1990s Photography

This photograph by Bill Costa is offered by CLAMP in New York City. He Worked Cruelly and Hard on That Flesh 1993 Signed, titled, dated, and numbered in ink, recto Gelatin silver ...

'Trapped' from the movie Immaculate Springs - 1998 - Edition of 10, 20x20cm, plus 2 Artist Proofs. Digital C-Print, based on an expired Polaroid. Si...

Les Voiles H 35.5 in. x 27.5 in. W Edition 6 Unframed. Les Voiles Series Uwe Ommer wanted to try a series that revealed less of the body using different wet ...

Andrés, 1999 by Celso José Castro Daza From the Series Guerreros One-of-a-kind Photomontage on archival paper Unframed Signed, titled and dated by the artist The root of these uniqu...

Edition 7 of 25 After 30 years on West 11th Street, The Robin Rice Gallery celebrates its first ever exhibition for Robin Rice. For decades, Robin has exhibited a wide variety of photographers at the gallery but never her own work. As the show’s title denotes, “It’s About Time.” The opening reception will be held on Wednesday, January 23rd from 6pm to 8pm. The exhibit runs through March 17, 2019. While her photography spans five decades and multiple continents, Rice maintains a cohesive, candid voice that carries throughout all of her work. Observing the world around her in a cinematic way, she possesses an uncanny ability to recognize and capture moments of beauty and the spontaneity of the human spirit. By evoking a wonderstruck sensibility, Rice expresses a deep-rooted love for both people and landscapes using her distinct bohemian style. In this salon-style retrospective, Rice uses an “old school” approach and shoots with her Nikon on Tri-X film. When creating her art, she insists, “the camera has a mind of its own.” The scenes captured in her photography are unedited and thus born purely from the magic of the in-camera composition. In the invitational image, “Tree Farm...

Old Woman Spring Road (29 Palms, CA) - 1999 44x59cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Certificate and Signature label. Art...

Edition of 15 Signed, titled and dated. Toned gelatin silver print Chema Madoz is one of the most important contemporary Spanish photographers, who is greatly known for his monochro...

Combined Edition 25 Also available in 50 x 60 cm/ 20 x 24 inch and as combined Edition 10 in 76 x 101 cm / 30 x 40 inch 101 x 127 cm / 40 x 50 inch Portrait of British-American sta...

Artist: Ian Hornak (1944-2002) Title: Les Fleurs à la Manière de Redon #7: Anemones Year: 1998 Medium: Oil on masonite Size: 16 x 13.5 inches Condition: Good Provenance: Estate of Ia...

The 1998 Pirelli Calendar was photographed in Miami by Bruce Weber. Shalom Harlow was among the many iconic models photographed. “Bruce Weber is a photographer and filmmaker best kn...

"Kate Moss London" by Jake Chessum Portrait of a young 16 year old Kate Moss – before she shot to supermodel stardom and became the icon she is today. Jake grew up in Croydon, South London. He studied Graphic Design at St. Martins School Of Art, and started working as photographer straight out of college. Assignments for The Face, Arena, and an early ad campaign for “Neutrogena” featuring a 16 year old Kate Moss followed. By 1995 Jake was regularly flying the Atlantic on assignment for JFK Jrs' “George” Magazine and in 1999 he upped sticks and moved permanently to NYC where he still lives with his wife and 2 kids...

Printed later Combined Edition 10 Also available in 76 x 101 cm / 30 x 40 inch and as combined Edition 25 in 40 x 50 cm/ 16 x 20 inch 50 x 60 cm/ 20 x 24 inch Black and white Portra...

The 1998 Pirelli Calendar was photographed in Miami by Bruce Weber. Shalom Harlow was among the many iconic models photographed. “Bruce Weber is a photographer and filmmaker best kn...

Coming from an earlier interest in portraits and street photography, my Nudes in Water are less about eroticism and more about body as the human vessel for our multi-faceted but brie...

'Caracalla Therme' A woman experiences the Caracalla Therme spa in Baden-Baden, September 1990. Paper Size 24x20 inches / 60 x 50 cm Estate Stamped Collection Edition to 150 ...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 15. Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph. ABOUT: This photograph is currently on exhibition at Robin Rice Gallery's 2018 Summertime Salon. It depicts a woman in a statement red straw hat...

This print is currently featured in our exhibition, Warm Regards, and will be available to ship after the show closes June 24th, 2017. Pentti Sammallahti is a benchmark figure in co...

Family 20x30cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on a Medium format Negative. Signed on back with Certificate. Not mounted.

Coming from an earlier interest in portraits and street photography, my Nudes in Water are less about eroticism and more about body as the human vessel ...

"Polk" Large Scale Textural Photograph Detailed macro photo by Bill Clark (American, 20th Century). Clark has taken a photograph of heavily painted concrete. The paint is bold yello...

Drugs is a Color Photographic Print on Hahnemuhle Paper in an Edition of 20 in this size of 20" x 24". States of America is the photographic legacy of one of the UK’s leading photog...

This work is offered by ClampArt in New York City.

This work features a photographic portrait of Helen Frankenthaler, taken by renowned musician and photographer Jim Arkatov, founder of the Los Angeles Chamber Orchester, and author of the 1998 book "The Creative Personality". The photograph is hand signed and dated '92 by Jim Arkatov. Framed alongside the photograph is a typed letter, hand signed in marker with a personal annotation ("Thanks again!!") by Helen Frankenthaler, thanking Mr. Arkatov for sending her glossy prints of his photograph and stating that she looks forward to seeing his book. Arkatov's original signed portrait, along with Frankenthaler's original signed letter, are elegantly framed in a museum quality wood frame under UV plexiglass. There is also a die-cut window in the back of the frame to reveal Arkatov's signature on the back of his photograph. Measurements: Framed 14.25 inches (vertical) by 19.75 inches (horizontal) by 1.75 inches (depth) Photographic portrait of Helen Frankenthaler: 9.25 inches (vertical) by 7.25 inches (horizontal) Letter from Frankenthaler to Arkatov: 7 inches (vertical) by 6.25 inches (horizontal) This collection was acquired from the Estate of Jim Arkatov. Below is an excerpt from his 2019 obituary in the Los Angeles Times: "...His was an immigrant’s story, a child from Russia who landed in San Francisco, befriended violinist Isaac Stern — whose fame was still to come — took up the cello and decided to pour his life into making music. James Arkatov found work with the Pittsburgh Symphony Orchestra and then with the philharmonic in San Francisco before coming to L.A. as a Hollywood studio musician who worked on movie soundtracks and backed up Ella Fitzgerald on some of her more memorable recordings, such as “Ella Fitzgerald Sings the George and Ira Gershwin Song Books.” Amazed at the dazzling talent around him in Hollywood, he came up with a simple but lasting idea — form their own orchestra. The Los Angeles Chamber Orchestra made its debut on an April evening in 1968, as hundreds squeezed into the newly built Mark Taper Forum. Arkatov played cello as usual as the ensemble drifted through the works of Mozart, Vivaldi, Haydn and other legends of the classics who’d written music specially for smaller orchestras. Arkatov, who lived long enough to see the orchestra celebrate its 50th anniversary, died Saturday at his home in Los Angeles. He was 98. “The orchestra represented a contextualized part of L.A. that had simply never been captured,” said his son, Alan Arkatov, the chair of the education and technology program at USC’s Rossier School of Education. “L.A. simply didn’t have this type of ensemble.” Arkatov was born in Odessa, Russia, on July 17, 1920, and moved around Europe before sailing with his family to San Francisco, where his father opened a photo studio. One of his early childhood friends was Stern, who would become an international star who performed on the world’s biggest stages. Arkatov, who began playing the cello when he was 9, formed a string quartet with Stern when they were teens. After stints as a cellist in San Francisco, Pittsburgh and Indianapolis, Arkatov became a member of the NBC Orchestra, the studio musicians who supplied the soundtracks for the movies that kept Hollywood humming. Pulling from the talent of Hollywood like an NFL team on draft day, he cobbled together a roster capable of handling the delicate and nuanced music written for chamber orchestras. In contrast to the L.A. Phil, which filled the stage with 100 or so musicians, the chamber orchestra was but half that size. The idea was to create a group that would play works written expressly for such an orchestra, many of them from the Baroque era. “The ensemble was never meant to compete with the Philharmonic,” Arkatov’s son said...." Helen Frankenthaler Biography: Helen Frankenthaler (1928-2011), whose career spanned six decades, has long been recognized as one of the great American artists of the twentieth century. She was eminent among the second generation of postwar American abstract painters and is widely credited for playing a pivotal role in the transition from Abstract Expressionism to Color Field painting. Through her invention of the soak-stain technique, she expanded the possibilities of abstract painting, while at times referencing figuration and landscape in unique ways. She produced a body of work whose impact on contemporary art has been profound and continues to grow. Frankenthaler was born on December 12, 1928, and raised in New York City. She attended the Dalton School, where she received her earliest art instruction from Rufino Tamayo. In 1949 she graduated from Bennington College, Vermont, where she was a student of Paul Feeley. She later studied briefly with Hans Hofmann. Frankenthaler’s professional exhibition career began in 1950, when Adolph Gottlieb selected her painting Beach (1950) for inclusion in the exhibition titled Fifteen Unknowns: Selected by Artists of the Kootz Gallery. Her first solo exhibition was presented in 1951, at New York’s Tibor de Nagy Gallery, and that year she was also included in the landmark exhibition 9th St. Exhibition of Paintings and Sculpture. In 1952 Frankenthaler created Mountains and Sea, a breakthrough painting of American abstraction for which she poured thinned paint directly onto raw, unprimed canvas laid on the studio floor, working from all sides to create floating fields of translucent color. Mountains and Sea was immediately influential for the artists who formed the Color Field school of painting, notable among them Morris Louis and Kenneth Noland. As early as 1959, Frankenthaler began to be a regular presence in major international exhibitions. She won first prize at the Premiere Biennale de Paris that year, and in 1966 she represented the United States in the 33rd Venice Biennale, alongside Ellsworth Kelly, Roy Lichtenstein, and Jules Olitski. She had her first major museum exhibition in 1960, at New York’s Jewish Museum, and her second, in 1969, at the Whitney Museum of American Art, followed by an international tour. Frankenthaler experimented tirelessly throughout her long career. In addition to producing unique paintings on canvas and paper, she worked in a wide range of media, including ceramics, sculpture, tapestry, and especially printmaking. Hers was a significant voice in the mid-century “print renaissance” among American abstract painters, and she is particularly renowned for her woodcuts. She continued working productively through the opening years of this century. Frankenthaler’s distinguished, prolific career has been the subject of numerous monographic museum exhibitions. The Jewish Museum and Whitney Museum shows were succeeded by a major retrospective initiated by the Modern Art Museum of Fort Worth that traveled to The Museum of Modern Art, New York, the Los Angeles County Museum of Art, and the Detroit Institute of Arts, MI (1989); and those devoted to works on paper and prints organized by the National Gallery of Art, Washington, D.C. (1993), among others. Select recent important exhibitions have included Painted on 21st Street: Helen Frankenthaler from 1950 to 1959 (Gagosian, NY, 2013); Making Painting: Helen Frankenthaler and JMW Turner (Turner Contemporary, Margate, UK, 2014); Giving Up One’s Mark: Helen Frankenthaler in the 1960s and 1970s (Albright-Knox Art Gallery, Buffalo, NY, 2014–15); Pretty Raw: After and Around Helen Frankenthaler (Rose Art Museum, Brandeis University, Waltham, MA, 2015); As in Nature: Helen Frankenthaler, Paintings and No Rules: Helen Frankenthaler Woodcuts...

5203 4 41 1995 1/20. This is a vintage gelatin silver print, selenium toned, made by hand by master photographer Jack Mitchell and signed both on the recto and verso. Chosen by the ...

Argentinian dancers Julio Bocca and Eleonora Cassano nude study taken during a session for Playboy magazine, photographed in 1993. This is a vintage g...

Coming from an earlier interest in portraits and street photography, my Nudes in Water are less about eroticism and more about body as the human vessel ...

Coming from an earlier interest in portraits and street photography, my Nudes in Water are less about eroticism and more about body as the human vessel ...

This unique hand-painted photograph by Mark Beard is offered by CLAMP in New York City.

Interior photograph from Richard Heeps, Prefab series. "Prefab came about as an offshoot of 'A View of the Fens Car with Wings' and I feel the square format artworks are a continuati...

Les Voiles H 35.5 in. x 27.5 in. W Edition 6 Unframed. Les Voiles Series Uwe Ommer wanted to try a series that revealed less of the body using different wet ...

Summer Picnic A summer picnic at the Castle Pines yacht club in Colorado, 1990 16×20 inches - paper size Estate Stamped Collection Edition to 150 ...

Gas Station at Night I (Stranger than Paradise) - 1999 37x36cm, Edition of 30, Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory #391. Not...

Listing is for UNFRAMED print. Inquire within for framing. Edition 1 of 20. If the exhibition piece is sold or the customer orders a different print size, the photograph is p...

Michael Kenna is master of contemporary photography. Known for clean compositions, long exposures and minimalist aesthetics, Kenna’s signature style remains highly influential among ...

Michael Jackson is a vintage black and white photograph realized in the 1990s. Good conditions.

Combined Edition 25 Also available in 50 x 60 cm/ 20 x 24 inch and as combined Edition 10 in 76 x 101 cm / 30 x 40 inch 101 x 127 cm / 40 x 50 inch Portrait of the American actress....

Printed later Combined Edition 25 Also available in 50 x 60 cm/ 20 x 24 inch and as combined Edition 10 in 76 x 101 cm / 30 x 40 inch 101 x 127 cm / 40 x 50 inch Portrait of Eartha Kitt...

Virus Aquarium 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on a Polaroid. Signature Label and Certificate. Not mounted.

Stunning green abstract photograph reminiscent of Ikat fabric by Janet Van Arsdale (American, 20th Century). Signed in pencil lower left corner. Presented in black frame with double ...

Burning Field IV (The Last Picture Show) - 2005 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Certificate and signature label. ...

This photograph by Bill Costa is offered by CLAMP in New York City.

Combined Edition 25 Also available in 50 x 60 cm/ 20 x 24 inch and as combined Edition 10 in 76 x 101 cm / 30 x 40 inch 101 x 127 cm / 40 x 50 inch Portrait of the famous model and ...

Black and white capture of Jack Nicholson in his role for "Wolf", 1994. Wolf is a 1994 American romantic horror film directed by Mike Nichols and starring Jack Nicholson, Michelle P...

The 1998 Pirelli Calendar was photographed in Miami by Bruce Weber. Georgina Grenville was among the many iconic models photographed. “Bruce Weber is a photographer and filmmaker be...

Polaroid transfer on Rives BFK paper Signed, titled, dated, and numbered in pencil, recto Also blindstamped, l.r. 22 x 15 inches, sheet 10 x 8 inches, image This artwork is offered by CLAMP, located in New York City. Mark Beard writes: “I asked Robert Mapplethorpe to take me to the ‘Mine Shaft,’ a famous S&M club. He agreed but told me it was finished and boring. We made Christmas trees together for New York Magazine. He asked to make nude...

Coming from an earlier interest in portraits and street photography, my Nudes in Water are less about eroticism and more about body as the human vessel for our multi-faceted but brie...

Edition 25 Also available in 101 x 127 cm / 40 x 50 inch, Edition 10 Black and white portrait of famous actor Marlon Brando. From personality portraits and advertising campaigns t...

This is a photogravure by John Dugdale offered by CLAMP in New York City. 1999 Signed, titled, and numbered in pencil, verso Photogravure (Edition of 50) 15 x 13.5 inches (38.1 x...

Faye Dunaway Oscar Outtake (Stare) Los Angeles 1977 (printed later C-print 40 x 40 inches Signature stamped and numbered edition of 50 with certificate of authenticity from the Terr...

Edition 25 Also available in 101 x 127 cm / 40 x 50 inch, Edition 10 Black and white contact sheet of the legendary american artist Andy Warhol. From personality portraits and adv...

Nobuyoshi ARAKI (*1940, Japan) Untitled (Erotos), 1993 Gelatin silver print Sheet 101.6 x 76.2 cm (40 x 30 in.) Print only – Nobuyoshi Araki Nobuyoshi Araki (Tokyo, 1940) is a Tokyo...

Archival pigment print (Edition of 10) Signed, titled, dated, and numbered in pencil, verso This artwork is offered by ClampArt, located in New York City.

This is a photogravure by John Dugdale offered by CLAMP in New York City. 1999 Signed, titled, and numbered in pencil, verso Photogravure (Edition of 50) 15 x 13.5 inches (38.1 x...

Richard Ashcroft DEC 8 1999 LONDON NME COVER SHOOT. Exquisite print of The Verve frontman Richard Ashcroft - close up shot unframed signed and numbered by the artist. limited to 10 only this size. About the artist : Kevin Westenberg is famed - for his creation of provocative and electrifying images of world-class musicians, artists and movie stars for over 25 years. His technique of lighting, colour and composition has helped to produce his own unique visual style. Shortly after receiving an Architecture degree he moved to London where he’s been based since 1983. Westenberg is self-taught and learned his trade working for the UK inkies “New Musical Express” and “Melody Maker” mainly throughout the late 80’s and 90’s documenting amongst others all the UK ‘Britpop’ bands. The breakthrough came in 1993-1994 with the release of Sting’s Ten Summoner’s Tales and Mary J Blige’s Share My World. These two album covers changed the perception of the work worldwide and thus began a run of 20 years of commissions and choice opportunities. For the last 25 years, his musical heritage includes portraits of Radiohead, Thom Yorke, Coldplay, White Stripes, Jane's Addiction, Sting, Bjork, Nirvana, Jeff Buckley, Luther Vandross, Nine Inch Nails, Stone Roses, The Pixies, Paul Weller, Rufus Wainwright, Michael Stipe, U2, Mary J. Blige, R.E.M., Black Sabbath, Massive Attack, BB King, The Rolling Stones, PJ Harvey, Marilyn Manson, Pete Doherty, Oasis, Soundgarden, Jake Bugg, and Bon Jovi among many others. Also included are 100’s of albums, singles, magazine & book covers from around the world. He’s also been chosen as official photographer for the LIVE 8 Hyde Park event in 2005 and for Led Zeppelin reunion concert at the 02 Arena, London. The work & interest also include a wide range of artists portraits beyond the music world. David Lynch, Paul Auster, The Coen Brothers, Rupert Friend, Sir Tom Stoppard, Orla Kiely...

Artist(s): Oasis, Liam Gallagher, Noel Gallagher, Manchester Music Location: Wembley Stadium, London Date: July 2000 Era: The 2000's Edition: hand signed limited edition 7/50 Print type: Giclée Print Paper type: Archival 310gsm cotton based rag paper Noel & Liam Gallagher from Oasis backstage before performing onstage at Wembley Stadium in July 2000 printed this year paper size 31 x41 cm / 12 x 16 inches © Jill Furmanovsky Accompanied by a Certificate of Authenticity 'I feel blessed to have photographed so many extraordinary musicians over my 50-year career. Their music formed a soundtrack to my life and has inspired my work. This exhibition at Proud is homage to their magical gifts. ‘No Music No Life’ says it all.' Jill Furmanovsky Her legacy is profound.' Gail Buckland (guest curator and author of 'Who Shot Rock & Roll - Brooklyn Museum) 'She reveals you to yourself.' Nile Rodgers (Chic) 'Through the honesty of Jill’s work, we are brought closer to the frailty and humanity of celebrity.' (Neville Brody, designer of The Face Magazine) 'Jill is one of my favourite photographers of all time.' Jools Holland Jill Furmanovsky body of work exudes at its heart her love of music and unique ability to capture its vibrancy and spirit throughout her career. Her intimate and candid shots of Oasis reflect her close relationship with the band during their zenith. Rockarchive founder, Jill Furmanovsky, was born and brought up in Rhodesia (now Zimbabwe). Her parents moved to London in 1965 when she was eleven. As a teenager, she became a Beatles fan and often stood outside Abbey Road Studio hoping to catch sight of them. Her first rock shot was of Paul McCartney and two school friends taken on a Kodak Instamatic outside of his home in St. John’s Wood. Jill studied textile and then graphic design at the Central School of Art and Design in London. In January 1972, whilst on a two-week block course in photography, she had a lucky break when she was offered a job as in-house photographer for premier rock venue, The Rainbow Theatre. From then on, she took live shots and features for the music press of the day of the 1970’s and 80’s, including NME, Melody Maker, Sounds, Smash Hits and The Face. In the 1990s Jill became the main photographer for Oasis. Jill has won many awards for her music photography including The Jane Bown...

John Baldessari Love and Work 1991: Baldessari’s Love & Work 1991, photogravure and color aquatint, features clasped hands clutching surrealistically amidst a black background. Classic, timeless Baldessari imagery that is sure to work well in any setting. Medium: Color photogravure and aquatint on wove paper. 1991. Dimensions: 26 x 11.5 inches. Well-preserved and in very good overall condition. Framed in acrylic plexiglass. One of the 15 numbered artist's proofs, aside from the general edition of 60. Signed, inscribed "A.P." and numbered 12/15 in pencil, lower margin. Published by Brooke Alexander, Inc., New York. Collections: MoMa New York John Baldessari: It is hard to characterize John Baldessari's varied practice—which includes photomontage, artist’s books, prints, paintings, film, performance, and installation—except through his approach of good-humored irreverence. Baldessari is commonly associated with Conceptual or Minimalist art, though he has called this characterization “a little bit boring.” His two-dimensional works often incorporate found images, composed in layers or presented as distinct pieces with an element of surprise, like a brightly colored geometric shape in the place of a face or a starkly printed sardonic caption. Baldessari has demonstrated a lasting interest in language and semantics, articulating these concerns through the use of puns or the juxtaposition of seemingly unrelated images and words, as in his 1978 work Blasted Allegories. His self-referencing photomontages and use of text have been sources of inspiration for countless artists, including Cindy Sherman, David Salle, and Barbara Kruger. Baldessari identifies his own artistic lineage, saying, "I would prefer to go to the source with Duchamp rather than credit Warhol as an influence." Related Categories: Surrealist. Ed Ruscha. Los Angeles. Conceptual art. Photography. Minimalist. John Baldessari prints.

Gelatin silver print Stamped and numbered, verso 14 x 11 inches, sheet 7 x 5 inches, image (Edition of 15) 20 x 16 inches, sheet 15.75 x 12 inches, image (Edition of 10) From the ...

Polaroid transfer drawing of a Classical column base on Rives BFK paper by Mark Beard 7 x 9.5 inch image size 22 x 15 inch paper size Ed. 1/6, Polaroid Transfer on Rives BFK paper, u...

Albert WATSON (*1942, Scotland) Sade (Nude), 1992 Archival pigment print 142 x 107 cm (55 7/8 x 42 1/8 in.) Edition of 10, plus 2 AP Print only Drake purchased a series of Albert's ...

Photo b/w signed and dated on back New York 1998, numbered 2 of 5 He was born in Brazil in 1970 in Quartel Geral, in the state of Minas Gerais, where he began his professional activi...