Abstract Photography

"Dark Cloudy Shapes" is a blue tones stunning handmade monotype that features an intricate interplay of mid-century modern shapes, all rendered in shades of blue. These shapes are ex...

The artists computer-generated paintings merge craftsmanship and technology, creating an eclectic and unique style. Through her art, she aims to illuminate the world. Tcherassi's wo...

Gaia 114 - Black and White Diptych Birds Flying in Formation above Spanish Waves by Jaume Llorens Bach Gaia 114 is a 18cm x 24cm Black and Whi...

Unique piece More sizes and an Essay from Lyle Rexer about this series on request. Joachim Schmeisser’s work rescues photography from the centuries-old straightjacket of realism to...

Mesmerizing large scale photograph from the artist's Seascape series, a body of works capturing the tactile surfaces and monochromatic nature of oceanic water and cloudscapes Seasca...

The artist's computer-generated paintings merge craftsmanship and technology, creating an eclectic and unique style. Through her art, she aims to illuminate the world. Tcherassi's ...

Multilayer 301 unique abstract photo paper collage (1 of 1), signed 39" x 31.5" / 100cm x 80cm About the artist Felix Schramm was born in Hamburg, Germa...

The artists computer-generated paintings merge craftsmanship and technology, creating an eclectic and unique style. Through her art, she aims to illuminate the world. Tcherassi's wo...

Unique piece in this size More sizes and an Essay from Lyle Rexer about this series on request. Joachim Schmeisser’s work rescues photography from the centuries-old straightjacket ...

Papercute No.3 explores the sculptural qualities of light and shadow through delicately folded paper. The composition evokes a sense of movement, with fluid, organic curves resemblin...

From June and Oris collection - June As she steps inside, day gives way to night. The air is thick with warmth, heavy with the scent of simmering broth. Hands move in quiet rhythm...

'Lily in Charcoal' 2023 From raw energy to sublime. 'Lily in Charcoal' is an expression piece combining an abstract charcoal drawing with a live lily emerging from a gash. The charc...

A restless sky, churning with unseen forces, moves in endless cycles of tension and release. Light and shadow collide, creating a scattered harmonic field where small birds glide wit...

Abstract Dancers, Dark Blue 4, 2019 Archival Pigment Print in this size of 50cm x 50cm in an edition of 15 Please contact the gallery for further details on the oversize print of 1...

'Ultramarine hills' Ultramarine hills was photographed in Iran, 2016 with a combination of the special ultramarine colour filter. The idea of colour combination together with Iranian...

Sandstill No.3 London, United Kingdom 2021 From limited edition of 20. The photograph is signed front bottom right corner and comes with a certificate of authenticity, signed dat...

'10000 blue days' Mesr Desert, Iran 2016. Limited edition of 20.

Gaia Diptych 129 - Black and White Monochrome Spanish Mountain Landscape Diptych by Jaume Llorens Bach Gaia Diptych 129 is is a 18cm x 24cm Black and White Photographic print on Pre...

This is an exclusive handprinted unique cyanotype that takes its inspiration from the mid-century modern shapes. It's made by layering paper cutouts and d...

Temporal Perception 92 (Diptych) (Abstract photography) Archival C-Print — Unframed. Edition: 1/12 Available in 2 weeks turnaround. Sold as a diptych. Each element size is: 45 x 30"...

Franco Fontana (Italian, born 1933) Title: Landscape 1987 Edition 6/15 Medium: dye-transfer Dimensions: Frame 21.5 x 27.5. Sight 12 x 20. Provenance: Monique Goldstrom Gallery Franco Fontana (Italian, 1933) is an Italian photographer. He is best known for his Minimalist abstract colour landscapes. He was influenced by Minimalism and Abstract Expressionism. Franco Fontana was born in 1933 in Modena. He started taking photographs in the 1950s when he was working as a decorator in a furniture showroom. In 1961 he joined a local amateur club in Modena. The experience would be a turning point in his career, and Fontana went on to have his first solo exhibition in 1965 at the Società Fotografica Subalpina, Turin and at the Galleria della Sala di Cultura in Modena in 1968. Since then he has participated in more than 400 group and solo exhibitions including the exhibit Lines, Spheres and Glyphs at Robert Klein Gallery with works by photographers: Franco Fontana, Mario Giacomelli, Ernst Haas, Gyorgy Kepes and Aaron Siskind. Franco Fontana is considered one of the most relevant photographers of our time, In 1963 he exhibited his work at the Biennale of Color in Vienna, and in 1968 he held his first solo exhibition in Modena. Fontana often pares landscapes down to their essential elements, producing flat, geometric compositions reminiscent of the color field abstract expressionist paintings of Mark Rothko Ad Reinhardt and Barnett Newman, by underexposing his transparencies. Contrasting blue skies with green or yellow grass and the rigid lines of buildings with the softness of puffy clouds, he makes color and texture his primary subjects. He has also shot in Polaroid film, Cibachrome, C Print and chromogenic prints. His art has been acquired by some of the most important museums worldwide, including the Maison Européenne de la Photographie in Paris, MoMA in New York, Museum Ludwig in Cologne, Museum of Modern Art in Norman, Oklahoma, National Gallery in Beijing, Australian National Gallery in Melbourne, University of Texas in Austin, Stedelijk Museum in Amsterdam, Tokyo Metropolitan Museum, Israel Museum in Jerusalem, and Musée d’Art Moderne de la Ville in Paris. Fontana has photographed for advertising campaigns for brands such as Fiat, Volkswagen, Ferrovie dello Stato Italiane, Snam, Sony, Volvo, Versace, Canon, Kodak, Robe di Kappa, Swissair, and has been a magazine photographer for publications including Time, Life, Vogue (USA and France), Venerdì di Repubblica, Panorama, and with the Frankfurter Allgemeine Zeitung and The New York Times. Fontana's first book, Skyline, was published in 1978 in France by Contrejour and in Italy by Punto e Virgola with a text by Helmut Gernsheim. Fontana is the art director of the Toscana Foto Festival. He has received numerous awards, such as the 1989 Tokyo Photographer Society of Japan - The 150 Years of Photography - Photographer Award. Fontana is especially interested in the interplay of colours. His early innovations in colour photography in the 1960s were stylistically disruptive. According to art critic Giuliana Scimé, Fontana "destroyed all the structures, practices, and technical choices within the Italian tradition." Fontana uses 35mm cameras, and as noted by Iwan Zahar, deploys distant viewpoints with telephoto lenses to flatten contours in a landscape of crops and fields into bands of intense, saturated colour. This is an effect that Franco Lefèvre has described as 'dialectical landscapism'. Of his use of colour in his 2019 retrospective exhibition Sintesi ('Synthesis') at Fondazione Modena Arti Visive, curator Diana Baldon has observed; “His bold geometric compositions are characterised by shimmering colours, level perspectives and a geometric-formalist and minimal language, By adopting this approach during the 1960s, Fontana injected a new vitality into the field of creative colour photography for then multicolour was not in fashion in art photography., The way Fontana shoots, dematerializes the objects photographed, which loose three-dimensionality and realism to become part of an abstract drawing”. Aside from the rural landscape Fontana has applied his graphic sensibility to other subjects: city architecture, portraiture, fashion, still-life and the nude. He was included in the exhibition of the Helmut Newton Collection along with Brassaï, Diane Arbus, Franco Fontana, Horst P. Horst, Irving Penn, June Newton, Just Loomis, Man Ray, Mark Arbeit...

Print/photography, limited edition of 15, signed by the author.

Unique piece More sizes and an Essay from Lyle Rexer about this series on request. Joachim Schmeisser’s work rescues photography from the centuries-old straightjacket of realism to...

Unique piece More sizes and an Essay from Lyle Rexer about this series on request. Joachim Schmeisser’s work rescues photography from the centuries-old straightjacket of realism to...

Unique piece More sizes and an Essay from Lyle Rexer about this series on request. Joachim Schmeisser’s work rescues photography from the centuries-old straightjacket of realism to...

Belgian photographer Isabelle Menin creates portraits of flowers that are not only gorgeous in form and color, but also uniquely expressive. Fresh blossoms and withering blooms melt ...

Temporal Perception 361 (Diptych) (Abstract photography) Archival C-Print — Unframed. Edition: 1/12 Available in 2 weeks turnaround. Sold as a diptych. Each element size is: 45 x 30...

An abstract composition capturing the dramatic interplay between vibrant crimson and stark white elements. The photograph presents a swirling vortex of deep red textures that dominat...

Peters has gone on to capture and document man’s wider imprint on nature. Whether it’s the graphic symmetry of urban architecture or the abstract choreography of the forms and hues o...

Multilayer 285 unique abstract photo paper collage (1 of 1) signed 39" x 31.5" / 100cm x 80cm About the artist Felix Schramm was born in Hamburg, German...

Delphinium 2 by Giles Revell is a dynamic, abstract archival pigment print. Available in this size of 50cm x 50cm in an edition of 25. Larger prints are available, please contact th...

Black and white fine art long exposure waterscape - landscape photography. Archival pigment ink print as part of a limited edition of 7. All Gerald Berghammer prints are made to orde...

Multilayer 270 unique abstract photo paper collage (1 of 1) signed 39" x 31.5" / 100cm x 80cm About the artist Felix Schramm was born in Hamburg, German...

Pillow II. photography belongs to a concept of three photographies done on a sole bank in a park. Will be signed.

From the series “The Alignment” which is materialized from video footage shot with two ballet dancers underwater; he is carrying on the theme of wat...

"Twilight, Kyoto, Japan" is a unique (one-of-a kind) photo-based mixed media sepia toned print with hand manipulation on hand-edged Japanese artist's...

'Undo' explores the duality of human emotion through the art of double exposure. Captured using 35mm film, this black and white analogue photograph intertwines two distinct moments i...

'Ramunes' 2024 Cotton canvas print from limited edition of 5. (Does not come with streatch bars, only canvas print) Black and white floral film photography. Made using a large fo...

Beautiful abstract photo depicting female nude, Signed N. Scott. Image measures 10 x 12 inches; 19.25 x 21.25 inches framed and matted. Excellent condition.

Print, limited edition of 15. Signed by the author.

This is an exclusive handprinted unique cyanotype that takes its inspiration from the mid-century modern shapes. It's made by layering paper cutouts and different exposures using uv-...

Photography, printed as fine art print, limited edition of 15, signed by the author.

Though it resembles a giant abstract watercolor painting owing to its soft gradations and luminous quality, this is a form of photography called a cyano...

Franco Fontana (Italian, born 1933) Title: Varsavia, (Warsaw, Poland streetscape with buildings) 1977 Medium: dye-transfer Dimensions: Frame 28.5 x 20.5. Sight 20 x 13. Provenance: Monique Goldstrom Gallery Franco Fontana (Italian, 1933) is an Italian photographer. He is best known for his Minimalist abstract colour landscapes. He was influenced by Minimalism and Abstract Expressionism. Franco Fontana was born in 1933 in Modena. He started taking photographs in the 1950s when he was working as a decorator in a furniture showroom. In 1961 he joined a local amateur club in Modena. The experience would be a turning point in his career, and Fontana went on to have his first solo exhibition in 1965 at the Società Fotografica Subalpina, Turin and at the Galleria della Sala di Cultura in Modena in 1968. Since then he has participated in more than 400 group and solo exhibitions including the exhibit Lines, Spheres and Glyphs at Robert Klein Gallery with works by photographers: Franco Fontana, Mario Giacomelli, Ernst Haas, Gyorgy Kepes and Aaron Siskind. Franco Fontana is considered one of the most relevant photographers of our time, In 1963 he exhibited his work at the Biennale of Color in Vienna, and in 1968 he held his first solo exhibition in Modena. Fontana often pares landscapes down to their essential elements, producing flat, geometric compositions reminiscent of the color field abstract expressionist paintings of Mark Rothko Ad Reinhardt and Barnett Newman, by underexposing his transparencies. Contrasting blue skies with green or yellow grass and the rigid lines of buildings with the softness of puffy clouds, he makes color and texture his primary subjects. He has also shot in Polaroid film. His art has been acquired by some of the most important museums worldwide, including the Maison Européenne de la Photographie in Paris, MoMA in New York, Museum Ludwig in Cologne, Museum of Modern Art in Norman, Oklahoma, National Gallery in Beijing, Australian National Gallery in Melbourne, University of Texas in Austin, Stedelijk Museum in Amsterdam, Tokyo Metropolitan Museum, Israel Museum in Jerusalem, and Musée d’Art Moderne de la Ville in Paris. Fontana has photographed for advertising campaigns for brands such as Fiat, Volkswagen, Ferrovie dello Stato Italiane, Snam, Sony, Volvo, Versace, Canon, Kodak, Robe di Kappa, Swissair, and has been a magazine photographer for publications including Time, Life, Vogue (USA and France), Venerdì di Repubblica, Panorama, and with the Frankfurter Allgemeine Zeitung and The New York Times. Fontana's first book, Skyline, was published in 1978 in France by Contrejour and in Italy by Punto e Virgola with a text by Helmut Gernsheim. Fontana is the art director of the Toscana Foto Festival. He has received numerous awards, such as the 1989 Tokyo Photographer Society of Japan - The 150 Years of Photography - Photographer Award. Fontana is especially interested in the interplay of colours. His early innovations in colour photography in the 1960s were stylistically disruptive. According to art critic Giuliana Scimé, Fontana "destroyed all the structures, practices, and technical choices within the Italian tradition." Fontana uses 35mm cameras, and as noted by Iwan Zahar, deploys distant viewpoints with telephoto lenses to flatten contours in a landscape of crops and fields into bands of intense, saturated colour. This is an effect that Franco Lefèvre has described as 'dialectical landscapism'. Of his use of colour in his 2019 retrospective exhibition Sintesi ('Synthesis') at Fondazione Modena Arti Visive, curator Diana Baldon has observed; “His bold geometric compositions are characterised by shimmering colours, level perspectives and a geometric-formalist and minimal language, By adopting this approach during the 1960s, Fontana injected a new vitality into the field of creative colour photography for then multicolour was not in fashion in art photography., The way Fontana shoots, dematerializes the objects photographed, which loose three-dimensionality and realism to become part of an abstract drawing”. Aside from the rural landscape Fontana has applied his graphic sensibility to other subjects: city architecture, portraiture, fashion, still-life and the nude. He was included in the exhibition of the Helmut Newton Collection along with Brassaï, Diane Arbus, Franco Fontana, Horst P. Horst, Irving Penn, June Newton, Just Loomis, Man Ray, Mark Arbeit...

Wood 1. is photography, signed in limited edition of 5. I admire the old craftsmanship and the result, even a fragment is preserved.

16 x 20" vintage silver gelatin photograph, multiple exposure male nude. Titled, numbered, dated, and signed by Jack Mitchell on the recto. Comes directly from the Jack Mitchell Arch...

Belgian photographer Isabelle Menin creates portraits of flowers that are not only gorgeous in form and color, but also uniquely expressive. Fresh blossoms and withering blooms melt ...

From the series “The Alignment” which is materialized from video footage shot with two ballet dancers underwater; he is carrying on the theme of water as a source of rebirth and flow...

Time lapse photograph, archival pigment print.

I like minimalism, this orange stripe I found occasionally, the picture is limited edition of 5 in the size. Signed by the author.

Hailing from the picturesque city of Zaragoza, nestled near the Pyrenees, Carlos Blanchard's journey into the realm of photography was influenced by the rich tapestry of his upbringi...

Sardinia is a photograph taken by Amanda Ludovisi in 2018. It represents a tranquil wave by the shore in Sardinia, which delicate colors. This is a gi...

Belgian photographer Isabelle Menin creates portraits of flowers that are not only gorgeous in form and color, but also uniquely expressive. Fresh blossoms and withering blooms melt ...

Morris Louis MoMa New York 1986: Rare 1980s Morris Louis press photographs featuring Morris Louis's Alpha Alpha & Albireo: Silver-gelatin prints: set of 2 individual works. Dimensi...

“Alice” is a part of Alex Sher’s popular series Reflections - underwater photographs that could be almost mistaken for abstract paintings as they bring up recollections of masterpiec...

Unique piece More sizes and an Essay from Lyle Rexer about this series on request. Joachim Schmeisser’s work rescues photography from the centuries-old straightjacket of realism to...

The 'Miami Skin Series' it’s not a traditional collection of photos about the architecture of Miami and Miami Beach. It’s rather a quick journey between its own skin from the Art Dec...

Michael Williams, Untitled Landscape 1, Color Landscape Photograph on Paper, 2010 - Colors: Gray, Green, Brown, Yellow

Black and white fine art panorama landscape photography. Archival pigment ink print, limited edition of 9. Cherry Tree avenue at the edge of the cornfield, Weinviertel, Austria. All ...

Silver print. Overall sheet dimension is 16" x20". Signed by Siskind in pencil, and with the title and negative date in pencil on back of print. 1949 (Printed in 1980s).