Dog Prints and Multiples

This Blue Dog work consists of a solid blue background. There are 4 dogs. One dog has no tie and the other 3 are embellished with ties of various styles and designs. The tieless d...

Medium: original etching and aquatint with drypoint. Also known as "Les amis du Saltimbanque". Catalogue reference Bourcard/Goodfriend 76. Printed in 1902 and published by the Revue ...

Lithograph on Magnani-Pescia paper. Paper size 17,5 cm x 24,5 cm work size 14,5 cm x22cm. Excellent condition, no defects.   Aldo Riso was born in 1927 in Santa Maria di Leuca, in th...

Mr Rochester, 2002 Paula Rego Lithograph in black, on Somerset textured paper Signed, a proof aside from the edition of 35 From Jane Eyre: The Guardians P...

This is an original John James Audubon hand-colored royal octavo lithograph entitled "Prairie Wolf", No. 15, Plate LXXI, 71 from Audubon's "Quadrupeds of North America". It was drawn...

This Blue Dog work consists of 1 blue and 1 red dog on either side of Lady Justice centered and standing on a moon. All are on a two-toned pink background and the dogs have soulful yellow eyes. This pop art animal original silkscreen print on paper is guaranteed authentic and is hand signed by the artist. Artist: George Rodrigue Title: Blue Dog “Equal Justice...

This Blue Dog work consists of a blue dog sitting in a black background that is covered in silver blue dog heads. The dog has soulful yellow eyes. This pop art animal original silk...

Lon Megargee 1883-1960 "The Bronc" Wood block print Signed in plate, lower right Image size: 9 x 10 inches Frame size 21 x 21.5 inches Creator of Stetson's hat logo "Last Drop from his Hat" Lon Megargee 1883 - 1960 At age 13, Lon Megargee came to Phoenix in 1896 following the death of his father in Philadelphia. For several years he resided with relatives while working at an uncle’s dairy farm and at odd jobs. He returned to Philadelphia in 1898 – 1899 in order to attend drawing classes at the Pennsylvania Academy of the Fine Arts. Back in Phoenix in 1899, he decided at the age of 16 to try to make his living as a cowboy. Lon moved to the cow country of Wickenburg, Arizona where he was hired by Tex Singleton’s Bull Ranch. He later joined the Three Bar R. . . and after a few years, was offered a job by Billy Cook of the T.T. Ranch near New River. By 1906, Megargee had learned his trade well enough to be made foreman of Cook’s outfit. Never shy about taking risks, Lon soon left Cook to try his own hand at ranching. He partnered with a cowpuncher buddy, Tom Cavness, to start the El Rancho Cinco Uno at New River. Unfortunately, the young partners could not foresee a three-year drought that would parch Arizona, costing them their stock and then their hard-earned ranch. Breaking with his romantic vision of cowboy life, Megargee finally turned to art full time. He again enrolled at the Pennsylvania Academy of Art and then the Los Angeles School of Art and Design during 1909 – 1910. The now well-trained student took his first trip to paint “en plein air” (outdoors) to the land of Hopi and Navajo peoples in northern Arizona. After entering paintings from this trip in the annual Territorial Fair at Phoenix, in 1911, he surprisingly sold his first oil painting to a major enterprise – the Santa Fe Railroad . . . Lon received $50 for “Navajos Watching the Santa Fe Train.” He soon sold the SFRR ten paintings over the next two years. For forty years the railroad was his most important client, purchasing its last painting from him in 1953. In a major stroke of good fortune during his early plein-air period, Megargee had the opportunity to paint with premier artist, William R. Leigh (1866 – 1955). Leigh furnished needed tutoring and counseling, and his bright, impressionistic palette served to enhance the junior artist’s sense of color and paint application. In a remarkable display of unabashed confidence and personable salesmanship, Lon Megargee, at age 30, forever linked his name with Arizona art history. Despite the possibility of competition from better known and more senior artists, he persuaded Governor George Hunt and the Legislature in 1913 to approve 15 large, historic and iconic murals for the State Capitol Building in Phoenix. After completing the murals in 1914, he was paid the then princely sum of roughly $4000. His Arizona statehood commission would launch Lon to considerable prominence at a very early point in his art career. Following a few years of art schooling in Los Angeles, and several stints as an art director with movie studios, including Paramount, Megargee turned in part to cover illustrations for popular Western story magazines in the 1920s. In the 1920s, as well, Lon began making black and white prints of Western types and of genre scenes from woodblocks. These prints he generally signed and sold singly. In 1933, he published a limited edition, signed and hard-cover book (about 250 copies and today rare)containing a group of 28 woodblock images. Titled “The Cowboy Builds a Loop,” the prints are noteworthy for strong design, excellent draftsmanship, humanistic and narrative content, and quality. Subjects include Southwest Indians and cowboys, Hispanic men and women, cattle, horses, burros, pioneers, trappers, sheepherders, horse traders, squaw men and ranch polo players. Megargee had a very advanced design sense for simplicity and boldness which he demonstrated in how he used line and form. His strengths included outstanding gestural (action) art and strong figurative work. He was superb in design, originality and drawing, as a study of his prints in the Hays collection reveals. In 1944, he published a second group of Western prints under the same title as the first. Reduced to 16 images from the original 28 subjects, and slightly smaller, Lon produced these prints in brown ink on a heavy, cream-colored stock. He designed a sturdy cardboard folio to hold each set. For the remainder of his life, Lon had success selling these portfolios to museum stores, art fairs and shows, and to the few galleries then selling Western art. Drawing on real working and life experiences, Lon Megargee had a comprehensive knowledge, understanding and sensitivity for Southwestern subject matter. Noted American modernist, Lew Davis...

This Blue Dog work consists of a dark blue background with various sizes of Blue Dog soulful yellow eyes and 3 dogs; 1 white & black, 1 red and one blue. All dogs...

This Blue Dog work consists of a purple background fading from dark purple to a light shade of purple (almost white). There are 3 dogs: one smaller blue dog directly against the background, a black and white dog centered and a close-up blue dog in the foreground. All the dogs have soulful yellow eyes. The picture has a scatter of the different planets in the solar system. This pop art animal original silkscreen on paper is hand signed by the artist. Artist: George Rodrigue Title: Blue Dog “Tiffany...

Serigraph on paper. Hand signed and numbered by the artist. Sheet size: 17.5 x 29.25 inches. Image size: 11.75 x 23.75 inches. Edition of 250. Artwork is in excellent condition. ...

An elegant print canvas painting of English hunters and hounds in a countryside estate after the the British artist Heywood Hardy ( English, 1842-1933) ...

This Blue Dog work consists of the dog in a red race car on an asphalt race track, blue sky and checkered wall strips. It features the names of Sanders Morris Harris along the checkered wall area. This artwork piece was not done in an edition. The blue dog has blissful yellow eyes. This pop art animal original silkscreen print on paper is guaranteed authentic and hand signed by the artist. Artist: George Rodrigue Title: Blue Dog “Thunder Road...

Figure 1, 1971 Colin Self Etching, open bite, printed in black, on wove Signed, titled, dated and numbered from the edition of 60 verso From Prelude to 1000 Temporary Objects of our...

This Blue Dog work consists of a single pale blue dog on a purple background. There are soulful yellow eyes on the dog and scattered on the background in various sizes. This pop ar...

Fallen Rider  is a modern artwork realized by Max Klinger in 1881. The artwork belongs to a series of prints called Intermezzi realized by Max Klinger, published by Nurnberg: Stroef...

This Blue Dog work consists of 3 blue dogs on a background of pink, dark red and dark blue. The first dog is sitting on the surface while the other 2 appear to be sinking into the b...

An ink on paper, Nishiki-e and Yoko-e woodblock landscape showing a view of the sun rising over a snow-laden town and a procession heading towards a castle. Signed in Kanji lower rig...

This Blue Dog work consists of 3 dogs; 1 large blue dog centered in the foreground, 1 smaller black and white dog sitting on a fuchsia chair and 1 smaller red dog sitting on a dark blue chair in the background. There is also a blue tree and a blue moon in the background all on a full white background. The Dogs all have soulful yellow eyes. This pop art animal original silkscreen print on paper is guaranteed authentic and is hand signed by the artist. Artist: George Rodrigue Title: Blue Dog “Waiting For My TV Dinner...

Ira Moskowitz, 'Navajo Horse Race', lithograph, 1946, edition 30, Czestochowski 204. Signed and titled in pencil. Signed and dated in the stone, lower le...

This Blue Dog work consists of 3 different outlined portraits of dogs. One frame is 1 dog on a white background, another is 2 dogs on a dark blue background with a moon and the 3rd i...

This Blue Dog work consists of a multi-shaded blue background with a red dog sitting center The dog has soulful yellow eyes. This pop art animal original silkscreen print on paper is hand-signed by the artist. Artist: George Rodrigue Title: Blue Dog “Red Dog...

French chromolithograph, published in 1931. Signed by artist in the plate. Printed title lower right of sheet. Plate number top right. From a French series of illustrations of sporti...

Artist: Igor Medvedev Year: 1991 Edition: Signed in pencil and marked 20/200 Screen Print on Heavy Paper  Size-Height: 30½" x 23" inches Unframed in good condition In the painting...

Roman Temple and Tower from "Antiquities of Herculaneum" is an etching on paper realized by Giuseppe Aloja in the 18th Century. Signed on the plate. Good conditions. The etching b...

Artist: George Rodrigue Title: Blue Dog “Truly Rudy” Medium: Silkscreen Date: 2000 Edition: Artist Proof Dimensions: 20" X 16" Description: Signed &...

French chromolithograph, published in 1931. Signed by artist in the plate. Printed title lower right of sheet. Plate number top right. From a French series of illustrations of sporti...

Billy Childish White Wolf, 2021 30.5 x 44 cm edition of 200 hand-signed and numbered by the artist Billy Childish is a prolific British artist, musician, and writer known for his ra...

Etching on Montval wove paper, realized by Marc Chagall in 1931-39 and published by Tériade in 1956. Edition of 275+30 out of commerce copies. Not signed nor numbered, as issued. ...

French chromolithograph, published in 1931. Signed by artist in the plate. Printed title lower right of sheet. Plate number top right. From a French series of illustrations of sporti...

French chromolithograph, published in 1931. Signed by artist in the plate. Printed title lower right of sheet. Plate number top right. From a French series of illustrations of sporti...

This Blue Dog work consists of 3 dogs each framed in black with multiple backgrounds. One dog is sitting on a purple moon with a black background, 1 dog is sitting behind an olive colored orb with a darker green tree and a light green background, and 1 dog is dressed in a red cape sitting atop 3 orange...

This Blue Dog work consists of a pink background with 1 dog sitting front and center. The dog has soulful yellow eyes. This pop art animal original silkscreen print on paper is gua...

This Blue Dog work consists of a white background, 3 dogs, 1 each black & white, Red and blue. The black & white dog is sitting on a 2-toned brown overstuffed chair...

This Blue Dog work consists of 2 Blue dogs, each on a separate background, one red and one black with a strand of yellow flowers strewn across both dogs. All the dogs have soulful yellow eyes. This pop art animal original silkscreen print on paper is guaranteed authentic and is hand signed by the artist. Artist: George Rodrigue Title: Blue Dog “A Chorus Line...

This Blue Dog work consists of 6 blue dogs on a solid black background. All the dogs have soulful yellow eyes. This pop art animal original silkscreen print is guaranteed authentic...

The Board is a Lithograph realized by Auguste Raffet in 1836. 1st edition. Signed in the plate. Good condition

This Blue Dog work consists of 2 dogs on a white background; a red dog in the foreground and a blue dog behind and to the left of a black tree in the background. Both dogs have soul...

This Blue Dog work consists of a blue and pink background and a dog sitting on a dark red chair in front of earth. There is what appears to be a meteor...

French chromolithograph, published in 1931. Signed by artist in the plate. Printed title lower right of sheet. Plate number top right. From a French series of illustrations of sporti...

This Blue Dog work consists of 2 frames; one with the head of a blue dog with a purple background lurking over a fresh cooked hot dog. The second frame has a yellow dog...

'Shooting - Plate II', engraving from George Stubb's famous set of four shooting engravings. Copper-line engraving with later hand-colouring by William...

This Blue Dog work consists of a dark green background with a blue dog with soulful yellow eyes sitting to the right of an old-fashioned style Coca-Cola machine. This pop art animal...

This Blue Dog work consists of a blue dog sitting on a yellow chair with a black background. The work has writing on it in white with the artist's name in red as follows: "Rodrigue: a man and his dog...

French chromolithograph, published in 1931. Signed by artist in the plate. Printed title lower right of sheet. Plate number top right. From a French series of illustrations of sporti...

Ira Moskowitz, 'Navajo Trading Post', lithograph, 1946, edition 30, Czestochowski 161. Signed and dated in the stone, lower left. A fine, richly-inked impression, on cream wove paper, with full margins (1 1/2 to 3 1/8 inches). Pale mat line, otherwise in excellent condition. Matted to museum standards, unframed. Image size 11 11/16 x 15 1/2 inches (297 x 395 mm); sheet size 16 5/16 x 191/8 inches (414 x 486 mm). ABOUT THE ARTIST Ira Moskowitz was born in Galicia, Poland, in 1912, emigrating with his family to New York in 1927. He enrolled at the Art Student's League and studied there from 1928-31. In 1935, Moskowitz traveled to Paris and then lived until 1937 in what is now Israel. He returned to the United States in 1938 to marry artist Anna Barry in New York. The couple soon visited Taos and Santa Fe in New Mexico, returning for extended periods until 1944, when they moved there permanently, staying until 1949. During this especially productive New Mexico period, Moskowitz received a Guggenheim fellowship. His work was inspired by the New Mexico landscape and the state’s three cultures (American Southwest, Native American, and Mexican). He focused on Pueblo and Navajo life, producing an extensive oeuvre of authentic American Indian imagery. He and Anna also visited and sketched across the border in Old Mexico. While in the Southwest, Moskowitz flourished as a printmaker while continuing to produce oils and watercolors. Over 100 of Moskowitz’s works depicting Native American ceremonies were used to illustrate the book American Indian Ceremonial Dances by John Collier, Crown Publishers, New York, 1972. After leaving the Southwest, printmaking remained an essential medium for the artist while his focus changed to subject matter celebrating Judaic religious life and customs. These works were well received early on, and Moskowitz was content to stay with them the rest of his life. From 1963 until 1966, Moskowitz lived in Paris, returning to New York City in 1967, where he made his permanent home until he died in 2001. Shortly before his death, Zaplin-Lampert Gallery of Santa Fe staged an exhibition of the artist's works, December 2000 - January 2001. Other one-person shows included the 8th Street Playhouse, New York, 1934; Houston Museum, 1941; and the San Antonio Museum, 1941. The artist’s work was included in exhibitions at the Art Students League, Art Institute of Chicago, Philadelphia Print Club, College Art Association (promotes excellence in scholarship and teaching), and the International Exhibition of Graphic Arts (shown at MOMA, 1955). Moskowitz’s lithographs of American Indian...

This Blue Dog work consists of a pink, tan and brown background. In the foreground are 3 blue dogs and an alligator. Behind the 3 dogs is a large black tree. The dogs all have soulful yellow eyes. This pop art animal original silkscreen print on paper is guaranteed authentic and is hand signed by the artist. Artist: George Rodrigue Title: Blue Dog “Later Gator...

This Blue Dog work consists of a pink background with a blue dog with soulful yellow eyes sitting to the right of an old-fashioned style Coca-Cola machine. This pop art animal origi...

Pursued Centaur (Verfolgter Centaur) belongs to a series of prints called Intermezzi realized by Max Klinger, published by Nurnberg: Stroefer, 1881. Etching on paper. Signed in the...

This Blue Dog work consists of a dog sitting on a marbled white box with a tree and moon on a background of blue and purple. The dog has soulful yellow eyes. This pop art animal or...

This Blue Dog work consists of a blue dog. The background is split on a diagonal of yellow and purple with a red painted frame and red "Rodrigue" written vertically on the left of the dog. The dog has soulful yellow eyes. This pop art animal original silkscreen print on paper is hand-signed by the artist. (unique because it's missing the McLean County Arts Center Bloomington, IL silk-screening logo on the lower right) Artist: George Rodrigue Title: Blue Dog “Museum Edition...

La Partie de Cartes (Espagne) is an artwork realized by Francisco Lameyer y Berenguer in the 1870s. Etching. Good conditions. Realized for the "Société des Aquafortistes. Born o...

This Blue Dog work consists of a silver background with a thin purple border and yellow flowers scattered throughout with a red and purple open laptop and 2 dogs and a red flower on ...

This Blue Dog work consists of dimensional dogs; 1 red dog between 2 blue dogs on a white background with Earth behind the head of the red dog. All the dogs have soulful yellow eyes...

This Blue Dog work consists of a white background with various sizes of Blue Dog soulful yellow eyes and 3 dogs: 1 white & black, 1 red, and one blue. All dogs...

A limited edition woodcut on paper print by Mychael Barratt of Vincent Van Gogh on a night walk though London, as blue, turquoise and browns outline Big Ben and the Parliament in the distance.  Additional information: Mychael Barratt  Once upon a time in London, Night  [2023] Woodcut on paper Signed and titled in pencil Numbered from the edition of 100  Please note that insitu images are purely an indication of how a piece may look Please note sheet sizes may differ. Image size: Height: 28cm Width: 28cm Complete size of sheet: Height: 39.5cm Width: 38.2cm Depth: 0.1cm ARTIST BIO: Mychael Barratt was born in Toronto, Canada, however, considers himself to be a Londoner since arriving for what was supposed to be a two-week stay thirty years ago. He is a narrative artist whose work is steeped in imagery relating to art history, literature, theatre and everything else that overfills his bookshelves. He was an artist in residence for Shakespeare’s Globe Theatre...

This Blue Dog work consists of varying shades of purple including a dark purple tree as the background setting. There are 2 blue dogs with a naked female between them. Both dogs ha...

This Blue Dog work consists of a single dog sitting in a pink box with a blue bow and a lit candle next to the box. The background is gold with black stars a...