Impressionist Photography

New York City in snowy winter scene. The work is signed, dated, and numbered 4/15 in the lower right recto corner, with other sizes available. It is unframed and printed later. Prin...

New York City snowstorm. The work is signed, dated, and numbered 35500/15 in the lower right recto corner, with other sizes available. It is unframed and printed later. Printed on H...

Artist Commentary: Down in the valley the serene layers of distance divide the landscape spiritually. Words that describe this piece: Layers, distance,...

Artist Commentary: This Black and white image is a standard nature shot taken digitally and converted to infrared. Keywords: Infrared, nature, black and white, photo

Vintage photograph of lower Manhattan that appeared on the cover of New York Magazine, October 1, 1979, The work is signed, dated, and numbered 3/15 in the lower right recto corner,...

Old outdoor Coca-Cola billboard in vacant field In Northern Arizona. The work is signed, dated, and numbered 3/15 in the lower right recto corner, with other sizes available. It is ...

Print detail: Painting like photographic Fine Art Print, Printed on Museum Glass and Hand Gilded with Gold leaf in custom made frame. 41 x 57 cm (Framed) Glass Print from Edition of 1/5 Series: Blossom Blizzard (New Print on Glass edition 2022) About the work: "Despite T.S. Eliot's assertion that 'April is the cruellest month', I invariably feel a sudden surge of wellbeing and optimism when the first scent of spring hangs in the air. I know I'm far from alone in this - photographers and artists surely feel that sense of excitement as keenly as any gardener eagerly rifling though their seed packets. Mother Nature, it seems, is handing us our images on a plate. The light is soft and benign, the colours, gentle, and the countryside seems to suddenly be filled with boundless enthusiasm. Quotes such as 'Spring is nature's way of reminding us that every day is worthy of celebration' pop up on social media with unfailing regularity - long before the first cuckoo is heard. This image was taken at Stanmer Park, just outside of Brighton. A blustery day in early April, the air was filled with the sweet smell of April and the profligacy and exuberance of the new growth emerging was inspirational. Blossom-laden branches were everywhere but I concentrated on one small tree that stood apart from the rest. For reasons unclear, its tiny flowers seemed whiter, fluffier, altogether more generous than that of any of its neighbours. It was bitterly cold. The type of cold that can only be experienced when one has left home in overly optimistic clothing, only to realise that the wind chill factor hadn't been accounted for when getting dressed. I struggled on for about half an hour - reluctant to retreat to the warmth of the nearby cafe and the very enticing appeal of a cup of coffee. Fortunately, my inspiration came quickly - as the tiny petals blew around my head and I stood there shivering in all my reckless optimism, I realised it felt like nothing more than being encased in one of those half-domed snow globes. The fiercest blizzard was surely never this intense. I certainly couldn't imagine it ever being this cold. Photographic perfection is not my objective. Its obedient conformity initially attracts, but, for me, leaves little enticement to investigate further. So it was that the tangled complexity of branches and the disparate arrangement of blossom engaged, rather than frustrated my aspirations. By layering image upon image, frame upon frame, I was able to build up the layers of blossom and emphasise the movement of the branches. All photographic images represent a moment in time. The way I make my images combine several. I walked around the tree, back and forth trying to engage with the long-limbed gaucheness of its extended branches. The colour palette needed little intervention; I don't think anybody makes a paint called 'blustery blue' but perhaps they should. This contrasted beautifully with the jade and emerald grass, subsequently overlaid with soft white snowflakes and created, what for me, was a very pleasing and fresh arrangement of seasonal colours." - Valda Bailey

This artwork by Philippe Saucourt was created with a mixed technique of acrylic painting on photos printed on paper mounted on a wood panel. This artwork is varnished and it is frame...

Impressionistic View Of New York City Marathon In Blurred Motion. The work is signed, dated, and numbered 3/15 in the lower right recto corner, with other sizes available. It is unf...

Artist Commentary: This is a composite photograph showing Dawn Chorus Poppies apparently on and off a roll of translucent paper. Words that describe this piece: Poppy, flower, Esch...

Man with dog in snow blizzard Carl Schurz Park Upper East Side of Manhattan, The work is signed, dated, and numbered 3/15 in the lower right recto corner, with other sizes availabl...

The work is signed, dated, and numbered 4/15 in the lower right recto corner, with other sizes available. It is unframed and printed later. Printed on Hahnemühle Fine Art paper. Mit...

Snowstorm in New York City. The work is signed, dated, and numbered 3/15 in the lower right recto corner, with other sizes available. It is unframed and printed later. Printed on Ha...

Roman bronze figure after the antique is capture in an introspective moment. Highlights on the eyelids accent the dreamy quality of the gaze. ...

Artist Commentary: An intimate and close-up view of Papavers and Mallows positioned on a light box. Words that describe this piece: Poppies, Mallows, Flowers Artist Biography: Ha...

London Triptych by Rachel Tighe Consists of Mini London Morning Commute Mini Ludgate Hill Morning Mini Boat On The Thames Each painting is individually ...

Compositional exactitude and magical gold lighting describe this iconic work of San Franscico This image is signed, dated and numbered 2/15 lower right recto. . The work is unframed ...

Bow Bridge in Central Park represents a continuing snow theme in Mitchell Funk's oeuvre, which he develops further. The work is signed, dated, and numbered 4/15 in the lower right re...

Artist Commentary: This image reminds of Walden Pond, and the peaceful views seen by Henry Thoreau. Words that describe this piece: pond, reflections, au...

Artist Commentary: This is a composition of dahlias and fuschias that is intended as a rhythmic and musical composition! Words that describe this piece: Dahlia, floral, rhythm Art...

Artist Commentary: Along the Kumano kodo pilgrimage trail in the Kii Mountains of Japan I walked in the rain, climbing among gnarled roots and trees that seemed they had been there ...

Artist Commentary: Red, pink, and blue flowers decorate the world! Words that describe this piece: Red, pink, poppy Artist Biography: Harold Davis is an artist and bestselling au...

Artist Commentary: Looking towards the central crest of the Sierra Nevada of California, the blue haze creates a romatic effect, Words that describe this piece: Photography Artist...

Multidisciplinary artist. Twenty years of artistic experience in the Fine Arts. Eight years of practice as a University professor of Fine Arts. Broad knowledge of design software: Ad...

Artist Commentary: On the cusp of spring, the California Oak trees are just beginning to shoot out leaves in this protected inland valley! Words...

Artist Commentary: This romantic photograph of mine of a red, red rose has often been mistaken for a reproduction of a painting by the great artist Georgia O'Keeffe. Words that des...

Artist Commentary: The Hecata Head provided safety for Cape Perpetua in the remote and rugged years! Words that describe this piece: Lighthouse, surf, serene Artist Biography: Ha...

Artist Commentary: From Italy's Cinque Terre this semi-abstract, semi-cubist photo of terraces upon terrazios! Words that describe this piece: abstract, cubist, Italy Artist Biogr...

Artist Commentary: The world-famous lily ponds in Monet's gardens at Giverny make as great a subject for art today as when painted by the master himself. Words that describe this p...

Idyllic late afternoon moment where soft light brings out the delicate colors of early spring in Center Park. Signed, Dated, number Lower left 4/15 recto, unframed, other sizes ava...

Multidisciplinary artist. Twenty years of artistic experience in the Fine Arts. Eight years of practice as a University professor of Fine Arts. Broad knowledge of design software: Ad...

People are reduced to patters when rows of sun worshipers are caught with a 105 mm lens. Signed and dated lower right Edition 2/15 Unframed. Printed later. Other sizes are available...

A golden Empire State Building sits comfortably inside the center arch of the Manhattan bridge as if that space was designed for it. Precise composition combined with magical late...

Wherever You Look, You See The Chrysler Building: Lower East Side. Beyond a 19th-century vermilion brick facade and standing proud and tall in a hazy New York City sky, we see The Ch...

This close-up of a peacock displaying is defined by late dramatic light. Robert Funk is a photographer and New York advertising art director for Print and TV. He was widely publishe...

On an assignment from the Port Authority of New York in 1975, Photographer Mitchell Funk was given access to the roof of Tower II of the World Trade Center. From that high vantage p...

Neutral Colors - Nature formed by man. Understated natural color defines orderly natural forms and evokes a sense of peace and tranquility. Shot with a Hi-res 36 mega pixel camera ...

The Golden Gate Bridge is depicted in warm golden light. Mitchell Funk's photograph is of an American classic shot in an original way. Signed dated and numbered 2/15 lower right re...

This close-up of a peacock displaying is defined by late, dramatic light. The photographer is lying on his belly in the dirt - inches from the bird to get this intimate upward-look...

Shipping should be around $100. Nature's beauty is on full display right smack in the middle of Manhattan but there is more. A single black dog is the cent...

A dot of red in a sea of white captured by veteran street photographer Mitchell Funk. The sub-text of this image is that in one of the world's most crowded places a person can be su...

Taken from Bernal Heights, San Francisco, Signed, dated lower and numbered 2-15 lower right recto, unframed, other sizes available, printed later. Printed on Hahnemühle Fine Art pape...

Does anyone remember Nedicks? What New York looked like in the 1970s. Veteran photographer Mitchell Funk captures 42nd Street at night with a parade of glowing marquees framed by t...

Street Photography: Literally. At a time when most color photographers were just pointing cameras and snapping images mostly during boring mid-day light, Mitchell Funk was innovatin...

Snow comes to Manhattans' Central Park and veteran street photographer Mitchell Funk captures it. Besides the understated muted beauty of the image, it's a document of emptiness in ...

Moody image of a man looking out while the photographer looks in. The picture is organized in a composition of alternating floating faces and floating signs. This work also represen...

This is a groundbreaking early example of negative color manipulated with color filters. Executed on 35mm film emulsion. It's a poetic and lyrical evocation of a fairytale landscape...

The sun sets at Manhattanhenge with the Chrysler Building's crown illuminated, creating a dual lighting source. Enter Mitchell Funks light-filled world in which his photographic ima...

The classic view of Miami Beach's Ocean Drive with reflections is captured by veteran Color Photographer Mithcell Funk. The image overflows with soft bleeding colors that melt into...

With a camera in hand and a heart attuned to the rhythms of the natural world, Cara Esten Hurtle emerges as a visionary artist whose work transcends conventional boundaries. Hurtle's journey into photography began as a means of personal exploration, a way to connect with the beauty and wonder that surrounds us. Drawing inspiration from the landscapes of her native Canada and the diverse cultures she has encountered in her travels, she weaves together a tapestry of images that speak to the soul. As a self-taught photographer, Hurtle's approach is deeply intuitive, guided by a profound reverence for the natural world and a desire to capture its essence in all its complexity. Whether she is exploring the rugged coastlines of...

South Beach, Miami Beach is captured at the precise moment where the color in the sky is echoed by the color in the streetscape Signature: Signed , dated l...

A monochromatic winter snow scene in Central Park with a leafless tress raises questions. How can a city with over 8 million people jammed into a small space yield an expansive, unp...

42nd Street glows, but not from Broadway marquees' bright lights. It's from Street Photographer Mitchell Funk, who captures the setting sun of Manhattanhenge, which, along with stree...

Roman bronze figure after the antique is capture in an introspective moment. Highlights on the eyelids accent the dreamy quality of the gaze. ...

Art made by God. Signed, dating and numbered 2/15 recto, unframed, printed later, other size available. Printed on Hahnemühle Fine Art paper and printed later Robert Funk is a pho...

This image was shot in Central Park. Photographer Mitchell Funk captures the intoxicatingly beautiful optical effect of natural light as it skims off of wooden swings...

In an unexpected bronze light, Mitchell Funk captures a classic view of San Francisco with a portrait of a famed cable car. The reflection of light in the car's left window gives the...

A lone figure is captured running against a Magenta Sky at Dusk. He is small in the frame, with the vastness of nature as a backdrop. This image was taken in 1972 and exemplifies Pho...

From a high angle, we see early morning light skim across the surface of an outdoor basketball court, creating long, dramatic shadows and poetic patterns. In the center of the compos...

A unique view of The Brooklyn Heights Promenade is shot with magical golden late afternoon light shot in 1972 . The work has not only optic...