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Medium: Stencil
Copyright SADNESS (PINK) Screen print, acrylic & spray Street art Graffiti Urban
Located in Madrid, Madrid
Copyright - Sadness Screen - Pink Date of creation: 2016 Medium: Silkscreen, acrylic and spray paint on paper Edition: 25 Size: 50 x 35 cm Condition: In perfect conditions and never ...
Category

2010s Street Art Stencil Prints and Multiples

Materials

Spray Paint, Acrylic, Screen, Stencil

"Untitled (from Flower Quad A)"
Located in Astoria, NY
Donald Baechler (American, 1956-2022), "Untitled (from Flower Quad A)", Stenciled Pigmented Handmade Linen Paper, 2011, one from a set of four, signed in pencil and dated lower right...
Category

2010s Neo-Expressionist Stencil Prints and Multiples

Materials

Handmade Paper, Stencil

Pablo Picasso, Minotaur, from The Double Flute, 1967 (after)
Located in Southampton, NY
This exquisite lithograph and pochoir after Pablo Picasso (1881–1973), titled Minotaure (Minotaur), from the folio Picasso, La flute double, 16 Dessins, Aquarelles Lavis (The Double ...
Category

1960s Cubist Stencil Prints and Multiples

Materials

Lithograph, Stencil

Pablo Picasso, Guitarist, from Oeuvres 1920-1926 (after)
Located in Southampton, NY
This exquisite lithograph and pochoir after Pablo Picasso (1881–1973), titled Guitariste (Guitarist), from the album, Picasso, Oeuvres 1920-1926, 1926, originates from the 1926 edition published and printed by Editions des Cahiers d'Art, Paris, under the direction of Christian Zervos, Editeur, Paris, December 10, 1926. Guitariste (Guitarist) captures Picasso’s evolving exploration of form, movement, and emotion during the mid-1920s—a pivotal period in which he redefined the relationship between classical representation and modern abstraction. With its bold contouring, stylized anatomy, and rhythmic color balance, the composition embodies the harmony between structural precision and sensual fluidity that characterized Picasso’s work in this era. Executed as a lithograph and pochoir on velin paper, this work measures 11 x 8.75 inches. Signed in the plate and unnumbered as issued. The edition exemplifies the refined craftsmanship of Editions des Cahiers d'Art and the technical excellence of Parisian printmaking in the interwar period. Artwork Details: Artist: After Pablo Picasso (1881–1973) Title: Guitariste (Guitarist), from the album, Picasso, Oeuvres 1920-1926, 1926 Medium: Lithograph and pochoir on velin paper Dimensions: 11 x 8.75 inches (27.94 x 22.23 cm) Inscription: Signed in the plate and unnumbered as issued Date: 1926 Publisher: Editions des Cahiers d'Art, Paris, under the direction of Christian Zervos, Editeur, Paris Printer: Ducros & Colas, Paris Catalogue raisonne references: Cramer, Patrick. Pablo Picasso, The Illustrated Books: Catalogue Raisonne. Patrick Cramer, 1983, illustration 15; Bloch, Georges. Pablo Picasso: Catalogue of the Printed Graphic Work 1904–1967. Kornfeld & Klipstein, 1968, illustration 56 Condition: Well preserved, consistent with age and medium Provenance: From the album, Picasso, Oeuvres 1920-1926, published and printed by Editions des Cahiers d'Art, Paris, under the direction of Christian Zervos, Editeur, Paris, 1926 Notes: Excerpted from the album (translated from French), This volume was completed to be printed by the Ducros & Colas printing house, 7, rue Croulebarbe in Paris, for the Editions des Cahiers d'Art, on December 10th MCMXXVI, DCC numbered examples, VI on Japon Imperial with an etching by Picasso, numbered from I to VI, L examples on paper by papier de Hollande, Van Gelder, with an etching by Picasso, numbered from VII to LVI, DCXL examples on velin, numbered from LVII to DCC, plus II examples intended for legal deposit. About the Publication: The album Picasso, Oeuvres 1920-1926 was issued in 1926 by Editions des Cahiers d'Art under the direction of Christian Zervos, one of the most influential editors, critics, and publishers of 20th-century modernism. Conceived as both a visual and intellectual tribute to Pablo Picasso’s mastery during a crucial transitional period, the volume presents a series of lithographs and pochoirs that chronicle his stylistic evolution from synthetic Cubism toward a renewed engagement with the human figure. Published in conjunction with the legendary Cahiers d'Art journal, the edition reflects Zervos’s vision of uniting scholarship, craftsmanship, and artistic authenticity in the modern book arts. Each composition was executed by the master printers Ducros & Colas and colored using the pochoir technique, faithfully translating the tonal subtleties and compositional balance of Picasso’s original drawings and gouaches. Completed on December 10, 1926, the edition comprised DCC examples—VI on Japon Imperial, L on Hollande Van Gelder, and DCXL on velin paper, plus II copies reserved for legal deposit—each numbered and printed to exacting standards. The volume stands as one of the earliest major Cahiers d'Art collaborations with Picasso, preceding the monumental Catalogue Raisonne des Oeuvres de Picasso that Zervos would later dedicate his life to producing. Today, Picasso, Oeuvres 1920-1926 remains a cornerstone of interwar art publishing, representing the confluence of avant-garde innovation, technical excellence, and intellectual rigor that defined the Parisian art world of the 1920s. About the Artist: Pablo Picasso (1881–1973) was a Spanish painter, sculptor, printmaker, and ceramicist whose extraordinary vision revolutionized modern art and defined the visual language of the 20th century. A child prodigy from Malaga, Spain, Picasso's career spanned more than seven decades and encompassed an astonishing range of styles and innovations—from the melancholic Blue and romantic Rose periods to his pioneering invention of Cubism with Georges Braque, which shattered conventional notions of perspective and form. Influenced by the bold expressiveness of El Greco, the structure of Cezanne, and the vitality of African and Iberian sculpture, Picasso became a central figure of the Paris avant-garde, working in creative dialogue with contemporaries such as Henri Matisse, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray. His insatiable experimentation extended across painting, drawing, printmaking, ceramics, and sculpture, forever expanding the boundaries of artistic expression. A master of reinvention, Picasso profoundly shaped generations of artists who followed—from Andy Warhol, Roy Lichtenstein, David Hockney, and Jean-Michel Basquiat to Jeff Koons and Banksy—cementing his status as a timeless cultural icon whose works remain among the most sought after worldwide. His landmark painting Les Femmes d'Alger (Version O) achieved a record-breaking sale of 179,365,000 USD at Christie's, New York, on May 11, 2015, affirming Picasso's enduring legacy as one of the most influential and valuable artists in history. Pablo Picasso Guitariste (Guitarist), Picasso Oeuvres 1920-1926, Picasso Zervos Cahiers d'Art, Picasso pochoir...
Category

1920s Cubist Stencil Prints and Multiples

Materials

Lithograph, Stencil

Prêtresse antique (Ancient Priestess)
Located in Middletown, NY
Heliogravure by Félicien Rops (1833 – 1898), a Belgian artist, known primarily as a printmaker in etching and aquatint. He is noted for his drawings depicting erotic and Satanic them...
Category

Late 19th Century Symbolist Stencil Prints and Multiples

Materials

Handmade Paper, Photogravure, Stencil

Raoul Dufy, The Three Graces, from Esprit de la fleur et du fruit, 1954 (after)
Located in Southampton, NY
This exquisite lithograph after Raoul Dufy (1877–1953), titled Les Trois Graces (The Three Graces), from the folio Eaux-de-vie, Esprit de la fleur et du fruit (Spirits, Essence of th...
Category

1950s Modern Stencil Prints and Multiples

Materials

Lithograph, Stencil

The Beauty Never Fades by PONK
Located in New York, NY
Hand-Finished on Moab Entrada Bright 290 gsm paper Printers Proof Signed & Numbered with a Certificate of Authenticity Size: 18 x 24
Category

2010s Street Art Stencil Prints and Multiples

Materials

Spray Paint, Stencil

The Future Looks Bright - Hand Finished
Located in New York, NY
Hand-Finished Screenprint Size: 75 x 54.6 cm 29.5 x 21.5 inches Limited Edition of 70 Signed, numbered, and embossed Certificate of Authenticity included
Category

2010s Street Art Stencil Prints and Multiples

Materials

Spray Paint, Stencil, Screen

Inspired Village of Montmartre - Pochoir
Located in Collonge Bellerive, Geneve, CH
(after) Maurice Utrillo Inspired Village of Montmartre Pochoir with printed signature Edition of 490 Dimensions: 39 x 30 cm Information : This print was created for the portfolio "Le Village inspiré, Chronique de la bohème de Montmartre (1920-1950) " published by Vertex in 1950 Condition : Excellent Maurice Utrillo (1883 - 1955) The French painter Maurice Utrillo was born as the illegitimate son of the painter Suzanne Valladon in Paris on December 26, 1883. He was adopted by the Catalan art critic Miguel Utrillo...
Category

1950s Modern Stencil Prints and Multiples

Materials

Stencil

The Future Looks Bright - Sky Edition
Located in New York, NY
Hand-Finished Screenprint 29 x 21 inches (73.6 x 53.3 cm) Limited Edition of 30 Signed, numbered, and embossed Certificate of Authenticity included
Category

2010s Street Art Stencil Prints and Multiples

Materials

Spray Paint, Screen, Stencil

after Jean Dubuffet - Man - Pochoir
Located in Collonge Bellerive, Geneve, CH
after Jean Dubuffet - Man - Pochoir 1960 Dimensions: 32 x 25 cm Edition: G. di San Lazzaro. From the art review XXème siècle Unsigned and unumbered as issued
Category

1960s Modern Stencil Prints and Multiples

Materials

Stencil

(after) Sonia Delaunay - Composition - Pochoir
Located in Collonge Bellerive, Geneve, CH
(after) Sonia Delaunay - Composition - Pochoir 1956 Dimensions: 32 x 25 cm Revue XXe Siècle Cahiers d'art published under the direction of G. di San Lazzaro. Unsigned and unumbered ...
Category

1950s Abstract Geometric Stencil Prints and Multiples

Materials

Stencil

(after) Nicolas de Staël - Abstract Composition - Pochoir
By Nicolas de Staël
Located in Collonge Bellerive, Geneve, CH
(after) Nicolas de Staël - Abstract Composition - Pochoir Published in the deluxe art review, XXe Siecle 1959 Dimensions: 32 x 24 cm Publisher: G. d...
Category

1950s Abstract Expressionist Stencil Prints and Multiples

Materials

Stencil

Geranium pots - Lithograph, 1971
Located in Paris, IDF
Paul Cezanne Geranium pots, 1971 Lithograph and stencil (Jacomet workshop) Unsigned Numbered / 225 On paper applied on Arches vellum 53.5 x 41.5 cm (c. 21 x 16.5 in) INFORMATION : ...
Category

1970s Modern Stencil Prints and Multiples

Materials

Lithograph, Stencil

"Salomé" pochoir
Located in Henderson, NV
Medium: pochoir (after the gouache). This pochoir illustrates a scene from Oscar Wilde's "Salomé". It was printed in 1938 at the atelier Saudé of Paris and published by The Limited E...
Category

1930s Fauvist Stencil Prints and Multiples

Materials

Lithograph, Stencil

Horse and Knight - Pochoir after André Masson - 1933
Located in Roma, IT
Pochoir realized after André Masson in 1933. Editions Jeanne Boucher (Paris) and John Becker (New York). Not signed. Very goo condition except for a minor rip in the medium right ...
Category

1930s Surrealist Stencil Prints and Multiples

Materials

Paper, Stencil

Pablo Picasso, Jacqueline in Spanish Dress, from The Double Flute, 1967 (after)
Located in Southampton, NY
This exquisite lithograph and pochoir after Pablo Picasso (1881–1973), titled Jacqueline en Espagnole (Jacqueline in Spanish Dress), from the folio Picasso, La flute double, 16 Dessi...
Category

1960s Cubist Stencil Prints and Multiples

Materials

Lithograph, Stencil

(after) Jean Dubuffet - "Eveil" pochoir
Located in Henderson, NV
Medium: pochoir (after the lithograph). Printed in 1960 at the Jacomet atelier and published by Berggruen in an edition of 1500. Size: 8 1/2 x 9 inches (218 x 227 mm). There is anoth...
Category

1960s Stencil Prints and Multiples

Materials

Lithograph, Stencil

(after) Jean Dubuffet - "Ampleur" pochoir
Located in Henderson, NV
Medium: pochoir (after the lithograph). Printed in 1960 at the Jacomet atelier and published by Berggruen in an edition of 1500. Size: 8 1/2 x 9 inches (218 x 227 mm). There is anoth...
Category

1960s Stencil Prints and Multiples

Materials

Lithograph, Stencil

Marie Laurencin, Untitled, from Les Biches, 1924
Located in Southampton, NY
This exquisite lithograph and pochoir by Marie Laurencin (1883–1956), titled Sans titre (Untitled), from the album Les Biches (The Does), originates from the 1924 edition published b...
Category

1920s Modern Stencil Prints and Multiples

Materials

Lithograph, Stencil

Pablo Picasso, Reclining Man and Seated Woman, The Double Flute, 1967 (after)
Located in Southampton, NY
This exquisite lithograph and pochoir after Pablo Picasso (1881–1973), titled Homme couche et femme assise (Reclining Man and Seated Woman), from the folio Picasso, La flute double, ...
Category

1960s Cubist Stencil Prints and Multiples

Materials

Lithograph, Stencil

Analysis of Various Evils - Lithograph and Stencil
Located in Paris, IDF
Paul KLEE (after) Analysis of Various Evils Lithograph and stencil (Jacomet process) Printed signature in the plate On canson vellum 50 x 38.2 cm (19.6 x 14.9 in) INFORMATION : Thi...
Category

Early 20th Century Surrealist Stencil Prints and Multiples

Materials

Lithograph, Stencil

Jean Cocteau, Untitled, from The White Book, 1930
Located in Southampton, NY
This exquisite lithograph and pochoir with hand coloring by Jean Cocteau (1889–1963), titled Sans titre (Untitled), from the album Le Livre blanc (The White Book), precede dun fronti...
Category

1930s Modern Stencil Prints and Multiples

Materials

Lithograph, Stencil

"L'Estaque" pochoir
Located in Henderson, NV
Medium: lithograph with pochoir coloring (after the 1883 watercolor). Printed in 1948 on Johannot paper for the rare "Seize Aquarelles et Sanguines de Renoir" portfolio and published...
Category

1940s Impressionist Stencil Prints and Multiples

Materials

Lithograph, Stencil

Pablo Picasso, The Child with the Doll, from Chroniques du Jour, 1930 (after)
Located in Southampton, NY
This exquisite lithograph and pochoir after Pablo Picasso (1881–1973), titled L’Enfant a l’ange (The Child with the Doll), from the album, Pablo Picasso, 1930, originates from the 1930 edition published by Editions des Chroniques du Jour, Paris, and printed by L'Atelier Desjobert, Paris, 1930. L’Enfant a l’ange (The Child with the Angel) exemplifies Picasso’s exploration of mythological and spiritual imagery during the early 1930s—a period in which he synthesized the formal innovations of Cubism with the poetic lyricism of his neoclassical and Surrealist phases. Through the delicate layering of lithographic line and pochoir color, the work evokes both innocence and transcendence, merging classical grace with modern expressiveness in a composition that feels simultaneously intimate and monumental. Executed as a lithograph and pochoir on velin paper, this work measures 11.38 x 9.09 inches. Unsigned and unnumbered as issued. The edition exemplifies the refined craftsmanship of Editions des Chroniques du Jour and the technical excellence of L'Atelier Desjobert, one of the premier Parisian workshops specializing in pochoir and fine art lithography. Artwork Details: Artist: After Pablo Picasso (1881–1973) Title: L’Enfant a l’ange (The Child with the Doll), from the album, Pablo Picasso, 1930 Medium: Lithograph and pochoir on velin paper Dimensions: 11.38 x 9.09 inches (28.9 x 23.1 cm) Inscription: Unsigned and unnumbered as issued Date: 1930 Publisher: Editions des Chroniques du Jour, Paris Printer: L'Atelier Desjobert, Paris Catalogue raisonne references: Cramer, Patrick. Pablo Picasso, The Illustrated Books: Catalogue Raisonne. Patrick Cramer, 1983, illustration 18; Bloch, Georges. Pablo Picasso: Catalogue of the Printed Graphic Work 1904–1967. Kornfeld & Klipstein, 1968, illustration 98; Reusse, Gerhard. Pablo Picasso: The Illustrated Books, Catalogue Raisonne. Verlag Gerd Hatje, 1983, illustration 31 Condition: Well preserved, consistent with age and medium Provenance: From the album, Pablo Picasso, published by Editions des Chroniques du Jour, Paris, and printed by L'Atelier Desjobert, Paris, 1930 Notes: Excerpted from the album, This volume has been printed in MCC numbered examples, of which DL (LI to DC) constitute the edition in French and DCL (DCI to MCCL). The edition in English has been printed on behalf of E. Weyhe, 794 Lexington Avenue, New York (DCI to MC) and of A. Zwemmer, 78 Charing Cross Road, London, W. C.2. (MCI to MCCL). There have also been printed L examples on Arches paper with a lithograph by Picasso (I to L) distributed between the two editions, and some press examples. About the Publication: The album Pablo Picasso, published in 1930 by Editions des Chroniques du Jour, Paris, under the direction of Christian Zervos, stands among the earliest major printed tributes to the artist’s emerging international acclaim. Conceived as part of the publisher’s broader initiative to document and celebrate the modernist vanguard, the volume presented a series of lithographs and pochoirs interpreting Picasso’s drawings, watercolors, and gouaches from the preceding decade. Executed at the esteemed Atelier Desjobert, the edition combined the lithographic precision of line with the pochoir method’s hand-applied color, producing images of exceptional tonal depth and fidelity. Issued in both French and English, with distribution in Paris, New York, and London through E. Weyhe and A. Zwemmer, the album was limited to MCC copies, including a special suite of L examples on Arches paper containing an original lithograph by Picasso. The publication represented a vital collaboration between artist, publisher, and printer—uniting the intellectual rigor of Zervos’s art criticism with the material beauty of fine French printmaking. Today, Pablo Picasso, 1930 is recognized as a landmark in 20th-century art publishing, reflecting both the refinement of interwar Parisian craftsmanship and the international reach of Picasso’s genius. About the Artist: Pablo Picasso (1881–1973) was a Spanish painter, sculptor, printmaker, and ceramicist whose extraordinary vision revolutionized modern art and defined the visual language of the 20th century. A child prodigy from Malaga, Spain, Picasso's career spanned more than seven decades and encompassed an astonishing range of styles and innovations—from the melancholic Blue and romantic Rose periods to his pioneering invention of Cubism with Georges Braque, which shattered conventional notions of perspective and form. Influenced by the bold expressiveness of El Greco, the structure of Cezanne, and the vitality of African and Iberian sculpture, Picasso became a central figure of the Paris avant-garde, working in creative dialogue with contemporaries such as Henri Matisse, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray. His insatiable experimentation extended across painting, drawing, printmaking, ceramics, and sculpture, forever expanding the boundaries of artistic expression. A master of reinvention, Picasso profoundly shaped generations of artists who followed—from Andy Warhol, Roy Lichtenstein, David Hockney, and Jean-Michel Basquiat to Jeff Koons and Banksy—cementing his status as a timeless cultural icon whose works remain among the most sought after worldwide. His landmark painting Les Femmes d'Alger (Version O) achieved a record-breaking sale of 179,365,000 USD at Christie's, New York, on May 11, 2015, affirming Picasso's enduring legacy as one of the most influential and valuable artists in history. Pablo Picasso L’Enfant a l’ange (The Child with the Doll), Picasso 1930, Picasso Desjobert, Picasso pochoir...
Category

1930s Modern Stencil Prints and Multiples

Materials

Lithograph, Stencil

"Collage aux fils de fer" pochoir
Located in Henderson, NV
Medium: pochoir (after the watercolor and collage). Printed in 1957 at the atelier of Daniel Jacomet and published in Paris by the Galerie Berggruen for a rare catalogue. Image size:...
Category

1950s Stencil Prints and Multiples

Materials

Lithograph, Stencil

Diurnes: Human Shadow - Original Collotype and Stencil (Cramer #115)
Located in Paris, IDF
Pablo PICASSO (1881-1973) Diurnes, Human Shadow, 1962 Original collotype and stencil (Jacomet workshop) Unsigned Limited to 1000 copy On paper 40 x 30 cm (c. 15.7 x 11.2 in) REFER...
Category

Mid-20th Century Modern Stencil Prints and Multiples

Materials

Stencil

"Only One Life" pochoir
Located in Henderson, NV
Medium: pochoir (after the watercolor). Printed in 1917 and published in Munich in an edition of 110 by Franz Hanfstaengl for the rare "Stella Peregrina" portfolio. Image size: 4 1/2 x 4 3/4 inches (115 x 120 mm...
Category

1910s Expressionist Stencil Prints and Multiples

Materials

Lithograph, Stencil

"Capriccio" pochoir
Located in Henderson, NV
Medium: pochoir (after the mixed media collage). Printed in Paris at the Daniel Jacomet atelier and published in 1960 by the Berggruen Gallery. Image size: 5 x 3 7/8 inches (130 x 98...
Category

1960s Stencil Prints and Multiples

Materials

Lithograph, Stencil

Jean Cocteau, Untitled, from The White Book, 1930
Located in Southampton, NY
This exquisite lithograph and pochoir with hand coloring by Jean Cocteau (1889–1963), titled Sans titre (Untitled), from the album Le Livre blanc (The White Book), precede dun fronti...
Category

1930s Modern Stencil Prints and Multiples

Materials

Lithograph, Stencil

"Opera - Bal des Petits Lits Blancs" pochoir
Located in Henderson, NV
Medium: pochoir (after the poster). Published in Paris in 1930 by Arts et Métiers Graphiques. Size: 11 3/4 x 8 1/2 inches (300 x 218 mm). Signed in the plate, not by hand.
Category

1930s Stencil Prints and Multiples

Materials

Lithograph, Stencil

Maurice Utrillo, Montmartre, Place Saint-Pierre, from Paris Capital, 1955
Located in Southampton, NY
This exquisite lithograph by Maurice Utrillo (1883–1955), titled Montmartre, Place Saint-Pierre (Montmartre, Place Saint-Pierre), from the album Paris Capitale (Paris Capital), origi...
Category

1950s Modern Stencil Prints and Multiples

Materials

Lithograph, Stencil

World Class, iconic coveted 13 color silkscreen with paint Unique variant Signed
Located in New York, NY
Mr. Brainwash World Class, 2009 Thirteen color silkscreen on hand stained archival art paper. Individually finished with spray paint and stencil balloon; unique variant Hand signed t...
Category

Early 2000s Street Art Stencil Prints and Multiples

Materials

Spray Paint, Archival Paper, Screen, Stencil

(after) Auguste Herbin - "Nue" serigraph
Located in Henderson, NV
Medium: serigraph / silkscreen. Printed in 1964 on thin wove paper by Imprimerie Mazarine and published in Paris by Galerie Denise Rene for the rare exhibition catalogue "Hard Edge"....
Category

1960s Stencil Prints and Multiples

Materials

Lithograph, Stencil

"Interieur de village" pochoir
Located in Henderson, NV
Medium: pochoir (after the watercolor). This impression was printed in 1971 on Arches paper at the atelier of Daniel Jacomet and published in an edition of 225 for the Cezanne Quinze...
Category

1970s Stencil Prints and Multiples

Materials

Lithograph, Stencil

Mexican Modernist Kite Painting, Stencil, Woodcut Print Hand Signed
Located in Surfside, FL
Francisco Benjamín López Toledo (born July 17, 1940, Juchitán, Oaxaca) is a Mexican painter, sculptor, and graphic artist. He studied at the Escuela de Bellas Artes de Oaxaca and the Centro Superior de Artes Aplicadas del Instituto Nacional de Bellas Artes, Mexico, where he studied graphic arts with Guillermo Silva Santamaria...
Category

21st Century and Contemporary Modern Stencil Prints and Multiples

Materials

Paint, Woodcut, Stencil

"Le Lancer du poids" pochoir for Les Joies du Sport - Shot Put
Located in Henderson, NV
Medium: pochoir. Printed in Paris in 1932 on Velin du Marais paper at the atelier of Daniel Jacomet for the Les Joies du Sport portfolio and issued in an edition of 750. This was pub...
Category

1930s Stencil Prints and Multiples

Materials

Lithograph, Stencil

"Jeune fille tenant une poupee" pochoir
Located in Henderson, NV
Medium: pochoir (after the painting). Printed in Paris at the atelier of Daniel Jacomet and published in 1975 by the Berggruen Gallery. Image size: 5 x 3 7/8 inches (125 x 98 mm). Th...
Category

1970s Stencil Prints and Multiples

Materials

Lithograph, Stencil

'Descente de Croix' (Descent from the Cross) — 1920s French Cubism
Located in Myrtle Beach, SC
Albert Gleizes, 'Descente de Croix', color pochoir, 1928, edition c. 50. Signed and dated in pencil. A fine, painterly impression, with fresh colors, on heavy, cream wove paper; the full sheet with margins (3 to 4 inches), in very good condition. The publisher's ink stamp 'EDITIONS MOLY-SABATA' beneath the image, lower left. Matted to museum standards, unframed. Image size 12 x 14 inches (305 x 356 mm); sheet size 18 x 22 inches (457 x 559 mm). ABOUT THE IMAGE After the 1927 painting 'Descente de Croix', one of three religious-themed works that Gleizes developed as preliminaries for murals at the church at Serrières, France, the project was terminated at its final phase, and Gleizes commissioned master printer Robert Pouyaud to create prints of the paintings, closely overseeing the production. ABOUT THE MEDIUM Pochoir is a refined stencil-based technique employed to create multiples or to add color to prints produced in other mediums. Characterized by its crisp lines and rich color, the print-making process was most popular from the late 19th century through the 1930s, with its center of activity in Paris. The pochoir process began with the analysis of an image’s composition, including color tones and densities. The numerous stencils (made of aluminum, copper, or zinc) necessary to create a complete image were then designed and hand-cut by the 'découpeur.' The 'coloristes' applied watercolor or gouache pigments through the stencils, skillfully employing a variety of different brushes and methods of paint application to achieve the desired depth of color and textural and tonal nuance. The pochoir process, by its handcrafted methodology, resulted in the finished work producing the effect of an original painting, and in fact, each print was unique. ABOUT THE ARTIST Albert Gleizes (1881-1953), born in Paris, France, was a pioneering figure in the development of abstract art and one of the leading proponents of Cubism. His contributions to the art world extended beyond his paintings; he was also a prolific writer and theoretician, advocating for a new approach to art that emphasized the geometric abstraction of form and a departure from representational traditions. Gleizes initially studied painting at the Académie Julian and the École des Beaux-Arts in Paris, where he was exposed to the academic conventions of the time. However, his artistic vision was profoundly influenced by encounters with avant-garde movements, including Fauvism and the work of Paul Cézanne. These influences led Gleizes to experiment with form and color, gradually moving away from traditional representation toward a more abstract and geometric style. After completing his secondary schooling, Gleizes spent four years in the French army and then began pursuing a career as a painter, primarily doing landscapes. Initially influenced by the Impressionists, he was only twenty-one years of age when his work titled ‘La Seine à Asnières’ was exhibited at the Société Nationale des Beaux-Arts in 1902. The following year, he was part of the first Salon d'Automne and soon came under the influence of Fernand Léger, Robert Delaunay, Jean Metzinger, and Henri Le Fauconnier. In 1907, Gleizes and some of his friends pursued the idea of creating a self-supporting community of artists that would allow them to develop their art free of any commercial concerns. For nearly a year, Gleizes  , with other painters, poets, musicians, and writers, lived at a large house in Créteil, but a lack of funds forced them to give up their facility in early 1908, and Gleizes moved temporarily into La Ruche, the artist commune in the Montparnasse Quarter of Paris. In the early 1910s, Gleizes became associated with the Cubist movement, which was spearheaded by artists such as Pablo Picasso and Georges Braque...
Category

1920s Cubist Stencil Prints and Multiples

Materials

Stencil

"Nature morte au reveil" pochoir
Located in Henderson, NV
Medium: pochoir (after the gouache). Printed in 1962 at the Daniel Jacomet atelier and published in Paris by the Berggruen Gallery in an edition of 1000. Image size: 5 x 3 3/4 inches...
Category

1960s Stencil Prints and Multiples

Materials

Lithograph, Stencil

"L'Alpinisme" pochoir for Les Joies du Sport
Located in Henderson, NV
Medium: pochoir. Printed in Paris in 1932 on Velin du Marais paper at the atelier of Daniel Jacomet for the Les Joies du Sport portfolio and issued in an edition of 750. This was pub...
Category

1930s Stencil Prints and Multiples

Materials

Lithograph, Stencil

Variation 4, Vol. I
Located in Myrtle Beach, SC
Katherine S. Dreier, 'Variation 4, Vol. I' from '1 to 40 Variations', lithograph with pochoir and hand-coloring, 1934, edition 65. Stenciled signature and date, lower right. Annotate...
Category

Mid-20th Century American Modern Stencil Prints and Multiples

Materials

Watercolor, Lithograph, Stencil

"La Bergere" pochoir
Located in Henderson, NV
Medium: pochoir (after the drawing in sanguine). Printed in 1923 in an edition of 150 on Arches paper at the atelier Jacomet and published in Paris by Bernheim-Jeune for the rare "Re...
Category

Early 20th Century Impressionist Stencil Prints and Multiples

Materials

Lithograph, Stencil

"Vin d'honneur" pochoir
Located in Henderson, NV
Medium: pochoir (after the watercolor). Printed on Arches paper in 1956 at the atelier Daniel Jacomet for the Vins, fleurs et flammes portfolio, and issued in a limited edition of 38...
Category

1950s Stencil Prints and Multiples

Materials

Lithograph, Stencil

"L'Eglise Sainte-Hilaire" pochoir
Located in Henderson, NV
Medium: pochoir (after the painting). Published in Paris in 1929 by Editions des Chroniques du Jour in an edition of 500. Image size: 6 1/2 x 8 1/2 inches (163 x 214 mm). With full o...
Category

1920s Stencil Prints and Multiples

Materials

Lithograph, Stencil

Henri Laurens, Still Life, 1929 (after)
Located in Southampton, NY
This exquisite lithograph and pochoir after Henri Laurens (1885–1954), titled Nature morte (Still Life), from the album L'Art Cubiste, Theories et Realisations, Etude Critique (Cubis...
Category

1920s Cubist Stencil Prints and Multiples

Materials

Lithograph, Stencil

"Study for an engraving" pochoir
Located in Henderson, NV
Medium: pochoir (after the oil on paper). Issued in 1967 in an edition of 1200 for the rare exhibition catalogue "Oiseau solaire, oiseau lunaire, etincelles", published by the Pierre...
Category

1960s Abstract Stencil Prints and Multiples

Materials

Lithograph, Stencil

The Dove and the Snake, 1933 - Original Lithograph
Located in Paris, IDF
Jacques Camus The Dove and the Snake, 1933 Original lithograph and stencil Unsigned On paper 39 x 29 cm (c. 15.3 x 11.4 inch) INFORMATION : This lithograph is part of the "Idées" p...
Category

1930s Art Deco Stencil Prints and Multiples

Materials

Lithograph, Stencil

(after) Giuseppe Capogrossi - "Surface Rouge et Noire" pochoir
Located in Henderson, NV
Medium: pochoir. Printed in 1957 at the atelier of Daniel Jacomet and published in Paris by San Lazzaro for the art revue XXe Siecle (issue No. 9). Size: 12 1/2 x 9 1/2 inches (315 x...
Category

1950s Stencil Prints and Multiples

Materials

Lithograph, Stencil

Pablo Picasso, Two Nudes, from Fifteen Drawings, 1946 (after)
Located in Southampton, NY
This exquisite lithograph and pochoir after Pablo Picasso (1881–1973), titled Two Nudes, from the folio Picasso, Fifteen Drawings, 1946, originates from the 1946 edition published by Pantheon Books, Inc., New York, and rendered and printed by Albert Carman, City Island...
Category

1940s Modern Stencil Prints and Multiples

Materials

Lithograph, Stencil

"L'Eglise d'Eaubonne" pochoir
Located in Henderson, NV
Medium: pochoir (after the painting). Published in Paris in 1929 by Editions des Chroniques du Jour in an edition of 500. Image size: 6 1/4 x 8 1/2 inches (162 x 214 mm). With full o...
Category

1920s Stencil Prints and Multiples

Materials

Lithograph, Stencil

"Composition in B" pochoir
Located in Henderson, NV
Medium: offset lithograph with pochoir coloring. Printed in 1958 and published in Milan by Silvana Editoriale d'Arte in an edition of 200. Image size: 11 x 8 1/4 inches (278 x 210 mm...
Category

1950s Stencil Prints and Multiples

Materials

Lithograph, Stencil

'Variation 5, Vol. I' — from the series '1 to 40 Variations'
Located in Myrtle Beach, SC
Katherine S. Dreier, 'Variation 5, Vol. I' from '1 to 40 Variations', lithograph with pochoir and hand-coloring, 1934, edition 65. Stenciled signature and date, lower right. Annotate...
Category

Mid-20th Century American Modern Stencil Prints and Multiples

Materials

Watercolor, Lithograph, Stencil

pochoir
Located in Henderson, NV
Medium: pochoir (after the watercolor). Printed in 1944 at the Rene Kieffer atelier and published by Rombaldi in an edition of 300 for the rare "La Varende" portfolio. Size: 15 1/2 x...
Category

1940s Stencil Prints and Multiples

Materials

Lithograph, Stencil

Rhythms-Colors
Located in Paris, FR
Stencil, 1966 Edition : I/XX Publisher : Éditions de la galerie Motte (Paris) 53.00 cm. x 38.00 cm. 20.87 in. x 14.96 in. (paper) 45.00 cm. x 27.00 cm. 17.72 in. x 10.63 in. (image...
Category

1960s Abstract Stencil Prints and Multiples

Materials

Stencil

Jean Cocteau, Untitled, from The White Book, 1930
Located in Southampton, NY
This exquisite lithograph and pochoir with hand coloring by Jean Cocteau (1889–1963), titled Sans titre (Untitled), from the album Le Livre blanc (The White Book), precede dun frontispice et accompagne de 17 dessins de Jean Cocteau (preceded by a frontispiece and accompanied by 17 drawings by Jean Cocteau), originates from the 1930 edition published by Editions du Signe, Paris, printed by Maitres-Imprimeurs, Ducros et Colas, Paris, and hand colored by M.B. Armington (a probable pseudonym of Jean Cocteau), May 10, 1930. The work reflects Cocteaus mastery of linear elegance and psychological nuance, distilling intimacy, vulnerability, and symbolic clarity into a composition that occupies a pivotal place in early twentieth-century modernism and queer cultural history. Executed as a lithograph and pochoir with hand coloring on velin d'Arches paper, this work measures 11.81 x 9.06 inches. Unsigned and unnumbered, as issued. The edition exemplifies the refined craftsmanship of Ducros and Colas, Maitres-Imprimeurs, and the exceptional hand-coloring attributed to Cocteau himself. ARTWORK DETAILS Artist: After Jean Cocteau (1889–1963) Title: Sans titre (Untitled), from the album Le Livre blanc (The White Book), precede dun frontispice et accompagne de 17 dessins de Jean Cocteau (preceded by a frontispiece and accompanied by 17 drawings by Jean Cocteau) Year: 1930 Medium: Lithograph and pochoir with hand coloring on velin d'Arches paper Size: 11.81 x 9.06 inches Inscription: Unsigned and unnumbered, as issued Publisher: Editions du Signe, Paris Printer: Maitres-Imprimeurs, Ducros et Colas, Paris Catalogue Raisonne References: Bezit, Emmanuel. Dictionnaire Critique et Documentaire des Peintres, Sculpteurs, Dessinateurs et Graveurs. Gründ, 1976, vol. 3, p. 744. Carteret, Leon. Le Tresor du Bibliophile: Livres Illustres Modernes, 1875–1945. Editions Carteret, 1958, vol. 5, p. 51. van der Veen, H. In Liefde Verzameld: Homoseksualiteit en de Nederlandse Literatuur. De Buitenkant, 1992, no. 136. Monod, Luc. Manuel de Lamateur de Livres Illustres Modernes: 1875–1975. Ides & Calendes, 1992, no. 2912. Condition: Well preserved, consistent with age and medium Provenance: From the album Le Livre blanc, published by Editions du Signe, Paris; printed by Ducros et Colas, Paris; hand colored by M.B. Armington (a probable pseudonym of Jean Cocteau), May 10, 1930 NOTES Excerpted from the album (translated from French), This album, whose plates have been entirely colored by hand by M.B. Armington, an artist-painter, was completed to print on May 10, 1930, by Ducros and Colas, Maitres-Imprimeurs in Paris. The draw has been limited to: XVIII examples on japon nacre, each containing one of the XVIII original drawings and a suite on Hollande, numbered from I to XVIII; VI examples, H.C., marked from A to F; XVIII examples on japon imperial, numbered from XIX to XXXVI; VI examples, H.C., marked from G to L; CCCLXXX examples on velin d'Arches, numbered from XXXVII to CDXVI; XXII examples, H.C., marked from A to V. ABOUT THE PUBLICATION Le Livre blanc (The White Book), published in 1930 by Editions du Signe with plates printed by Ducros et Colas and hand colored by the enigmatic M.B. Armington (likely Cocteau himself), occupies a singular and foundational place in the history of LGBTQ...
Category

1930s Modern Stencil Prints and Multiples

Materials

Lithograph, Stencil

pochoir
Located in Henderson, NV
Medium: pochoir. Printed in 1959 at the atelier of Daniel Jacomet for the art revue XXe Siecle (issue number 12) and published in Paris by San Lazzaro. Size: 12 3/8 x 9 1/2 inches (3...
Category

1950s Stencil Prints and Multiples

Materials

Lithograph, Stencil

Still life - Fruits, pears and apples - Lithograph, 1971
Located in Paris, IDF
Paul Cezanne The green jug, 1971 Lithograph and stencil (Jacomet workshop) Unsigned Numbered / 225 On paper applied on Arches vellum 41.5 x 53.5 cm (c. 16.5 x 21 in) INFORMATION : ...
Category

1970s Modern Stencil Prints and Multiples

Materials

Lithograph, Stencil

Pablo Picasso, Minotaur, from Fifteen Drawings, 1946 (after)
Located in Southampton, NY
This exquisite lithograph and pochoir after Pablo Picasso (1881–1973), titled Minotaur, from the folio Picasso, Fifteen Drawings, 1946, originates from the 1946 edition published by Pantheon Books, Inc., New York, and rendered and printed by Albert Carman, City Island, New York, 1946. Minotaur captures Picasso’s lifelong fascination with the ancient myth of the half-man, half-bull—a symbol of passion, violence, and the dual nature of human instinct. Through bold yet economical linework, the artist transforms the mythical figure into an expression of psychological struggle and creative power, a recurring theme in his postwar works that reconciles strength with vulnerability. Executed as a lithograph and pochoir on velin paper, this work measures 12.63 x 18.75 inches. Signed in the plate and unnumbered as issued. The edition exemplifies the exemplary standards and artistic integrity of the fine art publishing and printmaking of Pantheon Books, Inc., and Albert Carman whose next collaborative project following this edition was with Marc Chagall in the creation of his monumental suite, Four Tales from the Arabian Nights in 1948. Artwork Details: Artist: After Pablo Picasso (1881–1973) Title: Minotaur, from the folio Picasso, Fifteen Drawings, 1946 Medium: Lithograph and pochoir on velin paper Dimensions: 12.63 x 18.75 inches (32.1 x 47.6 cm) Inscription: Signed in the plate and unnumbered as issued Date: 1946 Edition: D, primary edition; L, out of commerce, hand signed by Pablo Picasso Publisher: Pantheon Books, Inc., New York Printer: Albert Carman, City Island, New York Catalogue raisonne reference: Orozco, Miguel. Picasso Interpretation Prints II - Etchings, Pochoirs & Woodcuts. Catalogue Raisonne. 2023, illustration 388–402 Condition: Well preserved, consistent with age and medium Provenance: From the folio Picasso, Fifteen Drawings, 1946, published by Pantheon Books, Inc., New York; printed by Albert Carman, City Island, New York, 1946 About the Publication: Picasso, Fifteen Drawings (1946) was one of the earliest fine art portfolios issued in the United States to feature the work of Pablo Picasso in the mediums of lithography and pochoir. Published by Pantheon Books, Inc., New York—a press renowned for its pioneering role in introducing European modernism to American audiences—the portfolio marked an important cultural bridge between postwar Paris and the emerging art scene in New York. The suite comprised fifteen images selected from Picasso’s prolific oeuvre, including depictions of mythological figures, musicians, and introspective portraits. Each work was rendered using a combination of lithography and pochoir, printed by Albert Carman at his atelier in City Island, New York, whose craftsmanship ensured a remarkable fidelity to the tonal and chromatic nuances of Picasso’s originals. The portfolio was produced in an edition of D, primary edition; L, out of commerce, hand signed by Pablo Picasso, issued unbound within a printed paper folder, and distributed primarily through Pantheon’s art book division under the direction of Kurt Wolff and Monroe Wheeler—key figures in shaping the intellectual reception of modern art in the United States. Picasso, Fifteen Drawings helped establish the artist’s postwar reputation among American collectors, scholars, and institutions, introducing a generation of viewers to the expressive immediacy and psychological depth of his draftsmanship. The publication also exemplified Pantheon’s broader mission to make modern European art accessible to an American audience, alongside their landmark editions devoted to Henri Matisse, Georges Rouault, and Marc Chagall. Technically refined and historically significant, the portfolio stands as a testament to the transatlantic exchange of modernist aesthetics during the mid-20th century and remains one of the most sought-after Picasso print editions issued in the United States before 1950. About the Artist: Pablo Picasso (1881–1973) was a Spanish painter, sculptor, printmaker, and ceramicist whose extraordinary vision revolutionized modern art and defined the visual language of the 20th century. A child prodigy from Malaga, Spain, Picasso's career spanned more than seven decades and encompassed an astonishing range of styles and innovations—from the melancholic Blue and romantic Rose periods to his pioneering invention of Cubism with Georges Braque, which shattered conventional notions of perspective and form. Influenced by the bold expressiveness of El Greco, the structure of Cezanne, and the vitality of African and Iberian sculpture, Picasso became a central figure of the Paris avant-garde, working in creative dialogue with contemporaries such as Henri Matisse, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray. His insatiable experimentation extended across painting, drawing, printmaking, ceramics, and sculpture, forever expanding the boundaries of artistic expression. A master of reinvention, Picasso profoundly shaped generations of artists who followed—from Andy Warhol, Roy Lichtenstein, David Hockney, and Jean-Michel Basquiat to Jeff Koons and Banksy—cementing his status as a timeless cultural icon whose works remain among the most sought after worldwide. His landmark painting Les Femmes d'Alger (Version O) achieved a record-breaking sale of 179,365,000 USD at Christie's, New York, on May 11, 2015, affirming Picasso's enduring legacy as one of the most influential and valuable artists in history. Pablo Picasso Minotaur...
Category

1940s Modern Stencil Prints and Multiples

Materials

Lithograph, Stencil

View of Munich (Szoke, 80), Lithograph with Graphite Stencil, Signed, 52/150
Located in New York, NY
Richard Haas View of Munich (Szoke, 80), 1978 Offset Lithograph with Graphite Stencil on BFK Rives Paper 17 1/2 × 43 1/2 inches Edition 52/150 Signed, titled and numbered 52/150 in g...
Category

1970s Realist Stencil Prints and Multiples

Materials

Offset, Stencil

Stencil prints and multiples for sale on 1stDibs.

Find a wide variety of authentic Stencil prints and multiples available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add prints and multiples created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, orange, red, pink and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Milivoy Uzelac, (after) Georges Braque, Shepard Fairey, and (after) Paul Klee. Frequently made by artists working in the Modern, Abstract, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Stencil prints and multiples, so small editions measuring 0.01 inches across are also available

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