1990s Photography

Arum Lilies - Signed limited edition archival pigment print, 1993 - Edition of 5 Unframed, a beautiful still life of a bouquet of Arum lilies This image was captured on film. The negative was scanned creating a digital file which was then printed on Hahnemühle Photo Rag® Baryta 315 gsm (Acid- and lignin-free paper, Museum quality for highest age resistance and a popular alternative to analogue baryta paper) using pigment inks which are known for their longevity. Please note. There are three sizes of this archival pigment print ; each is an edition of five (5) making the total that can be printed as fifteen (15). This will include any custom sizes requested Signed + numbered by artist with certificate of authenticity, packaged with care. Edition : 1/5 , unframed Archival pigment print available sizes ( Image size , the white margin is not counted) : 50 x 45 cm / 19,68 x 17,72 in - Edition of 5 75 x 66 cm / 29,53 x 25,99 in - Edition of 5 100 x 89 cm / 39,37 x 35,04 in - Edition of 5 Ian Sanderson (born 1951 Scotland, died 2020 Spain) was a Scottish photographer. Ian produced images over a 35 year career. For most he worked as both a Commercial and Fine Art photographer; during his last years concentrated on his personal archive. Ian and his widow Nathalie have worked for many years with alternative printing techniques in their workshop, ISP, creating Platinum Palladium, Silver Gelatin, Lith or Gum Bichromate. This culminated in a large retrospective exhibition in Barcelona which was sponsored by the Nando and Elsa Peretti Foundation. Platinum Palladium printing is a traditional photographic technique which precedes silver gelatin technique. Many photographers have worked with it in the past as Irvin Penn, Manuel Alvarez Bravo, Robert Mapplethorpe, Sebastiao Salgado o Ormond Gigli with its Platinum with gold leaf print 'Girls in the Windows'. ISP Workshop continues with the work of Ian's widow to create archival pigment prints like this one but also rare and personalized photographs. categories : Black and white photography, 20th. century, Archival pigment print, Monochromatic Art...

Gelatin silver print (Edition of 20) Signed and numbered on label, verso From the series, "Before the Camera" This artwork is offered by ClampArt, located in New York City. Chuck S...

11 x 14" vintage silver gelatin photograph of composer and diarist Ned Rorem in 1992. Comes directly from the Jack Mitchell Archives with a certificate of a...

Framed still life photograph of single magnolia leaf Sepia toned silver gelatin print, vintage uneditioned print Custom black stained wood molding with visible grain 8-ply antique w...

Orchids by Ian Sanderson Signed limited edition archival pigment print, 1991 - Edition of 5 This image was captured on film. The negative was scanned creating a digital file wh...

Sax - Limited edition archival pigment print, 1999 - Edition of 10 This is an Archival Pigment print on fiber based paper ( Hahnemühle Photo Rag® Baryta 315 gsm , Acid-free and li...

This is a photogravure by John Dugdale offered by CLAMP in New York City. This is a cyanotype of a bouquet of flowers with a large bumble bee. Wonder Stings Me More Than the Bee 199...

"I like to go back to a place. Seasons change. Light, which is theater, changes. Nature is tumultuous, and our contact with it makes life happen.” - David H. Gibson David H. Gibso...

Ellen Kogan performing a tribute to Ruth St. Denis choreography in 1994, signed by Jack Mitchell, taken for The New York Times. This is an 8 x 10" vintage silver gelatin photograph t...

Polaroid transfer on Rives BFK paper Signed and inscribed (AP 1/3) in pencil, recto Also blindstamped, l.r. 22 x 15 inches, sheet 10 x 8 inches, image This artwork is offered by Cl...

5040 2 11 1991 1/20. This is a vintage gelatin silver print, selenium toned, made by hand by master photographer Jack Mitchell and signed both on the recto and verso. Chosen by the ...

Max, smoking in Car (29 Palms, CA) - 1999 58x56cm, Edition of 10, plus 2 Artist Proofs. analog C-Print, hand-printed by the artist, printed on Fuji Crystal Archive Paper, matte su...

Photos pictured of information cards after the images of the black and white photos are not included. La Chute D'Icare (The Fall of Icarus) is a original, black and white photograp...

Lovers - Signed limited edition archival pigment print, 1993 - Edition of 5 This image was captured on film. The negative was scanned creating a digital file which was then pr...

11 x 14" vintage silver gelatin photograph of African American jazz composer, conductor, and musician David Baker, photographed in 1995. Signed by Jack Mitchell on the print verso. C...

No edition Silver gelatin print Paper size: 20 x 16 in. Image size: 19 x 15 in. Signed, and titled in pencil on verso by Earlie Hudnall Earlie Hudnall, who is one of the most notable African American photographers living today, has extensively documented the African American neighborhoods in Houston, Texas. After serving as a Marine in Vietnam, he enrolled at Texas Southern University, where he studied art under the direction of John Biggers, who became a great friend and mentor. During his time at TSU, he was hired to be a photographer for the Model Cities Program, part of Lyndon Johnson...

kurt – muse 1995 Signed, dated, and numbered, verso Gelatin silver print (Edition of 10) 14 x 11 inches, sheet 10 x 10 inches, image (Edition of 10) $3,000 Please note that price...

11 x 14" vintage silver gelatin photograph of composer & avant-garde jazz violinist Leroy Jenkins, 1995. Signed by Jack Mitchell on the print recto. Comes directly from the Jack Mitc...

"Moon Over", an abstract black & white photograph after Ansel Adams by Bill Clark (American, 20th Century). Signed "Bill Clark" and dated "1996" lower right. Titled "Moon Over" lower...

Sepia-toned gelatin silver print Signed and numbered, verso 24 x 20 inches, sheet (Edition of 35) 39 x 26 inches, sheet (Edition of 15) This photograph is offered by ClampArt, located in New York City. “Horenstein’s creatures are decontextualized. They appear without the backdrop of the natural landscape, outside even the artificial world of the zoo or aquarium, and devoid of their true color. As a consequence, the images are truly arresting; and in both a literal and a metaphorical sense, we see these animals as we have never seen them before. We notice details, and Horenstein focuses our vision on the unexpected: the foot of an elephant, the eye of an octopus, the hair on the back of a gibbon’s head, the pattern of feathers on a bird’s neck. He plays with scale: the rear end and tail of a rhinoceros occupy the entire picture frame. We see these as if through a magnifying glass. His pictures challenge us to look more closely, to ask questions and make connections. We think about form and function: the relationship between an elephant’s foot, a horse’s hoof, and our own toes. We ponder modes of sensing and communication: the signals that hold together a school of fish. Examining these photographs, we become scientists and discoverers. “In some respects, Horenstein’s work continues a centuries-old tradition of natural history illustration in the realm of photography. In natural history illustration, animals are often presented in shallow space with limited landscape, sometimes even against a blank page, in order to promote close examination and study of detail. But as much as these photographs promote scientific inquiry, they are more than scientific illustration. Animals were the subjects of our first art and our first metaphors; and freed from the constraints of space and time, many of Horenstein’s creatures remind us of the lost magical connection between the ‘animal world’ and our own. They are unsettling and they mesmerize. They transcend and transgress familiar boundaries between subject and object. Who is observing whom? The Komodo dragon looks at us with piercing eyes. We’re transfixed by the gaze of the harbor...

Karen Alexander broke ground as a black model in the 1980s and 1990s and is sometimes known as “the other supermodel”. Natural beauty Ritts wanted the 1994 Pirelli Calendar to be “mo...

Listing is for UNFRAMED print. Inquire within for framing. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase...

The Blindness of Fortune 1998 Signed, titled, dated, and inscribed in black ink, recto; Also signed, titled, dated, and numbered in black ink, verso Gelatin silver print (Edition o...

Limited Ediiton number 1 on 15 - numbered and signed on the back of the print Framed black wood and glass About this iconinc series : At times Thierry Le Goues...

Eddie Vedder Eddie Vedder,Pearl Jam 1992 by Kevin Westenberg Signed Limited Edition Kevin Westenberg is famed for his creation of provocative and electrifying images of world-cl...

Painted Concrete - Large Scale Textural Photograph Detailed macro photo by Bill Clark (American, 20th Century). Clark has taken a photograph of concr...

An original signed archival pigment print on Hahnemühle Photo Rag® Baryta 315 gsm paper by Scottish artist Ian Sanderson (1951- 2020) titled ‘ Emily ‘ who was captured on film in 19...

Artist: Maurizio Cattelan Title: Picasso Year: 1999 Medium: Photograph [Stamped and Numbered in Ink, verso] Edition: 39/1000 Size: 16 x 12 in. (40.64 x 30.48 cm)

This photograph by Bill Costa is offered by CLAMP in New York City.

Gelatin silver print Signed, titled, dated, and numbered in pencil, verso 13.5 x 11 inches, sheet 7 x 5 inches, image (Edition of 15) 24 x 20 inches, sheet 20 x 16 inches, image (Edition of 10) From the series, "Gymnasium" This photograph is offered by ClampArt, located in New York City. Please note that prices increase as editions sell. Luke Smalley was an American artist known for his photographic work, which pairs a coolly minimalist aesthetic with a retro nostalgia. Images from his early in his career were inspired by fitness manuals and yearbooks c. 1910. This is not surprising since Smalley graduated with a degree in sports medicine from Pepperdine University and worked for a number of years as a model and personal trainer. Smalley shot the bulk of his photographs in his home state of Pennsylvania. He used real high school...

Albert WATSON (*1942, Scotland) Sade 'Love Deluxe', 1992 Archival pigment print 142 x 107 cm (55 7/8 x 42 1/8 in.) Edition of 10, plus 2 AP Print only Drake purchased a series of Al...

Magic Hour (Musica Poetica) - 1997 44x59cm, Edition 4/10. Archival C-Print, based on the original Polaroid. Certificate and Signature label. Arti...

"Schnitzel Please!" This timeless, charming photo of a town favorite Dresden Dog, was captured by New York based photographer Fernando Natalici in Ge...

LORNA SIMPSON Recall, from the Exit Art/The First World Portfolio, 1998 Silkscreen on Felt 30 × 22 inches Hand signed and numbered 17/50 on the front Unframed This impressive silkscr...

FLORA & FAUNA SERIES, c.1998, Fuji crystal archive paper. Unsigned, Photographer Jeffrey Rothstein focuses on different elements within Nature for his subject matter, ranging from f...

Selenium-toned gelatin silver print Signed, titled, dated, and numbered in pencil, verso Also blindstamped with artist's name and edition number, recto 8 x 8 inches, image size (Ed...

Gelatin silver print (Edition of 15) Stamped and numbered, verso 20 x 16 inches, sheet From the series, "Gymnasium." This photograph is offered by ClampArt, located in New York Cit...

This is a photogravure by John Dugdale offered by CLAMP in New York City. 1999 Signed, titled, and numbered in pencil, verso Photogravure (Edition of 50) 15 x 13.5 inches (38.1 x...

Sophie - Signed limited edition archival pigment print, 1995 - Edition of 10 This image was captured on film. The negative was scanned creating a digital file which was then prin...

16 x 20" vintage silver gelatin photograph of Tony and Academy Award Winner Cicely Tyson, 1995. It is signed by Jack Mitchell on the recto and in pencil o...

Girl Nude (29 Palms, CA) - 1999 Edition of 10, plus 2 Artist Proofs, 50x50cm, Archival C-Print, Not mounted, based on the Polaroid, Signature label and Certificate, Artist inve...

TERRY EVANS (American b. 1944) "Terraced Plowing," September 4, 1990, Color photograph (chromogenic print, C Print) on photo paper, dated and hand signed...

11 x 14" vintage silver gelatin photograph of Paul Taylor Dance Company in performance, 1991. Comes directly from the Jack Mitchell Archives with a c...

Soundgarden by Kevin Westenberg Signed Limited Edition Kevin Westenberg is famed for his creation of provocative and electrifying images of world-class musicians, artists and movi...

This is a photogravure by John Dugdale offered by CLAMP in New York City. 1999 Signed, titled, and numbered in pencil, verso Photogravure (Edition of 50) 15 x 13.5 inches (38.1 x...

HIROSHI SUGIMOTO (*1948, Japan) 267 Arcadia, Milan 1998 Gelatin silver print Image 119,4 x 149,2 cm (47 x 58 5/8 in.) Framed 152,4 x 182,2 x 7,6 cm (60 x 71 5/8 x 2 3/4 in.) Editi...

g. paul – lotus 1996 Signed, dated, and numbered, verso Gelatin silver print 20 x 16 inches, sheet 15 x 15 inches, image (Edition of 30) $3500.00 This work is offered by CLAMP in...

This 1991 fine art print features Catherine Zeta-Jones when she was a TV actress in Britain and aspiring to be a Hollywood Star. Her success in The Darling Buds of May (English comed...

Paris, Elysées - Signed limited edition archival pigment print, 1998 - Edition of 5 This image was captured on film. The negative was scanned creating a digital file which was...

Everts Township Homestead, Summer, 1993 Fabulous American landscape photography of a rural landscape scene. from small hand signed edition of 20 Large Format Chromogenic print on Kodak Professional Paper The sheets are approximately 30 X 56 inches the images are around 16 X 48.25 inches Some of them are cut a bit irregularly, they should all mat out fine for framing. These are vintage large-format architectural chromogenic print photographs hand signed and dated and hand numbered from the edition of 20 in the lower margin. The collection depicts attractive examples of Mackenzie's wide-lens studies of architecture, such as barn structures , farm buildings, schoolhouse buildings and abandoned houses, set into richly colored landscapes. Maxwell MacKenzie is an award-winning professional and fine-art photographer based in Washington, DC and Minnesota. Over the past thirty-five years, his photographic assignments have taken him to 20 states and a dozen foreign countries, including Austria, the Bahamas, Bermuda, Brazil, Brussels, England, France, Greece, Morocco, Norway, Sweden, and Wales. Three books of Mackenzie's fine-art photographs have been published: Abandonings, (1995), color panoramic photographs of his native Otter Tail County, MN, which was awarded the Silver Medal Award for Excellence from Photo District News; American Ruins, Ghosts on the Landscape, (2001) black & white panoramics made in Montana, Idaho, Minnesota, Wisconsin and the Dakotas; and Markings, (2007), color abstract aerials made from his self-piloted, powered-parachute, a 300 pound, ultra-light aircraft. MacKenzie’s work is included in the permanent collection of The Phillips Collection as well as hundreds of private and corporate collections, including Exxon, Citibank, Deloitte & Touche, Dow Jones, Fannie Mae, The New York Hospital, Goldman Sachs, JP Morgan, the Union Bank of Switzerland, Phillip Morris, and the Washington Post. His fine-art photographs of the American West are also included in numerous American Embassy collections including Bogota, Lima, Lagos, and Moscow. His work has been exhibited in dozens of museums and galleries all over the country, including solo shows at The Contemporary Art Center of Virginia, Virginia Beach; The American Institute of Architects, DC; The Nordic Heritage Museum, in Seattle, WA; The Piedmont Arts Association, Martinsville, VA; the Julie Saul Gallery in NYC, the DNJ Gallery in LA; The Gallatin River Gallery...

Matthew Barney, Cremaster 5: Her Giant, 1997 C-print mounted under Plexiglas Signed and dated by the artist, with artist’s stamp on verso Edition: 6 of 6 An iconic work by American ...

Eddie Vedder Eddie Vedder, Pearl Jam by Kevin Westenberg- Signed Limited Edition Kevin Westenberg is famed for his creation of provocative and electrif...

Venice Russian Art Landscape with gondolas in Venice Georgij MOROZ (Dneprodzerzinsk, Ucraina, 1937 - St. Petersburg, 2015) MUSEUMS Moscow, Tret’jakov Gallery Moscow, USSR Artists Col...

This photograph by Blake Little is offered by CLAMP in New York City. Endangered #2 1993 Signed, titled, dated, and numbered, verso Gelatin silver print (Edition of 25) 14 x 14 i...

Albert WATSON (*1942, Scotland) Bowie, 'The Finger', 1996 Archival pigment print Sheet 76 x 61 cm (29 7/8 x 24 in.) Edition of 25, plus 2 AP; AP2/2 (last available edition) Albert Watson print...

Jarvis Cocker 1996 Jarvis Cocker, Pulp photographed by Kevin Westenberg for NME Magazine in Paris in July 1996. by Kevin Westenberg Signed Limited Edition Kevin Westenberg is fa...

Albert WATSON (*1942, Scotland) Kate Moss, Sun & Henna, Marrakech, Morocco, 1993 Archival pigment print Sheet 76 x 61 cm (30 x 24 in.) Edition of 25 plus 2 artist's proofs Print only...

Girl with Flag by Earlie Hudnall, Jr., presents a portrait of a young African American girl holding a small American flag. She is dressed in white, and looking over her shoulder. She stares into the distance with a blank, almost melancholy look on her face. Signed, titled, and dated by Earlie Hudnall, Jr in pencil on print verso. Gelatin silver print, 11 x 14 in. *Images and video show photograph in size 20 x 16 in. Frame not included Earlie Hudnall, who is one of the most notable African American photographers...

Albert WATSON (*1942, Scotland) Kate Moss, Frontal Nude III, 1993 Chromogenic print Sheet 243 x 183 cm (95 5/8 x 72 in.) Edition of 5; Ed. no 2/5 Print only Albert Watson was born 1...

Shuli Sadé, Israeli (b. 1952) Pipe Bending (1995) Hand painted silver gelatin photo print Hand signed in pencil lower right, numbered 1/10 Framed: 23.25 X 29.25 sight, 15 x 19 inches Provenance: Estate of Gideon Gartner Shuli Sade (Shuli Sadeh Goshen) is an Israeli Postwar & Contemporary artist born in Israel in 1952. Shuli Sadé studied at the Bezalel Academy of Art, Jerusalem and the School of Visual Arts. Her work, which uses urban movement as a central theme, explores technology and its potential to impact still, moving, and two- and three-dimensional images. Sadé has lectured at the University of Pennsylvania School of Architecture, Parsons The New School for Design, and Barnard College. Her Sadé's cross-disciplinary artwork blends theory and practice with a focus on memory, space, and urbanism. Her work creates maps of urban memory, reflecting the DNA of a city. She mixes mediums including photography, video, augmented reality, site-specific installations, sculpture, and drawing. Her recent exhibitions include Upstream Downstream, a site-specific augmented reality installation, Riverside Park, NYC, part of Re: Growth, public art exhibition (2021), Fluid Formations, Gensler DC, (2019), Wild_Heterotopias, AR installation at the HighLineNine Galleries, and the High Line, (2019), Solid Red, Galeria Ethra, Mexico City, (2018) Day Dreams, AR installation at Montefiore Medical Center, the Bronx, NY (2017) and group shows including Timing is Everything, Mead Art Museum collection (2018), Making Time, AR installation Index Art Center, Newark, NJ (2019), Anniversario, Datasets, Galeria Ethra, Mexico City (2019) Israeli Modernism in the 1970s from the Collection, Haifa Museum of Art (2016). She had collaborated with Neural scientists at the Neurobiology of Cognition Laboratory, Center for Neural Science, New York University, and with architects and designers across the US. Sadé creates large-scale site-specific murals in the Corporate environment. She is an Israeli contemporary woman artist. Her recent artworks are permanently installed in Manhattan, Philadelphia, Boston, North Carolina., Miami, Mexico City, Jersey City, and more. Sadé received the Pollock Krasner Foundation Grant, (2014), the National Endowment for the Arts Fellowship (1991), New York Foundation for the Arts Emergency Grant (2001), Lower Manhattan Cultural Council Fund, NY- Israel Cultural Cooperation Commission Grant, AICF study grant, NY Art Development Committee grants. Her work is in private and public collections. Shuli Sade is a NY artist and architectural photographer. Sade studio photographed Renzo Piano renovations at the Morgan library, Norman Foster Hearst tower, Weiss Manfredi Nexus at Barnard College, Shiseido at Grey Art Gallery by Marble Fairbanks, Sade works on international commissions, Published in Metropolis magazine, Architectural Digest, Eating Architecture, MIT, Avroko Design, Regan books and others. She lives in NYC and works at her studio at Mana Contemporary, NJ. Her work is represented by Galleria Ethra in Mexico City. Select Exhibitions 2012 Reconfiguring Memory, (permanent installation), Center for Neural Science, New York University 2012 Conference of the Birds, CYNTHIA-REEVES Projects at Mana Contemporary, New Jersey 2011 Conceptualizing the Body Gaze, Masquerade, and Spectacle 2011 ENCODE/ DECODE: Work in Progress, The City of Herzliya Art Gallery, Herzliya, Israel 2009 H20 Film on Water, Brattleboro Museum, Bratleboro, NH 2009 Meeting/Place Cabri Gallery of Israeli Art, Kibbutz Cabri: Yigal Ozeri, Alex Kremer, Ofer Lellouche, Lea Nikel, Moshe Kupferman, Ori Reisman, Jan Rauchwerger, David Reeb, Shuli Sadeh, Yehiel Shemi, Marik Lechner, 2006 Illuminated Disjunction, Hungarian Cultural Center, New York, NY 2005 The Silence of the Sea, The National Maritime Museum, Haifa, Israel 2003 Sacred Drawings, Tibetan Healing International Conference, Washington DC 2003 Blueprints Reconfiguring Space, Art in General Gallery, New York, NY 2000 Light and its Opposite, Lemberger Museum of Photography, Tel-Hai, Galilee, Israel 2000 Bassam Abu Shakra Gallery, Um -El-Fahem, Israel 1999 Mythic Arrangements, Ehrenkrantz Eckstut & Kuhn Architects, Los Angeles, CA 1999 Women photographers reflecting women, Talli's Fine Arts Gallery, New York, NY 1999 Neil Folberg Vision Gallery, Jerusalem, Israel 1996 Fragments of Anxiety, Columbia University, Avery Hall, School of Architecture, New York, NY 1995 Agni Vidya- the Fire of Knowledge, City of Venice Biennale, Isola Certosa, Italy 1994 Imprint, A.I.R. Gallery, New York, NY 1993 Sculptors of the Next Century, Socrates Park, Long Island City, NY 1990 Galleria Principal, Altos de Chavon, Dominican Republic 1981 Feminine Objects, Tzavta Jerusalem P.V.V, Israel 1980 Biennale of Contemporary Art, Tel Hai 80, Israel 1980 Borders, Israel Museum of Contemporary Art, Jerusalem, Israel Igael Tumarkin, Shuli Sadeh, Michal Naaman, Yair Garbuz, Gad Ullman...