Dog Prints and Multiples

This Blue Dog work consists of 3 dogs on a red background with a strand of holly trim across the bottom and drawings of a holiday light and Christmas tree ornaments. There is a blue dog in the center of a black and a white Retriever...

'Polichinelle Et Ses Trois Chiens,' or in English 'Pulcinella and His Three Dogs,' is an original signed lithograph by the contemporary artist Claude Weisbuch – and it is an excellen...

John Harris after Harry Hall The Merry Beaglers Restrike print - c. mid twentieth century 48x65cm Aquatint with hand colouring The most famous beagling...

Contemporary figurative etching print by Polish arist living in Canada, Pawel Zablocki. Print depicts dogs Tofcia and Turbo, one is laying down and looking in viewer's direction whil...

Milton, Peter (American, born 1930). INTERIORS VII: THE TRAIN FROM MUNICH. Milton 113. Resist-ground etching and engraving on copper, 1991. Edition of 175. Signed and dated in pencil. Printed on BFK Rives paper. 20 x 36...

Le Singe Savetier is a black and white etching realized by Zacharias Notermann (1820–1890) in 1870s. Titled in the lower. Image size: 28cmx20cm. Very Good condition. Signed on th...

This Blue Dog work consists of a blue cow in a profile view on a red background. The cow's body is an assortment of Blue Dog faces of varying sizes throughout. All the dogs eyes ar...

Artist: Dan May (American, 1955-) Title: "Dog Portrait II" *Signed by May in pencil lower left Year: 1997 Medium: Original Monoprint on unbranded white co...

Artist: Dan May (American, 1955-) Title: "Dog Portrait" *Signed by May in pencil lower left Year: 2004 Medium: Original Monoprint on unbranded white cotto...

This Blue Dog work consists of a dog on a silver background. The dog is embellished with dark blue around the nose and has soulful yellow eyes. This pop art animal original print on paper is guaranteed authentic and is hand signed by the artist. Artist: George Rodrigue Title: Blue Dog “Top Dog...

"Flushing a Woodcock" is an original hand-colored lithograph published by Currier & Ives. It depicts two dogs at the edge of a pond going after a bird that has just flown into the air. 8" x 12 1/2" art 18 1/2" x 22 1/4" frame Currier & Ives produced their prints in a building at 33 Spruce Street where they occupied the third, fourth and fifth floors. The third floor was devoted to the hand operated printing presses that were built by Nat's cousin, Cyrus Currier, at his shop Cyrus Currier & Sons in Newark, NJ. The fourth floor found the artists, lithographers and the stone grinders...

Etching realized by Félix Milius d'après Van Dyck in 1872. Very good condition.

This Blue Dog work consists of a blue and a red dog sitting on a white background with a black tree between them. The dogs have soulful yellow eyes. This pop art animal original sil...

Lithograph on vélin d'Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, La Ballade du Soldat, 34 Lithographies Originales de Max Ernst, 1972. P...

This blue Dog work consists of a solid yellow background with the head of a blue dog. The dog has soulful yellow eyes. This pop art animal original silkscreen print on paper is gua...

Baie de Kerloche is a black and White etching realized by Auguste Feyen Perrin in the 1860s.  Titled in the lower. Image size: 23x32. Very good impression with wide margins and a ...

La Curee d'Un Lapin is a black and White etching realized by Albert de Balleroy in the 1862.  Titled in the lower Image Size: 24x34 Very good impression. Realized by Cadart for t...

L'Ecurueil et la Mouche? is a black and White etching realized by Jules-Fernand Jacquemartin the 1860s.  Titled in the lower Image Size: 24x32 Very good impression. Realized for ...

Dans les Landes is a black and White etching realized by Armand Queyroy in the 1860s.  Titled in the lower Image Size: 32x23 Very good impression. Reali...

Le Berger et la Mer is a black and White etching realized by Albert Brendel in the 1860s.  Titled in the lower Image Size:  29x20 Very good impression. Realized for the "Société ...

Anatomy of Animals is an etching realized by Jean Gullaume Moitte in 1771. The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cabi...

Anatomy of Animals  is an artwork realized  in 1771.   Etching B./W. print  on ivory paper. The artwork belongs to the suite "Histoire naturelle, générale et particulière avec la d...

This Blue Dog work consists of one blue dog sitting on a white background with a blue frame line around the dog. The dog has soulful yellow eyes. This pop art animal original silksc...

Lon Megargee 1883-1960 "The Bronc" Wood block print Signed in plate, lower right Image size: 9 x 10 inches Frame size 21 x 21.5 inches Creator of Stetson's hat logo "Last Drop from his Hat" Lon Megargee 1883 - 1960 At age 13, Lon Megargee came to Phoenix in 1896 following the death of his father in Philadelphia. For several years he resided with relatives while working at an uncle’s dairy farm and at odd jobs. He returned to Philadelphia in 1898 – 1899 in order to attend drawing classes at the Pennsylvania Academy of the Fine Arts. Back in Phoenix in 1899, he decided at the age of 16 to try to make his living as a cowboy. Lon moved to the cow country of Wickenburg, Arizona where he was hired by Tex Singleton’s Bull Ranch. He later joined the Three Bar R. . . and after a few years, was offered a job by Billy Cook of the T.T. Ranch near New River. By 1906, Megargee had learned his trade well enough to be made foreman of Cook’s outfit. Never shy about taking risks, Lon soon left Cook to try his own hand at ranching. He partnered with a cowpuncher buddy, Tom Cavness, to start the El Rancho Cinco Uno at New River. Unfortunately, the young partners could not foresee a three-year drought that would parch Arizona, costing them their stock and then their hard-earned ranch. Breaking with his romantic vision of cowboy life, Megargee finally turned to art full time. He again enrolled at the Pennsylvania Academy of Art and then the Los Angeles School of Art and Design during 1909 – 1910. The now well-trained student took his first trip to paint “en plein air” (outdoors) to the land of Hopi and Navajo peoples in northern Arizona. After entering paintings from this trip in the annual Territorial Fair at Phoenix, in 1911, he surprisingly sold his first oil painting to a major enterprise – the Santa Fe Railroad . . . Lon received $50 for “Navajos Watching the Santa Fe Train.” He soon sold the SFRR ten paintings over the next two years. For forty years the railroad was his most important client, purchasing its last painting from him in 1953. In a major stroke of good fortune during his early plein-air period, Megargee had the opportunity to paint with premier artist, William R. Leigh (1866 – 1955). Leigh furnished needed tutoring and counseling, and his bright, impressionistic palette served to enhance the junior artist’s sense of color and paint application. In a remarkable display of unabashed confidence and personable salesmanship, Lon Megargee, at age 30, forever linked his name with Arizona art history. Despite the possibility of competition from better known and more senior artists, he persuaded Governor George Hunt and the Legislature in 1913 to approve 15 large, historic and iconic murals for the State Capitol Building in Phoenix. After completing the murals in 1914, he was paid the then princely sum of roughly $4000. His Arizona statehood commission would launch Lon to considerable prominence at a very early point in his art career. Following a few years of art schooling in Los Angeles, and several stints as an art director with movie studios, including Paramount, Megargee turned in part to cover illustrations for popular Western story magazines in the 1920s. In the 1920s, as well, Lon began making black and white prints of Western types and of genre scenes from woodblocks. These prints he generally signed and sold singly. In 1933, he published a limited edition, signed and hard-cover book (about 250 copies and today rare)containing a group of 28 woodblock images. Titled “The Cowboy Builds a Loop,” the prints are noteworthy for strong design, excellent draftsmanship, humanistic and narrative content, and quality. Subjects include Southwest Indians and cowboys, Hispanic men and women, cattle, horses, burros, pioneers, trappers, sheepherders, horse traders, squaw men and ranch polo players. Megargee had a very advanced design sense for simplicity and boldness which he demonstrated in how he used line and form. His strengths included outstanding gestural (action) art and strong figurative work. He was superb in design, originality and drawing, as a study of his prints in the Hays collection reveals. In 1944, he published a second group of Western prints under the same title as the first. Reduced to 16 images from the original 28 subjects, and slightly smaller, Lon produced these prints in brown ink on a heavy, cream-colored stock. He designed a sturdy cardboard folio to hold each set. For the remainder of his life, Lon had success selling these portfolios to museum stores, art fairs and shows, and to the few galleries then selling Western art. Drawing on real working and life experiences, Lon Megargee had a comprehensive knowledge, understanding and sensitivity for Southwestern subject matter. Noted American modernist, Lew Davis...

Fetus - Squirrel is an artwork realized  by Jacques de Seve in 1771.   Etching B./W. print  on ivory paper. Signed on  plate on the lower left margin. The work is glued on cardboar...

This Blue Dog work consists of a blue dog on a yellow background wearing a blue striped jacket, a white shirt, and a yellow necktie with black specks. The dog is also wearing an eye...

20" x 10" Unframed Giclee on Canvas by 195 Hand Signed by Ron Burns

The present hand-colored lithograph presents the viewer with a hunting scene in a picturesque landscape. In the foreground, a man approaches two partridges as his two pointers prepare to flush them out. Beyond, a white fence draws our eyes to the homestead in the distance. Images like this one show how people in the United States were trying to identify themselves as a new nation in the North American landscape - as separate from their European counterparts but with similar similar and specific wildlife and magesties of nature. It also identifies hunting in this landscape as an American pastime. 9.25 x 12.5 inches, artwork 18.38 x 22 inches, frame Entitled bottom center "Partridge Shooting...

French Customs in the X and XI centuries is a lithograph made by Auguste Wahlen in 1844. Hand colored. Good condition. At the center of the artwork is the original title "Costumi ...

Top Dog is a lithograph on paper, 9 x 9" image size. From the edition of 395, numbered LIV/C (there were also 275 Arabic and 20 AP), framed in a contemporary, silver-tone frame - vis...

1. This Blue Dog work consists of a blue dog on a yellow background wearing a blue striped jacket, a white shirt, and a yellow necktie with black specks. The dog is also wearing an...

La Manière de se Bien Preparer à La Mort is an etching by Romeyn de Hooghe from the Suite by Chertablon de la Vigne, La manière de se bien preparer à la mort. Antwerp: Gallet 1700. ...

Aries is a screen print on grey paper realized by Sergio Barletta in 1973. 68 x 49 cm Two folds in the top margin of the sheet. Sergio Barletta (1934) is an Italian cartoo...

Le Dogue de Forte Race is an etching realized by Jean Charles Baquoy in 1771. The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la description du C...

Interior of an Animal is an etching realized in 1771. The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cabinet du Roi". Paris: I...

Le Vari is an etching realized by Jean Moitte in 1771. It belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cabinet du Roi". Artist's signat...

Composition is an etching realized by Jean Charles Baquoy in 1771. The artwork Belongs to the suite "Histoire naturelle, générale et particulière ...

Composition is an etching realized in 1771 by P. F. Tardieu. Titled and Signed on the plate. The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la ...

The Descent of the Herds is an etching realized by Eugène Burnand (1850-1921) in the Late 19th century. Good conditions with foxing. The artwork is realized through short and deft st...

Le Bouc De Juda is an etching realized by Jean Charles Baquoy in 1771. It belongs to the suite "Histoire Naturelle de Buffon". The Artist's signature is engraved lower right. Good...

Le Brebis is an etching realized in 1771 by Louis Legrand (1723-1807). Titled and Signed on the plate. The artwork Belongs to the suite "Histoire naturelle, générale et particulièr...

The Hand is a phototype print reproducing drawing by Renzo Vespignani of the 1960s Signed on the plate lower right. The artwork is depicted through strong strokes and perfect hatch...

Chien Turc Metis ( Dog breed) is an etching realized by Pierre Francois Tardieu in 1771. It belongs to the suite "Histoire naturelle, générale et particulière avec la description d...

Le Caracal is an etching realized by Pierre Charles Baquoy in 1771. It belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cabinet du Roi". ...

This Blue Dog work consists of a blue dog on a multi-shade blue background sitting on a concrete slab tile with a brown and white 2-story house surrounded by trees and a moon overhea...

Ancient Roman Fresco from "Antiquities of Herculaneum" is an etching on paper realized by Francesco Cepparoli in the 18th Century. Signed on the plate. Good conditions. The etchin...

"La Naissance D'Eve" is an original color lithograph from the "Je Reve (I Dream)" portfolio by Andre Masson. The artist signed the piece lower right in pencil and wrote the edition n...

Roman Temple With Shepard from "Antiquities of Herculaneum" is an etching on paper realized by Giussepe Aloja in the 18th Century. Signed on the plate. Good conditions and aged wit...

Ancient Roman Fresco from the series "Antiquities of Herculaneum", is an etching on paper realized by Giovanni Morghen in the 18th Century. Signed on the plate. Good conditions. T...

Ancient Roman Fresco from Herculaneum is an etching on paper realized by Nicola Vanni in the 18th Century. Signed on the plate. Good conditions. The etching belongs to...

This Blue Dog work consists of a dog sitting on a marbled white box with a tree and moon on a background of blue and purple. The dog has soulful yellow eyes. This pop art animal or...

This Blue Dog work consists of 1 blue and 1 red dog on either side of Lady Justice centered and standing on a moon. All are on a two-toned blue background and the dogs have soulful ...

Ancient Roman Fresco from Herculaneum from the series of "Antiquities of Herculaneum", is an etching on paper realized by Vincenzo Campana in the 18th Century. Signed on the plate. ...

This Blue Dog work consists of a pink, tan and brown background. In the foreground are 3 blue dogs and an alligator. Behind the 3 dogs is a large black tree. The dogs all have soulful yellow eyes. This pop art animal original silkscreen print on paper is guaranteed authentic and is hand signed by the artist. Artist: George Rodrigue Title: Blue Dog “Later Gator...

Booze Hound II is a lithograph on paper, 9.25 x 9 inches image size. From the edition of 395, numbered 169/275 (there were also 100 Roman and 20 AP), framed in a contemporary, silver...

The Walk is an original Linocut Print realized by Mino Maccari in 1951. Very Good condition. No Signature. Mino Maccari (1898-1989) was an I...

Renard Fennec is an original lithograph on ivory-colored paper, realized by Paul Gervais (1816-1879). The artwork is from The Series of "Les Trois Règnes de la Nature", and was publi...

Mouflon is an original lithograph on ivory-colored paper, realized by Paul Gervais (1816-1879). The artwork is from The Series of "Les Trois Règnes de la Nature", and was published i...

The Hedgehog and Dog In Winter Of Village is an original lithograph on ivory-colored paper, realized by Paul Gervais (1816-1879). The artwork is from The Series of "Les Trois Règnes ...

African Civet is an original lithograph on ivory-colored paper, realized by Paul Gervais (1816-1879). The artwork is from The Series of "Les Trois Règnes de la Nature", and was publi...