Tree Prints and Multiples

From the series One Hundred Views of Famous Places of Edo (Meisho Edo hyakkei 名所江戸百景), the seals of the artist, publisher, and the carver are shown clear and with the highest quality...

Etching on paper. hand signed and numbered. Edition of 99. Very good condition.

Original exhibition poster featuring the work of the acclaimed American realist painter Neil Welliver (1929–2005). Welliver is best known for his monumental landscapes of the Maine w...

This is a reproduction of David Hockney’s Summer Sky, published in 2008. The work captures Hockney’s hallmark celebration of light and atmosphere, translating the expanse of sky into...

Vintage American realist etching on paper by Chicago artist James Swann (1905 - 1985). It is hand signed in pencil by the artist. Framed. Measuring: 8 by 10 inches overall and 4 by 6...

Ohtsu Kazuyuki, 'Kyo no Aki - Komyō-ji' (Komyō-ji temple at Autumn in Kyoto), large-scale color woodblock print, ed. 100, 2012. Signed, titled in Japanese, numbered 78/100, and date...

This exquisite lithograph after Andrew Wyeth (1917–2009), titled New Leaves, originates from the distinguished 1962 folio The Four Seasons: Paintings and Drawings by Andrew Wyeth. Published and printed by Art in America Company, Inc., New York, the edition exemplifies Wyeth’s quiet observation of nature and the passage of time. New Leaves captures the delicate stir of spring renewal—the subtle emergence of life in the landscape—rendered with Wyeth’s hallmark balance of precision, restraint, and emotional depth. Executed on velin paper, this lithograph measures 17 x 13 inches (43.2 x 33 cm). As issued, it is unsigned and unnumbered, representing the folio’s authentic format. The Four Seasons series was conceived by the editors of Art in America in collaboration with Andrew and Betsy Wyeth, who selected drawings from the artist’s studio and personal archive to embody the poetic rhythm of the changing seasons. Each composition reveals Wyeth’s mastery of atmosphere, mood, and the quiet intensity of natural experience. Artwork Details: Artist: After Andrew Wyeth (1917–2009) Title: New Leaves, from The Four Seasons, Paintings and Drawings by Andrew Wyeth, 1962 Medium: Lithograph on velin paper Dimensions: 17 x 13 inches (43.2 x 33 cm) Inscription: Unsigned and unnumbered, as issued Date: 1962 Publisher: Art in America Company, Inc., New York Printer: Art in America Company, Inc., New York Condition: Well preserved, consistent with age and medium Provenance: From the 1962 folio The Four Seasons, Paintings and Drawings by Andrew Wyeth, published and printed by Art in America Company, Inc., New York Notes: Excerpted from the 1962 folio: "In 1962 the editors of Art in America proposed to Wyeth a portfolio of images of his recent dry-brush drawings. The artist and his wife suggested the theme, 'The Four Seasons,' because of the essential role played in his work by the cycle of the seasons. The drawings were selected by Andrew and Betsy Wyeth from works in the house and studio at Chadds Ford, supplemented by some owned by friends. With a few exceptions they had never been exhibited or reproduced. The plates were made directly from the originals. In these drawings Wyeth's loving concentration on the object is fully revealed. But as always in his work, this concern with the tangible is balanced by sensibility to mood, to the emotion arising from the actual. They are pervaded with a sense of the season—the exact time of year, the hour of the day, the quality of the light. To the truth and subtlety with which he captures these intangible factors, these drawings owe their poignant poetry." About the Artist: Andrew Wyeth (1917–2009) was an American visual artist and one of the best-known painters of the mid-20th century. Although he considered himself an abstractionist, Wyeth’s work is characterized by a meticulous realism imbued with psychological depth and atmosphere. He often painted the landscapes and people surrounding his homes in Chadds Ford, Pennsylvania, and Cushing, Maine, creating an intimate record of American rural life. The son of the celebrated illustrator N. C. Wyeth, Andrew trained under his father before developing his own deeply personal visual language inspired by Winslow Homer, Henry David Thoreau, and King Vidor. His wife, Betsy Wyeth, was both his muse and career manager, while his son Jamie Wyeth continued the family’s artistic legacy. Among Wyeth’s best-known works is Christina’s World (1948), housed in the Museum of Modern Art, New York—a quintessential image of 20th-century American art. His other notable series include The Helga Pictures and his window studies, each reflecting a profound meditation on solitude, memory, and perception. Wyeth was the first painter to receive both the Presidential Medal of Freedom and the Congressional Gold Medal, and was elected to the French Académie des Beaux-Arts in 1980. In 2022, Andrew Wyeth's painting Day Dream sold for USD 23.29 million at Christie’s New York, setting a world record for the artist. Andrew Wyeth lithograph...

Original 1964 Los Angeles, California vintage travel poster. Professionally archivally linen-backed in mint condition. This is one of four ...

Medium: original etching. Printed in 1900 and published in Leipzig, Germany for Zeitschrift für Bildende Kunst. This impression is printed on cream wove paper, and the image size is ...

CASCADE is a rarely seen, hand drawn limited edition lithograph by the American surrealist artist Fanny Brennan, created using traditional hand lithography techniques printed on arch...

large scale photogaph from a series of photographic observances capturing the antics of urban gardening and whimsical botanical art of topiaries' green minimalism TOPIARY II by Fran...

This reproduction poster of Gerhard Richter's Lovers in the Forest was published for the Israel Museum's Fall 1995 exhibition, showcasing the stylistically versatile German artist's ...

Limited edition giclée print, created with archival inks on canvas, with hand-applied brush textures that enhance the handcrafted quality of the artwork. - 70x90 cm + 5 cm from eac...

large scale photogaph from a series of photographic observances capturing the antics of urban gardening and whimsical botanical art of topiaries' green minimalism TOPIARY II by Fran...

Ella Fort The Lonesome Road (La course seule) Color lithograph Signed, numbered or inscribed Edition: 390 + 10 E.A. size: 7.8 × 11.7 on 11.7 × 15.6 inche...

Exclusive limited edition cyanotype diptych. Details: + Title: Duo of Egyptian Palms + Year: 2024 + Edition Size: 20 + Medium: Cyanotype on Watercolor Paper...

Tempête à Nice is a photolithograph realized in 1993 after Henri Matisse. Signed on the plate On Milano handmade paper. Very good conditions.

Pablo PICASSO (1881-1973) Diurnes, Midas, 1962 Original collotype and stencil (Jacomet workshop) Unsigned Limited to 1000 copy On paper 40 x 30 cm (c. 15.7 x 11.2 in) REFERENCE : ...

FRANCES H. GEARHART (1869-1958) SNOWBOUND c.1928 Color block print, Signed and titled in pencil. 11 x 6 ½” sheet c. 14 x 9” Laid down on backing board. The usual slight browning a...

A single oak tree in a meadow with the grass aglow in early morning. These are the foggy woods in the hills of Oakland, across the bay from San Francisco. This is a photograph printe...

Oberbayrische Landstrasse is a black and white etching on ivory-colored paper, realized in 1901 by the German artist, Heinrich Reifferscheid. Monogrammed and dated on plate on higher left margin. From the portfolio “Deutscher Kunstverein zu Berlin “ published by Vereinsgabe, Berlin, in 1904-1905 and composed by a frontispiece, a index, and eleven etchings by Karl Koepping, Leopold Graf Kalckreuth, Hans Herrmann, Max Slevogt, Ludwig Hofmann, Reinhold Lepsius, Fritz Klimsch, Franz Skarbina, Heinrich Reifferscheid, Arthur Kampf. This beautiful etching representing a natural landscape, a country road of the North bavaria as the title suggests, demonstrating a full mastery of this artistic medium, is titled in blue ink on lower left margin and on lower right has the inscription in ble ink “D.K.V.”. In excellent condition, except for a usual yellowing of the paper on the edges, this wonderful modern original print could be a precious piece for your home collection. Heincrich Reifferscheid (German, 1872 - 1945) The German artist, heinrich Reifferscheid was born in Breslau in 1872 and studied in Berlin under Ernest Hancke and in Munich under Peter Halm, Albert Lang...

Tony Bennett Title: South of France Lithograph Signed and Marked ATL  5/5 ( Printers Proof ) Paper Size: 31" x 24" inches Image Size : 26" x 20" inches Published By : Atelier E. Ettinger Gallery Anthony Dominick Benedetto, known professionally as Tony Bennett, is an American singer of traditional pop standards, big band, show tunes, and jazz. He is also a painter, having created works under his birth name that are on permanent public display in several institutions. Whether he is performing as Tony Bennett or painting as Anthony Benedetto...

Print on reclaimed wood, hand-augmented with gesso. Signed in the lower right corner, but due to damage, the signature is illegible. The gesso has intentional craquelure. This piece ...

BACKLAND is an original hand drawn limited edition lithograph(not a photo reproduction or digital print) by the realist painter, Peter Sculthorpe (b.1948 Ontario, Canada) printed using hand lithography techniques on archival Arches paper, 100% acid free. BACKLAND is a finely detailed drawing of a Bucks County...

Constant Duval's original poster for the Chemins de fer d'Orléans, showcasing La Bourboule in Auvergne, emerges as a visual gem that transcends the realms of a mere advertisement. D...

Wolf Kahn (1927-2020) was a German-born American artist acclaimed for his stylized landscapes, which blend natural realism with the celebration of color in the spirit of Color Field ...

Evenfall, 2024 Archival Inkjet with Screenprint Overlay on Somerset Enhanced Infinity 330 gsm Paper edition of 99 hand-signed and numbered by the artist Stanley Donwood is a British...

The artwork will be sent unframed Linocut print „ Morning dawn” 2023 Reduction linocut print technique Limited edition, print unique number 8/8 Paper Fabriano Rosaspina Bianco 220g ...

A beautiful, dark impression of a bucolic cow path. Etching with drypoint on heavy cream wove paper, 6 5/8 x 9 7/8 inches (174 x 248 mm), full margins. Uniform light brown discolorat...

FRANCES H. GEARHART (1869-1958) (Mt.) SAN JACINTO c. 1926 Color block print. Signed in pencil. Unknown edition but uncommon. Image 6 5/8 x 4 1/8 inches. On Gearhart's typical fibrous japan paper. Sheet 10 ½ x 5 7/8 inches. Generally fresh with her usual pinholes along right margin for printing, slight bit of discoloration in the margins Provenance: Whitmore - Print Corner, Hingham MA. Their Gearhart inventory no. They were Gearhart's principal East coast dealer in the 30's. Obtained from the Whitmore Collection’s grandson in 1995. Old Print Shop...

Jon Carsman Faded Glory - 1978 Print - Silkscreen, on Arches archival paper 34¼'' x 24'' inches Edition: signed in pencil and marked 156/100 image size 20" x 30" inches “Jon Cars...

Kawase Hasui, 'The Beach at Kaiganji in Sanuki Province (Sanuki Kaiganji no hama),' from the series Collected Views of Japan II, Kansai Edition (Nihon fûkei shû II Kansai hen), woodblock print, 1934. A very fine, atmospheric impression, with fresh colors; the full sheet, in excellent condition. Signed 'Hasui' with the artist’s seal 'Kawase', lower left. Published by Watanabe Shozaburo with the Watanabe ‘D’ seal indicating an early impression printed between 1931 - 1941. Stamped faintly 'Made in Japan' in the bottom center margin, verso. Horizontal ôban; image size 9 3/8 x 14 1/4 inches (238 x 362 mm); sheet size approximately 10 5/16 x 15 1/2 inches ( 262 x 394 mm). Collections: Art Institute of Chicago; Austrian Museum of Applied Arts (Vienna); Honolulu Museum of Art; Museum of Fine Arts, Boston; National Museum in Warsaw; University of Wisconsin-Madison. ABOUT THE ARTIST “I do not paint subjective impressions. My work is based on reality...I can not falsify...(but) I can simplify…I make mental impressions of the light and color at the time of sketching. While coloring the sketch, I am already imagining the effects in a woodblock print.” — Kawase Hasui Hasui Kawase...

Lucian Freud After Constable's "Elm" 2003 Etching on Somerset Textured White paper 18 7/8 x 15 inches; 48 x 38 cm Edition of 46 Initialed and numbered in graphite (lower recto) Frame available upon request Published by Matthew Marks Gallery...

This is an original 19th century duotone lithograph entitled "The Holy Tree of Metereah" by David Roberts, from his Egypt and Nubia volumes of the large folio edition, published in L...

Ella Fort The Lonesome Road (La course seule) Color Lithograph Signed, numbered or inscribed Edition: 390 + 250 Size: 7.8 × 11.7 on 11.7 × 15.6 inches F...

French Vintage Exhibition Poster for Yves Brayer (1971). Newly framed, the poster announces Brayer's exhibition of his watercolours of La Brière. La Brière is an atmospheric marshlan...

From a series of photographic observances capturing the antics of urban gardening and striking art of topiaries' green minimalism TOPIARY III by Frank Schott 40 x 32 inches (102 x...

Extra large scale photograph of lush tropical rainforest botanical tableau, from a series of highly detailed large format nature observations, an homage to the fantastical jungle pai...

Paper Size: 24 x 18 inches ( 60.96 x 45.72 cm ) Image Size: 8.5 x 12.5 inches ( 21.59 x 31.75 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additional ...

Growing Tall Max Epstein, Canadian (1932–2002) Date: 1980 Screenprint, signed and numbered in pencil Edition of 295 Image Size: 28 x 18.5 inches Size: 35 in. x 23 in. (88.9 cm x 58.4...

Aspen Study III by Frank Schott a series of images capturing the yellow golden Indian summer foliage palette of aspen trees in California's Sierra Nevada...

This artwork titled "Ulm on the Blau, Germany" c.1950 is a color etching by noted Austrian artist Josef Eidenberger, 1899-1991. It is hand signed n pencil by the artist, inscribed "T...

Signed and titled in pencil. Inscribed "192/285." Edition 285.

Noel Daggett, American (1925 - 2005) - Halfway to Lamey, Year: circa 1979, Medium: Lithograph, signed and numbered in pencil, Edition: 300, AP 40, Image Size: 18 x 22 inches, Siz...

Giclee limited edition print by worldwidely established Polish artist Rafal Olbinski. Figurative surrealistic print with man and a woman standing on the road. The road is transformin...

Original Etching by famous Taos Artist Gene Kloss (1903-1996). Full Margins. Edition of 75. Titled: Indian Summer. Image measures: 7 3/4" H x 11 1/8" W. Unframed. Archivally matted. ...

Friends for Life Bruce Weber’s photographs of the dogs always by his side The photographer and filmmaker Bruce Weber is associated with a wide array of imagery: humanist portraits of artists, actors, and athletes; fashion spreads charged with emotion, irreverence, and nostalgia; lyrical tributes to eroticism and an arcadian vision of the American landscape. All these things—and golden retrievers, too. Since the very beginning, Weber has been accompanied on his travels by a pack of these benevolent canines, who have populated his photographs for fashion campaigns, prominent magazines, and the pages of his personal scrapbooks in equal measure. The Golden Retriever...

from a series of photographic observances capturing the antics of urban gardening and striking art of topiaries' green minimalism Topiary I by Frank Schott 59.5 x 59.5 inches (1...

FRANCES H. GEARHART (1869 – 1958) FISH MARKET 1930 Color block print, Signed and titled in pencil. Image 11 x 9 inches. Full sheet with deckle edges 14 3/...

This artwork titled "Nymphenberg Palace, Munich, Germany" c.1950, is a color etching on wove paper by noted Austrian artist Luigi Kasimir, 1881-1962. It is hand signed and numbered ...

Lithograph hand watercolored. Belongs to the Series "Atlante di Botanica popolare ossia Illustrazione di Piante Notevoli di ogni famiglia" (Atlas of popular botany or illustration o...

Fine colored lithograph, representing a child with the Christmast three. Numbered, titled and hand-signed with pencil on lower margin by the Italian artist, Francesco Tabusso. Editio...

Size of sheet is ca. 29.5 x 21 cm (A4) Contemporary figurative giclee print by Polish artist Rafal Olbinski. Print is signed, numbered and has a stamp of an artist's atelier. It com...

Motel Entrance II, photograph from Richard Heeps Salton Sea series. Classic mid-century architecture in this artwork from the Salton Sea California. Rich blues, palm trees with pops ...

An enchanting Southern landscape by the mother of the Charleston Renaissance. A native of Charleston, South Carolina, and educated under the tutelage of Thomas Anshutz at The Pennsylvania Academy of Fine Arts, O'Neill Verner was a teacher, a mother, an artist, an ardent preservationist, and a skilled autodidact. Having previously focused on painting, in the early 1920s she found herself deeply moved by printmaking as a media, and especially so by the simple, peaceful themes and tableaus she discovered in Japanese art. She embarked on a effort to teach herself Japanese printmaking techniques, and in the process, produced the charming images of every day life in Charleston and its environs that earned her recognition as a cultural icon in her day, and in more modern times, as the mother of the Charleston Renaissance, which flourished well into the 1930s. In 1923 she opened a studio in Charleston where she focused on documenting the local color and the architecture and landscape that distinguishes Charleston as one of the South's most beautiful cities, all the while applying the gentle and poetic thematic sensibilities of Japanese printmaking. O'Neill Verner soon found herself in high demand when municipalities and institutions throughout the country sought commissions from her to document the beauty of their grounds and historic buildings. She worked as far north as the campuses of Harvard and Princeton, and extensively across the South, including in Savannah, Georgia, where through sweeping commissions she was able to marry her love of southern preservation and art. O'Neill Verner was a lifelong learner, and continued a path of edification that led her to study etching at the Central School of Art in London, to travel extensively through Europe, and to visit Japan in 1937, where she studied sumi (brush and ink) painting. She was a founding member of the Charleston Etchers Club, and the Southern States Art League. Her works are represented in the permanent collections of leading museums across the American south, and in major national institutions including the Metropolitan Museum of Art, Boston's Museum of Fine Art, and the Smithsonian American Art Museum. O'Neil Verner...

This artwork titled "America! America" is a color lithograph after noted American artist James Fetherolf, 1925-1994. It is hand signed at the lower rig...

Tahoma and Two Trees, 2024 Archival print on heavy matt stock paper 30.5 x 30.5 cm Edition of 200 signed and numbered by the artist Billy Childish is a prolific British artist, musi...

These iconic Monterey pines can be found all up and down the coast of northern California from San Francisco to Carmel and beyond. These are the woods in the hills of Oakland, across...

This elegant circa 1920 poster by Constant Duval, one of the premier illustrators of early 20th-century French tourism, captures the allure and prestige of the Pavillon Royal—a seasi...

John Beerman, American (1958 - ) - Sunset, Year: 1994, Medium: Lithograph, signed and numbered in pencil, Edition: CTP #3, Image Size: 18 x 30 inches, Size: 25.5 x 37 in. (64.7...