Skip to main content

Wheel Prints and Multiples

to
105
379
160
176
109
78
Overall Width
to
Overall Height
to
197
166
96
34
19
18
17
15
14
8
4
2
2
1
43
14
13
12
8
131
123
477
177
11
5
28
37
16
48
31
97
90
44
109
514
342
46
3,445
39,713
20,927
13,533
12,858
11,354
9,263
8,210
5,781
4,481
3,953
3,817
3,747
3,672
3,513
3,407
3,340
2,949
2,904
2,576
279
263
197
64
57
107
419
492
397
Art Subject: Wheel
Set of Four Engravings from Nash's "History of Worcestershire" /// Landscape Art
Set of Four Engravings from Nash's "History of Worcestershire" /// Landscape Art

Set of Four Engravings from Nash's "History of Worcestershire" /// Landscape Art

By Treadway Russell Nash

Located in Saint Augustine, FL

Artist: Treadway Russell Nash (English, 1724-1811) Title: "A View of Stourbridge", "A View of Upton upon Severn, from Ryal Hill", "Bewdley", and "Tenbury" Portfolio: Collections for the History of Worcestershire Year: 1781-1782 (First edition) Medium: Set of Four Original Engravings on watermarked laid paper Limited edition: Unknown Printer: John Nichols, London, UK Publisher: T. Payne and Son, J. Robson, B. White, Leigh and Sotheby, London, UK; Fletcher, Oxford, UK; and Lewis, Worcester, UK Sheet size (each): approx. 10" x 16.5" Image size (each): approx. 6.88" x 11.75" Reference: Upcott III, page 1330 Condition: A few light handling creases. Have been professionally stored away for decades. They are all strong impressions in excellent condition Notes: Provenance: private collection - Aspen, CO. All four works were engraved by English artist Thomas Sanders (Active: Mid-Late 18th Century) after drawings by himself. Comes from Nash's two volume "Collections for the History of Worcestershire", (1781-1782) (First edition), which consists of 75 engravings. Each work is printed from one copper plate in one color: black. There was a (Second edition) "with Additions" bound in with Volume II of this portfolio published by John White in 1799. And, both the First and Second editions of "Collections for the History of Worcestershire" are based off Thomas Sanders' 1779-1781 "Perspective Views of the Market Towns within the County of Worcester". Both "A View of Stourbridge" and "A View of Upton upon Severn, from Ryal Hill" have unidentified fleur-de-lis watermarks in the center of their sheets. "Bewdley" has an unidentified watermark in the center of its sheet resembling "XV" and "Tenbury" has no watermark. Biography: Treadway Russell Nash (24 June 1724 – 26 January 1811) was an English clergyman, now known as an early historian of Worcestershire and the author of Collections for the History of Worcestershire, an important source document for Worcestershire county histories. He was a fellow of the Society of Antiquaries of London. Treadway Russell Nash was born on 24 June 1724 born at Clerkenleap, in Kempsey, Worcestershire. His family were from Ombersley. They had lands there and at Claines, and had later bought lands in the Reformation around St Peter's, Droitwich. He was related to James Nash and John Nash, both MPs for Worcester. His father Richard, a grandson of Sir Rowland Berkeley, died in 1740, and Richard's eldest son in 1757. As a result, Treadway Russell Nash inherited the Russells' Strensham estates from his brother, as well as the Nash estates, and took both names. He was educated from the age of twelve at King's School, Worcester, and became a scholar at Worcester College, Oxford aged fifteen. In March 1749, he accompanied his brother on a trip to the continent, to aid Richard's health. They visited Paris for about six weeks, before spending the summer "on the banks of the Loire". They then visited "Bourdeaux, Thoulouse, Montpelier, Marseilles, Leghorn, Florence, Rome, Naples, Bologna, Venice, Padua, Verona, Milan, Lyons, and again Paris"; such expeditions are often known as the Grand Tour. On his return in late summer 1751, Nash took up a post as Vicar of Eynsham through his friend and future brother-in-law, John Martin. He also had an income as a tutor at Oxford. He took his Doctor of Divinity degree and left Oxford, having "gone out grand compounder", following the death of his brother. He also left his benefice at Eynsham in 1757. While at Oxford he had proposed a road from there to Witney (now the A40 and B4022), and also stood for Parliament. Nash married Margaret Martin...

Category

1780s Old Masters Landscape Prints

Materials

Laid Paper, Engraving

1994  Ken Keeley 'Carnegie Delicatessen Restaurant' Vintage
1994  Ken Keeley 'Carnegie Delicatessen Restaurant' Vintage

1994 Ken Keeley 'Carnegie Delicatessen Restaurant' Vintage

By Ken Keeley

Located in Brooklyn, NY

Celebrate a piece of New York City's culinary history with this stunning poster by Ken Keeley, featuring the iconic Carnegie Deli. Renowned for its photorealist style, Keeley's artwo...

Category

1980s American Realist Prints and Multiples

Materials

Offset

Neill Bruce 'Ferrari 250 GTO' 1987- Offset Lithograph
Neill Bruce 'Ferrari 250 GTO' 1987- Offset Lithograph

Neill Bruce 'Ferrari 250 GTO' 1987- Offset Lithograph

Located in Brooklyn, NY

Paper Size: 24 x 36 inches ( 60.96 x 91.44 cm ) Image Size: 16.5 x 33 inches ( 41.91 x 83.82 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additional D...

Category

1980s Prints and Multiples

Materials

Offset

Original 1933 poster by the artist J. Pillod - Castrol-Bugatti
Original 1933 poster by the artist J. Pillod - Castrol-Bugatti

Original 1933 poster by the artist J. Pillod - Castrol-Bugatti

By Jean Pillod

Located in PARIS, FR

This original 1933 poster by the artist J. Pillod is a captivating piece of automotive history, advertising Castrol oil with the iconic Bugatti car as its centerpiece. The poster beautifully combines the elegance of the Bugatti with the reliability of Castrol, making it a standout example of early 20th-century automotive advertising. The composition features a streamlined Bugatti car, symbolizing speed and luxury, set against a dynamic backdrop that emphasizes movement and modernity. The use of bold colors and clean lines reflects the aesthetic of the time, with a focus on both functionality and style. The poster’s typography is striking yet balanced, ensuring that the message about Castrol oil's superior performance is clear and compelling. This poster is printed on high-quality paper, showcasing the artistic and technical prowess of J. Pillod. The poster remains a cherished piece for collectors of vintage automotive memorabilia and those interested in the golden age of motoring. This 1933 Castrol-Bugatti poster...

Category

1930s Art Deco Prints and Multiples

Materials

Linen, Paper, Lithograph

KFC'vette
KFC'vette

KFC'vette

By Matthew Carden

Located in New York, NY

THIS PIECE IS AVAILABLE FRAMED. Please reach out to the gallery for additional information. ABOUT THIS PIECE: This image comes from the series "Fast Food Fast Cars: The Pursuit of...

Category

2010s Still-life Prints

Materials

Plexiglass

Autobiography
Autobiography

Autobiography

By Robert Rauschenberg

Located in Houston, TX

Robert Rauschenberg Autobiography, 1968 Three panel offset lithograph on three sheets of paper 66 1/4 x 48 3/4 inches each Ed. 2000, unsigned Unframed Can be displayed horizontally o...

Category

20th Century Contemporary Prints and Multiples

Materials

Lithograph

17th Gran Premio di San Marino Formula 1 original racing poster
17th Gran Premio di San Marino Formula 1 original racing poster

17th Gran Premio di San Marino Formula 1 original racing poster

Located in Spokane, WA

Original 17th Grand Prix of San Marino vintage Italian poster. Gran Premio di San Marino. Artist: Giovanni Cremonini. Larger format race poster. Linen backed and ready to frame. This original poster advertises the 17th Grand Prix in San Marino. This is a great poster for Ferrari enthusiasts. Archival is mounted on acid-free paper bonded to linen canvas. The San Marino Grand Prix (Italian: Gran Premio di San Marino) was a Formula One championship race that was run at the Autodromo Internazionale Enzo e Dino Ferrari...

Category

1990s American Modern Landscape Prints

Materials

Offset

Shadows, Garage at Night

Shadows, Garage at Night

By Martin Lewis

Located in New York, NY

Martin Lewis (1881-1962, Shadows, Garage at Night, drypoint, 1928, signed in pencil lower right [also signed in the plate lower right]. Reference: McCarron 69, only state, from the t...

Category

1930s American Realist Landscape Prints

Materials

Drypoint

Whaling – Vintage 1900 Monumental Zoology Lithograph
Whaling – Vintage 1900 Monumental Zoology Lithograph

Whaling – Vintage 1900 Monumental Zoology Lithograph

Located in Myrtle Beach, SC

Joseph Fleischmann, 'Whaling' (Hartingers Wandtafeln: Zoologie T. XXXII), monumental vintage color lithograph, 1900. Signed in the matrix, lower right. A superb, beautifully nuanced impression, on cream wove paper, the full sheet with margins (1 1/2 to 2 3/16 inches), in very good condition. The full sheet, unmounted and unmatted—shipped carefully rolled and protected. Sheet size 28 x 38 1/2 inches (711 x 978 mm). Rendering by A. Berger after Joseph Fleischmann. Published in "Hartinger's Wandtafeln Zoologie" (Hartinger's Zoological Wall Charts) by "Verlag von Carl Gerold's Sohn, Wien" (Published by Carl Gerold's Son, Vienna), 1900. This Artic whaling scene depicts a Greenland whale in the foreground pursued by whalers. A whaling ship is seen in the background and at right, another whale among icebergs with seagulls overhead. The composition is exceptionally accomplished. Rather than depicting the whale as a specimen, Fleischmann presents it as a monumental living creature within its Arctic environment. The distant sailing ship and whaleboats establish scale, while the drifting pack ice, seabirds, and subdued northern light create an atmospheric narrative. The image succeeds equally as a work of natural history and as a decorative maritime print. ABOUT THE ARTIST Josef Fleischmann was an Austrian painter, illustrator, and lithographic designer active in Vienna during the late nineteenth and early twentieth centuries. Working at a time when Vienna stood among Europe's foremost centers of chromolithographic printing, he became known for producing richly detailed natural history illustrations that combined scientific accuracy with exceptional artistic craftsmanship. Fleischmann worked for the distinguished Viennese publisher Carl Gerold's Sohn, contributing illustrations to the celebrated educational series Hartinger's Wandtafeln, a collection of zoological and botanical wall charts produced for schools, universities, and scientific institutions throughout the Austro-Hungarian Empire. Printed by the renowned lithographic establishment of Albert Berger...

Category

Early 1900s Naturalistic Animal Prints

Materials

Lithograph

1990 Razzia's original poster - Automobiles Classiques avec Louis Vuitton
1990 Razzia's original poster - Automobiles Classiques avec Louis Vuitton

1990 Razzia's original poster - Automobiles Classiques avec Louis Vuitton

In 1990, the celebrated artist Razzia crafted a captivating poster seamlessly blending classic automobiles, luxury fashion by Louis Vuitton, and the iconic Bugatti "Royale" cars. Thi...

Category

1990s Prints and Multiples

Materials

Paper

Novembre  - Original Etching by Marcel Roux After J.F. Millet -Late 19th Century

Novembre - Original Etching by Marcel Roux After J.F. Millet -Late 19th Century

By (after) Jean François Millet

Located in Roma, IT

Novembre is an original print in etching technique on ivory paper, realized by Marcel Roux, an engraver and sculptor, after J.F. Millet (French Painter, 18...

Category

Late 19th Century Old Masters Figurative Prints

Materials

Etching

Ann Nooney, (Carnival Workers Resting, NYC)
Ann Nooney, (Carnival Workers Resting, NYC)

Ann Nooney, (Carnival Workers Resting, NYC)

By Ann Nooney

Located in New York, NY

The dimensions are for the image; there are large margins. This lithograph is signed in pencil. A native New Yorker, Ann Nooney (1900-1970) recorded the urban scene while on the Wo...

Category

1930s Ashcan School Figurative Prints

Materials

Lithograph

SLOW TRAIN THROUGH ARKANSAS
SLOW TRAIN THROUGH ARKANSAS

SLOW TRAIN THROUGH ARKANSAS

By Thomas Hart Benton

Located in Portland, ME

Benton, Thomas Hart (American, 1889-1975 SLOW TRAIN THROUGH ARKANSAS. Fath . Lithograph, 1941. Edition of 250 published by Associated American Artists (A.A.A.). 9 7/8 x 12 inches (im...

Category

1940s Landscape Prints

Materials

Lithograph

"Jake Yeager Untitled 7" aerosol, screen printed monoprint, skull, animalia
"Jake Yeager Untitled 7" aerosol, screen printed monoprint, skull, animalia

"Jake Yeager Untitled 7" aerosol, screen printed monoprint, skull, animalia

By Jake Yeager

Located in Philadelphia, PA

This piece titled "Jake Yeager Untitled 7" is an original artwork by Jake Yeager and is made from spray paint and screenprint. This piece measures 24”h x 18”w. About Space 1026...

Category

21st Century and Contemporary Contemporary Figurative Prints

Materials

Paper, Spray Paint, Screen

Need Bank for Bugatti

Need Bank for Bugatti

By Werner Bronkhorst

Located in Miami, FL

Werner Bronkhorst is a contemporary artist based in Australia. He is recognised for his two distinctive styles, with the first involving abstract sculptural backgrounds with hyper-re...

Category

2010s Prints and Multiples

Materials

Canvas, Mixed Media, Screen

Original Porsche 928 Cutaway Techical Art vintage automotive poster
Original Porsche 928 Cutaway Techical Art vintage automotive poster

Original Porsche 928 Cutaway Techical Art vintage automotive poster

Located in Spokane, WA

Original Porsche 928 German factory poster. Archival linen-backed and presents in Grade A condition. The white area was cleaned up during linen backing. This should be the lowes...

Category

Late 20th Century American Realist Interior Prints

Materials

Offset

Gavin Macleod 'Lamborghini' 1988- Offset Lithograph
Gavin Macleod 'Lamborghini' 1988- Offset Lithograph

Gavin Macleod 'Lamborghini' 1988- Offset Lithograph

Located in Brooklyn, NY

Paper Size: 24 x 36 inches ( 60.96 x 91.44 cm ) Image Size: 24 x 36 inches ( 60.96 x 91.44 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additional Det...

Category

1980s Prints and Multiples

Materials

Offset

John Northcote Nash, Modern British art, Maltings farm, Bures Road
John Northcote Nash, Modern British art, Maltings farm, Bures Road

John Northcote Nash, Modern British art, Maltings farm, Bures Road

By John Nash

Located in Harkstead, GB

A beautifully composed image of a rural idyll in high summer rolling away into the distance. John Northcote Nash (1893-1977) Maltings Farm, Bures Road Signed within print Print in c...

Category

20th Century Modern Landscape Prints

Materials

Paper, Color

Original Carlsberg Pilsner vintage Danish beer poster.   Drink All Round
Original Carlsberg Pilsner vintage Danish beer poster.   Drink All Round

Original Carlsberg Pilsner vintage Danish beer poster. Drink All Round

Located in Spokane, WA

CARLSBERG PILSNER, artist: Carsten Ravn. This professional archival linen-backed lithograph is ready to frame. Carlsberg is synonymous with quality and tradition in the brewing world. Condition A-. Touched-up pin holes in the four corners. Minor touch-up near the bottom left crown emblem. Green is more of an old army green, and lettering is natural, unbleached, tan colored. Carlsberg Pilsner DRINK ALL YEAR ROUND The horizontal poster shows four scenes of people enjoying their beer: a skier, a cycling woman, a dandy, and a hunter. Above them is the inscription “Carlsberg Pilsner“ and below it “DRIKKES AARET RUNDT.” The latter makes it clear that you can drink it all year round. The four scenes also show the four seasons and that you can always drink Carlsberg Pilsner. (Text is in Danish). Carlsberg’s first brewery was just outside Copenhagen and was opened in 1847. However, it wasn't until 1904 that Carlsberg pilsner is brewed for the first time This 1908 poster...

Category

Early 1900s Art Nouveau Portrait Prints

Materials

Lithograph

Easy Rider - Motorcycle Gang, Screenprint on Canvas, 2007
Easy Rider - Motorcycle Gang, Screenprint on Canvas, 2007

Easy Rider - Motorcycle Gang, Screenprint on Canvas, 2007

By Russell Young

Located in Palm Desert, CA

A print by Russell Young. "Easy Rider (black+silver)" is a black and silver, contemporary Pop Art screenprint on canvas by UK artist Russell Young. The artwork is edition RY and is p...

Category

21st Century and Contemporary Pop Art Figurative Prints

Materials

Canvas, Screen

"L'Aviation" pochoir for Les Joies du Sport

"L'Aviation" pochoir for Les Joies du Sport

By Milivoy Uzelac

Located in Henderson, NV

Medium: pochoir. Printed in Paris in 1932 on Velin du Marais paper at the atelier of Daniel Jacomet for the Les Joies du Sport portfolio and issued in an edition of 750. This was pub...

Category

1930s Prints and Multiples

Materials

Lithograph, Stencil

Thomas Hart Benton Original Lithograph, 1944 - Wreck of the Ol’ ‘97
Thomas Hart Benton Original Lithograph, 1944 - Wreck of the Ol’ ‘97

Thomas Hart Benton Original Lithograph, 1944 - Wreck of the Ol’ ‘97

By Thomas Hart Benton

Located in Phoenix, AZ

Original stone lithograph created 1944 by well-known Regionalist Thomas Hart Benton. The print is in excellent condition with full margins and pencil signed lower right. Also signed in the stone. It is matted in a 4-ply archival mat and rests in a simple black frame. Image size: 10 ½ x 15. Frame size: 18 x 23. Published by AAA. Ed: 250. Thomas Hart Benton found inspiration for his art in the ebb and flow of daily life in rural and small-town America. Wreck of the Ol’ 97, one of his best-known prints, is based on a ballad of the same title that tells the story of a rail disaster. A speeding locomotive attempting to make up lost time jumped the tracks as it descended a Virginia mountain...

Category

Mid-20th Century Animal Prints

Materials

Paper, Lithograph

Industry and Idleness Plate 1:  The Fellow 'Prentices at their Looms
Industry and Idleness Plate 1:  The Fellow 'Prentices at their Looms

Industry and Idleness Plate 1: The Fellow 'Prentices at their Looms

By William Hogarth

Located in Bournemouth, Dorset

William Hogarth was an English painter and engraver, the outstanding British artist of his period. During his childhood, his father, a schoolteacher, was imprisoned for debt, and this early experience of the seamy side of life left a deep mark on Hogarth (much of his output is concerned with the contrast between success and failure, and he depicted prisons in several works). He trained as an engraver of silver plate and by 1720 had set up his own business in London, doing various kinds of commercial work. In his spare time he studied painting, first at the St Martin's Lane Academy and later under Sir James Thornhill, whose daughter he married in 1729. By the early 1730s he had achieved some success as a painter of conversation pieces and at about the same time he invented the idea of using a sequence of anecdotal pictures ‘similar to representations on the stage’ to point a moral and satirize social abuses. A set of 12 original engravings illustrating Industry and Idleness, after the drawings by William Hogarth, printed in 1833. The engravers are F Jordan, E Smith, C Armstrong, S Davenport, H Adlard, W H Worthington, H Fernell, A Duncan and F F Walker. The engravings, which are in excellent condition, would be mounted (matted) and ready to frame Edward Smith (fl. 1823-49) The landscape, figure, and portrait engraver Edward Smith may have been a native of Edinburgh but appears to have worked mostly in London. His earliest recorded plates...

Category

1830s Figurative Prints

Materials

Engraving

“A Trip to Scarbro’”
“A Trip to Scarbro’”

“A Trip to Scarbro’”

By Thomas Rowlandson

Located in Southampton, NY

Rare, original hand colored etching (Aquatint) from the Poetical Sketches of Scarborough titled “A Tro to Scarbro’”. Condition is good. Executed in 1813. Under glass. The etching ...

Category

1810s Academic Figurative Prints

Materials

Etching, Aquatint

Going to the Olympics
Going to the Olympics

Going to the Olympics

By Frank Romero

Located in Palm Springs, CA

Frank Romero created this serigraph after learning that the original mural, completed on the 101 freeway in Los Angeles, 1984, had been painted over. The mural, which was done for the 1984 Los Angeles Olympics, has since been restored. Signed and numbered by the artist in black marker, in lower left corner of print on black background - hard to see except at an angle. Throughout his 40 year career as an artist, Frank Romero has been a dedicated member of the Los Angeles arts community. As a member of the 1970s Chicano art collective, Los Four...

Category

21st Century and Contemporary Contemporary Landscape Prints

Materials

Screen

Female Figure and Skeletal Woodcut
Female Figure and Skeletal Woodcut

Female Figure and Skeletal Woodcut

By Paul Koch

Located in Houston, TX

Woodcut of female figure and skeleton by English artist Paul Koch, 1964. Signed lower right. 23/200 Original artwork on paper displayed on a white mat with a gold border. Mat fits ...

Category

1970s Figurative Prints

Materials

Woodcut

Piazza del Popolo con Obelisco Egizio
Piazza del Popolo con Obelisco Egizio

Piazza del Popolo con Obelisco Egizio

By Giuseppe Vasi

Located in Fairlawn, OH

Piazza del Popolo con Obelisco Egizio Etching, 1752 Signed in the plate lower left (see photo) From: Della Magnificenze di Roma Antica e Moderna ( The Magnificense of Ancient and Modern Rome) , (1747-1761) Volume II, The Main Squares and Obelisks, columns and other ornaments, 1752, Plate No. 21 Della Magnificenze di Roma Antica e Moderna_ (1747-61), a collection of 238 plates that was published in ten volumes. Vasi recorded all types of architecture and organized these images of contemporary Rome by subject, with each volume representing a different category of architecture. This comprehensive project provides one of the most complete views of eighteenth-century Rome Condition: Excellent Image/Plate size: 8.25 x 12.63 inches Sheet size: 11 x 15 7/8 inches Vasi was Giovanni Battista Piranesi’s teacher. Piranesi (1720-1778) entered Vasi’s studio as an apprentice at age 20 c. 1740. Piranesi left Vasi’s employment after stabbing Vasi over the perception that Vasi was withholding secrets of the etching process. Giuseppe Vasi was an Italian engraver and painter born and trained in Sicily. He received a classical education in his hometown of Corleone and trained as a printmaker in nearby Palermo, perhaps under the tutelage of the etchers Antonino Bova and Francesco Cichè. He moved to Rome in 1736, already an established printmaker, and spent most of his career documenting the urban landscape of the city in engravings. Through his patron, the politically and culturally influential Cardinal Troiano Acquaviva d’Aragona, Vasi met other artists working in Rome, such as Sebastiano Conca, Ferdinando Fuga, and Luigi Vanvitelli. He was also influenced by his predecessors, including Giovanni Paolo Panini, Giovanni Battista Falda...

Category

1750s Old Masters Landscape Prints

Materials

Etching

"Belleville" original etching
"Belleville" original etching

"Belleville" original etching

By Maurice Savin

Located in Henderson, NV

Medium: original etching. This impression on Canson et Montgolfier wove paper was printed in 1937 in an edition of 500 for the "Paris 1937" portfolio. Printed at the atelier of Jean-...

Category

1930s Prints and Multiples

Materials

Etching

Carmen Console 'Chevy Camaro Tech Data 1967-1993' 1993- Offset Lithograph
Carmen Console 'Chevy Camaro Tech Data 1967-1993' 1993- Offset Lithograph

Carmen Console 'Chevy Camaro Tech Data 1967-1993' 1993- Offset Lithograph

Located in Brooklyn, NY

Paper Size: 23 x 35 inches ( 58.42 x 88.9 cm ) Image Size: 22 x 34 inches ( 55.88 x 86.36 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additional Deta...

Category

1990s Prints and Multiples

Materials

Offset

Ruff's Farm
Ruff's Farm

Ruff's Farm

By Sidney Mackenzie Litten

Located in Middletown, NY

A nostalgic image of a bucolic farmyard and thatched cottage, hearkening to a bygone era. c 1920. Etching with drypoint on laid watercolor paper with deckle edges, and an indiscerni...

Category

Early 20th Century American Modern Landscape Prints

Materials

Handmade Paper, Laid Paper, Drypoint, Etching

Paint Cans Mickey Deluxe (HUGE, LARGE, Disney, Pop Art, Fun, Vibrant, ~38% OFF)
Paint Cans Mickey Deluxe (HUGE, LARGE, Disney, Pop Art, Fun, Vibrant, ~38% OFF)

Paint Cans Mickey Deluxe (HUGE, LARGE, Disney, Pop Art, Fun, Vibrant, ~38% OFF)

By Ben Allen

Located in Kansas City, MO

Ben Allen Paint Cans Mickey Deluxe 2021 Giclée on Hahnemuehle Velvet Image Size: 33.25 x 33.25 inches (84.46 x 84.46 cm) Sheet Size: 43.75 x 44 inches (111.13 x 111.76 cm) Limited Ed...

Category

2010s Pop Art Portrait Prints

Materials

Archival Paper, Giclée

Rare and striking artifact of automotive history original 1928 Bugatti poster
Rare and striking artifact of automotive history original 1928 Bugatti poster

Rare and striking artifact of automotive history original 1928 Bugatti poster

Located in PARIS, FR

A rare and striking artifact of automotive history, this original 1928 Bugatti poster is a celebration of modern engineering and brand prestige. Featuring a bold, minimalist rendering of a Bugatti Type 35 — one of the most iconic racing cars of its time — this design fuses mechanical precision with graphic elegance. The poster proudly proclaims in bold red lettering: "Les 7 merveilles du monde sont les vestiges des gloires passées — la Bugatti est la merveille de notre époque" (“The seven wonders of the world are relics of past glories — the Bugatti is the marvel of our time”). It's a declaration of innovation, pride, and forward-looking optimism, capturing the spirit of the interwar years when technology and speed symbolized progress. This composition is a masterpiece of early automotive advertising — clean lines, bold contrast, and sharp typography emphasize the modernist aesthetic of the 1920s. More than a promotional piece, it stands as a cultural statement about Bugatti’s place in the modern world. Ideal for collectors of classic car memorabilia...

Category

1920s Prints and Multiples

Materials

Paper, Lithograph

Gladiator Lithograph by Dumont, 1990, Unframed, Mint Condition

Gladiator Lithograph by Dumont, 1990, Unframed, Mint Condition

By Dumont

Located in Brooklyn, NY

Lithographic reproduction of the Gladiator 1904 original model by French artist Dumont. Recreated on the presses of Arte in Paris and published by Maeght Editeur. Paper Size: 11.25...

Category

1990s Prints and Multiples

Materials

Lithograph