Bride Photography

On-stage in London, 1975. Signed and Numbered Lifetime Edition Gelatin Silver Print from the Terry O’Neill Estate. 16" x 20" - Edition of 50 + 10 AP Your certificate of authentici...

Los Angeles-based photographer Tyler Shields seeks “beauty in chaos,” capturing both young models and celebrities such as Lindsay Lohan and Mischa Barton. His polished editorial imag...

Los Angeles-based photographer Tyler Shields seeks “beauty in chaos,” capturing both young models and celebrities such as Lindsay Lohan and Mischa Barton. His polished editorial imag...

Los Angeles-based photographer Tyler Shields seeks “beauty in chaos,” capturing both young models and celebrities such as Lindsay Lohan and Mischa Barton. His polished editorial imag...

Los Angeles-based photographer Tyler Shields seeks “beauty in chaos,” capturing both young models and celebrities such as Lindsay Lohan and Mischa Barton. His polished editorial imag...

Landscape in Northern Africa is a series of 8 original Vintage b/w Photographs realized by an anonymous artist in the Early 20th Century. Goos conditi...

Unique Print Cyanotype on Arches Platine Paper Image size: 13.5 x 10.5 in., Frame size: 18.5 x 15 x 1.5 in. Signed, titled, and dated with location on verso From the series, Bluest ...

"The Netherlands has a rich tradition of lace and textile making, a craft that has been closely connected to women’s lives and labour for centuries. In our latest work “Bonnet”, we u...

Black and white contemporary photograph by Houston, TX artist Delilah Montoya. This conceptual photograph captures a young child with long, dark, curly hair, resembling that of Christ's, also wearing a white dress with a thick, patterned lining. The young subject also holds what appears to be a heart figure, also replicated as a graffiti on the wall. Signed and labeled at the back. Framed and matted in a black wooden frame. Dimensions Without Frame: H 23 in. x W 18 in. Artist Biography: Although she was born in Texas and lived in Nebraska into her twenties, photographer and printmaker Delilah Montoya has deep roots in northern New Mexico through her mother's family. Raised by her mother, Montoya observes that women have empowered her family for five generations. Montoya studied photography and printmaking at the University of New Mexico, where she received her bachelor's degree, master's degree, and master of fine arts. She works in a variety of two-dimensional photographic and printing processes as well as creating larger installations. The artist describes her approach as postmodernist and uses documentary strategies to interpret her own distinct vision. Politically, Montoya is committed to exploring issues of identity in terms of a Chicano cultural context:"In my own evolving ideology I question my identity as a Chicana in occupied America, and articulate the experience of the minority woman. I work to understand the depth of my spiritual, political, emotional and cultural icons, realizing that in exploring the topography of my conceptual homeland, Aztlan, I am searching for the configuration of my own vision. " (Montoya n.d.) Montoya is committed to the expression of Chicana experience and history, but she does not consider herself as a feminist. Indeed, Montoya rejects identification as a United States-style feminist because she believes that "Feminists don't give us solidarity. As a Chicana my issues are multifaceted, not just gender, but class, race. " The border, for Montoya, is a politically imposed construct, a part of a United States colonialist enterprise that was forced upon the Chicano community. It is the environment in which Chicano life and history unfolds. Montoya's work explores contemporary and historical issues, sometimes win a humorous twist. Her artist's book for the 1992 Chicano Codices exhibition organized by the Mexican Museum in San Francisco, Codex Delilah: a Journey From Mechica to Chicana (including text by poet Cecilio Garcia-Camarillo), traces the imaginary journey of Six Deer, a character who embodies the contact between indigenous and Spanish culture in her trip "pal norte" towards Aztlan, the "spiritual homeland of her ancestors." As she journeys to the north, the character also journeys forward in time, meeting important Chicanas from the past, including La Llorona...

"Fontana del Moro, Piazza Navona", Rome is a black and white vintage photo, realized in Mid 20th Century. Good conditions and aged. It belongs to a historical and nostalgic album i...

Old days Photo - Roman Arch is a black and white vintage photo, realized in the early 20th century. Good conditions and aged. It belongs to a historical and Nostalgic album includi...

The Burlesque is a black and white vintage photo, realized in 1960s. Good conditions and aged. It belongs to a historical and nostalgic album including historical moments, places, ...

Nick Veasey - The Bird in Colour No 2 TM Signed and numbered by artist Lenticular Digital C Print, framed 30.5 x 37.5 cm Edition of 15. Also available as a part of the full set. T...

In 1981 Maggie Taylor (b. 1961) began to photograph while she was a student at Yale University majoring in philosophy. She primarily took photographs of suburban landscapes and stran...

In 1981 Maggie Taylor (b. 1961) began to photograph while she was a student at Yale University majoring in philosophy. She primarily took photographs of suburban landscapes and stran...

HANS WITHOOS (Rotterdam, The Netherlands) Vanitas with Seneca, 2016 60 x 40 inches - Edition of 9 Fine art inkjet print on special paper rag, on Dibond with a certified Liquid Gloss...

Edouard Boubat 1923-1999 Tutu de danse, Paris, 1980/Printed Later Signed in ink on recto; signed, titled and dated in pencil on verso Gelatin Silver Print 12 x 16 inches

Meeting is a vintage photo, realized in the early-20th Century  Good conditions. It belongs to a historical and Nostalgic album including historical moments, places, families, artw...

Cooler than cool... Debbie Harry, New York, 1978, photographed on the set of "The Foreigner" by celebrated New York underground photographer Fernando Natalici. The Foreigner (directo...

A stunning Portrait of american actress Meryl Streep, captured with a beautiful lace veil. Nigel Parry’s portraits stunningly express his exciting, unsparing, and unique approach to ...

Women's Rights - Historical Photos is a vintage black and white photograph realized in the 1960s in Italy, it belongs to an album of women rights, protests, manifestation for their r...

Women's Rights Movement - Historical Photos is a vintage black and white photograph realized in the 1960s in Italy, it belongs to an album of women rights, protests, manifestation f...

Vintage Photograph of Up to the Calvary (Painting by Ercol dé Roberti)  is a black and white vintage photo realized by an anonymous artist in the Early 20th Century. Good condition....

Vintage photo. Venice, San Marco Cathedral, S. Peter by Studio Osvaldo Bohm (Venice, '40s-'50s). Perfect conditions.

Vintage Photo of Statue is a vintage silver salt  photograph realized in the early 20th Century.  Good conditions and aged.

Dior Gown with Fur Hat, Paris, 1954 -- One of Mark Shaw’s favorite photographs, this Christian Dior gown was published in 1954 in LIFE. Used as Cover image for Dior Book. Image size ...

Architecture and Art Photo - S. Giovanni in Bragora Church is a black and white vintage photo, realized in the 1920s. It belongs to masterpiece of art and architecture album meticulo...

Elizabeth Taylor in Frills, Portrait with Bare Shoulder -- Mark Shaw photographed Elizabeth Taylor for the October 15, 1956 cover of LIFE ...

11" x 14" Framed Vintage Silver Gelatin print Hand Signed Au Verso Photographers Stamped Au Verso $4000

Queen Elizabeth II is a vintage black and white photograph. Good conditions though if a little blurry.

Dora MAAR Dance and Nature Original silver print made from the original 1935 negative Authenticated by the Succession stamp on the reverse (see photo) Limited edition of 5 copies (...

Italian protests on immigration, vintage photograph is an original black and white photograph realized by an anonymous photographer. With the hand-note on the rear. Good conditions...

Yesterday's Dancers Today- Vintage Photograph is an original black and white photograph realized in the U.S in the Mid-20th Century in a series of American life in the 20th Century. ...

Her Majesty Queen Elizabeth II, 1990 C print Estate signature stamped and numbered edition of 50 "I knew months in advance that I was g...

Slim Aarons Last-minute Adjustments 1955 (printed later) Silver gelatin print estate signature stamped edition of 150 with certificate of authenticity A young woman has last-minute...

Theatrical Scene is an original photograph artwork applied on greenish cardboard Passepartout realized by the Greek-French artist Alkis Matheos. Passepartout: 43 x 32.5 cm With the...

Photographed for Dior, Palais de Glace Dress, 1957. Image size is 10" x 15" (for 11" x 17" paper size). All Mark Shaw prints are made to order in limited editions on Hahnemuhle photo rag paper. Each print is Estate stamped on the back and signed and numbered by David Shaw, and accompanied by a letter of authenticity. Lead time is four to six weeks, but we often receive them sooner. *Please note this image is available in several sizes. Prices increase as editions sell out. Fashion photography of a model wearing a grey Dior dress outside by the Louvre metro. A model is wearing a dress with gloves...

Chromogenic Print – Unframed Free Shipping – Ask us for custom framing options. 40 x 48 inches - edition of 5 48 x 60 inches - edition of 5 71 x 88.5 inches - edition of 5 "My ph...

Vintage photo. Venice, San Marco Cathedral, "Arcangelo Gabriele" (Byzantine bas-relief) by Studio Osvaldo Bohm (Venice, '40s-'50s).  On the bottom of the picture there is a descripti...

Slim Aarons New York Debutante 1955 (printed later) Silver gelatin print estate signature stamped edition of 150 with certificate of authenticity American model Jean Patchett weari...

A moment suspended between motion and thought, “The Book” captures David Bowie immersed in the act of reading, his hands dissolving into a soft blur as pages turn with restless urgen...

Elizabeth Taylor in Frills, Portrait with Bare Shoulder -- Mark Shaw photographed Elizabeth Taylor for the October 15, 1956 cover of LIFE magazine. Taylor was starring in the academy...

Brigands Hideout, Madrid 1957 Archival pigment print Estate stamped, signed and numbered by Andrea Derujinsky with certificate of authenticity Groundbreaking fashion photographer Gleb Derujinsky invigorated the fashion industry with his glamorous, exotic, and often unconventional photographs. Gleb Derujinsky's career as a fashion photographer took hold in the golden age of European haute couture, when Balenciaga and Pierre Balmain were at the top of their game and Yves Saint Laurent and Karl Lagerfeld were designing their first runway shows. Although air travel was still reserved for the happy few, Derujinsky convinced his editors Carmel Snow and Diana Vreeland to send him around the world to photograph beautiful models like Carmen Dell Orefice and his future wife, Ruth Neumann draped in expensive gowns juxtaposed against rough desert dunes or a glittering ocean at sunset. His ideas were revolutionary and they gave rise to the mystique and glamour that is now pervasive in fashion. Derujinsky was the quintessential Renaissance man photographer, award-winning cinematographer and commercial director, inventor, WWII veteran, world traveler, jewelry designer, musician, ski instructor, Ferrari America race-car driver, and champion glider pilot. His passion for photography started at the tender age of six, by ten, he had built a photo enlarger, and as a teenager, he became the youngest member of the Camera Club of New York. His photographs appeared in major lifestyle magazines and extensively in Harper's Bazaar from 1950 to 1970 Derujinsky’s best fashion photographs are typified by the frisson between high fashion in the 1950s and 1960s with the dynamism of locations and urban scenarios." Louis Vuitton Fashion Photography...

Carmen and the Cathedral, Notre Dame, Paris 1957 Archival pigment print Edition of 5 Estate stamped, signed and numbered by Andrea Derujinsky with certificate of authenticity The entire Gleb Derujinsky Collection available exclusively at IFAC Arts on 1stdibs. Groundbreaking fashion photographer Gleb Derujinsky invigorated the fashion industry with his glamorous, exotic, and often unconventional photographs. Gleb Derujinsky's career as a fashion photographer took hold in the golden age of European haute couture, when Balenciaga and Pierre Balmain were at the top of their game and Yves Saint Laurent and Karl Lagerfeld were designing their first runway shows. Although air travel was still reserved for the happy few, Derujinsky convinced his editors Carmel Snow and Diana Vreeland to send him around the world to photograph beautiful models like Carmen Dell Orefice and his future wife, Ruth Neumann draped in expensive gowns juxtaposed against rough desert dunes or a glittering ocean at sunset. His ideas were revolutionary and they gave rise to the mystique and glamour that is now pervasive in fashion. Derujinsky was the quintessential Renaissance man photographer, award-winning cinematographer and commercial director, inventor, WWII veteran, world traveler, jewelry designer, musician, ski instructor, Ferrari America race-car driver, and champion glider pilot. His passion for photography started at the tender age of six, by ten, he had built a photo enlarger, and as a teenager, he became the youngest member of the Camera Club of New York. His photographs appeared in major lifestyle magazines and extensively in Harper's Bazaar from 1950 to 1970 Derujinsky’s best fashion photographs are typified by the frisson between high fashion in the 1950s and 1960s with the dynamism of locations and urban scenarios." Louis Vuitton Fashion...

Pair of vintage gelatin silver press photographs A charming pair of vintage gelatin silver photographs depicting Sophia Loren and Marcello Mastroianni during an elegant promotional ...

Gelatin silver print, printed in 1970s. A striking street photograph by celebrated photojournalist Henri Dauman, depicting two workmen transporting a large advertising display featu...

This is a unique photographic work taken by Andy Warhol. Stamped on verso by the Andy Warhol Art Authentication Board. Provenance: Estate of the Artist to The Andy Warhol Foundatio...

Dior Gown with Fur Hat, Paris, 1954 -- One of Mark Shaw’s favorite photographs, this Christian Dior gown was published in 1954 in LIFE. Used as Cover image for Dior Book. Image size ...

Dora MAAR Liberating Dance Original silver print made from the original 1935 negative Authenticated by the Succession stamp on the reverse (see photo) Limited edition of 5 copies (h...

Albert Watson Kirsten Owen, Paris, 1989 Archival pigment print 76 x 61 cm (29 7/8 x 24 in.) Edition of 25 plus 2 artist's proofs. Ed. no. 8/25. Albert Watson was born 1942 in Edinbu...

Robert Indiana ERR 1963: A rare, sought-after early Robert Indiana print defined by surreal, experimental cinematic-like energy. Hand-signed by Indiana on the lower right. Medium: Photoengraving and etching on Rives BFK. Dimensions: 4 1/2x6 inches (including margins). Very good overall vintage condition. Signed, dated and inscribed "Artist's Proof 'E'" and "CHI" in pencil, lower margin. Rare Trial proof, aside from the main edition of 60. Printed by the artist at the School of the Art Institute of Chicago. Further background: According to Susan Sheehan, Indiana printed only six progressive trial proofs at the School of the Art Institute of Chicago, where he learned printmaking from 1949 to 1952, under the supervision of Vera Berdich (inscribed "CHI"). Additionally 13 trial proofs were printed at the Pratt Graphic Art Center, New York (these inscribed "NYC"). The regular edition was printed by Atelier Georges Lablanc, Paris and published by Galleria Schwarz, Milan to be included in International Anthology of Contemporary Engraving: The International Avant-Garde: America Discovered, Volume 5. The plate used for this print was originally given to the School of the Art Institute of Chicago by the R.R. Donnelly Company, printers of Life magazine. Indiana discovered the plate while visiting Berdich at the school and decided to use it in his contribution to the Avant-garde portfolio. Sheehan 29. Robert Indiana 1991: "When I went back to the Art Institute of Chicago at that particular time - I think I was judging a show - I learned that Vera Berdich (Indiana's former teacher) was still there and the idea occurred to me, wouldn't it be fun to do a visiting artist etching, and she concurred. There on the floor was a box of copper plates and the images had been defaced on each one. These copper plates had been donated by the R.R. Donnelly Company, which put out Life magazine. I used to work for Donnelly. My only commercial art job was with them doing the little drawing that appear in the Yellow Pages, like lawnmowers and vacuum cleaners and things like that. Anyway, the idea being that the student was supposed to turn the plate over to use the back side and forget about the image on the front. But I found this image of this actress sitting on her bed with her ironing board and decided it was only very lightly defaced, so I asked if I could use it. And the word "Err" was actually added in New York; it was not in the first proofs in Chicago. Two weeks later, I was thumbing through LIFE magazine and there was this actress in the same page..." About the artist: Robert Indiana is best known for his iconic “LOVE” image, which has appeared across media including sculptures, prints, and paintings and epitomizes the artist’s graphic, predominantly text-based Pop art practice. Throughout his career, Indiana reimagined the aesthetics of American advertisements...

[lives & works – Philadelphia, PA ::: b. 1954] Peter Olson is a Philadelphia-based photographer and ceramicist who creates pieces that chemically and conceptually fuse the two medi...

signed and number in pencil on verso

This floral photography has a dramatic sense of composition which recalls the careful arrangements of Dutch and Flemish still life paintings from the 17-18 century. Belgian photog...

Massimo Listri Uffizi XI, Firenze, 2019 C print Signed and numbered edition of 5 39.5 x 47 inches Edition of 5 47.5 × 59 inches Edition of 5 71 x 88.75 inches Edition of 5 Flor...

Breakfast in Nature by Dasha and Mari Friends enjoy a picnic in the sun, Ukraine, 2020. Limited edition print (edition size 1/30) 30x40" inches / 76x101 cm paper size Unframed (fr...

Inner World #3, 2016 Archival pigment print on Hahne Muehle 200 gm Edition of 7 20 x 35 cm - $1600 40 x 60 cm - $2300 70 x 90 cm - $3400 Stratis Vogiatzis was born on 12th o...

Fabien Mara Carla & Olga / Balmain couture, 1990 Silver gelatin print 150 x 200 cm Edition of 7 Signed, numbered, and dated Fabien Mara lives and ...

Anne Armstrong-Jones, 1928 - Cecil Beaton (Portrait Photography) Inscribed with 'Lady Rosse' in unknown hand and stamped with Sotheby's Cecil Beaton studio ink stamp on reverse Silve...

Francis APESTÉGUY - Eiffel Tower 2007 Format A2 (40x60cm) Digital print from an original photo taken by the artist, inkjet on baryta paper Signed a...