Building Prints and Multiples

Etching with drypoint on cream wove paper, 7 x 8 3/4 inches (177 x 223 mm); sheet 10 1/2 x 11 3/4 inches (267 x 300 mm), full margins. Signed V. E. Chapel and numbered 62/250 in penc...

HEARTLAND is an original hand drawn, limited edition lithograph by Peter Sculthorpe (b.1948 Ontario, Canada) printed using hand lithography techniques on archival Arches paper, 100% ...

GIOVANNI BATTISTA PIRANESI (Italian 1720-1778) VEDUTA del SEPOLCRO della Famiglia PLAUZIA per la strada che Conduce da Roma a Tivoli vicino a Ponte Lugan...

Celebrate a piece of New York City's culinary history with this stunning poster by Ken Keeley, featuring the iconic Carnegie Deli. Renowned for its photorealist style, Keeley's artwo...

Etching with drypoint on cream laid paper 4 x 6 1/2 inches (102 x 166 mm); sheet 5 1/8 x 7 5/8 inches (130 x 194 mm), full margins with a deckle edge. In good condition with light ye...

"Golconde" is a thought-provoking work that embodies Magritte's signature style of surrealism and his exploration of the subconscious and the irrational. It continues to captivate vi...

Patrick Hughes "Canaluscious" Multiple. A hand painted three dimensional, Reverspective print, inspired by Venice. Produced in 2025. This print comes housed in a bespoke perspex disp...

Paper Size: 23.5 x 31.5 inches ( 59.69 x 80.01 cm ) Image Size: 19 x 28 inches ( 48.26 x 71.12 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Shipping...

A fine impression with the address of the artist (Autore, Strada Felice) and the price (Paoli 2 1/2) as well as Hind Watermark no.3 (Fleur-de-lys-in-a-Double-Circle), all correspondi...

Patrick Hughes "Golden" Multiple. A hand painted three dimensional, Reverspective print, inspired by Venice. Produced in 2022. This print comes housed in a bespoke perspex display ca...

Rebecca Skinner’s “Grande Hall” portrays intricate classical architecture, high ornate ceilings, arched doorways, and a striking green-carpeted staircase, evoking historic elegance. ...

Hiroshi Yoshida (Japanese, 1876-1950) signed: Hiroshi Yoshida, in pencil, lower, right " Temple in the Wood "(titled, lower, left) signed with the jizuri seal, (self-printed), upp...

This is an original 19th century duotone lithograph entitled "Tombs of the Memlooks, Cairo, with an Arab Funeral" by David Roberts, from his Egypt and Nubia volumes of the large foli...

Paper Size: 33.5 x 24.5 inches ( 85.09 x 62.23 cm ) Image Size: 33.5 x 24.5 inches ( 85.09 x 62.23 cm ) Framed: No Condition: B: Very Good Condition, with signs of handling or age...

A hand painted three dimensional, Reverspective print, inspired by Venice. Produced in 2024. This print comes housed in a bespoke perspex display case. A limited edition of 75. Hand...

Howard Cook, 'Financial District', lithograph, 1931, edition 75, Duffy 155. A fine, richly-inked impression, on cream wove paper, the full sheet with wide margins (2 3/4 to 5 5/8 inches), in excellent condition. Image size 13 5/16 x 10 3/8 inches (338 x 264 mm); sheet size 23 x 16 inches (584 x 406 mm). Matted to museum standards, unframed. Literature: 'American Master Prints from the Betty and Douglas Duffy Collection', the Trust for Museum Exhibitions, Washington, D.C., 1987. Collections: Crystal Bridges Museum of American Art, Library of Congress, Metropolitan Museum of Art, Philadelphia Museum of Art, Smithsonian American Art Museum. ABOUT THE ARTIST Howard Norton Cook (1901-1980) was one of the best-known of the second generation of artists who moved to Taos. A native of Massachusetts, he studied at the Art Students League in New York City and at the Woodstock Art Colony. Beginning his association with Taos in 1926, he became a resident of the community in the 1930s. During his career, he received two Guggenheim Fellowships and was elected an Academician in the National Academy of Design. He earned a national reputation as a painter, muralist, and printmaker. Cook’s work in the print mediums received acclaim early in his career with one-person exhibitions at the Denver Art Museum (1927) and the Museum of New Mexico (1928). He received numerous honors and awards over the years, including selection in best-of-the-year exhibitions sponsored by the American Institute of Graphics Arts, the Brooklyn Museum, the Society of American Etchers, and the Philadelphia Print Club. His first Guggenheim Fellowship took him to Taxco, Mexico in 1932 and 1933; his second in the following year enabled him to travel through the American South and Southwest. Cook painted murals for the Public Works of Art Project in 1933 and the Treasury Departments Art Program in 1935. The latter project, completed in Pittsburgh, received a Gold Medal from the Architectural League of New York. One of his most acclaimed commissions was a mural in the San Antonio Post Office in 1937. He and Barbara Latham settled in Talpa, south of Taos, in 1938 and remained there for over three decades. Cook volunteered in World War II as an Artist War Correspondent for the US Navy, where he was deployed in the Pacific. In 1943 he was appointed Leader of a War Art Unit...

New York Cityscape, panorama photograph capturing the Manhattan skyline from Richard Heeps series, The Streets of New York. This artwork is a limited edition of 25 gloss photographic print from negative, dry-mounted to aluminium, presented in a museum board white window mount and a choice of black or white box frame. It is signed and numbered on reverse accompanied by a certificate of authenticity. Handmade to order, this artwork is available unframed and in other sizes. It pairs well with other Richard Heeps artworks in our 1stdibs store. “Richard Heeps' seductive, highly-saturated colours and sophisticated pictorial structures demonstrate a true love and empathy for this subject matter – be it cool, descriptive interiors, still life or landscape.” His distinctive style pushes the limits of photography. The collectable and affordable, hand-printed colour photographs combine the best in traditional processing with the latest archival materials – from photographic paper to mounting with a 100% cotton museum board. His artwork has been bought by many international collectors. Exhibitions Include: Royal Academy of Arts London, Photoville Brooklyn, The Photographers Gallery London, The Spitz Gallery London, Kettle's Yard Cambridge, Norwich Arts Centre. The Civic Centre Thurrock, 20-21 Visual Arts Centre Scunthorpe, Rochester Art Gallery, Preston Hall...

Serigraph in colors on paper. Hand signed lower right by Pedro Friedberg. Hand numbered 5/42 lower left. Framed as pictured in the signature Friedeberg striped gold leaf frame. S...

Artist: John Hutchins (English, 1698-1773) Title: "Southwest View of Sherborne Abbey Church" (Plate 15) Portfolio: The History and Antiquities of the County of Dorset Year: 1861-1870...

A superb, richly-inked, early impression, in warm black ink, on cream wove paper; the full sheet with wide margins (1 1/2 to 1 3/4 inches). Signed in pencil and dedicated by the art...

Roger Shimomura Night Watch – Minidoka Original 11 Color Lithograph on Rives BFK, White Year: 2014 Edition: 51 of 52 Paper Size: 30.75 × 40.5 inches (78.11 × 102.87 cm) Image Size: 27.75 × 38 inches (70.49 × 96.52 cm) Signed, dated, titled and numbered in pencil along lower margin Printer's Chop lower right Gallery-issued COA provided Print Sheet provided upon request Condition: Mint *Could come framed. Please inquire. Night Watch – Minidoka is a poignant work by Roger Shimomura that reflects his ongoing engagement with themes of identity, memory, and the Japanese American incarceration during World War II. Drawing from his own childhood experience—having been interned with his family at the Minidoka War Relocation Center in Idaho—Shimomura transforms historical trauma into a visually striking and psychologically resonant composition. The artist’s statement—“The grey and brown colors of Camp Minidoka by day turn into a lively theatre of lights at night as the incarcerates complete another day in isolation from the rest of the country.”—captures the duality at the heart of the work. While the daytime environment is marked by monotony and confinement, the nighttime scene introduces a sense of artificial vitality, where illuminated barracks create a theatrical, almost surreal atmosphere. This contrast underscores both the resilience of those incarcerated and the unsettling normalization of confinement. Stylistically, Shimomura blends elements of American Pop Art with traditional Japanese visual strategies, creating a hybrid aesthetic that is both accessible and layered with meaning. His use of bold outlines, flattened perspective, and narrative sequencing enhances the work’s immediacy while reinforcing its historical and cultural significance. Night Watch – Minidoka functions as both a personal recollection and a broader commentary on civil liberties, exclusion, and national identity. It stands as part of Shimomura’s sustained effort to confront overlooked histories and to ensure their continued relevance in contemporary discourse. Night Watch Minidoka, Japanese American internment art, Minidoka camp art...

Kawase Hasui, 'Zentsuji Temple in the Rain' from the seres 'Collected Views of Japan II', color woodblock print, 1937. Signed Hasui in black ink, with the artist’s red seal Kawase, ...

Artist: Colen Campbell (Scottish, 1676-1729) Title: "Royal Hospital att Greenwich to the River" (Vol. 1, Plates 86, 87) Portfolio: Vitruvius Britannicus; or The British Architect, Co...

This is a high-quality reproduction of Couvent de La Tourette by Le Corbusier, printed on fine art paper with a cotton mat finish. The surface enhances the architectural lines and co...

Woodcut print realized by Escher for the series "Emblemata", and published in 1931. On Hollande van Gelder paper. Edition of 300. Unsigned, as issued. Excellent condition, matted....

Detailed and dramatic hand-colored etching by Luigi Kasimir (Austrian, 1881-1962). St. Stephen's cathedral towers above the streets of Vienna, with people going about their daily bus...

Paper Size: 27.5 x 27.5 inches ( 69.85 x 69.85 cm ) Image Size: 17.75 x 23.75 inches ( 45.085 x 60.325 cm ) Framed: No Condition: A: Mint Shipping and Handling: We ship Worldwide. ...

London: J. Taylor, 1820. Etching with aquatint and engraving with hand coloring in watercolor on cream wove paper with a gilded edge, 11 1/2 x 14 3/4 inches (290 x 374 mm), full mar...

Philip Pearlstein (1924-2022) View Over Soho, Lower Manhattan, 1977 Aquatint in colors on wove paper Edition 7/41 Signed, editioned and titled in pencil lower left Printed by the Orl...

DOMINO is an original hand drawn, limited edition lithograph(not a photo reproduction or digital print) by Peter Sculthorpe (b.1948 Ontario, Canada) printed using hand lithography te...

Etching with drypoint on lightweight Japon paper, 9 3/4 x 9 7/8 inches ( 247 x 250 mm); sheet 14 x 12 3/4 inches (355 x 324 mm), full margins. Signed in pencil in the lower margin. I...

'Remains of Henry II's Palace, as it stood in Woodstock Park in 1714' Aquatint published by Samuel Ireland. From his 'Picturesque Views on the River Thames'. Ireland was an author a...

Etching and sand ground on cream laid paper, 10 1/2 x 7 5/8 inches (262 x 193 mm), full margins. Inscribed "No. 29" in black ink, lower right margin. In good condition with minor tim...

By Giuseppe Vasi after Giovanni Piranesi: Etching and engraving with hand coloring in watercolor on laid paper with an E and R watermark, full margins. Minor...

This original c. 1960s David Klein London TWA poster represents a pinnacle of mid-century travel illustration. The David Klein London TWA poster captures a defining moment when airli...

THIS PIECE IS AVAILABLE FRAMED. Please reach out to the gallery for additional information. ABOUT THIS PIECE: The Trevi Fountain has so many romantic...

Anatole Krasnyansky, Ukrainian/American (1930 - ) - Venice Yellow Sunset, Year: 2003, Medium: Seriolithograph, signed in plate, Image Size: 27.5 x 25 i...

Paper Size: 15.75 x 19.75 inches ( 40.005 x 50.165 cm ) Image Size: 14.5 x 19.75 inches ( 36.83 x 50.165 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling ...

Duane Bryers, American (1911 - 2012) - Horseshoe Cafe, Year: 1980, Medium: Lithograph, signed and numbered in pencil, Edition: 300, AP, Size: 21 in. x 28 in. (53.34 cm x 71.12 cm...

Etching and aquatint on hand made F.J. Head & Co watermarked cream laid paper, full margins. Signed and dated in pencil, lower right margin. From the edition of 160 (from a total of ...

Lithograph on grand vélin des Papeteries de Lana paper. Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From the folio, Au Temps de Paris Seine...

This is an original 19th century duotone lithograph entitled "Principal Mosque at Boulak" by David Roberts, from his Egypt and Nubia volumes of the large folio edition, published in ...

Paper Size: 33 x 23.25 inches ( 83.82 x 59.055 cm ) Image Size: 27.5 x 21.5 inches ( 69.85 x 54.61 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Shipping an...

Rebecca Skinner’s “Burned Out” is a 20 x 30 inch black and white image of an abandoned theater with decayed, empty seats and a deteriorating ceiling, symbolizing forgotten history an...

ABOUT THIS PIECE: French photographer Ludwig Favre continues his series on empty architectural spaces at La Sorbonne. Our curators recommend the work large format and framed in simpl...

Louis Lozowick, 'Mural Study: Lower Manhattan', lithograph, edition 10 or fewer, 1936. Flint 135. Signed and dated in pencil. Signed in the stone, lower right. A fine, richly-inked...

This work is part of our exhibition Marina Stern Luminary, the first retrospective of the artist since 2007. Another example previously exhibited: An Exhibition of Recent Paintings ...

Medium: original lithograph. This lithograph was printed in 1955 for the "Improvisations" portfolio, and published by the Artists Equity Association of New York in an edition of 2000...

View of the Capitoline Hill is an original etching realized by the italian artist Giovanni Battista Piranesi in 1775. Very precious and rare lifetime impression. Roman edition. II ...

'Basilica di St Maria Maggiore. Veduta della facciata principale' Tinted lithograph by Philippe Benoist (1813-1881). From a French series titled 'Rome dans Sa Grandeur', circa 1870...

To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. Joseph Constantine Stadler (1755 - 1828) after William Westall (1781 - 1850) Jesus College...

"Hyperbaroque Impressions: A Collection of Art Prints by Miguel Rodrigues" Step into the surreal world of Miguel Rodrigues, where the boundaries between reality and fantasy blur int...

The dimensions are for the image; there are large margins. This lithograph is signed in pencil. A native New Yorker, Ann Nooney (1900-1970) recorded the urban scene while on the Wo...

To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from th...

Listing includes framing with UV plexi ($1,700 value), free shipping to the continental USA, and a 14-day return policy. Also available for local pick up from our New York gallery. A Faithful...

THIS PIECE IS AVAILABLE FRAMED. Please reach out to the gallery for additional information. ABOUT THIS PIECE: French photographer Ludwig Favre recently road tripped to California....

This exquisite lithograph after Andrew Wyeth (1917–2009), titled Brinton’s Mill, originates from the distinguished 1962 folio The Four Seasons: Paintings and Drawings by Andrew Wyeth. Published and printed by Art in America Company, Inc., New York, the edition exemplifies Wyeth’s intimate connection to the Brandywine Valley landscape. Brinton’s Mill, a historic gristmill near Chadds Ford, Pennsylvania—later purchased and restored by Wyeth and his wife Betsy—appears here bathed in the gentle light of seasonal transition, a motif of both personal and regional significance rendered with quiet reverence and precision. Executed on velin paper, this lithograph measures 17 x 13 inches (43.2 x 33 cm). As issued, it is unsigned and unnumbered, representing the folio’s authentic format. The Four Seasons series was conceived by the editors of Art in America in collaboration with Andrew and Betsy Wyeth, who selected drawings from the artist’s studio to illustrate the cycle of renewal and passage. Each image in the series embodies Wyeth’s profound sensitivity to mood, atmosphere, and the subtle interplay between man and nature. Artwork Details: Artist: After Andrew Wyeth (1917–2009) Title: Brinton’s Mill, from The Four Seasons, Paintings and Drawings by Andrew Wyeth, 1962 Medium: Lithograph on velin paper Dimensions: 17 x 13 inches (43.2 x 33 cm) Inscription: Unsigned and unnumbered, as issued Date: 1962 Publisher: Art in America Company, Inc., New York Printer: Art in America Company, Inc., New York Condition: Well preserved, consistent with age and medium Provenance: From the 1962 folio The Four Seasons, Paintings and Drawings by Andrew Wyeth, published and printed by Art in America Company, Inc., New York Notes: Excerpted from the 1962 folio: "In 1962 the editors of Art in America proposed to Wyeth a portfolio of images of his recent dry-brush drawings. The artist and his wife suggested the theme, 'The Four Seasons,' because of the essential role played in his work by the cycle of the seasons. The drawings were selected by Andrew and Betsy Wyeth from works in the house and studio at Chadds Ford, supplemented by some owned by friends. With a few exceptions they had never been exhibited or reproduced. The plates were made directly from the originals. In these drawings Wyeth's loving concentration on the object is fully revealed. But as always in his work, this concern with the tangible is balanced by sensibility to mood, to the emotion arising from the actual. They are pervaded with a sense of the season—the exact time of year, the hour of the day, the quality of the light. To the truth and subtlety with which he captures these intangible factors, these drawings owe their poignant poetry." About the Artist: Andrew Wyeth (1917–2009) was an American visual artist and one of the best-known painters of the mid-20th century. Although he considered himself an abstractionist, Wyeth’s work is characterized by a meticulous realism imbued with psychological depth and atmosphere. He often painted the landscapes and people surrounding his homes in Chadds Ford, Pennsylvania, and Cushing, Maine, creating an intimate record of American rural life. The son of the celebrated illustrator N. C. Wyeth, Andrew trained under his father before developing his own deeply personal visual language inspired by Winslow Homer, Henry David Thoreau, and King Vidor. His wife, Betsy Wyeth, was both his muse and career manager, while his son Jamie Wyeth continued the family’s artistic legacy. Among Wyeth’s best-known works is Christina’s World (1948), housed in the Museum of Modern Art, New York—a quintessential image of 20th-century American art. His other notable series include The Helga Pictures and his window studies, each reflecting a profound meditation on solitude, memory, and perception. Wyeth was the first painter to receive both the Presidential Medal of Freedom and the Congressional Gold Medal, and was elected to the French Académie des Beaux-Arts in 1980. In 2022, Andrew Wyeth's painting Day Dream sold for USD 23.29 million at Christie’s New York, setting a world record for the artist. Andrew Wyeth lithograph...

Uses and Customs -  Square and Temple of Augustus in Assisi is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the un...

Etching and drypoint on chine collé laid down to cream wove paper, 12 5/8 x 8 5/8 inches (318 x 217 mm), full margins. Signed, titled, and numbered 68/100 in pencil, lower margin. Th...

Medium: lithograph. This lithograph (after the Vlaminck painting) was printed in Paris in 1958 by the Mourlot atelier, and published by Andre Sauret in an edition of 2000. The image ...