Dog Prints and Multiples

George Rodrigue, A Meeting of the Minds, 1994 Screenprint Hand signed and numbered 9/100 lower left Image size 53 × 86 cm Sheet size 57 x 90 cm Mount on the board

This Blue Dog work consists of a blue dog sitting in a black background that is covered in silver blue dog heads. The dog has soulful yellow eyes. This pop art animal original silk...

This Blue Dog work consists of a purple background. There are 3 dogs: one smaller blue dog directly against the background, a black and white dog centered and a close-up blue dog in the foreground. All the dogs have soulful yellow eyes. The picture has a scatter of the different planets in the solar system. This pop art animal original silkscreen on paper is hand signed by the artist. Artist: George Rodrigue Title: Blue Dog “Tiffany...

This Blue Dog work consists of 1 blue and 1 red dog on either side of Lady Justice centered and standing on a moon. All are on a two-toned black background and the dogs have soulful yellow eyes. This pop art animal original silkscreen print on paper is guaranteed authentic and is hand signed by the artist. Artist: George Rodrigue Title: Blue Dog “Equal Justice...

This Blue Dog work consists of 3 dogs on a red background with a strand of holly trim across the bottom and drawings of a holiday light and Christmas tree ornaments. There is a blue dog in the center of a black and a white Retriever...

Artist’s in-plate monogram lower left

MARGUERITE KIRMSE (American, 1885-1954) " GAEU AWA c. 1940 Etching, signed and titled depicting a Scottie dog on a dock, plate 6-5/8" x 9-5/8" plate. Sheet 11 ½ x 13 ½”.Generally ...

French chromolithograph, published in 1931. Signed by artist in the plate. Printed title lower right of sheet. Plate number top right. From a French series of illustrations of sporti...

Original American Lobby Card of Walt Disney’s Movie „Lady and the Tramp“, USA 1955. A Group/Family picture with a lot of dogs ans cats from the hood and the babys. Keywords: Animati...

Serigraph on paper. Hand signed and numbered by the artist. Sheet size: 17.5 x 29.25 inches. Image size: 11.75 x 23.75 inches. Edition of 250. Artwork is in excellent condition. ...

French chromolithograph, published in 1931. Signed by artist in the plate. Printed title lower right of sheet. Plate number top right. From a French series of illustrations of sporti...

Michel Delacroix is a French artist born in 1933. He is very well listed and paints in the naïve style. This original lithograph with an edition of 1500 measures 17 inches wide by 12...

This Blue Dog work consists of a Reflective Chrome Paper background with the wording and markings for the Rodrigue 20th Anniversary for the New Orleans Studio. There is a single blue...

This Blue Dog work consists of two blue dogs on a purple and blue background. One of the dogs is sitting upright and the other is upside down suspended over a red moon. The dogs ha...

French chromolithograph, published in 1931. Signed by artist in the plate. Printed title lower right of sheet. Plate number top right. From a French series of illustrations of sporti...

This Blue Dog work consists of a blue dog Sitting on a background of three large horizontal stripes of purple, yellow, and green. The dog is wearing a black decorative eye mask and Mardi Gras beads around its neck. The dog has soulful yellow eyes. This pop art animal original silkscreen print is hand-signed by the artist. Artist: George Rodrigue Title: Blue Dog “Mardi Gras...

Medium: original etching and aquatint with drypoint. Also known as "Les amis du Saltimbanque". Catalogue reference Bourcard/Goodfriend 76. Printed in 1902 and published by the Revue ...

This Blue Dog work consists of a red background with the universe planets scattered about. There are 3 dogs, 2 blue dogs with one white and black dog between them in a vertical view. All the dogs have soulful yellow eyes. This pop art animal original silkscreen print on paper is guaranteed authentic and is hand signed by the artist. Artist: George Rodrigue Title: Blue Dog “Tiffany...

This Blue Dog work consists of 3 dogs; one blue, one black & white and one red on a black background with Earth behind the blue dog. All the dogs have soulful yellow eyes. This pop...

This Blue Dog work consists of a blue dog centered between a purple chicken and a pink chicken in a basket with a yellow moon on a white and green background and a painted yellow fra...

Produced on the occasion of Jonas Wood's 2022 exhibition, Plants and Animals, at David Kordansky Gallery, Los Angeles, CA. 24 x 28 inches. Signed by Jonas Wood in 2023 In Plants and ...

Artist: Igor Medvedev Year: 1991 Edition: Signed in pencil and marked 20/200 Screen Print on Heavy Paper  Size-Height: 30½" x 23" inches Unframed in good condition In the painting...

Vintage 2012 KAWS exhibition invitation Published on the occasion of: “IMAGINARY FRIENDS”: Galerie Perrotin in Paris, 2012 (imagery: KAWS Running Chum). Offset printed. 5x7.5 inche...

Lithograph hand retouched. Hand signed in pencil. Edition of 250. Very good condition.

This Blue Dog work consists of 3 dogs crowded together: one blue, one red and one black & white on a black and gray background with a black & gray moon behind them in the right corner. All 3 dogs have soulful yellow eyes. This pop art animal original silkscreen print on paper is guaranteed authentic and is hand signed by the artist. Artist: George Rodrigue Title: Blue Dog “Three’s a Crowd...

Etching and aquatint realized by Henry Alken in 1822. Table from "The Sporting Repository", first edition. Very good condition. Henry Alken (1765-1851) was en english painter and e...

Ira Moskowitz, 'Navajo Trading Post', lithograph, 1946, edition 30, Czestochowski 161. Signed and dated in the stone, lower left. A fine, richly-inked impression, on cream wove paper, with full margins (1 1/2 to 3 1/8 inches). Pale mat line, otherwise in excellent condition. Matted to museum standards, unframed. Image size 11 11/16 x 15 1/2 inches (297 x 395 mm); sheet size 16 5/16 x 191/8 inches (414 x 486 mm). ABOUT THE ARTIST Ira Moskowitz was born in Galicia, Poland, in 1912, emigrating with his family to New York in 1927. He enrolled at the Art Student's League and studied there from 1928-31. In 1935, Moskowitz traveled to Paris and then lived until 1937 in what is now Israel. He returned to the United States in 1938 to marry artist Anna Barry in New York. The couple soon visited Taos and Santa Fe in New Mexico, returning for extended periods until 1944, when they moved there permanently, staying until 1949. During this especially productive New Mexico period, Moskowitz received a Guggenheim fellowship. His work was inspired by the New Mexico landscape and the state’s three cultures (American Southwest, Native American, and Mexican). He focused on Pueblo and Navajo life, producing an extensive oeuvre of authentic American Indian imagery. He and Anna also visited and sketched across the border in Old Mexico. While in the Southwest, Moskowitz flourished as a printmaker while continuing to produce oils and watercolors. Over 100 of Moskowitz’s works depicting Native American ceremonies were used to illustrate the book American Indian Ceremonial Dances by John Collier, Crown Publishers, New York, 1972. After leaving the Southwest, printmaking remained an essential medium for the artist while his focus changed to subject matter celebrating Judaic religious life and customs. These works were well received early on, and Moskowitz was content to stay with them the rest of his life. From 1963 until 1966, Moskowitz lived in Paris, returning to New York City in 1967, where he made his permanent home until he died in 2001. Shortly before his death, Zaplin-Lampert Gallery of Santa Fe staged an exhibition of the artist's works, December 2000 - January 2001. Other one-person shows included the 8th Street Playhouse, New York, 1934; Houston Museum, 1941; and the San Antonio Museum, 1941. The artist’s work was included in exhibitions at the Art Students League, Art Institute of Chicago, Philadelphia Print Club, College Art Association (promotes excellence in scholarship and teaching), and the International Exhibition of Graphic Arts (shown at MOMA, 1955). Moskowitz’s lithographs of American Indian...

Guy Allen French Gold Image size: 25cm x 30cm Approximate size when framed: 45cm x 50cm Etching and Gold Leaf on Paper Please note the price is for the unframed original etching. Ple...

George Rodrigue, Later Gator, 1992 Screenprint Hand signed and numbered 30/90 lower right Sheet size 63.5 × 89.5 cm Here, he presents a bold reimagining of the Louisiana landscape, ...

Etching realized by Jean Charles Baquoy in 1771. It belongs to the first edition of the suite "Histoire Naturelle de Buffon". Good conditions with slight foxing.

Antique Dog Portrait Lithograph in the Taste of Alfred De Dreux Bulldog and Frog France, circa 1870 Lithography 25 5/8 x 19 5/8 (28 x 20 frame) inches Six lithographs of dog portr...

This Blue Dog work consists of a dog on a blue background surrounded by 6 floating candy canes. The dog has soulful yellow eyes. This pop art animal original silkscreen print on paper is guaranteed authentic and is hand signed by the artist. Artist: George Rodrigue Title: Blue Dog “George...

The Train from Munich is a print for Milton's wife, Edith, referencing her escape from Germany in 1939. The image started with a photograph by Eugène Atget of a girl looking out of a...

'Blood Hound' Copper-line engraving by J Scott (1774-1827) after Philip Reinagle (1749-1815), 1803. Philip Reinagle was one of the best of the sporti...

William Wegman Whitney Museum 1992: Rare early 90s tri-fold card, published for Wegman's exhibition at the Whitney Musuem: January 24 - April 19, 1992. Front cover features Wegman's ...

The horse "Lampo" is a modern artwork realized by Giorgio De Chirico in 1971. Mixed colored lithograph. Hand signed, titled and numbered on the lower margin. Edition of 30/48 inc...

TECHNICAL INFORMATION Robert Rauschenberg Chow Bags - Monkey Chow 1977 Screenprint with collage of string 48 1/8 x 36 3/8 in. Edition of 100 with 20 ...

Guy Allen Labrador and Bumblebee Original Etching and Gold Leaf on Paper Image size: 20cm x 30cm Edition size: 75 Please note the price is for the unframed original etching. Please n...

Horn Dog is a lithograph on paper, 9.5 x 9" image size, initialed 'BD' lower right and numbered lower left. From the edition of 395, numbered 84/275 (there were also 100 Roman and 20...

Artist: George Rodrigue Title: Angel Baby Year: 2000 Dimensions: 20in. by 16in. Edition: from the rare limited edition of 150 Medium: Original serigraph on paper Condition: Excellent...

'Bassets Ardennais'. French chromolithograph, published in 1931. Signed by artist in the plate. Printed title lower right of sheet. Plate number top right. From a French series of i...

Paper Size: 19.5 x 27.25 inches ( 49.53 x 69.215 cm ) Image Size: 14.5 x 18.75 inches ( 36.83 x 47.625 cm ) Framed: No Condition: A: Mint Additional Details: This is an original, li...

Fresco from Pompeii is a beautiful hand-watercolored etching realized by Francois Mazois, in 1922. Titled on the lower center. Sculptor's name on the lower right margin. Good condi...

Stone and Press Gallery is excited to offer several works in celebration of the LGBTQ community. Three women strolling on a beach. This impression is one of the rare impressions p...

ABOUT THIS PIECE: Amanda Pratt is known and admired for the energetic, inspiring brand of whimsy she brings to photography. Countless clients have benefitted from her technical preci...

Ari Gradus, Israeli (1943 - ) - Gypsy Fever, Year: 1980, Medium: Lithograph, Signed and Numbered in Pencil, Edition: AP, Image Size: 18 x 26 inches, Siz...

French chromolithograph, published in 1931. Signed by artist in the plate. Printed title lower right of sheet. Plate number top right. From a French series of illustrations of sporti...

Silkscreen on paper. Signed and titled in pencil. Numbered from the edition of 50. Image size: 505 x 505 mm Paper size: 665 x 685 mm Silkscreen print on Paper Edition of 100 50...

This Blue Dog work consists of a single dog with soulful yellow eyes sitting on the right side of a pink, white and red background covered in the dog's soulful yellow eyes scattered ...

French chromolithograph, published in 1931. Signed by artist in the plate. Printed title lower right of sheet. Plate number top right. From a French series of illustrations of sporti...

This exquisite lithograph after Henri de Toulouse-Lautrec (1864–1901), titled Un Petit Cob (A Small Cob), originates from the 1952 album The Circus of Toulouse-Lautrec. Published by ...

This exquisite lithograph after Henri de Toulouse-Lautrec (1864–1901), titled Haute Ecole (High School Riding), originates from the 1952 album The Circus of Toulouse-Lautrec. Publish...

Mr Brainwash Love Is The Answer - MC2 (Blue), 2012 Screenprint on BFK Rives wove paper, 2012 Hand signed in pencil, dated in red crayon and signed with the artist's inky fingerprint...

French chromolithograph, published in 1931. Signed by artist in the plate. Printed title lower right of sheet. Plate number top right. From a French series of illustrations of sporti...

'Bassets Griffons de Bretagne et de Vendee'. French chromolithograph, published in 1931. Signed by artist in the plate. Printed title lower right of sheet. Plate number top right. F...

This Blue Dog work consists of a dark blue background with various sizes of Blue Dog soulful yellow eyes and 3 dogs; 1 white & black, 1 red and one blue. All dogs...

Original antique etching by Samuel Howitt (1756-1822) . C1810. Published by Edward Orme. An early 19th century etching by Howitt from a series depicting ...

This Blue Dog work consists of a white background with various sizes of Blue Dog soulful yellow eyes and 3 dogs: 1 white & black, 1 red, and one blue. All dogs...

This Blue Dog work consists of a white background, 3 dogs, 1 each black & white, Red and blue. The black & white dog is sitting on a 2-toned brown overstuffed chair...

Interiors VII: The Train from Munich Robert E. Townsend, 1991. Resist ground etching and engraving with hand refinement in charcoal, pencil, stabilo, and eraser on BFK Rives white wove paper, 20 x 36 inches (507 x 914 mm), full margins. Signed, titled, dated and numbered 51/175 by the artist in pencil, lower margin. A brilliant, inky impression with luminous light and gradient tones. In excellent condition with one extremely minor and superficial spot of light tan adhesive residue on the verso, unobtrusive and not visible on the recto, with no other visible defects. With the blind stamp of the printer, Robert E. Townsend in the lower left margin. An especially fine impression in superb condition. [Milton 113]. When asked about this work in particular, Milton expressed that his favorite images were his darkest images, in theme, mood, and in ink. Milton, who has said that his work is infused with a postmodern awareness of the past, has focused here in a deeply personal way on a segment of history that continues to haunt us all. The work, published in 1991, evokes one of the darkest periods of European history, the eroding and erasing of European culture under fascism, and the eventual total loss of humanity. The Train from Munich is an especially relevant and emotional work for Milton, who created the piece for his wife, Edith, who escaped Munich in 1939 as a child on the fabled Kinderstransport. The Kinderstransport was a desperate rescue effort on the part of the British government to save as many Jewish children as possible by railway before borders closed on the precipice of the Second World War. Children left their parents behind, and boarded the trains alone, leaving the impending doom of Nazi Germany, they arrived in Great Britain as refugees. More than 10,000 children escaped the holocaust via the Kinderstransport. In Train from Munich, the image itself holds an almost immeasurable amount of symbolism; each inch of the matrix is a successful effort to confront this history in a way that is poignant through a series of motifs. We see the Café disappearing into a ghostlike memory of the past, an allegory to the disintegration of culture, while through the windows we can see a rampant, snarling dog; a portrait of Hitler's shepherd, Blondi. Blondi isn't the only notable figure in the composition. Milton has pointed out that the fading figure of the doorman at the Hotel Metropole is modeled after the artist and intellectual Marcel Duchamp, and the face of the young girl peering...