Platinum Photography

Signed by the photographer

Signed by the photographer

Signed by the photographer

Signed by the photographer

Signed by the photographer

Signed by the photographer

Platinum Palladium Print Signed by the photographer on the verso

Platinum Palladium Print Signed by the photographer on the verso

Print size: 19x20 inches Image size: 16x16 inches Signed by the photographer on the recto

Print size: 19x20 inches Image size: 16x16 inches Signed by the photographer on the recto

Print size: 17x23 inches Image size: 13.5x20 inches Signed by the photographer on the recto

Print size: 17x23 inches Image size: 12.25x20 inches Signed by the photographer on the recto

Print size: 17x23 inches Image size: 13.5x20 inches Signed by the photographer on the recto

Signed by the photographer on the recto and verso

Signed by the photographer on the recto and verso

Ed. of 27, includes black frame with white mat. Embossed on the recto. Estate-stamped, titled, numbered, and signed on the verso by R. J. Horst, executor of the Hoyningen-Huene Estate. Known for his masterfully composed images that captured the styles of the leading haute couture houses of the 1920s-30s including Chanel, Balenciaga, Lanvin, Vionnet, Schiaparelli, and Lelong, among others, George Hoyningen...

Ed. of 27, includes black frame with white mat. Embossed on the recto. Estate-stamped, titled, numbered, and signed on the verso by R. J. Horst, executor of the Hoyningen-Huene Estate. Known for his masterfully composed images that captured the styles of the leading haute couture houses of the 1920s-30s including Chanel, Balenciaga, Lanvin, Vionnet, Schiaparelli, and Lelong, among others, George Hoyningen...

Ed. of 27, includes black frame with white mat. Embossed on the recto. Estate-stamped, titled, numbered, and signed on the verso by R. J. Horst, executor of the Hoyningen-Huene Estate. Known for his masterfully composed images that captured the styles of the leading haute couture houses of the 1920s-30s including Chanel, Balenciaga, Lanvin, Vionnet, Schiaparelli, and Lelong, among others, George Hoyningen...

Ed. 24/50, rare hand-signed platinum print. Includes black frame. Terry O’Neill CBE is one of the world’s most collected photographers with work hanging in national art galleries an...

Signed by the photographer

Signed by photographer

Signed by the photographer

Signed by the photographer

Signed and numbered in pencil on recto. Stamped, titled, dated and numbered on verso. Platinum/Palladium Print Image - 11"x14", Matted - 20"x22" 1/10

Signed, titled, dated, stamped by artist Platinum/Palladium Print Image 22"x26", Mat 29"x34" Edition 1 of 9

Signed by the photographer

Signed by the photographer Edition 9/10

Untitled (Buffaloes), Photograph by David Wojnarowicz 1988/1994 Estate stamp in black ink, vesro Also initialed “TWR” and numbered in black ink, vesro Platinum print (Edition of 10...

Signed by artist in pencil

Estate Stamped

Corner 2018 No.1, No.2, No.3 The origin of “space”　 20 x 30 inches Platinum print Signed and numbered edition of 5 In our daily space recognition, information composed of multiple elements such as direction, distance, shape and size is perceived as space. The minimum element to visually perceive space is dots and lines. Mathematical “points and lines” are also the starting point of science, and are conceptual in common with the number 0 and do not exist as substances. This is because, even if it looks like a dots or a line, it looks like a “point” becomes a circle and a line becomes a surface. On the other hand, our naked eyes can “find” dots and lines from anywhere in our daily lives, which appear at the intersection of two surfaces.This work is a landscape that gives perspective to the “corners” that are familiar to you but are not appreciated. For me, “dots and lines” are the origin of space and the starting point of beauty. Taken with a 35mm digital camera inside the Guggenheim Museum in New York. The resolution of the photography was technically broken down, and the particles which appeared were printed by using the chemical elements platinum and palladium using...

Corner 2018 No.1, No.2, No.3 The origin of “space”　 20 x 30 inches Platinum print Signed and numbered edition of 5 In our daily space recognition, information composed of multiple elements such as direction, distance, shape and size is perceived as space. The minimum element to visually perceive space is dots and lines. Mathematical “points and lines” are also the starting point of science, and are conceptual in common with the number 0 and do not exist as substances. This is because, even if it looks like a dots or a line, it looks like a “point” becomes a circle and a line becomes a surface. On the other hand, our naked eyes can “find” dots and lines from anywhere in our daily lives, which appear at the intersection of two surfaces.This work is a landscape that gives perspective to the “corners” that are familiar to you but are not appreciated. For me, “dots and lines” are the origin of space and the starting point of beauty. Taken with a 35mm digital camera inside the Guggenheim Museum in New York. The resolution of the photography was technically broken down, and the particles which appeared were printed by using the chemical elements platinum and palladium using...

Corner 2018 No.1, No.2, No.3 The origin of “space”　 20 x 30 inches Platinum print Signed and numbered edition of 5 In our daily space recognition, information composed of multiple elements such as direction, distance, shape and size is perceived as space. The minimum element to visually perceive space is dots and lines. Mathematical “points and lines” are also the starting point of science, and are conceptual in common with the number 0 and do not exist as substances. This is because, even if it looks like a dots or a line, it looks like a “point” becomes a circle and a line becomes a surface. On the other hand, our naked eyes can “find” dots and lines from anywhere in our daily lives, which appear at the intersection of two surfaces.This work is a landscape that gives perspective to the “corners” that are familiar to you but are not appreciated. For me, “dots and lines” are the origin of space and the starting point of beauty. Taken with a 35mm digital camera inside the Guggenheim Museum in New York. The resolution of the photography was technically broken down, and the particles which appeared were printed by using the chemical elements platinum and palladium using...

New York Still Life, 1947/April 1980 Signed, titled, dated, numbered, and inscribed in pencil, verso Platinum-palladium print on Rives paper mo...

Mermaid Dress (Rochas) [Lisa Fonssagrives-Penn], Paris, 1950/June 1979 Signed, titled, dated, numbered, and inscribed in pencil, verso Platinum-pallad...

Nina + Simone, Piazza di Spagna, Rome, 1960 Signed and numbered Platinum-palladium print, printed later 33 x 28 inches From an edition of 20 William ...

Stamped with Scott Polar Research Institute blind stamp and numbered on reverse Platinum print Available in two sizes: 14 x 20 inches, edition of 30 22 x 31 inches, edition of 20

A modern platinum print from The Royal Geographical Society's first expedition to Mount Everest's summit. Made with extraordinary skill and care by Belgi...

A modern platinum print from The Royal Geographical Society's first expedition to Mount Everest's summit. Made with extraordinary skill and care by Belgi...

A modern platinum print from The Royal Geographical Society's first expedition to Mount Everest's summit. Made with extraordinary skill and care by Belgi...

The Terra Nova Held Up in the Pack, 13 December 1910 (I) Stamped with Scott Polar Research Institute blind stamp and numbered on reverse Platinum Print Available in two sizes: 14 ...

Beautiful Broken Ice, Reflections and the Terra Nova, 7 January 1911 Stamped with Scott Polar Research Institute blind stamp and numbered on reverse Platinum print Available in two...

Signed by the photographer.

Vintage platinum/palladium print Signed with the photographer's embossed stamp on recto For over thirty years, photographer Edward Curtis traveled the length and breadth of North America, seeking to record with images the traditional life of its vanishing indigenous inhabitants. No other photographer has created a larger oeuvre on the theme of Native American...

Mat 36 x 30 inches Paper 31 x 25 inches Image 28 x 22 inches Edition 11 of 25 Signed, dated, and numbered in pencil with artist's copyright stamp on verso Captured in 1990, printed...

Signed in pencil on recto Manuel Alvarez Bravo was a pioneer of artistic Latin American Photography in the 20th Century and produced a proliferate body ...

Paper 30 x 39 1/4 inches; Image 27 1/2 x 35 1/2 inches Edition 4 of 7 Signed, titled, dated, and numbered in pencil on print verso The American photographer, Melvin Sokolsky, began...

Edition 28 of 30 Signed, titled and dated in pencil on verso Signed in pencil on recto Captured in 1974, printed in 2007 George Tice is one of the finest American photographers of his generation. His body of work has continually focused on the American rural and suburban landscape. Tice’s work often features the architectural and industrial motifs that identify American society. The black-and-white platinum print photograph...

Signed, titled and dated in pencil with the photographer's copyright stamp on verso George Tice is one of the finest American photographers of his generation. His body of work has continually focused on the American rural and suburban landscape. This platinum print photograph, from the Lancaster...

Signed in pencil on recto; dated and titled in pencil on verso George Tice is one of the finest American photographers of his generation. His body of work has continually focused on the American rural and suburban landscape. Tice’s work features the architectural and industrial motifs that identify American society. His black-and-white photographs often engage a fascination in the understated beauty of the mundane. This platinum print photograph, from the Lancaster, Pennsylvania series, concentrates on the daily life of the Amish people and their integration with the landscape around them. The image captures a car driving down...

Matte 14 x 11 inches; Image 9 3/8 x 6 1/8 inches Signed in pencil on recto Titled and dated in pencil on verso George Tice is one of the finest American photographers of his generation. His body of work has continually focused on the American rural and suburban landscape. Tice’s work features the architectural and industrial motifs that identify American society. His black-and-white photographs often engage a fascination in the understated beauty of the mundane. Tice’s platinum print image seems to reveal the cultural nuances of rural American...

Image 9 1/2 x 7 1/2 inches; Paper 14 x 11 inches Signed in pencil on recto Titled and dated in pencil on verso George Tice is one of the finest American photographers of his generation. His body of work has continually focused on the American rural and suburban landscape. This platinum print...

Signed in pencil on recto; Titled and dated in pencil on verso George Tice is one of the finest American photographers of his generation. His body of work has continually focused on the American rural and suburban landscape. This platinum print photograph...

This photograph is an Edition of 20. All editions are signed by the photographer. This photograph is framed.

This photograph is an Edition of 20. All editions are signed by the photographer. This photograph is framed.

There is perhaps something more profoundly iconic, mythological even, about the animals of East Africa, as opposed to say, the Arctic or South America). And there is also something i...

There is perhaps something more profoundly iconic, mythological even, about the animals of East Africa, as opposed to say, the Arctic or South America). And there is also something i...

There is perhaps something more profoundly iconic, mythological even, about the animals of East Africa, as opposed to say, the Arctic or South America). And there is also something i...

Original platinum print by Ryuijie & Camille Derendinger. Edition of 15. Signed and numbered on the front of the print.Available in 11 x 14 inches approximately. Works come overmatte...

Original platinum print by Ryuijie & Camille Derendinger. Edition of 15. Signed and numbered on the front of the print.Available in 11 x 14 inches approximately. Works come overmatte...