1950s Prints and Multiples

This exquisite lithograph by Pablo Picasso (1881–1973), titled Le cavalier bleu (The Blue Rider), from Verve, Revue Artistique et Litteraire, Vol. VII, No. 25–26, originates from the...

Medium: lithograph. This lithograph (after the Vlaminck painting) was printed in Paris in 1958 by the Mourlot atelier, and published by Andre Sauret in an edition of 2000. The image ...

Pablo Picasso (1881-1973) - Femme au chapeau (Dora Maar) Lithograph from 1956. Dated ‘7.4.39’ in the plate and inscribed with the name H. Deschamps, the master lithographer chosen ...

Medium: lithograph (after the original lithograph poster). During the late 1940's and throughout the 1950's, Miro created a series of posters at the atelier of Mourlot Freres. The li...

Medium: original lithograph. Catalogue reference: M 233. Printed in 1956 at the Mourlot atelier and published in Paris by Maeght for the Jacques Prévert catalogue. Sheet size: 9 x 14...

Medium: pochoir (after the watercolor and collage). Printed in Paris by the atelier of Daniel Jacomet, and published in 1955 by Heinz Berggruen for a rare catalogue. The image measur...

Medium: lithograph (after the original lithograph poster). This poster was executed in 1939 by Raoul Dufy. The lithograph offered here was printed by Mourlot in 1959, reproducing the...

Medium: original lithograph. This lithograph is from the rare 1950 "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 1950 Spr...

Medium: original lithograph. This lithograph is from the rare 1954 "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 1954 Spr...

Lithograph on Arches wove paper, with watermark, realized by Picasso in 1959. Image dimension: 64x59 cm; Sheet dimension 65.5x50.5 cm. Hand signed in pencil lower right. Edition of...

Pablo PICASSO Ballet : The Dancer, 1954 Original lithograph Printed signature in the plate Unnumbered On light vellum 31 x 22 cm (c. 12,2 x 8,7 in) REFERENCES : - Catalog raisonne...

Medium: lithograph (after the watercolor sketch). Printed in 1955 at the Mourlot Freres atelier, this composition is from George Braque's Intimate Sketchbooks (Carnets Intimes). Braq...

Bold, theatrical, and unmistakably Cubist, this original 1959 poster was created by Pablo Picasso for the exhibition Cinquante Chefs-d’Oeuvre (“Fifty Masterpieces”) held at the Musée...

Medium: lithograph (after the poster). Printed in Paris in 1950 by Mourlot Freres, this lithograph faithfully reproduces the original Toulouse-Lautrec poster in a smaller-size format...

Artist: Pablo Picasso Title: Le Ballet Medium: Lithograph Date: 1954 Edition: 10,000 Framed Size: 20 1/4" x 16 3/4" Sheet Size: 12 1/2" x 8 3/4" Signature: Signed in the stone Refere...

Medium: lithograph (after the painting). Printed in Paris on smooth wove paper at the atelier Mourlot and published in 1954. Size: 9 1/4 x 6 3/4 inches (237 x 170 mm). Signed in the ...

This exquisite lithograph after Henri Matisse (1869–1954), titled Portrait de l’Artiste (Portrait of the Artist), from the album Portraits par Henri Matisse (Portraits by Henri Matis...

This exquisite heliogravure after Henri Matisse (1869–1954), titled Mademoiselle M.A. (Miss M.A.), from the album Portraits par Henri Matisse (Portraits by Henri Matisse), originates...

This exquisite lithograph after Henri Matisse (1869–1954), titled Mademoiselle L.L. (Miss L.L.), from the album Portraits par Henri Matisse (Portraits by Henri Matisse), originates f...

This exquisite lithograph by Marc Chagall (1887–1985), titled Paradis I (Paradise I), from Marc Chagall, Dessins Pour La Bible (Drawings for the Bible), Verve: Revue Artistique et Litteraire, Vol. VIII, No. 33–34, originates from the September 1956 issue published by Editions de la revue Verve, Paris, under the direction of Teriade, Editeur, Paris, and printed by Mourlot Freres, Paris, 1956. This radiant and dreamlike composition envisions the Garden of Eden as a symbol of divine harmony and innocence, where life, color, and spirit coexist in perfect unity. Through lyrical forms and glowing tonal contrasts, Chagall expresses a vision of creation that transcends narrative, merging spiritual wonder with emotional warmth. Paradis I embodies the artist’s enduring fascination with the sacred origins of life and the poetic balance between the earthly and the eternal. The piece forms part of Chagall’s celebrated series of lithographs and drawings created for Dessins Pour La Bible, a monumental project uniting art, scripture, and mysticism in one of the artist’s most important achievements. Executed as a lithograph on velin du Marais paper, this work measures 14 x 10.5 inches (35.56 x 26.67 cm). Unsigned and unnumbered as issued. The edition exemplifies the superb craftsmanship of the Mourlot Freres atelier, renowned for its collaborations with the greatest modern masters of the 20th century. Artwork Details: Artist: Marc Chagall (1887–1985) Title: Paradis I (Paradise I), from Marc Chagall, Dessins Pour La Bible (Drawings for the Bible), Verve: Revue Artistique et Litteraire, Vol. VIII, No. 33–34, September 1956 Medium: Lithograph on velin du Marais paper Dimensions: 14 x 10.5 inches (35.56 x 26.67 cm) Inscription: Unsigned and unnumbered as issued Date: 1956 Publisher: Editions de la revue Verve, Paris, under the direction of Teriade, Editeur, Paris Printer: Mourlot Freres, Paris Catalogue raisonne references: Cain, Julien, and Fernand Mourlot. Chagall Lithographe. Andre Sauret, Editeur, 1960, illustrations 117–46. Cramer, Patrick, and Meret Meyer. Marc Chagall: Catalogue Raisonne Des Livres Illustrés. P. Cramer ed., 1995, illustration 25. Condition: Well preserved, consistent with age and medium Provenance: From Marc Chagall, Dessins Pour La Bible (Drawings for the Bible), Verve: Revue Artistique et Litteraire, Vol. VIII, No. 33–34, published by Editions de la revue Verve, Paris, 1956 Notes: Excerpted from the album (translated from French), This double issue of Verve is dedicated to the full reproduction in heliogravure of the one hundred-five plates etched by Marc Chagall, between 1930 and 1955, for the illustration of the Bible. The artist composed especially for the present work, sixteen lithographs in color and twelve in black, as well as the cover and the title page. This volume was completed and printed on September 10, 1956, by the Master Printers Draeger Freres for heliogravure, and by Mourlot Freres for lithography. About the Publication: Marc Chagall, Dessins Pour La Bible (Drawings for the Bible), published as Verve Vol. VIII, No. 33–34 in September 1956, represents one of the crowning achievements of Chagall’s lifelong dialogue with the sacred. Conceived and directed by the visionary publisher Teriade and printed by the master lithographers Mourlot Freres, the issue features thirty-four color lithographs and numerous black-and-white drawings inspired by biblical figures and stories. Chagall’s works for this edition unite text and image in a luminous meditation on divine creation, moral struggle, and spiritual renewal, imbued with his signature dreamlike symbolism and radiant color. Produced in postwar Paris, this landmark publication reaffirmed the enduring union of art and faith, establishing Dessins Pour La Bible as one of the most important illustrated works of the 20th century. About the Artist: Marc Chagall (1887–1985) was a Belarus-born French painter, printmaker, and designer whose visionary imagination, radiant color, and deeply poetic symbolism made him one of the most beloved and influential artists of the 20th century. Rooted in the imagery of his Jewish heritage and the memories of his childhood in Vitebsk, Chagall’s art wove together themes of faith, love, folklore, and fantasy with a dreamlike modern sensibility. His unique style—merging elements of Cubism, Fauvism, Expressionism, and Surrealism—defied categorization, transforming ordinary scenes into lyrical meditations on memory and emotion. Influenced by Russian icon painting, medieval religious art, and the modern innovations of artists such as Pablo Picasso, Henri Matisse, and Georges Braque, Chagall developed a profoundly personal visual language filled with floating figures, vibrant animals, musicians, and lovers that symbolized the transcendent power of imagination and love. During his early years in Paris, he became an integral part of the Ecole de Paris circle, forming friendships with Amedeo Modigliani, Fernand Leger, and Sonia Delaunay, and his creative spirit resonated with that of his peers and successors—Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray—artists who, like Chagall, sought to push the boundaries of perception, emotion, and form. Over a prolific career that spanned painting, printmaking, stained glass, ceramics, and stage design, Chagall brought an unparalleled poetic sensibility to modern art, infusing even the most abstract subjects with human warmth and spiritual depth. His works are held in the most prestigious museums around the world, including the Museum of Modern Art, the Centre Pompidou, the Tate, and the Guggenheim, where they continue to inspire generations of artists and collectors. The highest price ever paid for a Marc Chagall artwork is approximately $28.5 million USD, achieved in 2017 at Sotheby’s New York for Les Amoureux (1928). Marc Chagall Paradis...

This exquisite lithograph after Henri Matisse (1869–1954), titled Femme nu (Nude Woman), from Verve, Revue Artistique et Litteraire, Vol. VII, No. 27–28, originates from the 1953 iss...

Medium: lithograph (after the poster). Printed in Paris in 1950 by Mourlot Freres, this lithograph faithfully reproduces the original Toulouse-Lautrec poster in a smaller-size format...

Pablo Picasso (1881-1973) - Femmes Lithograph from 1957. From the portfolio of the edition 153/275. Xerox copy of the page with the edition will be attached (see last photo). Wit...

Medium: lithograph (after the original). Printed in Paris in 1954 by Mourlot and published by Berggruen for a scarce catalogue. Image size: 4 1/2 x 4 inches (115 x 100 mm). There is ...

Medium: lithograph (after the original lithograph poster). During the late 1940's and throughout the 1950's, Fernand Leger created a series of posters at the atelier of Mourlot Frere...

This exquisite lithograph by Ellsworth Kelly (1923–2015), titled Forme Jaune (Yellow Shape), originates from the historic 1958 folio Derriere le Miroir, No. 110. Published by Maeght ...

This exquisite lithograph and pochoir by Lucio Fontana (1899–1968), titled Concetto Spaziale (Spatial Concept), from the album XXe siecle, Nouvelle serie, XXIe Annee, No. 12, Mai-Jui...

Color lithograph, 1958. Signed by the artist in pencil, lower right. Numbered 19/50 in pencil, lower left. Printed by Mourlot, Paris Overall sheet dimension 24 x 16.5 inches, wit...

Medium: lithograph (after the drawing). Printed in 1952 by Mourlot Freres on Arches paper and published in Paris by Louis Carre in an edition of 1000 for the rare "La Figure dans L'O...

This exquisite lithograph after Henri Matisse (1869–1954), titled Madame L.D. (Mrs. L.D.), from the album Portraits par Henri Matisse (Portraits by Henri Matisse), originates from th...

Medium: lithograph (after the poster). Printed in Paris in 1950 by Mourlot Freres, this lithograph faithfully reproduces the original Toulouse-Lautrec poster in a smaller-size format...

Lithograph on vélin paper. Paper Size: 12.4 x 9.65 inches. Inscription: Signed in the plate and unnumbered, as issued. Catalogue raisonne references: Picasso, Pablo, and Georges Bloc...

Lithograph on vélin paper. Paper Size: 12.4 x 9.65 inches. Inscription: Signed in the plate and unnumbered, as issued. Catalogue raisonné references: Moore, Henry, et al. Henry Moore...

'Riders at Sundown', aquatint and drypoint, edition 75, 1953, Kloss 451. Signed, titled, and annotated 'Artist's Proof' in pencil. A superb, richly-inked, atmospheric impression, in ...

Medium: original lithograph. This lithograph is from the rare 1952 "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 1952 Spr...

The Original Coppertone Italian suntan lotion vintage poster is in small format. It is backed with archival linen and is in Grade A condition. It is ready to frame. Step Back in Time, One Tan at a Time! Elevate your space with a piece of pop culture history! This original Coppertone vintage...

Original La Baule le Midi de le Bretagne, small format vintage French travel poster. Plage de Sable Fin: 20 Clubs de Culture Physique. Tennis: 50 courts ; casino, golf sur le Pouliguen. Printed in Paris. Professional, acid-free, archival, linen-backed, mint condition, ready to frame. Jean-Denis Malclès - with accent marks. Paris Boasting France’s longest beach, running no less than eight kilometers, La Baule is an ever-popular destination for seaside amusements. Here, there are 20 health clubs, 50 tennis courts, a casino, and golf courses, which are promoted below, while a fantasy world of costumed dandies, curvaceous sunbathers, equestriennes, theatrical performers, and the general haute monde wander the perfectly preened paths along the shore. This La Baule - de la Bretagne is an Original Vintage Poster, not a reproduction. This poster is conservation-mounted, linen-backed, and in excellent condition. The artist is also known for his famous French Beauty and the Beast poster...

Dale Nichols, 'Partners', lithograph, edition 250, 1950. Signed in pencil. A fine, richly-inked impression, on cream wove paper; the full sheet with margins (7/8 to 1 5/8 inches); tw...

This exquisite lithograph by Marc Chagall (1887–1985), titled Paradis II (Paradise II), from Marc Chagall, Dessins Pour La Bible (Drawings for the Bible), Verve: Revue Artistique et Litteraire, Vol. VIII, No. 33–34, originates from the September 1956 issue published by Editions de la revue Verve, Paris, under the direction of Teriade, Editeur, Paris, and printed by Mourlot Freres, Paris, 1956. This luminous composition portrays the splendor of Paradise, filled with light, harmony, and divine presence. Through his poetic use of line and ethereal symbolism, Chagall evokes the spiritual unity between humanity and the divine, capturing the purity and joy of creation. Paradis II reflects the artist’s enduring belief in love and beauty as transcendent forces, transforming a biblical vision into a universal celebration of faith and imagination. The work forms part of Chagall’s celebrated series of lithographs and drawings created for Dessins Pour La Bible, a monumental project uniting art, scripture, and mysticism in one of the artist’s most important achievements. Executed as a lithograph on velin du Marais paper, this work measures 14 x 10.5 inches (35.56 x 26.67 cm). Unsigned and unnumbered as issued. The edition exemplifies the superb craftsmanship of the Mourlot Freres atelier, renowned for its collaborations with the greatest modern masters of the 20th century. Artwork Details: Artist: Marc Chagall (1887–1985) Title: Paradis II (Paradise II), from Marc Chagall, Dessins Pour La Bible (Drawings for the Bible), Verve: Revue Artistique et Litteraire, Vol. VIII, No. 33–34, September 1956 Medium: Lithograph on velin du Marais paper Dimensions: 14 x 10.5 inches (35.56 x 26.67 cm) Inscription: Unsigned and unnumbered as issued Date: 1956 Publisher: Editions de la revue Verve, Paris, under the direction of Teriade, Editeur, Paris Printer: Mourlot Freres, Paris Catalogue raisonne references: Cain, Julien, and Fernand Mourlot. Chagall Lithographe. Andre Sauret, Editeur, 1960, illustrations 117–46. Cramer, Patrick, and Meret Meyer. Marc Chagall: Catalogue Raisonne Des Livres Illustrés. P. Cramer ed., 1995, illustration 25. Condition: Well preserved, consistent with age and medium Provenance: From Marc Chagall, Dessins Pour La Bible (Drawings for the Bible), Verve: Revue Artistique et Litteraire, Vol. VIII, No. 33–34, published by Editions de la revue Verve, Paris, 1956 Notes: Excerpted from the album (translated from French), This double issue of Verve is dedicated to the full reproduction in heliogravure of the one hundred-five plates etched by Marc Chagall, between 1930 and 1955, for the illustration of the Bible. The artist composed especially for the present work, sixteen lithographs in color and twelve in black, as well as the cover and the title page. This volume was completed and printed on September 10, 1956, by the Master Printers Draeger Freres for heliogravure, and by Mourlot Freres for lithography. About the Publication: Marc Chagall, Dessins Pour La Bible (Drawings for the Bible), published as Verve Vol. VIII, No. 33–34 in September 1956, represents one of the crowning achievements of Chagall’s lifelong dialogue with the sacred. Conceived and directed by the visionary publisher Teriade and printed by the master lithographers Mourlot Freres, the issue features thirty-four color lithographs and numerous black-and-white drawings inspired by biblical figures and stories. Chagall’s works for this edition unite text and image in a luminous meditation on divine creation, moral struggle, and spiritual renewal, imbued with his signature dreamlike symbolism and radiant color. Produced in postwar Paris, this landmark publication reaffirmed the enduring union of art and faith, establishing Dessins Pour La Bible as one of the most important illustrated works of the 20th century. About the Artist: Marc Chagall (1887–1985) was a Belarus-born French painter, printmaker, and designer whose visionary imagination, radiant color, and deeply poetic symbolism made him one of the most beloved and influential artists of the 20th century. Rooted in the imagery of his Jewish heritage and the memories of his childhood in Vitebsk, Chagall’s art wove together themes of faith, love, folklore, and fantasy with a dreamlike modern sensibility. His unique style—merging elements of Cubism, Fauvism, Expressionism, and Surrealism—defied categorization, transforming ordinary scenes into lyrical meditations on memory and emotion. Influenced by Russian icon painting, medieval religious art, and the modern innovations of artists such as Pablo Picasso, Henri Matisse, and Georges Braque, Chagall developed a profoundly personal visual language filled with floating figures, vibrant animals, musicians, and lovers that symbolized the transcendent power of imagination and love. During his early years in Paris, he became an integral part of the Ecole de Paris circle, forming friendships with Amedeo Modigliani, Fernand Leger, and Sonia Delaunay, and his creative spirit resonated with that of his peers and successors—Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray—artists who, like Chagall, sought to push the boundaries of perception, emotion, and form. Over a prolific career that spanned painting, printmaking, stained glass, ceramics, and stage design, Chagall brought an unparalleled poetic sensibility to modern art, infusing even the most abstract subjects with human warmth and spiritual depth. His works are held in the most prestigious museums around the world, including the Museum of Modern Art, the Centre Pompidou, the Tate, and the Guggenheim, where they continue to inspire generations of artists and collectors. The highest price ever paid for a Marc Chagall artwork is approximately $28.5 million USD, achieved in 2017 at Sotheby’s New York for Les Amoureux (1928). Marc Chagall Paradis...

Medium: original lithograph. Printed on buff colored thin wove paper and published in Milan in 1958 by Groupe Espace for the very rare Documenti d'arte d'oggi. Size: 12 3/8 x 8 1/2 i...

Medium: original lithograph. This lithograph is from the rare 1957 "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 1957 Spr...

This exquisite lithograph by Marc Chagall (1887–1985), titled Vision de Paris (Vision of Paris), from Verve, Revue Artistique et Litteraire, Vol. VII, No. 27–28, originates from the ...

Medium: lithograph (after the poster). Printed in Paris in 1950 by Mourlot Freres, this lithograph faithfully reproduces the original Toulouse-Lautrec poster in a smaller-size format...

After Pablo Picasso (Spanish, 1881-1973) La Grande Maternité 1963 pencil signed and annotated 'E.A.' (aside from the edition of 200), with margins Editions Combat de la Paix, Paris P...

Medium: lithograph (after the original lithograph poster "Theogonie" for the Maeght Gallery). During the late 1940's and throughout the 1950's, Georges Braque created a series of pos...

Medium: original etching. This Villon etching was published in Paris in 1956 by Manuel Bruker in an edition of 150-- this impression is from the deluxe edition of 15 on japon impéria...

This exquisite lithograph after Henri Matisse (1869–1954), titled Madame M.P. (Mrs. M.P.), from the album Portraits par Henri Matisse (Portraits by Henri Matisse), originates from th...

Pablo Picasso (1881-1973) - Le Pot Lithograph from 1957. The edition 211/275. With Arches watermark. Dimensions of work: 44.5 x 33.5 cm. Publisher: Fernand Mourlot Éditeur, Pari...

This exquisite lithograph by Ellsworth Kelly (1923–2015), titled Forme Orange (Orange Shape), originates from the historic 1958 folio Derriere le Miroir, No. 110. Published by Maeght...

Original “Never So Few” vintage linen-backed movie poster, NSS 59/348. Very clean and bright, with original theater-issued fold marks touched up. Grade A-. Ready to frame. Nev...

This exquisite lithograph by Marc Chagall (1887–1985), titled Place de la Concorde (Place de la Concorde), from Verve, Revue Artistique et Litteraire, Vol. VII, No. 27–28, originates...

Color lithograph on cream wove paper, 1956. Edition of 200. Printed by Mourlout, Paris.

This exquisite lithograph after Henri Matisse (1869–1954), titled Nu, deuxieme etude (Nude, Second Study), from Verve, Revue Artistique et Litteraire, Vol. VII, No. 27–28, originates...

Medium: lithograph (after the original lithograph poster). During the late 1940's and throughout the 1950's, Marc Chagall created a series of posters at the atelier of Mourlot Freres...

Medium: original lithograph. This lithograph is from the rare 1953 "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 1953 Spr...

Lithograph, stencil on vélin paper. Paper Size: 12.4 x 9.65 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, XXe siècle, Nouvelle série N° 7 (double) J...

This exquisite lithograph by Henri Matisse (1869–1954), titled La tristesse du roi (The Sorrow of the King), from Verve, Revue Artistique et Litteraire, Vol. VII, No. 27–28, originat...

Pierre SOULAGES Composition in Black and Blue, 1956 Lithograph and stencil (Jacomet workshop) Unsigned On wove paper 31 x 24 cm (c. 12.2 x 9.4 inches) Edited by San Lazaro in 1956 ...

Pablo Picasso (1881-1973) - La Pique Lithograph from 1961. Dimensions of work: 31 x 25 cm. Reference: Bloch 1014; Cramer 113.IV. Printed by Atelier Fernand Mourlot, Paris. The wo...

This exquisite lithograph by Marc Chagall (1887–1985), titled Quai de Bercy (Bercy Quay), from the folio Derriere le miroir, No. 67–68, originates from the 1954 edition published by Maeght Editeur, Paris, and printed by Mourlot Freres, Paris, 1954. Quai de Bercy captures Chagall’s poetic vision of Paris as a dreamlike landscape where memory, color, and emotion converge. The work’s lyrical composition and radiant palette embody Chagall’s deep affection for the city that shaped his artistic identity, blending reality and reverie in perfect harmony. Executed as a lithograph on velin paper, this work measures 15 x 22 inches, with centerfold as issued. Unsigned and unnumbered as issued. The edition exemplifies the superb craftsmanship of Mourlot Freres, Paris. Artwork Details: Artist: Marc Chagall (1887–1985) Title: Quai de Bercy (Bercy Quay), from the folio Derriere le miroir, No. 67–68 Medium: Lithograph on velin paper Dimensions: 15 x 22 inches (38.1 x 55.88 cm), with centerfold as issued Inscription: Unsigned and unnumbered as issued Date: 1954 Publisher: Maeght Editeur, Paris Printer: Mourlot Freres, Paris Catalogue raisonne reference: Cramer, Patrick, and Meret Meyer. Marc Chagall: Catalogue Raisonne des Livres Illustres. Patrick Cramer Editeur, 1995, illustration 24; Mourlot, Fernand, and Marc Chagall. Chagall Lithographe I: 1922–1957. Andre Sauret, 1960, illustration 93. Condition: Well preserved, consistent with age and medium Provenance: From the folio Derriere le miroir, No. 67–68, published by Maeght Editeur, Paris; printed by Mourlot Freres, Paris, 1954 Notes: On the occasion of the ‘Paris’ exhibition, Marc Chagall created for this triple issue of Derriere Le Miroir XII pages of Lithography. About the Publication: Derriere le miroir (Behind the Mirror) was one of the most important art publications of the 20th century, created and published by Maeght Editeur in Paris from 1946 to 1982. Founded by the visionary art dealer and publisher Aime Maeght, the series served as both an exhibition catalogue and a work of art in its own right, uniting original lithographs by leading modern and contemporary artists with critical essays, poetry, and design of the highest quality. Printed by master lithographers such as Mourlot Freres and Arte, Derriere le miroir became synonymous with the artistic vanguard of postwar Europe. Each issue was devoted to a single artist or theme and published to accompany exhibitions at the Galerie Maeght in Paris, featuring works by Pablo Picasso, Henri Matisse, Georges Braque, Joan Miro, Marc Chagall, Alexander Calder, Fernand Leger, and Alberto Giacometti, among others. The publication reflected Maeght’s belief that art should be both accessible and elevated—an ideal realized through its luxurious production values, meticulous printing, and collaboration with the greatest creative minds of its time. About the Artist: Marc Chagall (1887–1985) was a Belarus-born French painter, printmaker, and designer whose visionary imagination, radiant color, and deeply poetic symbolism made him one of the most beloved and influential artists of the 20th century. Rooted in the imagery of his Jewish heritage and the memories of his childhood in Vitebsk, Chagall’s art wove together themes of faith, love, folklore, and fantasy with a dreamlike modern sensibility. His unique style—merging elements of Cubism, Fauvism, Expressionism, and Surrealism—defied categorization, transforming ordinary scenes into lyrical meditations on memory and emotion. Influenced by Russian icon painting, medieval religious art, and the modern innovations of artists such as Pablo Picasso, Henri Matisse, and Georges Braque, Chagall developed a profoundly personal visual language filled with floating figures, vibrant animals, musicians, and lovers that symbolized the transcendent power of imagination and love. During his early years in Paris, he became an integral part of the Ecole de Paris circle, forming friendships with Amedeo Modigliani, Fernand Leger, and Sonia Delaunay, and his creative spirit resonated with that of his peers and successors—Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray—artists who, like Chagall, sought to push the boundaries of perception, emotion, and form. Over a prolific career that spanned painting, printmaking, stained glass, ceramics, and stage design, Chagall brought an unparalleled poetic sensibility to modern art, infusing even the most abstract subjects with human warmth and spiritual depth. His works are held in the most prestigious museums around the world, including the Museum of Modern Art, the Centre Pompidou, the Tate, and the Guggenheim, where they continue to inspire generations of artists and collectors. The highest price ever paid for a Marc Chagall artwork is approximately 28.5 million USD, achieved in 2017 at Sotheby’s New York for Les Amoureux (1928). Marc Chagall Quai de Bercy 1954, Chagall Derriere le miroir No. 67–68, Chagall Mourlot lithograph, Chagall Maeght...