Foam Photography

Explore our collection of elegant black and white nude woman photography, capturing the beauty of the human form. Perfect as wall art for modern...

large scale photograph of iconic summer beach scene in Southern Italy's Puglia by Italian photographer Massimo Vitali, renowned for his grand s...

A rare unique panoramic format photograph of an iconic summer beach scene along the Mediterranean coast of Tuscany by Italian photographer Massimo Vitali, renowned for his grand scale topographical observations of the summer rites and rituals of modern leisure. Published in March 2024 on the occasion of the 30th anniversary of his beach project, Massimo Vitali selected this never published work for a special 30th Anniversary panoramic edition: Viareggio Pano (1999) 42” x 93” / 106 x 236cm (framed) limited edition of 12 + 2AP signed, titled, dated certificate of authenticity original archival photography print with diasec (acrylic glass) face mount in light grey lacquered gallery frame Each original photograph is printed at the artist studio in Italy under artist supervision in strictly limited edition (12 + 2AP), signed/titled/dated upon final inspection and expertly framed at a renowned art framing facility in Germany specializing in large scale art photography works. Disclaimer of authenticity: although it is possible to acquire (smaller size) single page offset prints from the book "A Portfolio of Landscapes and Figures" (published by Steidl) in the secondary market, the artist studio strongly dissuades collectors from purchasing these single page prints outside of the context and authenticity of the complete portfolio. _____________________ About the artist Massimo Vitali was born in Como, Italy, in 1944. He studied photography at the London College of Printing, in the 1970s initially working as a photojournalist, but at the beginning of the 80s a growing mistrust in the belief, that photography had an absolute capacity to reproduce the subtleties of reality, led to a change in his career path. He worked in cinematography for film and television before beginning a fine art practice in 1995. Over the next two decades, Vitali’s large scale works would become recognizable for his highly detailed, epic scale panoramas, sociopolitical observations of the natural habitat of humankind at leisure. His iconic series of beach panoramas, captured from a distance with an elevated large format camera platform, began in the light of drastic political changes in Italy. Drawing inspiration from Renaissance and Old Flemish masters, in which the central space is fully exploited and the urban or natural landscape becomes the background, Vitali’s photographs grasp the viewer by capturing highly detailed observances of the recreational habitats of modern civilization. Vitali’s work has been collected in six monographs: Beach and Disco, Natural Habitats, Landscapes With Figures, Swimming Pools, Short Stories and the just released Entering A New World. Additionally, his work is represented in the world’s major museums, including the Centro de Arte Reina Sofia in Madrid, the Guggenheim Museum in New York, the Museum of Contemporary Art in Denver, the Fond National Art Contemporaine in Paris, the Centre Pompidou in Paris, the Musée National d’Art Moderne in Paris, the Fondation Cartier in Paris and the Museo Luigi Pecci in Prato. Massimo Vitali lives and works in Lucca (Italy) and in Berlin (Germany). __________________________ SOLO EXHIBITIONS 2024 Photolux Festival - Il Bel Paese? Palazzo Ducale, Lucca, Italy 2023 La Grande Oasi - The way we live, now OCA, Oasy Contemporary Art - Pistoia 2023 Standing Still Cortona On The Move, Arezzo, Italy 2022 Massimo Vitali PhotoESPANA Biblioteca Central Cantabria, Santander 2022 Endless Summer Edwin Hook Gallery, New York 2022 Massimo Vitali: Leporello 2020 Melbourne 2022 Ti ho visto Mazzoleni Gallery, Turin 2021 PienoVuoto Forte di Belvedere, Florence 2021 No Country For Old Men Visionarea Art Space, Rome 2020 Human Constellations Museo Ettore Fico, Turin 2019 Massimo Vitali: Short Stories Mazzoleni, London 2018 Coastal Colonies Spiral, Tokyo 2017 ‘Disturbed Coastal Systems’ Benrubi Gallery...

SEASCAPE I ( framed ) by Frank Schott from a series of photographic works capturing the sea blue color palette of the ocean 30 x 40 inches / 76cm x 102cm edition of 25 artist signed...

large format photography diptych by Italian photographer Massimo Vitali, renowned for his grand scale topographical observations of the rites and rituals of modern leisure Punta Teg...

Los Angeles-based photographer Tyler Shields seeks “beauty in chaos,” capturing both young models and celebrities such as Lindsay Lohan and Mischa Barton. His polished editorial imag...

This minimalist, abstract, contemporary photograph is by Quebec artist Etienne Labbé. An angled swath of black, burnt umber and gold below a sky streaked with azure, dark and light blues is imprinted with two straight dark lines. This abstracted landscape, captured using time lapse...

Photographic paper incrusted in DIASEC plexiglass Edition 1/5 DIASEC is the registered trademark for the original method of face-mounting prints, such as photographs on acrylic...

Los Angeles-based photographer Tyler Shields seeks “beauty in chaos,” capturing both young models and celebrities such as Lindsay Lohan and Mischa Barton. His polished editorial imag...

Photographic paper incrusted in DIASEC plexiglass Edition 1/5 DIASEC is the registered trademark for the original method of face-mounting prints, such as photographs on acrylic...

Photographic paper incrusted in DIASEC plexiglass Edition 2/3 DIASEC is the registered trademark for the original method of face-mounting prints, such as photographs on acrylic sheet. The process was invented by Heinz Sovilla-Brulhart in 1969. Due to the light penetration and refraction of clear acrylic compared to normal glass, the colours are more brilliant and the image sharper than with standard glass in a picture frame. A DIASEC mounted is usually of a high gloss finish. Because the print is glued to the acrylic glazing, the result is a completely flat mount of the image. The print is also protected against ultraviolet (UV) light. DIASEC contains an UV light inhibitors to help protect the image from UV light. Bruno Paget...

Photographic paper incrusted in DIASEC plexiglass Edition 1/5 DIASEC is the registered trademark for the original method of face-mounting prints, such as photographs on acrylic...