Framed Photography

Sorin Bica's "I Have Your Back" is a 30 x 30 x 2 inch abstract expressionist oil painting on canvas. Abstract double-faced portrait in vivid red, blue, and yellow tones, bold brushst...

Available Sizes & Editions 60 x 40 in. (152.4 x 101.6 cm) — Edition of 12 71 x 47 in. (180.3 x 119.4 cm) — Edition of 12 80 x 53 in. (203.2 x 134.6 cm) — Edition of 12 88 x 60 in...

Martini Corner, with the Kodak film rebate, vintage interior photograph from Richard Heeps Dream in Colour series. An interior vignette from Bisbee, Arizona, the saturated colours an...

'Peony no.3' 2023 97×120 cm printed on organic cotton canvas, limited edition of 5 + 1AP Canvas fixed on bamboo fixtures, to be and hanged as a scroll. ...

Christopher Jones Photograph “Xin Ying #4” Martha Graham Dancer Signed Limited Series #1 of 5 Photograph titled "Xin Ying #4” was taken in 2015 by fine art photographer Christopher ...

Ice Cream Truck, vibrant street photography from the seaside town of Wildwood, from Richard Heeps Jersey Shore series. This artwork is a limited edition of 25 gloss photographic pri...

Hand printed by artist. Framed in classic Ansel Adams style: Plexiglass with gun metal frame. Beautifully description of title and signature on recto. Petroglyphs, Monument Valley, ...

Martini Corner, with the Kodak film rebate, vintage interior photograph from Richard Heeps Dream in Colour series. An interior vignette from Bisbee, Arizona, the saturated colours an...

Limited Edition of 3 Framed size 70 x 100 cm All works are Archival Pigment prints, floating in an all black wooden frame behind museums glass.  More sizes on request. Sara Punt's w...

ICES Kiosk, Richard recisited the location of his best selling artwork, capturing this cute vignette of the seaside kiosk. This artwork is a limited edition of 25, gloss photographi...

Silver gelatin print The present work is hand signed with the artist's copyright, dated 1983, and titled on the back. It is numbered 3 of an edition of only 10. On October 3, 1983, Madonna headlined a memorial concert in honor of Michael Stewart, a graffiti artist in the midst of the AIDS crisis who became a victim of police brutality. Madonna was only 24 years old in 1983, but had already signed her first record deal and was on the cusp of superstardom. In 1984, the year after Madonna appeared in Kroll's shoot, she would release chart hits Like A Virgin, Material Girl and Crazy For You, cementing her place as an international star. This photograph was taken by renowned photographer and editor Eric Kroll backstage at Danceteria - a gritty and popular after hours club and concert venue on West 21st Street in Manhattan, operating out of the first three floors in an old industrial 12-story building. The visible text "ACCUTUNKTIONA TO THE POINT!" and "UNK" are actual, gritty wall graffiti from the venue, adding to the candid nature of the shot. Eric Kroll is a notable photographer, best known for his many fetish subjects, and for documenting America’s seediest spots and denizens, sharing a certain aesthetic with fellow photographers Larry Clark and Richard Kern...

Capturing the cinematic Glass Pool Motel which is sadly no longer there, and an iconic Chevy Bel Air, it is a perfect example of a Lost Vegas. This is one of Richard Heeps' classic A...

ICES Pink Lemonade, bold pop art street photography from Richard Heeps' series, On-Sea. Created as an ode to Richard's childhood visits to his grandparents living on the Sussex coas...

Red Dinosaur, from Richard Heeps series A Short History of Milan, which began as a special project for the 2018 Affordable Art Fair Milan. It was well received and the artwork has be...

Oasis (Sidewinder), 2005 Edition 1/5, 16 pieces each 48x47cm, installed with gaps 220x220cm analog C-Prints, hand-printed by the artist, printed on Fuji Crystal Archive Paper. Mou...

Fun pop art typography, a total 'Sign Porn' fix, captured on an American road trip in Nevada. This artwork features in Richard Heeps' sold out book 'Man's Ruin' and an edition of thi...

Listing includes free shipping in the US and Europe, framing with UV plexi and a 14-day return policy. Equivalent to a ~$550 or 10% discount. Ships from our New York gallery. Christopher Anderson...

Telephone VII, vintage interior photograph from Richard Heeps' series, Dream in Colour. Captured in the cool Ballantines Movie Colony, Palm Springs this artwork combines gorgeous col...

Bettie Page Two-Piece Leopard Print Suit, Key Biscayne, FL, 1954 by Bunny Yeager Vintage Gelatin Silver Print Image size: 20 in. H x 16 in. W Frame ...

large format photograph of Malbacco Desiata, a secret swim hole in Tuscany, by iconic Italian photographer Massimo Vitali, renowned for his grand scale to...

ALESSANDRO PUCCINELLI MARE series Seascape - From the Mare series - Mounted and Framed Aviailable sizes: 27 x 40 inches Edition of 10 40 x 60 inches Edition of 5 47 x 71 inches Ed...

Low angle photo of Robert Plant singing downstage with John Bonham in the background. Shot at the Forum in Inglewood on June 25,1972. About The Print: Archival pigment print on 100...

ALESSANDRO PUCCINELLI MARE series Seascape - From the Mare series - Mounted and Framed Aviailable sizes: 27 x 40 inches Edition of 10 40 x 60 inches Edition of 5 47 x 71 inches Ed...

Bitter Campari, Italian architecture street photography from Richard Heeps series, A Short History of Milan. 'A Short History of Milan' began in November 2018 for a special project ...

Listing includes framing with UV Plexiglas, free shipping, and a 14 day return policy. Also available for local pick up in New York City. The Opium Smoker...

Andy Warhol Hammer & Sickle, 1976 Acetate negative acquired directly from Chromacomp, inc. Andy Warhol's printer in the 1970s. accompanied by a signed letter of provenance from t...

Hand-painted digital inkjet print (Edition of 60) This artwork is offered by CLAMP, New York.

Karma, street photography from Richard Heeps series, A Short History of Milan. 'A Short History of Milan' began in November 2018 for a special project featured at the Affordable Art...

'Utopian Foyer III', Italian Brutalist architecture photography by Richard Heeps' from his series 'A Short History of Milan'. There is a reoccurring linear, structural theme through...

From 1976 until his death in 1987, Andy Warhol was rarely without a camera. Photography was fundamental both to his artistic practice and his engagement with the world around him. Th...

Large format photograph of a summer beach scene on the Mediterranean island of Lampedusa, from an earlier body of works (2012) by iconic Italian photographer Massimo Vitali, renowned for his grand scale topographical observations of the rites and rituals of modern leisure Lampedusa (2012) 61.25” x 81.7” / 156 cm x 207,5 cm limited edition of 6 + 2AP (signed, titled and dated on certificate of authenticity) last available edition: AP1 original archival photography print with diasec (acrylic glass) face mount in contemporary white lacquered gallery frame Each limited edition original Massimo Vitali photograph is printed in Italy under artist supervision in strictly limited edition (6 + 2AP) , signed/titled/dated upon final inspection and expertly framed at renowned European art framing facility Disclaimer of authenticity: although it is possible to acquire (small size) single page offset prints from the book "A Portfolio of Landscapes and Figures" (published by Steidl) in the secondary market, the artist studio strongly dissuades collectors from purchasing these single page prints outside of the context and authenticity of the complete portfolio. About the artist: Massimo Vitali was born in Como, Italy, in 1944. He studied photography at the London College of Printing, in the 1970s initially working as a photojournalist, but at the beginning of the 80s a growing mistrust in the belief that photography had an absolute capacity to reproduce the subtleties of reality led to a change in his career path. Vitali worked in cinematography for film and television before beginning a fine art practice in 1995. Over the next two decades, he would gain recognition for his highly detailed, epic-scale panoramas — sociopolitical observations of the natural habitat of humankind at leisure. Vitali’s iconic series of beach panoramas, captured from a distance with an elevated large-format camera platform, began in the light of drastic political changes in Italy. Drawing inspiration from Renaissance and Old Flemish masters, in which the central space is fully exploited and the urban or natural landscape becomes the background, Vitali’s photographs grasp the viewer by capturing highly detailed observances of the recreational habitats of modern civilization. Vitali’s work has been collected in six monographs: Beach and Disco, Natural Habitats, Landscapes With Figures, Swimming Pools, Short Stories and Entering A New World. Additionally, his work is represented in the world’s major museums, including the Centro de Arte Reina Sofia in Madrid, the Guggenheim Museum in New York, the Museum of Contemporary Art in Denver, the Fond National Art Contemporaine in Paris, the Centre Pompidou in Paris, the Musée National d’Art Moderne in Paris, the Fondation Cartier in Paris and the Museo Luigi Pecci in Prato. Massimo Vitali lives and works in Lucca (Italy) and in Berlin (Germany). __________________________ SOLO EXHIBITIONS 2025 94/22 Zander Galerie, Cologne 2024 Photolux Festival - Il bel paese? Palazzo Ducale, Lucca, Italy 2023 La Grande Oasi - The way we live, now OCA, Oasy Contemporary Art, Pistoia 2023 Standing Still Cortona On The Move, Arezzo, Italy 2022 Massimo Vitali PhotoESPANA Biblioteca Central Cantabria, Santander 2022 Endless Summer Edwin Hook Gallery, New York 2022 Massimo Vitali: Leporello 2020 Melbourne 2022 Ti ho visto Mazzoleni Gallery, Turin 2021 PienoVuoto Forte di Belvedere, Florence 2021 No Country For Old Men Visionarea Art Space, Rome 2020 'Human Constellations' Museo Ettore Fico, Turin 2019 Massimo Vitali: Short Stories' Mazzoleni, London 2018 'Coastal Colonies' Spiral, Tokyo 2017 ‘Disturbed Coastal Systems’ Benrubi Gallery...

Delightful Paris scene circa 1950 artist's stamp, signed and titled in pencil on reverse Framed to 18 x 24 in with archival matt Rene-Jacques was born in Phnom Penh (Cambodia) in 19...

A rare unique panoramic format photograph of an iconic summer beach scene along the Mediterranean coast of Tuscany by Italian photographer Massimo Vitali, renowned for his grand scale topographical observations of the summer rites and rituals of modern leisure. Published in March 2024 on the occasion of the 30th anniversary of his beach project, Massimo Vitali selected this never published work for a special 30th Anniversary panoramic edition: Viareggio Pano (1999) 42” x 93” / 106 x 236cm (framed) limited edition of 12 + 2AP signed, titled, dated certificate of authenticity original archival photography print with diasec (acrylic glass) face mount in light grey lacquered gallery frame Each original photograph is printed at the artist studio in Italy under artist supervision in strictly limited edition (12 + 2AP), signed/titled/dated upon final inspection and expertly framed at a renowned art framing facility in Germany specializing in large scale art photography works. Disclaimer of authenticity: although it is possible to acquire (smaller size) single page offset prints from the book "A Portfolio of Landscapes and Figures" (published by Steidl) in the secondary market, the artist studio strongly dissuades collectors from purchasing these single page prints outside of the context and authenticity of the complete portfolio. _____________________ About the artist Massimo Vitali was born in Como, Italy, in 1944. He studied photography at the London College of Printing, in the 1970s initially working as a photojournalist, but at the beginning of the 80s a growing mistrust in the belief, that photography had an absolute capacity to reproduce the subtleties of reality, led to a change in his career path. He worked in cinematography for film and television before beginning a fine art practice in 1995. Over the next two decades, Vitali’s large scale works would become recognizable for his highly detailed, epic scale panoramas, sociopolitical observations of the natural habitat of humankind at leisure. His iconic series of beach panoramas, captured from a distance with an elevated large format camera platform, began in the light of drastic political changes in Italy. Drawing inspiration from Renaissance and Old Flemish masters, in which the central space is fully exploited and the urban or natural landscape becomes the background, Vitali’s photographs grasp the viewer by capturing highly detailed observances of the recreational habitats of modern civilization. Vitali’s work has been collected in six monographs: Beach and Disco, Natural Habitats, Landscapes With Figures, Swimming Pools, Short Stories and the just released Entering A New World. Additionally, his work is represented in the world’s major museums, including the Centro de Arte Reina Sofia in Madrid, the Guggenheim Museum in New York, the Museum of Contemporary Art in Denver, the Fond National Art Contemporaine in Paris, the Centre Pompidou in Paris, the Musée National d’Art Moderne in Paris, the Fondation Cartier in Paris and the Museo Luigi Pecci in Prato. Massimo Vitali lives and works in Lucca (Italy) and in Berlin (Germany). __________________________ SOLO EXHIBITIONS 2024 Photolux Festival - Il Bel Paese? Palazzo Ducale, Lucca, Italy 2023 La Grande Oasi - The way we live, now OCA, Oasy Contemporary Art - Pistoia 2023 Standing Still Cortona On The Move, Arezzo, Italy 2022 Massimo Vitali PhotoESPANA Biblioteca Central Cantabria, Santander 2022 Endless Summer Edwin Hook Gallery, New York 2022 Massimo Vitali: Leporello 2020 Melbourne 2022 Ti ho visto Mazzoleni Gallery, Turin 2021 PienoVuoto Forte di Belvedere, Florence 2021 No Country For Old Men Visionarea Art Space, Rome 2020 Human Constellations Museo Ettore Fico, Turin 2019 Massimo Vitali: Short Stories Mazzoleni, London 2018 Coastal Colonies Spiral, Tokyo 2017 ‘Disturbed Coastal Systems’ Benrubi Gallery...

Summer Day (Zuma Beach, Malibu) - 2004 Edition of 5, 39x37cm, Analog C-Print, hand-printed and enlarged by the artist, on Fuji Crystal Archive Paper. mounted on Aluminum with matt...

Type II Tutti Frutti, from the Heidler & Heeps Tape Collection - The B Sides. The Heidler & Heeps collaborations are creative representations of Natasha Heidler and Richard Heeps’, p...

Limited Edition of 7 Framed size 49 x 69 cm All works are Archival Pigment prints, floating in an all black wooden frame behind museums glass.  More sizes on request. Sara Punt...

Majesty 41 x 59" Ed. of 10, Framed. A resolutely minimalist and suggestive approach to get to the essential. Not trying to show a subject for what it is, but for what it expresses. This is my way of telling stories, of translating my sensibility”. J-M. Lenoir A passion for nature from an early age led Lenoir to photography as a means to capture magical moments of nature and wildlife. Starting with wildlife and wide spaces, he developed his own vision of photography. Landscape photography is an eternal quest for atmosphere where the light and the quest of beauty are key references, his aesthetic landmark. His photographic intention relies on his magnetic attraction for wide spaces combined with his quest of beautiful lights. A way that inspires him and his instinct of freedom. In photography, he is looking for simple pictures, which go straight to the subject core, with very few things in the frame. Lenoir follows a suggestive approach: he does not try to show a subject as it is, but to share what it expresses. It is his way of telling stories and conveying his sensibility, like his recent work “Evanescence”. Combining his passion for pictures with rugged landscapes, he organizes and guides photo tours with Photographes du Monde agency for seven years. From north of Europe (Scotland, Norway, Finland) to South america (Chile and Bolivia),his photographic world leads him into areas of wilderness from where he draws his main source of inspiration. Lenoir is an ambassador for Fujifilm cameras...

'Bandstand', captured on a visit to his grandparents at the British seaside in Eastbourne, this collection by Samuel Field is a beautiful reminder of days gone by. This artwork is a...

large format photograph of Gulpiyuri, a flooded sinkhole with inland beach in Northern Spain, by iconic Italian photographer Massimo Vitali, renowned for his grand scale topographica...

Antique Gelatin Silver Print Photograph of 13th Calvary Soldier - 1913. This photograph shows a member of the 13th Calvary Regiment, Company H of the United States Army, sitting ato...

Pigment print on rag paper Frame size: 30.63 x 30.25 x 2 in. Image size: 30 x 30 in. Signed, titled, dated and numbered on print verso. Ed. 2/6 From his series, Flights. Artist Stat...

Heidler & Heeps Dice Series - Three Dice Raspberry Sparkles. Hypnotically curious in both content and technique, viewers find themselves pleasantly puzzled...

Bonanza Café, iconic photograph from Richard Heeps Dream in Colour series, it was the cover artwork on his book Man's Ruin. The photo takes you back to small town Americana with the ...

The Rolling Stones "Mick Feeding Goat" - Outtake from the famous photo shoot of The Rolling Stones for their Beggars Banquet album at Sarum Chase mansion, Hampstead, London, 1968, si...

Catherine D'Lish in Champagne Coupe, Richard Heeps photograph taken at the American Hollywood Burlesque event Tease-O-Rama. Richard Heeps became well-known for his Burlesque Photogr...

Ed. of 7, includes white frame. Sebastian Magnani is Switzerland based photographer known for his intimate portraits masterfully utilizing light and color to create emotional scenes...

Thrills, the iconic Coney Island Wonder Wheel photograph by Richard Heeps. The bold typography of the architectural structure fills the Fuji Film frame combining Richard's signature ...

Christopher Makos, Andy Warhol Portrait of Andy Warhol taken by photographer Christopher Makos (Hand signed by BOTH Andy Warhol and Christopher Makos), 1986 Gelatin Silver Print, han...

Available Sizes & Editions 60 x 40 in. (152.4 x 101.6 cm) — Edition of 12 71 x 47 in. (180.3 x 119.4 cm) — Edition of 12 80 x 53 in. (203.2 x 134.6 cm) — Edition of 12 88 x 60 in...

Photograph of Tina Turner

Available Sizes & Editions 60 x 40 in. (152.4 x 101.6 cm) — Edition of 12 71 x 47 in. (180.3 x 119.4 cm) — Edition of 12 80 x 53 in. (203.2 x 134.6 cm) — Edition of 12 88 x 60 in...

"Chicago I" is a limited-edition black & white photograph by contemporary artist Tadeusz Zych from the series entitled Black and white States. The photo was taken during a trip t...

Ladies, photograph by Richard Heeps from his Jersey Shore series. Taken in Wildwood, the historic Doo-Wop Town of New Jersey, this kitsch signage is perfect Pop Art and is typical of...

Matiz managed to create intimate portraits, in which Frida seemed happy to surrender to her lens. The result was dynamic portraits of Khalo, a wonderful example of both the photograp...

Ghost Rider Cowboy (Blue), pop art photograph by Natasha Heidler. Natasha Heidler’s seductive images are a playful collection of contradictions. Ghostly outlines collide with vibran...

Andy Warhol Nicola (Nicky) Weymouth, ca. 1976 Acetate positive, acquired directly from Chromacomp, Inc. Andy Warhol's printer in the 1970s. Accompanied by a Letter of Provenance from the representative of Chromacomp Unique Frame included: Elegantly framed in a museum quality white wood frame with UV plexiglass: Measurements: Frame: 18 x 15.5 x 1.5 inches Acetate: 11 x 8 inches This is the original, unique photographic acetate positive taken by Andy Warhol as the basis for his portrait of Nicky Weymouth, that came from Andy Warhol's studio, The Factory to his printer. It was acquired directly from Chromacomp, Inc. Andy Warhol's printer in the 1970s. It is accompanied by a Letter of Provenance from the representative of Chromacomp. This is one of the images used by Andy Warhol to create his iconic portrait of the socialite Nicola Samuel Weymouth, also called Nicky Weymouth, Nicky Waymouth, Nicky Lane Weymouth or Nicky Samuel. Weymouth (nee Samuel) was a British socialite, who went on to briefly marry the jewelry designer Kenneth Lane, whom she met through Warhol. This acetate positive is unique, and was sent to Chromacomp because Warhol was considering making a silkscreen out of this portrait. As Bob Colacello, former Editor in Chief of Interview magazine (and right hand man to Andy Warhol), explained, "many hands were involved in the rather mechanical silkscreening process... but only Andy in all the years I knew him, worked on the acetates." An acetate is a photographic negative or positive transferred to a transparency, allowing an image to be magnified and projected onto a screen. As only Andy worked on the acetates, it was the last original step prior to the screenprinting of an image, and the most important element in Warhol's creative process for silkscreening. Warhol realized the value of his unique original acetates like this one, and is known to have traded the acetates for valuable services. This acetate was brought by Warhol to Eunice and Jackson Lowell, owners of Chromacomp, a fine art printing studio in NYC, and was acquired directly from the Lowell's private collection. During the 1970s and 80s, Chromacomp was the premier atelier for fine art limited edition silkscreen prints; indeed, Chromacomp was the largest studio producing fine art prints in the world for artists such as Andy Warhol, Leroy Neiman, Erte, Robert Natkin, Larry Zox, David Hockney and many more. All of the plates were done by hand and in some cases photographically. Famed printer Alexander Heinrici worked for Eunice & Jackson Lowell at Chromacomp and brought Andy Warhol in as an account. Shortly after, Warhol or his workers brought in several boxes of photographs, paper and/or acetates and asked Jackson Lowell to use his equipment to enlarge certain images or portions of images. Warhol made comments and or changes and asked the Lowells to print some editions; others were printed elsewhere. Chromacomp Inc. ended up printing Warhol's Mick Jagger Suite and the Ladies & Gentlemen Suite, as well as other works, based on the box of photographic acetates that Warhol brought to them. The Lowell's allowed the printer to be named as Alexander Heinrici rather than Chromacomp, since Heinrici was the one who brought the account in. Other images were never printed by Chromacomp- they were simply being considered by Warhol. Warhol left the remaining acetates with Eunice and Jackson Lowell. After the Lowells closed the shop, the photographs were packed away where they remained for nearly a quarter of a century. This work is exactly as it was delivered from the factory. Unevenly cut by Warhol himself. This work is accompanied by a signed letter of provenance from the representative of Chromacomp, Andy Warhol's printer for many of his works in the 1970s. About Andy Warhol: Isn’t life a series of images that change as they repeat themselves? —Andy Warhol Andy Warhol’s (1928–1987) art encapsulates the 1960s through the 1980s in New York. By imitating the familiar aesthetics of mass media, advertising, and celebrity culture, Warhol blurred the boundaries between his work and the world that inspired it, producing images that have become as pervasive as their sources. Warhol grew up in a working-class suburb of Pittsburgh. His parents were Slovak immigrants, and he was the only member of his family to attend college. He entered the Carnegie Institute of Technology (now Carnegie Mellon University) in 1945, where he majored in pictorial design. After graduation, he moved to New York with fellow student Philip Pearlstein and found steady work as a commercial illustrator at several magazines, including Vogue, Harper’s Bazaar, and the New Yorker. Throughout the 1950s Warhol enjoyed a successful career as a commercial artist, winning several commendations from the Art Directors Club and the American Institute of Graphic Arts. He had his first solo exhibition at the Hugo Gallery in 1952, showing drawings based on the writings of Truman Capote; three years later his work was included in a group show at the Museum of Modern Art for the first time. The year 1960 marked a turning point in Warhol’s prolific career. He painted his first works based on comics and advertisements, enlarging and transferring the source images onto canvas using a projector. In 1961 Warhol showed these hand-painted works, including Little King (1961) and Saturday’s Popeye (1961), in a window display at the department store Bonwit Teller; in 1962 he painted his famous Campbell’s Soup Cans, thirty-two separate canvases, each depicting a canned soup of a different flavor. Soon after, Warhol began to borrow not only the subject matter of printed media, but the technology as well. Incorporating the silkscreen technique, he created grids of stamps, Coca-Cola bottles, shipping and handling labels, dollar bills, coffee labels...

Vintage Wimpy, interior photograph by Richard Heeps. The timeless combination of blue seating and red tables create a nostalgic cinematic aesthetic. This artwork is a limited editio...

DIALOGUE 14 is a limited-edition photograph by contemporary artist Matthieu Venot. This photograph is a limited edition of 10 copies, it is sold framed with a white shadow box. Di...

Centric, Italian architecture street photography from Richard Heeps' series, A Short History of Milan. The composition resembles a modern, architectural mosaic, merging minimalism wi...

Framed dimensions: 18h x 24w inches. Edition 2 of 10. David Emmite says of his work... My work seeks to ask questions about human relationships with technology, nature, and each ot...