Stencil Prints and Multiples

Fernand LÉGER Cubist Wood Logs, 1959 Original lithograph and stencil Printed signature in the plate On vellum Auvergne 38,9 x 50 cm (c. 15,3 x 19,6 Inches) Published in 1959, under the control of the wife of the artist, Nadia Léger...

Medium: pochoir (after the lithograph). Printed in 1960 at the Jacomet atelier and published by Berggruen in an edition of 1500. Size: 8 1/2 x 9 inches (218 x 227 mm). There is anoth...

Le Bonheur du Jour by George Barbie (Nantes, 1889 - Paris, 1932) is an original artwork realized in 1929 cover of the homonymous suite of pochoir realized b...

Cars are a central theme in a lot of Chicano art, and Frank Romero has made several famous images on the theme. This a unique stencil painting made on handmade paper (from Bhutan). There are 20 prints in the edition, with hand-painting on each. Throughout his 40 year career as an artist, Frank Romero has been a dedicated member of the Los Angeles arts community. As a member of the 1970s Chicano art collective, Los Four, Romero and fellow artists Carlos Almaraz...

Medium: pochoir. Printed in Paris in 1932 on Velin du Marais paper at the atelier of Daniel Jacomet for the Les Joies du Sport portfolio and issued in an edition of 750. This was pub...

Street Connoisseur - Life Is Beautiful, Red. Archival Paper with dimensions of 20 x 16 in. 5-Color Screenprint with 1 Hand Finished Stencil Layer Edition of 15 Certificate of Authent...

Le Bonheur du Jour by George Barbie (Nantes, 1889 - Paris, 1932) is an artwork realized in 1929. Original colored pochoir on cardboard. Perfect conditions. Le Bonheur du Jour is...

Medium: pochoir (after the watercolor). Printed in Paris in 1924 and published by Albert Morance for "L'Art d'Aujourd'hui", and now very scarce. The publisher's provenance inscriptio...

Medium: pochoir (after the watercolor). Published in Paris in 1924 by Albert Morance for "L'Art d'Aujourd'hui", and now very scarce. The publisher's provenance inscription is printed...

Medium: pochoir (after the watercolor). Printed in 1924 and published in Paris by Albert Morance for "L'Art d'Aujourd'hui", and now very scarce. The publisher's provenance inscriptio...

"Maïtena - Couple de Basques" is a charming and evocative print by the French artist Louis Floutier, a painter and designer renowned for his deep connec...

Medium: pochoir (after the painting). Printed in Paris at the atelier of Daniel Jacomet and published in 1975 by the Berggruen Gallery. Image size: 5 1/2 x 6 5/8 inches (140 x 168 mm...

Francisco Benjamín López Toledo (born July 17, 1940, Juchitán, Oaxaca) is a Mexican painter, sculptor, and graphic artist. He studied at the Escuela de Bellas Artes de Oaxaca and the...

This is one of the artworks in the portfolio 'Le Bonheur du Jour', by George Barbier. Passepartout included : 34 x 49 cm

Medium: pochoir (after the lithograph). Printed in Paris in 1927 at the atelier of Daniel Jacomet and published by Henri Floury. The total sheet size is 8 x 10 1/4 inches (200 x 260 ...

Hijack When They Shoot, We Shoot — 2020 Edition of 50 • Signed, Numbered 12 × 30 in / 30.5 × 76.2 cm Screenprint / Giclée (variant dependent) • Mint condition Description & Co...

Street Connoisseur - Life Is Beautiful, Pink. Archival Paper with dimensions of 20 x 16 in. 5-Color Screenprint with 1 Hand Finished Stencil Layer Edition of 15 Certificate of Authen...

Mr. Brainwash Bob Marley’s 74th Birthday Limited Edition Screen Print with Watercolor from 2019. Iconic, beloved artist, Bob Marley is a pioneer and legend of Reggae music. "One Lov...

"Light on Water" is an original 13 color lithograph with pochoir from 4 aluminum plates and 1 mylar stencil. It was created by the artist Emmi Whitehors...

Medium: pochoir (after the watercolor). Printed in 1964 at the atelier of Daniel Jacomet for the "Paul Klee 12 Aquarelles" portfolio and published in Paris by the Berggruen Gallery i...

From the Moby Dick Domes series. Aquatint, etching, engraving, relief, screen print and stencil with hand-coloring in acrylic on handmade, shaped TGL paper. Hand signed and dated l...

GAMY and MONTAUT, Ernest. Cycles Motos Alcyon. [Paris: Mabileau & Co., c. 1914]. Hand-coloured pochoir print. Framed and glazed, overall size: 93.6cm x 49.2cm. The Gamy-Montaut ...

Stencil, 1961 Edition : 57/80 Publisher : Galerie Denise René (Paris) Paper dimensions : 65.00 cm. x 50.00 cm. (25.59 in. x 19.69 in.) Handsigned by the artist in pencil Certificate...

Hand-Finished Screenprint Size: 75 x 54.6 cm 29.5 x 21.5 inches Limited Edition of 70 Signed, numbered, and embossed Certificate of Authenticity included

Fernand LÉGER The elegant lovers , 1959 Original lithograph and stencil Printed signature in the plate On vellum Auvergne 50,2 x 40 cm (c. 19,7 x 15,7 Inches) Published in 1959, under the control of the wife of the artist, Nadia Léger...

This rare one-of-a-kind work by celebrated Brooklyn-based collective FAILE exemplifies the artists’ iconic fusion of street culture, pop imagery, layered symbolism, and provocative t...

Medium: lithograph with pochoir stencil. A richly inked impression printed in 1959 on Arches paper at the atelier of Daniel Jacomet for the Jean Lurçat "Les Signes du Zodiaque" portf...

Medium: pochoir (after the mixed media collage). Printed in Paris at the atelier Daniel Jacomet and published in 1960 by Berggruen. The image measures 4 x 3 3/4 inches (105 x 96 mm)....

Medium: original pochoir stencil print in four colors. Catalogue reference: Dupin 50. Printed in 1947 in an edition of 1500 by Meriden Gravure and published by Curt Valentin for the ...

Giorgio de CHIRICO Horses in a Mythological Landscape, c. 1955 Lithograph and stencil (Jacomet workshop) Printed signature in the plate On light vellum 48 x 38 cm (c. 19 x 15 in) V...

Published by Guy Spitzer in c. 1950, this color collotype is hand signed by Georges Braque (Argenteuil-sur-Seine, 1882- Paris, 1963) in pencil in the lower right and signed in the st...

Pablo PICASSO (1881-1973) Diurnes, The Satyr, 1962 Original collotype and stencil (Jacomet workshop) Unsigned Limited to 1000 copy On paper 40 x 30 cm (c. 15.7 11.2 in) REFERENCE ...

Martin Luther King Artists: Yerena, Ernesto Year: 2021 Class: Art Print Released: 01/16/21 Technique: Original Mixed Media Paper: 100% Cotton Rag Size: 26 X 20 Markings: Signed & Numbered About: Ernesto Yerena...

Three Hens by Georges Manzana Pissarro (1871-1961) Pochoir 31.8 x 48.3 cm (12 ½ x 19 inches) Signed with Estate stamp and épreuve d'état Provenance Private Collection, London Artis...

A superb impression of this very scarce, early color pochoir. Signed, dated "1935" and numbered 58/60 in pencil by Miro. Published by Adlan, Barcelona. Ink stamp on the reverse indic...

Les poules by Georges Manzana Pissarro (1871-19610 Pochoir 30 x 46 cm (11 ³/₄ x 18 ¹/₈ inches) Signed with Estate stamp Manzana Pissarro and numbered 7/100 lower left Artist biograp...

Medium: pochoir with embossing. Printed in 1958 for the art revue XXe Siecle (issue number 11) and published in Paris by San Lazzaro. Sheet size: 12 3/8 x 9 1/2 inches (315 x 242 mm)...

Medium: lithograph with pochoir stencil. A richly inked impression printed in 1959 on Arches paper at the atelier of Daniel Jacomet for the Jean Lurçat "Les Signes du Zodiaque" portf...

Medium: pochoir (after the gouache). Printed in Paris in 1957 by Jacomet and published in an edition of 1000 by the Galerie Berggruen for a rare catalogue. Image size: 5 x 3 3/4 inch...

Medium: lithograph with pochoir stencil. A richly inked impression printed in 1959 on Arches paper at the atelier of Daniel Jacomet for the Jean Lurçat "Les Signes du Zodiaque" portf...

Medium: lithograph with pochoir stencil. A richly inked impression printed in 1959 on Arches paper at the atelier of Daniel Jacomet for the Jean Lurçat "Les Signes du Zodiaque" portf...

Collaboration print with Holly Hock & PØNK Hand-Finished Screenprint with acrylic spray paint on 352 gsm paper Edition size: 1/1 Signed, Numbered, & Embossed with a Certificate o...

after Henri Laurens - Cubism - Pochoir Published in the deluxe art review, XXe Siecle 1956 Dimensions: 32 x 24 cm Publisher: G. di San Lazzaro. Unsigned and unumbered as issued

Published in the deluxe art review, XXe Siecle in 1958. Printed by Daniel Jacomet. 1958 Unsigned Dimensions: 32 x 25 cm Publisher: G. di San Lazzaro. Catalogue raisonne: Dupin 13...

Collaboration print with Holly Hock & PØNK Hand-Finished Screenprint with acrylic spray paint on 352 gsm paper Printers Proof Signed, Numbered, & Embossed with a Certificate of A...

Medium: lithograph with pochoir stencil. A richly inked impression printed in 1959 on Arches paper at the atelier of Daniel Jacomet for the Jean Lurçat "Les Signes du Zodiaque" portf...

Medium: lithograph with pochoir stencil. A richly inked impression printed in 1959 on Arches paper at the atelier of Daniel Jacomet for the Jean Lurçat "Les Signes du Zodiaque" portf...

Two Turkeys by Georges Manzana Pissarro (1871 - 1961) Pochoir with hand-coloured metallic paint 42 x 59.5 cm (16 ½ x 23 ⅜ inches) Signed with Estate stamp, lower left Numbered 1/25 C...

Medium: pochoir (after the lithograph). Printed in 1960 at the Jacomet atelier and published by Berggruen in an edition of 1500. Size: 8 1/2 x 9 inches (218 x 227 mm). There is anoth...

Medium: pochoir (after the gouache). This pochoir illustrates a scene from Oscar Wilde's "Salomé". It was printed in 1938 at the atelier Saudé of Paris and published by The Limited E...

Salvador Dalí was born in May 11, 1904 in the small agricultural town of Figueres, Spain. Figueres is located in the foothills of the Pyrenees, only sixteen miles from the French bor...

Albert Gleizes, 'Descente de Croix', color pochoir, 1928, edition c. 50. Signed and dated in pencil. A fine, painterly impression, with fresh colors, on heavy, cream wove paper; the full sheet with margins (3 to 4 inches), in very good condition. The publisher's ink stamp 'EDITIONS MOLY-SABATA' beneath the image, lower left. Matted to museum standards, unframed. Image size 12 x 14 inches (305 x 356 mm); sheet size 18 x 22 inches (457 x 559 mm). ABOUT THE IMAGE After the 1927 painting 'Descente de Croix', one of three religious-themed works that Gleizes developed as preliminaries for murals at the church at Serrières, France, the project was terminated at its final phase, and Gleizes commissioned master printer Robert Pouyaud to create prints of the paintings, closely overseeing the production. ABOUT THE MEDIUM Pochoir is a refined stencil-based technique employed to create multiples or to add color to prints produced in other mediums. Characterized by its crisp lines and rich color, the print-making process was most popular from the late 19th century through the 1930s, with its center of activity in Paris. The pochoir process began with the analysis of an image’s composition, including color tones and densities. The numerous stencils (made of aluminum, copper, or zinc) necessary to create a complete image were then designed and hand-cut by the 'découpeur.' The 'coloristes' applied watercolor or gouache pigments through the stencils, skillfully employing a variety of different brushes and methods of paint application to achieve the desired depth of color and textural and tonal nuance. The pochoir process, by its handcrafted methodology, resulted in the finished work producing the effect of an original painting, and in fact, each print was unique. ABOUT THE ARTIST Albert Gleizes (1881-1953), born in Paris, France, was a pioneering figure in the development of abstract art and one of the leading proponents of Cubism. His contributions to the art world extended beyond his paintings; he was also a prolific writer and theoretician, advocating for a new approach to art that emphasized the geometric abstraction of form and a departure from representational traditions. Gleizes initially studied painting at the Académie Julian and the École des Beaux-Arts in Paris, where he was exposed to the academic conventions of the time. However, his artistic vision was profoundly influenced by encounters with avant-garde movements, including Fauvism and the work of Paul Cézanne. These influences led Gleizes to experiment with form and color, gradually moving away from traditional representation toward a more abstract and geometric style. After completing his secondary schooling, Gleizes spent four years in the French army and then began pursuing a career as a painter, primarily doing landscapes. Initially influenced by the Impressionists, he was only twenty-one years of age when his work titled ‘La Seine à Asnières’ was exhibited at the Société Nationale des Beaux-Arts in 1902. The following year, he was part of the first Salon d'Automne and soon came under the influence of Fernand Léger, Robert Delaunay, Jean Metzinger, and Henri Le Fauconnier. In 1907, Gleizes and some of his friends pursued the idea of creating a self-supporting community of artists that would allow them to develop their art free of any commercial concerns. For nearly a year, Gleizes  , with other painters, poets, musicians, and writers, lived at a large house in Créteil, but a lack of funds forced them to give up their facility in early 1908, and Gleizes moved temporarily into La Ruche, the artist commune in the Montparnasse Quarter of Paris. In the early 1910s, Gleizes became associated with the Cubist movement, which was spearheaded by artists such as Pablo Picasso and Georges Braque...

(after) Robert Delaunay - La fenêtre no. 2 - Pochoir From the literary review "XXe Siècle" 1957 Dimensions: 32 x 24 cm Publisher: G. di San Lazzaro.

Salvador Dali (1904-1989) - Freud with a Snail Head Drypoint etching with stencil from 1973. Edition: F171/195 on BFK Rives paper. Dimensions of work: 65.4 x 50.4 cm Publisher: T...

This pochoir belongs to the portfolio 'Le Bonheur du Jour', by George Barbier. A very fine work of one of the most important and famous european illustrators of Art Deco, whose infl...

Medium: pochoir (after the watercolor). Printed in Paris in 1957 at the atelier of Daniel Jacomet and published by the Berggruen Gallery for a rare catalogue. Image size: 5 7/8 x 3 7...

Medium: lithograph with pochoir stencil. A richly inked impression printed in 1959 on Arches paper at the atelier of Daniel Jacomet for the Jean Lurçat "Les Signes du Zodiaque" portf...

Medium: pochoir (after the gouache). This pochoir illustrates a scene from Oscar Wilde's "Salomé". It was printed in 1938 at the atelier Saudé of Paris and published by The Limited E...

Medium: pochoir. Printed in 1952 for the Temoignages pour l'art abstrait portfolio (Witnesses for Abstract Art) and published by Editions d'Art d'Aujourd'hui in an edition of 1500. S...

Medium: pochoir (after the gouache). Printed in Paris in 1959 at the atelier of Daniel Jacomet and published by the Berggruen Gallery. Image size: 6 1/4 x 3 1/4 inches (158 x 85 mm)....