Stencil Prints and Multiples

Medium: pochoir (after the watercolor and collage). Printed in Paris in 1955 at the Daniel Jacomet atelier and published the Berggruen Gallery for a rare catalogue. Image size: 5 1/4...

Medium: pochoir (after the lithograph). Printed by the atelier of Daniel Jacomet, and published in Paris in 1955 by Heinz Berggruen. The image measures 5 x 3 1/4 inches (130 x 80 mm)...

Medium: pochoir (after the lithograph). Printed by the atelier of Daniel Jacomet, and published in Paris in 1955 by Heinz Berggruen. The image measures 5 1/4 x 4 inches (133 x 100 mm...

Medium: pochoir (after the lithograph). Printed by the atelier of Daniel Jacomet, and published in Paris in 1955 by Heinz Berggruen. The image measures 5 x 3 3/8 inches (130 x 85 mm)...

Medium: pochoir (after the mixed media collage). Printed in Paris at the atelier Daniel Jacomet and published in 1960 by Berggruen. The image measures 5 x 3 7/8 inches (130 x 98 mm)....

Medium: pochoir (after the lithograph). Printed by the atelier of Daniel Jacomet, and published in Paris in 1955 by Heinz Berggruen. The image measures 5 x 3 1/2 inches (130 x 90 mm)...

Medium: pochoir (after the mixed media collage). Printed in Paris at the atelier Daniel Jacomet and published in 1960 by Berggruen. The image measures 4 x 3 3/4 inches (105 x 96 mm)....

Medium: pochoir (after the lithograph). Printed in 1960 at the Jacomet atelier and published by Berggruen in an edition of 1500. Size: 8 1/2 x 9 inches (218 x 227 mm). There is anoth...

Medium: pochoir (after the watercolor). This charming pochoir was printed by Daniel Jacomet in a limited edition of 900 and published in Paris in 1959 by Editions XXe Siecle for "Le ...

This exquisite lithograph and pochoir after Pablo Picasso (1881–1973), titled Le divan (The Divan), from the folio Les Bleus de Barcelone, 12 aquarelles et pastels (The Blues of Barc...

This exquisite lithograph and pochoir with hand coloring by Jean Cocteau (1889–1963), titled Sans titre (Untitled), from the album Le Livre blanc (The White Book), precede dun fronti...

Medium: pochoir (after the watercolor and collage). Printed in Paris by the atelier of Daniel Jacomet, and published in 1955 by Heinz Berggruen for a rare catalogue. The image measur...

This exquisite lithograph and pochoir after Pablo Picasso (1881–1973), titled Mother and Child, from the folio Picasso, Fifteen Drawings, 1946, originates from the 1946 edition published by Pantheon Books, Inc., New York, and rendered and printed by Albert Carman, City Island, New York, 1946. Mother and Child conveys Picassos timeless exploration of tenderness, intimacy, and the human bond, distilling the universal theme of maternal love through graceful line and lyrical composition. With rhythmic simplicity and emotional clarity, the work captures the purity of affection and the quiet strength of motherhood—an enduring motif throughout Picassos artistic life. Executed as a lithograph and pochoir on velin paper, this work measures 18.75 x 12.63 inches. Signed in the plate and unnumbered as issued. The edition exemplifies the exemplary standards and artistic integrity of the fine art publishing and printmaking of Pantheon Books, Inc., and Albert Carman whose next collaborative project following this edition was with Marc Chagall in the creation of his monumental suite, Four Tales from the Arabian Nights in 1948. Artwork Details: Artist: After Pablo Picasso (1881–1973) Title: Mother and Child, from the folio Picasso, Fifteen Drawings, 1946 Medium: Lithograph and pochoir on velin paper Dimensions: 18.75 x 12.63 inches (47.6 x 32.1 cm) Inscription: Signed in the plate and unnumbered as issued Date: 1946 Edition: D, primary edition; L, out of commerce, hand signed by Pablo Picasso Publisher: Pantheon Books, Inc., New York Printer: Albert Carman, City Island, New York Catalogue raisonne reference: Orozco, Miguel. Picasso Interpretation Prints II - Etchings, Pochoirs & Woodcuts. Catalogue Raisonne. 2023, illustration 388–402 Condition: Well preserved, consistent with age and medium Provenance: From the folio Picasso, Fifteen Drawings, 1946, published by Pantheon Books, Inc., New York; printed by Albert Carman, City Island, New York, 1946 About the Publication: Picasso, Fifteen Drawings (1946) was one of the earliest fine art portfolios issued in the United States to feature the work of Pablo Picasso in the mediums of lithography and pochoir. Published by Pantheon Books, Inc., New York—a press renowned for its pioneering role in introducing European modernism to American audiences—the portfolio marked an important cultural bridge between postwar Paris and the emerging art scene in New York. The suite comprised fifteen images selected from Picassos prolific oeuvre, including depictions of mythological figures, musicians, and introspective portraits. Each work was rendered using a combination of lithography and pochoir, printed by Albert Carman at his atelier in City Island, New York, whose craftsmanship ensured a remarkable fidelity to the tonal and chromatic nuances of Picassos originals. The portfolio was produced in an edition of D, primary edition; L, out of commerce, hand signed by Pablo Picasso, issued unbound within a printed paper folder, and distributed primarily through Pantheons art book division under the direction of Kurt Wolff and Monroe Wheeler—key figures in shaping the intellectual reception of modern art in the United States. Picasso, Fifteen Drawings helped establish the artists postwar reputation among American collectors, scholars, and institutions, introducing a generation of viewers to the expressive immediacy and psychological depth of his draftsmanship. The publication also exemplified Pantheons broader mission to make modern European art accessible to an American audience, alongside their landmark editions devoted to Henri Matisse, Georges Rouault, and Marc Chagall. Technically refined and historically significant, the portfolio stands as a testament to the transatlantic exchange of modernist aesthetics during the mid-20th century and remains one of the most sought-after Picasso print editions issued in the United States before 1950. About the Artist: Pablo Picasso (1881–1973) was a Spanish painter, sculptor, printmaker, and ceramicist whose extraordinary vision revolutionized modern art and defined the visual language of the 20th century. A child prodigy from Malaga, Spain, Picassos career spanned more than seven decades and encompassed an astonishing range of styles and innovations—from the melancholic Blue and romantic Rose periods to his pioneering invention of Cubism with Georges Braque, which shattered conventional notions of perspective and form. Influenced by the bold expressiveness of El Greco, the structure of Cezanne, and the vitality of African and Iberian sculpture, Picasso became a central figure of the Paris avant-garde, working in creative dialogue with contemporaries such as Henri Matisse, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray. His insatiable experimentation extended across painting, drawing, printmaking, ceramics, and sculpture, forever expanding the boundaries of artistic expression. A master of reinvention, Picasso profoundly shaped generations of artists who followed—from Andy Warhol, Roy Lichtenstein, David Hockney, and Jean-Michel Basquiat to Jeff Koons and Banksy—cementing his status as a timeless cultural icon whose works remain among the most sought after worldwide. His landmark painting Les Femmes d'Alger (Version O) achieved a record-breaking sale of 179,365,000 USD at Christie's, New York, on May 11, 2015, affirming Picassos enduring legacy as one of the most influential and valuable artists in history. Pablo Picasso Mother and Child...

Medium: pochoir (after the gouache). Printed in Paris in 1929 at the atelier of Daniel Jacomet for L'Art Cubiste. Image size: 5 1/4 x 8 1/8 inches (132 x 205 mm). A text inscription ...

Benjamin Benno, American (1901 - 1980) - Still Life with Lute and Bread, Year: 1935, Medium: Pochoir, signed, numbered, and dated in pencil, Edition: 50, Image Size: 8.5 x 6.25 i...

Medium: lithograph with pochoir coloring (after the 1885 watercolor). Printed in 1948 on Johannot paper for the "Seize Aquarelles et Sanguines de Renoir" portfolio and published in P...

This exquisite lithograph and pochoir after Umberto Brunelleschi (1879–1949), titled Sans titre (Untitled), originates from the celebrated album Les contes de Boccace (The Tales of B...

This exquisite lithograph and pochoir after Pablo Picasso (1881–1973), titled Portrait de Jacqueline (Portrait of Jacqueline), from the folio Picasso, La flute double, 16 Dessins, Aq...

This exquisite lithograph and pochoir after Fernand Leger (1881–1955), titled Nature Morte au Journal (Still Life with Newspaper), from the folio Contrastes, 13 Aquarelles, Gouache, ...

SADAO WATANABE (Japanese 1913-1996) GIRLS WITH LOTS OF QUAILS, 1965 鶉と少女 Hand colored stencil print on momigami textured paper. Signed and numbered in white. Edition 50, Image 17 x 2...

This exquisite lithograph and pochoir after Marc Chagall (1887–1985), titled Les amants de la Tour Eiffel (The Lovers of the Eiffel Tower), from the folio Couleur amour, 13 Aquarelle...

This exquisite lithograph after Francois Auguste Rene Rodin (1840–1917), titled Sans titre (Untitled), from the folio La Varende, Rodin (La Varende, Rodin), originates from the 1944 ...

Medium: pochoir (after the gouache). This pochoir illustrates a scene from Oscar Wilde's "Salomé". It was printed in 1955 by l'Imprimerie Nationale de Monaco and published by Fermier...

Pablo PICASSO (1881-1973) Diurnes, Midas, 1962 Original collotype and stencil (Jacomet workshop) Unsigned Limited to 1000 copy On paper 40 x 30 cm (c. 15.7 x 11.2 in) REFERENCE : ...

This exquisite lithograph and pochoir after Fernand Leger (1881–1955), titled Elements mecaniques (Mechanical Elements), from the album L'Art Cubiste, Theories et Realisations, Etude...

This exquisite lithograph and pochoir after Pablo Picasso (1881–1973), titled Bacchanale (Bacchanal), from the folio Picasso, La flute double, 16 Dessins, Aquarelles Lavis (The Doubl...

This exquisite lithograph and pochoir after Paul Klee (1879–1940), titled Landschaft mit den sobwarzes Sanden (Landscape with the Black Sands), from the folio Paul Klee, 12 aquarelle...

Medium: pochoir (after the mixed media collage). Printed in Paris at the Daniel Jacomet atelier and published in 1960 by the Berggruen Gallery. Image size: 5 x 3 3/4 inches (125 x 96...

Medium: lithograph with pochoir coloring (after the 1882 drawing in sanguine). Printed in 1948 on Johannot paper for the "Seize Aquarelles et Sanguines de Renoir" portfolio and publi...

This exquisite lithograph and pochoir after Paul Klee (1879–1940), titled Plan ciner Maschinenanlage (Plan of a Machine Installation), from the folio Paul Klee, 12 aquarelles (Paul K...

Medium: pochoir (after the oil on paper). Printed in 1962 at the Daniel Jacomet atelier and published in Paris by the Berggruen Gallery in an edition of 1000. Image size: 5 x 3 3/4 i...

This exquisite lithograph and pochoir after Pablo Picasso (1881–1973), titled Scene de famille (Family Scene), from the folio Picasso, La flute double, 16 Dessins, Aquarelles Lavis (...

Medium: pochoir (after the gouache). Printed in 1962 at the Daniel Jacomet atelier and published in Paris by the Berggruen Gallery in an edition of 1000. Image size: 5 1/4 x 3 1/2 in...

This exquisite lithograph and pochoir after Pablo Picasso (1881–1973), titled Bacchanale (Bacchanal), from the folio Picasso, La flute double, 16 Dessins, Aquarelles Lavis (The Doubl...

This exquisite lithograph and pochoir after Pablo Picasso (1881–1973), titled Harlequin and Boy, from the folio Picasso, Fifteen Drawings, 1946, originates from the 1946 edition published by Pantheon Books, Inc., New York, and rendered and printed by Albert Carman, City Island...

Medium: lithograph with pochoir coloring (after the 1883 watercolor). Printed in 1948 on Johannot paper for the rare "Seize Aquarelles et Sanguines de Renoir" portfolio and published...

Plastic Jesus is a Los Angeles based street artist that specializes in bold stencil and installation work, inspired by world news events, society, the urban environment, culture and politics. His work is more about shining a small light into some of those dark corners of society then standing back and watching reactions and opinions. his work combines humor, irony, criticism and unique opinion to create art that engages on many levels. Works usually begin on the streets and then expand to limited edition prints and originals on canvas. "The New Messiah" – Acrylic Stencil on Paper...

Between the years of 1946 and 1956, Pablo Picasso pulled concepts from his earlier creations, a series of drawings and watercolor, in order to form Faune a La Diaule, 1956. Pablo Pic...

This exquisite lithograph after Raoul Dufy (1877–1953), titled Le Bal (The Ball), from the folio Eaux-de-vie, Esprit de la fleur et du fruit (Spirits, Essence of the Flower and the F...

Julio LE PARC (1928-) Diffraction (Transformation), 1988 Original lithograph, airbrush and stencil Signed in ink Numbered / 100 copies On black wove paper, 56 x 38 cm (c. 22 x 15 in...

This exquisite lithograph after Henri Matisse (1869–1954), titled La danse (The Dance), from the album Douze Contemporains (Twelve Contemporaries), originates from the 1959 edition p...

This exquisite lithograph and pochoir after Marc Chagall (1887–1985), titled Le Poisson Volant (The Flying Fish), from the folio Couleur amour, 13 Aquarelles, Gouaches, Lavis (Color ...

This exquisite lithograph and pochoir after Paul Klee (1879–1940), titled Perspectiv-Spuk (Perspective-Ghost), from the folio Paul Klee, 12 aquarelles (Paul Klee, Twelve Watercolors)...

Medium: pochoir (after the watercolor). Printed in Paris in 1957 by Jacomet and published by the Galerie Berggruen for a rare catalogue. Image size: 6 1/4 x 3 3/4 inches (160 x 98 mm...

This exquisite lithograph and pochoir after Jean-Edouard Vuillard (1868-1940), titled La chambre de Vuillard aux Clayes (Vuillard's Bedroom at Clayes), from the folio Vuillard, Douze...

Pablo Picasso, After, Spanish (1881 - 1973) - Faune a la Diaule. Portfolio: Femme et Faunes, Year: 1956, Medium: Pochoir, signed in the plate, Edition: 200, Size: 19.5 x 16 in. (49.5...

This exquisite lithograph and pochoir after Paul Klee (1879–1940), titled Hammamet mit der Moschee (Hammamet with the Mosque), from the folio Paul Klee, 12 aquarelles (Paul Klee, Twe...

Medium: original pochoir stencil print in four colors. Catalogue reference: Dupin 50. Printed in 1947 in an edition of 1500 by Meriden Gravure and published by Curt Valentin for the ...

This exquisite lithograph after Raoul Dufy (1877–1953), titled Nature morte aux fruits (Still Life with Fruit), from the folio Eaux-de-vie, Esprit de la fleur et du fruit (Spirits, E...

Medium: pochoir (after the watercolor and collage). Printed in Paris by the atelier of Daniel Jacomet, and published in 1955 by Heinz Berggruen for a rare catalogue. The image measur...

This artwork, "Moses Smiting the Rock of Meribah, Exodus" 1972 is an original color stencil on hand crumpled momigami paper. It is hand signed, dated and numbered 47/70 in White ink by the artist. The artwork size is 27.5 x 24.75 inches, framed size is 39 x 36 inches. It is custom framed in a wooden gold frame, with matting and black color spacer. It is in excellent condition, Please NOTE, the dark area at the lower left corner of the frame is only the shadow, the frame is in perfect condition. About the artist: Sadao Watanabe born and raised in Tokyo, was a Japanese printmaker in the 20th Century. He was famous for his Biblical prints rendered in the mingei (folk art) tradition of Japan. As a student of the master textile dye artist Serizawa Keisuke...

Medium: pochoir (after the watercolor and collage). Printed in Paris in 1955 at the Daniel Jacomet atelier and published the Berggruen Gallery for a rare catalogue. Image size: 5 1/4...

Cahiers d'art, Surrealist Composition 1 Pochoir, 1934 Unsigned as issued in Cahier's edition Published in Cahier's d'art, 1934 Unsigned Edition of 1200 There was also a pencil signed...

This exquisite lithograph and pochoir after Pablo Picasso (1881–1973), titled Minotaur, from the folio Picasso, Fifteen Drawings, 1946, originates from the 1946 edition published by Pantheon Books, Inc., New York, and rendered and printed by Albert Carman, City Island, New York, 1946. Minotaur captures Picasso’s lifelong fascination with the ancient myth of the half-man, half-bull—a symbol of passion, violence, and the dual nature of human instinct. Through bold yet economical linework, the artist transforms the mythical figure into an expression of psychological struggle and creative power, a recurring theme in his postwar works that reconciles strength with vulnerability. Executed as a lithograph and pochoir on velin paper, this work measures 12.63 x 18.75 inches. Signed in the plate and unnumbered as issued. The edition exemplifies the exemplary standards and artistic integrity of the fine art publishing and printmaking of Pantheon Books, Inc., and Albert Carman whose next collaborative project following this edition was with Marc Chagall in the creation of his monumental suite, Four Tales from the Arabian Nights in 1948. Artwork Details: Artist: After Pablo Picasso (1881–1973) Title: Minotaur, from the folio Picasso, Fifteen Drawings, 1946 Medium: Lithograph and pochoir on velin paper Dimensions: 12.63 x 18.75 inches (32.1 x 47.6 cm) Inscription: Signed in the plate and unnumbered as issued Date: 1946 Edition: D, primary edition; L, out of commerce, hand signed by Pablo Picasso Publisher: Pantheon Books, Inc., New York Printer: Albert Carman, City Island, New York Catalogue raisonne reference: Orozco, Miguel. Picasso Interpretation Prints II - Etchings, Pochoirs & Woodcuts. Catalogue Raisonne. 2023, illustration 388–402 Condition: Well preserved, consistent with age and medium Provenance: From the folio Picasso, Fifteen Drawings, 1946, published by Pantheon Books, Inc., New York; printed by Albert Carman, City Island, New York, 1946 About the Publication: Picasso, Fifteen Drawings (1946) was one of the earliest fine art portfolios issued in the United States to feature the work of Pablo Picasso in the mediums of lithography and pochoir. Published by Pantheon Books, Inc., New York—a press renowned for its pioneering role in introducing European modernism to American audiences—the portfolio marked an important cultural bridge between postwar Paris and the emerging art scene in New York. The suite comprised fifteen images selected from Picasso’s prolific oeuvre, including depictions of mythological figures, musicians, and introspective portraits. Each work was rendered using a combination of lithography and pochoir, printed by Albert Carman at his atelier in City Island, New York, whose craftsmanship ensured a remarkable fidelity to the tonal and chromatic nuances of Picasso’s originals. The portfolio was produced in an edition of D, primary edition; L, out of commerce, hand signed by Pablo Picasso, issued unbound within a printed paper folder, and distributed primarily through Pantheon’s art book division under the direction of Kurt Wolff and Monroe Wheeler—key figures in shaping the intellectual reception of modern art in the United States. Picasso, Fifteen Drawings helped establish the artist’s postwar reputation among American collectors, scholars, and institutions, introducing a generation of viewers to the expressive immediacy and psychological depth of his draftsmanship. The publication also exemplified Pantheon’s broader mission to make modern European art accessible to an American audience, alongside their landmark editions devoted to Henri Matisse, Georges Rouault, and Marc Chagall. Technically refined and historically significant, the portfolio stands as a testament to the transatlantic exchange of modernist aesthetics during the mid-20th century and remains one of the most sought-after Picasso print editions issued in the United States before 1950. About the Artist: Pablo Picasso (1881–1973) was a Spanish painter, sculptor, printmaker, and ceramicist whose extraordinary vision revolutionized modern art and defined the visual language of the 20th century. A child prodigy from Malaga, Spain, Picasso's career spanned more than seven decades and encompassed an astonishing range of styles and innovations—from the melancholic Blue and romantic Rose periods to his pioneering invention of Cubism with Georges Braque, which shattered conventional notions of perspective and form. Influenced by the bold expressiveness of El Greco, the structure of Cezanne, and the vitality of African and Iberian sculpture, Picasso became a central figure of the Paris avant-garde, working in creative dialogue with contemporaries such as Henri Matisse, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray. His insatiable experimentation extended across painting, drawing, printmaking, ceramics, and sculpture, forever expanding the boundaries of artistic expression. A master of reinvention, Picasso profoundly shaped generations of artists who followed—from Andy Warhol, Roy Lichtenstein, David Hockney, and Jean-Michel Basquiat to Jeff Koons and Banksy—cementing his status as a timeless cultural icon whose works remain among the most sought after worldwide. His landmark painting Les Femmes d'Alger (Version O) achieved a record-breaking sale of 179,365,000 USD at Christie's, New York, on May 11, 2015, affirming Picasso's enduring legacy as one of the most influential and valuable artists in history. Pablo Picasso Minotaur...

This exquisite lithograph and pochoir after Pablo Picasso (1881–1973), titled Femme a la meche (Woman with the Lock of Hair), from the folio Les Bleus de Barcelone, 12 aquarelles et ...

Robert Indiana American Dream (EAT / DIE / HUG / ERR) (Sheehan, 136), 1986 Hard and soft-ground etching, aquatint, drypoint and stencil on white Arches paper 37 inches × 21 inches ...

Medium: pochoir (after the watercolor and collage). Printed in Paris by the atelier of Daniel Jacomet, and published in 1955 by Heinz Berggruen for a rare catalogue. The image measur...

SADAO WATANABE (Japanese 1913-1996) JONAH, 1959 Color stencil, signed, numbered and dated in white ink. Sheet, 25 5/8 x 22 5/8 inches. Edition: 44/50. Good color and generally good ...

This exquisite lithograph and pochoir after Pablo Picasso (1881–1973), titled Femme à la mandoline (Woman with Mandolin), from the album, Pablo Picasso, 1930, originates from the 1930 edition published by Editions des Chroniques du Jour, Paris, and printed by L'Atelier Desjobert, Paris, 1930. Femme à la mandoline (Woman with Mandolin) exemplifies Picasso’s lyrical interpretation of the female form during his neoclassical period, fusing harmony, sensuality, and musicality into a composition that reflects both the artist’s Mediterranean roots and his mastery of modernist form. Through the union of lithographic line and pochoir color, the work conveys a balance between intimacy and abstraction, celebrating rhythm, grace, and the timeless relationship between art and music. Executed as a lithograph and pochoir on velin paper, this work measures 11.38 x 9.09 inches. Unsigned and unnumbered as issued. The edition exemplifies the refined craftsmanship of Editions des Chroniques du Jour and the technical excellence of L'Atelier Desjobert, one of the premier Parisian workshops specializing in pochoir and fine art lithography. Artwork Details: Artist: After Pablo Picasso (1881–1973) Title: Femme à la mandoline (Woman with Mandolin), from the album, Pablo Picasso, 1930 Medium: Lithograph and pochoir on velin paper Dimensions: 11.38 x 9.09 inches (28.9 x 23.1 cm) Inscription: Unsigned and unnumbered as issued Date: 1930 Publisher: Editions des Chroniques du Jour, Paris Printer: L'Atelier Desjobert, Paris Catalogue raisonne references: Cramer, Patrick. Pablo Picasso, The Illustrated Books: Catalogue Raisonne. Patrick Cramer, 1983, illustration 18; Bloch, Georges. Pablo Picasso: Catalogue of the Printed Graphic Work 1904–1967. Kornfeld & Klipstein, 1968, illustration 98; Reusse, Gerhard. Pablo Picasso: The Illustrated Books, Catalogue Raisonne. Verlag Gerd Hatje, 1983, illustration 31 Condition: Well preserved, consistent with age and medium Provenance: From the album, Pablo Picasso, published by Editions des Chroniques du Jour, Paris, and printed by L'Atelier Desjobert, Paris, 1930 Notes: Excerpted from the album, This volume has been printed in MCC numbered examples, of which DL (LI to DC) constitute the edition in French and DCL (DCI to MCCL). The edition in English has been printed on behalf of E. Weyhe, 794 Lexington Avenue, New York (DCI to MC) and of A. Zwemmer, 78 Charing Cross Road, London, W. C.2. (MCI to MCCL). There have also been printed L examples on Arches paper with a lithograph by Picasso (I to L) distributed between the two editions, and some press examples. About the Publication: The album Pablo Picasso, published in 1930 by Editions des Chroniques du Jour, Paris, under the direction of Christian Zervos, stands among the earliest major printed tributes to the artist’s emerging international acclaim. Conceived as part of the publisher’s broader initiative to document and celebrate the modernist vanguard, the volume presented a series of lithographs and pochoirs interpreting Picasso’s drawings, watercolors, and gouaches from the preceding decade. Executed at the esteemed Atelier Desjobert, the edition combined the lithographic precision of line with the pochoir method’s hand-applied color, producing images of exceptional tonal depth and fidelity. Issued in both French and English, with distribution in Paris, New York, and London through E. Weyhe and A. Zwemmer, the album was limited to MCC copies, including a special suite of L examples on Arches paper containing an original lithograph by Picasso. The publication represented a vital collaboration between artist, publisher, and printer—uniting the intellectual rigor of Zervos’s art criticism with the material beauty of fine French printmaking. Today, Pablo Picasso, 1930 is recognized as a landmark in 20th-century art publishing, reflecting both the refinement of interwar Parisian craftsmanship and the international reach of Picasso’s genius. About the Artist: Pablo Picasso (1881–1973) was a Spanish painter, sculptor, printmaker, and ceramicist whose extraordinary vision revolutionized modern art and defined the visual language of the 20th century. A child prodigy from Malaga, Spain, Picasso's career spanned more than seven decades and encompassed an astonishing range of styles and innovations—from the melancholic Blue and romantic Rose periods to his pioneering invention of Cubism with Georges Braque, which shattered conventional notions of perspective and form. Influenced by the bold expressiveness of El Greco, the structure of Cezanne, and the vitality of African and Iberian sculpture, Picasso became a central figure of the Paris avant-garde, working in creative dialogue with contemporaries such as Henri Matisse, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray. His insatiable experimentation extended across painting, drawing, printmaking, ceramics, and sculpture, forever expanding the boundaries of artistic expression. A master of reinvention, Picasso profoundly shaped generations of artists who followed—from Andy Warhol, Roy Lichtenstein, David Hockney, and Jean-Michel Basquiat to Jeff Koons and Banksy—cementing his status as a timeless cultural icon whose works remain among the most sought after worldwide. His landmark painting Les Femmes d'Alger (Version O) achieved a record-breaking sale of 179,365,000 USD at Christie's, New York, on May 11, 2015, affirming Picasso's enduring legacy as one of the most influential and valuable artists in history. Pablo Picasso Femme à la mandoline (Woman with Mandolin), Picasso 1930, Picasso Desjobert, Picasso pochoir...

Medium: pochoir (after the gouache). Printed in Paris in 1957 by Jacomet and issued in an edition of 1000 by the Galerie Berggruen for a rare catalogue. Image size: 5 x 3 3/4 inches ...