C Print Photography

Erik MADIGAN HECK (*1983, United States) Richmond Park, Old Future, 2015 Chromogenic print Sheet 152.4 x 228.6 cm (60 x 90 in.) Edition of 9, plus 2 AP; Ed. no. 4/9 print only Origi...

Debbie Harry ( Blondie) New York 1978 - Oversize C print limited edition by Martyn Goddard Signed limited edition of 10 only this size keywords Blondie Debbie Harry Pop art pop music rock punk fashion...

Palm Trees Drive by (Stranger than Paradise) - 1999 44x59cm, Edition 2/10. Analog C-Print, hand-printed by the artist, based on the Polaroid. Certificate and Signature label. ...

Two individually framed artworks each measuring 27.6" x 23.5" 'Milkshake' and 'alt, Pepper and Vinegar' make up these still life photographs, taken in a Clacton-on-Sea cafe. It ha...

Bondi Heights 3 is a vibrant C-Type Print in an Edition of 10 in this size by contemporary photographer Ben Thomas. This print is from the older series that Thomas shot on a Canon....

Jules and Jim (Renée’s Dream) - 2007 including Stefanie Schneider's new monograph "A Half Forgotten Dream" signed. 192 pages, hardcover, published by Snap Collective, 2024. 80x78c...

Series: Indulgence Chromogenic Print on Kodak Endura Luster Paper All available sizes and editions: 22.5" x 30" ONE LEFT 30" x 40" 45" x 60" 56" x 72" 63" x 84" Editions of 3 + 2...

Michael WOLF (1954 – 2019, Germany) Night #10, 2005 C–print Sheet 177.8 x 228.6 cm (70 x 90 in.) Edition of 3, plus 1 AP; Ed. no. 1/3 Print only – Micha...

Belles of Shoreditch, from Richard Heeps Burlesque series. Richard Heeps became well-known for his Burlesque Photography after he spent 2003 ca...

Sound Recording, from the Heidler & Heeps Vinyl Collection. Acclaimed contemporary photographers, Richard Heeps and Natasha Heidler have collaborated to make this beautifully mesmeri...

RINKO KAWAUCHI (*1972, Japan) Untitled, from the series 'Hanabi' 2001 C–type print Sheet 101.6 x 101.6 cm (40 x 40 in.) Edition of 6; Ed. no. 5/6 print only Reminiscent of Japanese...

Outback Dreams - 29 Palms, CA - 2010 50x130cm. Archival C-Print, based on the 3 original Polaroids. Signature label and certificate. Artist Inventory # 1933. Not mounted. THE G...

Sun 45, photograph from Richard Heeps' 'Dream in Colour' series. This stylish interior artwork is made up of deep and dark tones, with a flash of bright yellow. It was captured in a ...

Miles ALDRIDGE (*1964, Great Britain) A Precious Glam #2, 2011 Chromogenic print Image 152.4 x 114.9 cm (60 x 45 1/4 in.) Sheet 164.5 x 127 cm (64 3/4 x 50 in.) Edition of 6, plus 2 ...

Part of Richard Heeps 'Man's Ruin' Series, this sequence of artworks 'Wendy Flamin' Eyeball', 'Wendy Resting' & 'Oldsmobile and Sinful Barbie's' were shot in Las Vegas. This artwork...

Short Stop (The Last Picture Show) - 2000 20x20m, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory...

Kate Moss Amy Winehouse Kentish Town Cafe by Jake Chessum Amy Winehouse captured in a Primrose Hill cafe during a photo shoot with Jake Chessum in February 2004. Jake recalls, “At ...

Stéphane COUTURIER (*1957, France) Angers – Chant de l'Apocalypse #01, 2020 C-Print Sheet 120 x 166 cm (47 1/4 x 65 3/8 in.) Edition of 5 (#2/5) Framed print Born in 1957 in Neuil...

2nd Thoughts (29 Palms, CA) - 1999 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print based on the original Polaroid. Certificate and signature label. Artist invento...

Brooklyn Bridge - Henry's Memory Sequence (Stay) - 2006 20x20cm, Edition of 10, Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory # 250...

Christ Light, a modest church interior illuminated by the bold geometric multi-colour stained glass, photograph from Richard Heeps' series, On-Sea. This artwork is a limited edition...

Stéphane COUTURIER (*1957, France) Angers – Chant de l'Apocalypse #02, 2020 C-Print Sheet 120 x 160 cm (47 1/4 x 63 in.) Edition of 5 (#2/5) Framed print Born in 1957 in Neuilly s...

Series: Suspense Chromogenic Print on Kodak Endura Luster Paper All available sizes and editions: 22.5" x 30" 30" x 40" 45" x 60" 56" x 72" 63" x 84" Editions of 3 + 2 Artist Proofs ...

3 Stefanie Schneider Polaroid-sized unlimited Minis 'Radha Mind Screen' - 1999 - triptych signed in front, not mounted. 3 Digital Color Photographs based on the 3 Polaroids. 10.7...

50p Only, vintage launderette interior photograph taken near to Richard Heeps' home in Cambridge. This artwork is a limited edition of 25 gloss photographic print from negative, dry...

Buzios, 1983 - Nude Sunbathing Swimming Pool Brazil Rio de Janeiro Coastline by Slim Aarons 16 x 20" print. Limited Edition Estate Stamped Print. Edition of 150. Printed Later. 'Bu...

Bavarian Forest 013 is a limited-edition photograph by contemporary artist Bernhard Lang. This photograph is sold unframed as a print only. It is available in 4 dimensions: *60 × 6...

The series 'Trespassing' explores encounters between human and nature. Human-made objects are placed into a landscape, where their interactions with the natural elements are recorded...

Three framed artworks from Richard Heeps Burlesque series. Boudoir, Tease-O-Rama, Hollywood, 2003 Delilah Right Red Hand I, The Whoopee Club, London, 2004 Dirty Martini Fan Dance XX...

Fishermen's Mission, Fleetwood, British vintage interior with a nautical theme, photograph from Richard Heeps' series, Ordinary Places. Ordinary Places was Richard's first colour co...

Cabaret #4, 2006 - Miles Aldridge (Colour Photography) Signed in ink on artist’s label Chromogenic print 14 x 21 inches Edition of 10 Also available in the following sizes: 26 ½ × ...

Dasha & Mari - Tennis - limited edition 30x30" inches oversize C print - numbered and stamped limited to 100 only. Sumptuous, sensual with erotic undertones, this is a beautiful fi...

Motel Entrance II, photograph from Richard Heeps Salton Sea series. Classic mid-century architecture in this artwork from the Salton Sea California. Rich blues, palm trees with pops ...

Hotel du Cap Eden-Roc Guests by the pool at the Hotel du Cap Eden-Roc, Antibes, France, August 1976. (Photo by Slim Aarons) Unframed (Premium Collection) Limited Edition Estate St...

Roommates (29 Palms, CA) - 1999 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print based on the original Polaroid. Certificate and signature label. Artist inventory ...

'Ryan Gossling' (Stay) - 2006, 20x20cm, Edition of 2/10, digital C-Print, based on a Polaroid Certificate and Signature label artist Inventory No. 2447.02 Not mounted. Stefanie Schneider: Torsten Scheid, “Fotografie, Kunst, Kino. Revisited.”, FilmDienst 3/2006, page 11-13

 Photography Art Cinema. Revisited Stay expands a traditional connection through new facets Interwoven between the media of photography and film is a veritable mesh-work of technical, motific, metaphorical and personal interrelationships. Extending from photo-film which, as in La Jetée by Chris Marker (France, 1962) is a montage of single, unmoving photographs all the way to the portrayal of photographic motifs in Hollywood cinema―most recently in Memento (USA, 2000) and One hour photo (USA, 2002)―is the range of filmic-photographic interactions on the one hand, and from the adaption of modes of cinematic production to the imitation of film stills on the other. For instance, with the legendary Untitled Film Stills (1978) of the American artist Cindy Sherman, who later made her debut as a film director with Office Killer (USA, 1997) and thereby, like many others, changed sides: Wim Wenders, Robert Frank and Larry Clark are doubtlessly the most successful of these photographic-filmic border crossers. This brief survey provides only a vague indication of the dimensions of this intermedial field, which in fact extends much further and is constantly being cultivated. Also as a motif in film, photography has experienced a historical transformation: Photographers were once considered to be technicians who mastered a craft but never achieved the status of artists. Photographer-figures were caught in the allure of beautiful appearance, incapable of penetrating to the actual essence of things. Such depth was reserved for literature or painting. When photography in film touched upon the sphere of art, then most often as its contrasting model, as the metaphor for a superficial access to the world. Coming to mind are Fred Astaire as a singing fashion photographer in Stanley Donen’s musical film Funny Face (USA, 1957), or the restless lifestyle-photographer in Michelangelo Antonioni’s genre-classic Blow up (GB, 1966). For the doubting Thomas, only that exists which can be photographed. He ultimately enters the world of fantasy and thereby the field of art only unwillingly, when he becomes entangled in the world of his images. The last of his detail-enlargements shows only the photographic grain and has lost all connection to reality. The photograph looks as if it had been painted by Bill, the painter who is both friend and antagonist to the protagonist.

 Photography as Art It was first around the end of the last century that numerous filmmakers discovered photography as a genuine art form. In The Bridges of Madison County (USA, 1995) a sensitive Clint Eastwood stands, camera in hand, on the threshold of artistic status, and in Smoke (USA, 1994) a tobacco merchant ripens into a philosopher through his involvement in photography. Finally, in John Water’s parody of the art market, Pecker (USA, 1998), a provincial tom-fool is hyped into celebrated stardom amid the New York art scene because of his blurred snapshots. This film about a postmodern Kaspar Hauser in photographic art (with clear parallels to Richard Billingham, the British shooting star of the nineteen-nineties), not only takes into account the exponentially expanded significance of photography in the art market, but also attributes to photography an extreme degree of conformity to the “operating system” of the visual arts. This admittedly ironic equation of photography and the visual arts is new. It is repeated with much more earnestness in Lisa Chollondencko’s High Art (USA) from the same year. Artistic photography has finally become established in a cinematic context.

 
Stay Stay (USA, 2005) could have fitted in seamlessly here. Considering that the films High Art and Pecker establish photography as an ideal art form at the end of the millennium, director Marc Forster (Monster’s Ball, Finding Neverland) takes a step backward; he revives an anti-technical, intuitive concept of art, including the customary clichés about madness and genius. This choice documents less an anachronistic notion of art (especially considering that painting is currently experiencing a Renaissance) than instead the appraisal that paintings are more suitable for representing the free objectification of the mind. Stay is not an artist-film but rather a psycho-thriller in which the borders between dream and reality become blurred.
 The psychiatrist Sam Foster (Ewan McGregor) has saved his girlfriend, the artist Lila (played by Naomi Watts) from committing suicide. Now he is attempting to keep another patient, the art student Henry Letham (Ryan Gosling...

Aerial Views, Tulip Fields 01 is a limited-edition photograph by German contemporary artist Bernhard Lang. This photograph is sold unframed as a print only. It is available in 4 di...

The town of Bati is famous for the massive, bustling, weekly market that takes place on a hillside under a sea of umbrellas. Animals are still the measure of wealth for rural peopl...

Darth Bot and Cyclops, Natasha Heidler brings childhood favorite toys to life in her conceptual pop art photography. This listing is for two individually framed artworks each measur...

RISAKU SUZUKI (*1963, Japan) Water Mirror 15, WM-193 2015 Chromogenic print Sheet 120 x 155 cm (47 1/4 x 61 in.) Edition of 5; Ed. no. 2/5 Framed ‘Water Mirror’is a condensation of ...

Jhelum River in Kashmir, 1961 by Slim Aarons 16 x 20" print. Limited Edition Estate Stamped Print. Digital C-Type print. Edition of 150. Printed Later. 'Jhelum River in Kashmir, 1...

Henry watching Athena Dance (Stay) - 2006 78x76cm, Edition 4/5 analog C-Print, hand-printed by the artist, based on the Polaroid Certificate and Signature label artist Inve...

Sunbathers in Miami, 1955 by Slim Aarons 16 x 20" print. Limited Edition Estate Stamped C-Print. Edition of 150. Printed Later. Sunbathers in Miami s a Limited Edition Estate Stamp...

Yellow Tinted Cassette from the Heidler & Heeps Tape Collection. The Heidler & Heeps collaborations are creative representations of Natasha Heidler and Richard Heeps’ personal past a...

Cyd Fontaine (Lausanne, 1992) is a contemporary artist renowned for her captivating use of dreamy atmospheric gradients, which has helped her carve a distinctive niche in the world o...

Palm Trees on Wilcox (Stranger than Paradise) - 1999 78x76cm, Edition of 100. Archival C-Print based on the original Polaroid. Mounted under matte Plexiglass. Artist inventory number: 398. Signed on back and Certificate. Stefanie Schneider – Palm Trees on Wilcox...

Michael WOLF (1954 – 2019, Germany) Paris Street View #9, 2009 C-Print Sheet 177.8 x 228.6 cm (70 x 90 in.) Edition of 3 plus 1 AP; Ed. no. 1/3 Print only – Michael Wolf Michael Wo...

This is a new series of photography of land art depicting Earth and its land forms taken from the air. This series of aerial photography captures Earth's beauty taken in remote lands...

RISAKU SUZUKI (*1963, Japan) SAKURA 16, 4-25, 2016 Chromogenic print Sheet 120 x 155 cm (47 1/4 x 61 in.) Frame 124 x 158.8 x 5.7 cm (48 7/8 x 62 1/2 x ...

Miami Beach by DJ Leon. Archival C-print photograph of Miami Beach, Florida's idyllic beach and aquamarine ocean, mounted on sintra, and facemounted in plexiglas....

Brutalist Symphony I, photographed on the Barbican Estate. There is a subtle beauty in the light and colour of this conceptual architectural photograph of the famous London Brutalist...

A classic British fish & chips van, on a classic English day Haddenham Steam Rally Country Fair, photograph by Richard Heeps. This artwork is a limited edition of 25 gloss phot...

Park View IV is a dynamic C-Type Matte Print by Contemporary photographer Chris Frazer Smith It is available in this size in an Edition of 25 and is sold unframed A peaceful and ha...

Singer and actress Liza Minnelli smokes a cigarette and drinks champagne during an interview for her show Liza on Broadway in 1974. Her Bone Cuff bracelet was designed by Elsa Perett...

Italian GP Richie Ginther waits beside his Honda RA273 as mechanics work on the engine. Image details Championship: Formula 1 1966 (Formula 1, 1966) Event: Italian GP Date taken: Sunday, September 04, 1966 Location: Autodromo Nazionale Monza, Italy Photographer: Rainer Schlegelmilch Rainer W. Schlegelmilch the German born widely regarded "Master of Motorsports Photography" delighted in this series of works Glamour, kitsch, sex and fast cars - this extraordinary body of work encapsulates the excitement of this era. Limited edition to 150 only - Archive stamped and numbered - with certificate of authenticity Oversize 24 x 24" inches / 61 x 61 cm paper size C type print unframed. Beautiful. About Richie Ginther & Honda BRM and Honda In 1962, Ginther switched to the British-based BRM team to race alongside Graham Hill. The highlight of his time at BRM was finishing equal-second (with Hill) in the 1963 World Championship. Ginther scored more points than his British teammate over the whole season, but only a driver's six best scores were counted towards the championship. His reputation as a solid "team player" and excellent test and development driver earned him an invitation to join the works Honda F1 team for 1965, for whom he scored his one and only GP win, at the 1965 Mexican Grand Prix. The win was also Honda's first in Formula 1. Ginther averaged 151.7 kilometres per hour (94.3 mph) over the curving 5 kilometres (3.1 mi) track in the 65 lap Mexico City event. His speed eclipsed the previous course record of 150.185 km/h (93.321 mph) established by Dan Gurney in 1964. It was the first time Honda had entered the Mexican Grand Prix.[22] Honda reentered international competition in the 1966 Italian Grand Prix. The team was three years old and had encountered difficulty in the preparation of a larger engine. Ginther led in Italy before his car crashed into a retaining wall and he broke his collarbone.[23] He signed with the Eagle F1 team in 1967 and raced in the Race of Champions. At Monaco after practice, his place on the grid was given to an F2 car weighted to bring it up to minimum F1 specifications, and Ginther left F1 in disgust. Ginther won one race, achieved 14 podiums, and scored a total of 107 championship points. He appeared in an uncredited role in the 1966 film Grand Prix as John Hogarth, a driver in the Japanese funded "Yamura" team. He also acted as one of the technical racing advisors for the movie. While making an attempt to qualify for the 1967 Indy 500, Ginther broke a fuel line in his American Eagle Indy Car...

Heidler & Heeps Vinyl Collection. Acclaimed contemporary photographers, Richard Heeps and Natasha Heidler have collaborated to make this beautifully mesmerising collection. A bold mu...

Original Sound, a bright green artwork in the Heidler & Heeps B Side Vinyl Collection. Acclaimed contemporary photographers, Richard Heeps and Natasha Heidler have collaborated to ma...

These extraordinary photographs are part of the the Hotel Chelsea series. The Hotel Chelsea closed its doors for the first time in its iconic history of over one hundred years. American photographer Victoria Cohen...

RISAKU SUZUKI (*1963, Japan) SAKURA 10,4-64 2002 Chromogenic print Sheet 120 x 150 cm (47 1/4 x 60 in.) Edition of 5; Ed. no. 1/5 Framed ‘Water Mirror’is a condensation of all that ...

This is an exclusive limited edition color Giclée print, printed on matte photographic paper. This exquisite still life photo, shows a classy bouquet beautifully lit with soft light...