warhol himself. This work is accompanied by a signed letter of provenance from the representative of Chromacomp, Andy Warhol's printer for many of his works in the 1970s. About Andy Warhol: Isn’t life a series of images that change as they repeat themselves? —Andy Warhol Andy Warhol’s (1928–1987) art encapsulates the 1960s through the 1980s in New York. By imitating the familiar aesthetics of mass media, advertising, and celebrity culture, Warhol blurred the boundaries between his work and the world that inspired it, producing images that have become as pervasive as their sources. Warhol grew up in a working-class suburb of Pittsburgh. His parents were Slovak immigrants, and he was the only member of his family to attend college. He entered the Carnegie Institute of Technology (now Carnegie Mellon University) in 1945, where he majored in pictorial design. After graduation, he moved to New York with fellow student Philip Pearlstein and found steady work as a commercial illustrator at several magazines, including Vogue, Harper’s Bazaar, and the New Yorker. Throughout the 1950s Warhol enjoyed a successful career as a commercial artist, winning several commendations from the Art Directors Club and the American Institute of Graphic Arts. He had his first solo exhibition at the Hugo Gallery in 1952, showing drawings based on the writings of Truman Capote; three years later his work was included in a group show at the Museum of Modern Art for the first time. The year 1960 marked a turning point in Warhol’s prolific career. He painted his first works based on comics and advertisements, enlarging and transferring the source images onto canvas using a projector. In 1961 Warhol showed these hand-painted works, including Little King (1961) and Saturday’s Popeye (1961), in a window display at the department store Bonwit Teller; in 1962 he painted his famous Campbell’s Soup Cans, thirty-two separate canvases, each depicting a canned soup of a different flavor. Soon after, Warhol began to borrow not only the subject matter of printed media, but the technology as well. Incorporating the silkscreen technique, he created grids of stamps, Coca-Cola bottles, shipping and handling labels, dollar bills, coffee labels...

Mother India, photograph by Richard Heeps taken in Delhi in 2013, this artwork perfectly represents the organised chaos of India. As books are beginning to disappear in physical form...

Ghost Rider Cowboy (Blue), pop art photograph by Natasha Heidler. Natasha Heidler’s seductive images are a playful collection of contradictions. Ghostly outlines collide with vibran...

Catherine D'Lish in Champagne Coupe, Richard Heeps photograph taken at the American Hollywood Burlesque event Tease-O-Rama. Richard Heeps became well-known for his Burlesque Photogr...

'Telephone V' part of Richard Heeps 'Dream in Colour' Series. This cool Palm Springs interior photography combines a softened monochrome palette and a mid-century modern nostalgic v...

Chromogenic Print on Kodak Endura Luster Paper Price for MOUNTED AND FRAMED limited edition print Certificate of Authenticity signed by the artist Ask us for framing options FRAMED ...

Just after dawn on the Henderson swamp in Louisiana, with only alligators and storks for company, the hanging moss and primeval cypress trees in calm magnificence. James Sparshatt’s...

This photograph by Araquém Alcântara offers a luminous testament to Brazil's untamed beauty, rendered with the masterful clarity and profound sensitivity that define his celebrated b...

Details 44 x 55 inches (115 x 140 cm) edition of 10 Medium: Archival Pigment Print Mounted and framed Available sizes and editions: 21 x 26 inches, edition of 7 32 x 40 inches, ed...

Chromogenic Print on Kodak Endura Luster Paper Price for MOUNTED AND FRAMED limited edition print Certificate of Authenticity signed by the artist Ask us for framing options FRAMED ...

Actress Audrey Hepburn relaxing by a pool during filming for Stanley Donen’s 1967 ‘Two for the Road’ in St Tropez. Signed and Numbered Lifetime Edition Gelatin Silver Print from the...

Silver and sepia tone photographic print of an indigenous spearfisher by Edward Sheriff Curtis, image circa 1901 (American, 1868-1952), as a 1974 copy of (and printed from negatives derived from) the original Edward Curtis copper gravure plate, by Jean-Antony du Lac (1929-2002). Curtis used a process he mastered of creating orotones, which are photographs on glass, which Jean-Anthony du Lac spent years mastering. Jean-Antony du Lac's work is considered that of a preservationist. Titled lower left, signed lower right. Presented in an aluminum frame with anti-glare glass. Paper size: 20"H x 15"W Born in France and raised in New York City, Jean-Anthony du Lac moved west to San Francisco in 1957. Jean was an accomplished photographer whose published credits include Life Magazine and the San Francisco Examiner. He spent many years reproducing Edward S. Curtis' images of North American Indians; and he mastered the process of creating orotones, which are photographic reproductions on glass. Jean's orotones appeared on the walls of the Smithsonian as well as the White House during the Carter and Reagan administrations. A preservationist, his reproduction of Edward Muybridge...

Sorin Bica's "I Can Assure You" is a 24 x 24 x 2 inch abstract expressionist oil painting on canvas. This painting is a surreal abstract portrait of three faces in an intimate embrac...

Details 44 x 55 inches (115 x 140 cm) edition of 10 Medium: Archival Pigment Print Mounted and framed Available sizes and editions: 21 x 26 inches, edition of 7 32 x 40 inches, ed...

"Chicago I" is a limited-edition black & white photograph by contemporary artist Tadeusz Zych from the series entitled Black and white States. The photo was taken during a trip t...

ALESSANDRO PUCCINELLI MARE/CHAOSMOS series Seascape - From the MARE/CHAOSMOS series - Mounted and Framed Framed size: 32x45 inches (including a white border) Image size: 27x40 inche...

Harry's Corner, on the Wildwood Boardwalk, New Jersey. Taken in April 2013, it was first executed in Richards's darkroom in October 2020. Capturing the joy of the American seaside fa...

ALESSANDRO PUCCINELLI MARE/CHAOSMOS series Seascape - From the MARE/CHAOSMOS series - Mounted and Framed Framed size: 32x45 inches (including a white border) Image size: 27x40 inche...

Alessandro Puccinelli Seascape, from the Mare series Alessandro Puccinelli presents the sea as a vast and contemplative presence. Extending beyond the boundaries of the image, the o...

Series: The Equestrian Collection Archival Pigment Print Unframed Sizes: 40" x 32" - $7,500.00 60" x 48" - $9,500.00 75" x 60" - $14,750.00 Framed Sizes: 47" x 39" - $9,250.00 67" ...

large scale original photograph of vintage television set with iconic western movie in American Wild West landscape Cowboy TV by Frank Schott ( framed ) 58 ...

Alexandre Manuel 20x20 in (50x50cm) - Edition of 10 Archival Pigment Print Image size 20x20inches (50x50cm) Framed size: 28x28inches (70x70cm) Mounted and framed with museum-quality...

Venice Beach, CA Surfing. 2016 Signed by photographer Limited Edition photograph Available in various sizes and prices. Framing additional a...

Sometimes a more practical hair arrangement is needed for warriors and braids are rolled into a net that is tied to keep the hair firm. Once the hair is long, a warrior will only sha...

Seated Ballet and Standing Ballet, 2010 by Efren Isaza Archival pigment print mounted on aluminum, intervened by the artist Overall size: 65 in. H x 96 in. W Individual size: 65 in. ...

Los Angeles-based photographer Tyler Shields seeks “beauty in chaos,” capturing both young models and celebrities such as Lindsay Lohan and Mischa Barton. His polished editorial imag...

Flamenco dancers use facial expressions, hand movements and gestures to convey emotions. Their dress is dramatic and enhances these movements often with the sweep and swirl of the flamenco shawl...

large scale photograph of iconic summer beach scene in Puglia by Italian photographer Massimo Vitali, renowned for his grand scale topographical observations of the rites and rituals of modern leisure Porto Miggiano...

UNFRAMED SIZES AND PRICING AVAILABLE UPON REQUEST "Selection matters. Selection matters even more when you’re making a choice for life. Among bald eagles, till death do us part ho...

Chromogenic Print on Kodak Endura Luster Paper Price for MOUNTED AND FRAMED limited edition print Certificate of Authenticity signed by the artist Ask us for framing options FRAMED ...