Wheel Prints and Multiples

Richard Heeps’ seductive, highly saturated colours and sophisticated pictorial structures demonstrate a true love and empathy for his subject matter – be it cool, descriptive interio...

Scott Jacobs signed and numbered giclee. good condition Signed and numbered Framed measures 30x25

This is a Jacques Bellin copper-plate map entitled "Partie de la Coste de Guinee Dupuis la Riviere de Sierra Leona Jusquau Cap das Palmas", depicting the coast of Guinea and Sierra L...

PERELLE Family (17th Century) Landscape with Fishermen Original Engraving Signed in the plate On laid paper, 15.5 x 28 cm INFORMATION: This family of artists, led by Gabriel, the f...

Medium: original etching. This impression on Canson et Montgolfier wove paper was printed in 1937 in an edition of 500 for the "Paris 1937" portfolio. Printed at the atelier of Jean-...

Hotel de Sous Charles Forget, French (1886–1960) Date: 1949 Etching, signed and dated in the plate, and signed and numbered in pencil Edition of AP Image Size: 11.25 x 7.5 inches Siz...

Barracks in Piazza Navona is an artwork realized after the Italian artist  Renato Guttuso  (Bagheria, 1911 – Rome, 1987) in 1950. Phototype print..  Good condition. Italian title ...

'Manhattan Bridge', etching, c. 1920, proofs only. Signed in ink in the image, lower right. A fine, rich impression, in warm black ink, on cream wove ...

Adriaan Lubbers, 'Times Square', lithograph, 1929, edition 50. Signed, dated, titled, and editioned '(50)' in pencil. A fine impression, on cream wove paper, with full margins (2 1/2...

The 1972 original poster by Albert Brenet for the Musée français du chemin de fer in Mulhouse is a captivating work that captures the essence of France's rich railway heritage. Created by the renowned French painter and illustrator, the poster reflects Brenet’s talent for depicting scenes of transportation and industry with a sense of grandeur and nostalgia. This piece was part of a promotional campaign to attract visitors to the museum, which is dedicated to preserving and showcasing the history of French railways. Albert Brenet was a distinguished artist known for his dynamic illustrations, particularly in the fields of maritime and transport subjects. His work is characterized by a meticulous attention to detail and a vibrant, lifelike quality that brings industrial scenes to life. In this 1972 poster, Brenet turns his attention to the world of trains, presenting an evocative scene that highlights both the mechanical beauty of the locomotive and the human connection to it. The poster features a striking depiction of a historic steam locomotive, rendered in rich, vivid colors. The powerful engine, meticulously detailed, stands as a symbol of the technological advancements and the spirit of progress that defined the railway era. The setting, likely a large train shed or museum hall, creates a dramatic backdrop that emphasizes the grandeur of the locomotive. Brenet’s skillful use of light and shadow adds depth and realism, making the engine appear almost tangible. At the heart of the scene are two figures—likely visitors to the museum—gazing up at the locomotive in awe. Their presence adds a human element to the image, emphasizing the role of the Musée français du chemin de fer as a place of education and inspiration. By including these figures, Brenet captures the wonder and curiosity that trains continue to evoke, bridging the gap between past and present. The text on the poster, Musée français du chemin de fer - Mulhouse, is elegantly placed, with a clean, classic typeface that complements the visual composition without detracting from the central image. The simple, yet effective typography reflects the museum’s focus on heritage and the timeless appeal of the railway. The Musée français du chemin de fer, located in Mulhouse, Alsace, is one of the largest railway museums in Europe. Established to preserve the rich history of French rail transport, the museum houses an extensive collection of locomotives, carriages, and railway artifacts. The poster by Brenet was part of an effort to promote the museum to a broader audience, inviting them to explore the fascinating world of trains and their impact on modern society. The 1972 poster is not only a piece of advertising but also an artwork that encapsulates the spirit of the museum. Brenet’s artistic interpretation captures the essence of the museum’s mission: to celebrate the technological and cultural achievements of the railway industry and to share this legacy with future generations. Today, the poster is considered a collector’s item, valued for both its artistic merit and its historical significance. It serves as a reminder of the golden age of rail travel and the enduring fascination with the power and elegance of trains. Albert Brenet’s work continues to be admired for its ability to convey the majesty of industrial subjects, making the Musée français du chemin de fer poster...

Beuys' Exhibition "meeting with Beuys" is a poster realized for the Marino Gallery - Galleria Art Center  (in Piazza Mignanelli, Rome) where Joseph Beuys' Exhibition was held in 1985...

Paper Size: 34.75 x 21.25 inches ( 88.265 x 53.975 cm ) Image Size: 23 x 16.75 inches ( 58.42 x 42.545 cm ) Framed: No Condition: A: Mint Shipping and Handling: We ship Worl...

Beuys' Exhibition "meeting with Beuys" is a poster realized for the Marino Gallery - Galleria Art Center  (in Piazza Mignanelli, Rome) where Joseph Beuys' Exhibition was held in 1985...

Porte d'Amsterdam a Harlem is a black and white etching realized by Charles Cuisin (1832-1900) in 1870s. Titled in the lower. Image size: 31cmx22cm. Very Good condition. Signed o...

London: James Whittle & Richard Holmes Laurie, 1814. Engraving with hand coloring in watercolor on wove paper, 11 1/2 x 17 1/4 inches (290 x 437 mm). Condition issues include signif...

Woodcut of female figure and skeleton by English artist Paul Koch, 1964. Signed lower right. 23/200 Original artwork on paper displayed on a white mat with a gold border. Mat fits ...

This piece titled "Jake Yeager Untitled 7" is an original artwork by Jake Yeager and is made from spray paint and screenprint. This piece measures 24”h x 18”w. About Space 1026...

Engraving with etching by Marco Antonio Corsi after a drawing by Giuseppe Zocchi (Italian, 1711/17–1767). From 'Vedute delle ville, e d'altri luoghi d...

Medium: Lithograph on grand vélin d'Arches spécial paper Year: 1961 Paper Size: 14.8 x 11 inches Inscription: Unsigned and unnumbered, as issued Notes: From the folio, Les Côtes Norm...

It's early morning I'm St. Louis in this 2002 mezzotint that is signed and numbered Art Werger’s lyrical suburban scenes are evocative of boyhood summer evenings while his city imag...

Around 1960, Michelin, the renowned French tire manufacturer, produced a striking advertising poster for its Pneumatici Velo line. This poster exemplifies the brand’s commitment to c...

Michel Delacroix Arrivee du Tour de France sur le Champs Elysees, 1990 Original lithograph Hand signed in pencil lower right Numbered XIX/CC lower left Sheet size: 78.5 x 91.5 cm P...

Bowles, Thomas III (after John Donowell) John Bowles & Richard Wilkinson, 1751. Steel engraving with extensive hand coloring in watercolor on cream wove paper, 10 1/4 x 16 inches (...

Medium: Lithograph on papier bouffant des Papeteries de Casteljoux paper Year: 1970 Paper Size: 12 x 9.25 inches Inscription: Unsigned and unnumbered, as issued Notes: From the folio...

Medium: etching (etched by Theophile Narcisse Chauvel after the Wilhelm von Gegerfelt painting). Printed in 1875 and published in Paris by L'Art....

This piece titled "Jake Yeager Untitled 4" is an original artwork by Jake Yeager and is made from spray paint and screenprint. This piece measures 24”h x 18”w. BFA from Tyler school...

Paper Size: 24 x 36 inches ( 60.96 x 91.44 cm ) Image Size: 24 x 36 inches ( 60.96 x 91.44 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additional Det...

Etching on cream wove Japon paper, 7 3/8 x 7 3/4 inches (188 x 197 mm), full margins. Signed and dated in pencil, lower margin. In excellent condition with some minor surface soiling...

Medium: lithograph (after the poster). Printed in Paris in 1950 by Mourlot Freres, this lithograph faithfully reproduces the original Toulouse-Lautrec poster in a smaller-size format...

The circa 1910 original poster by Ernest Montaut titled En reconnaissance le dirigeable et l'automitrailleuse is a remarkable example of early 20th-century advertising art, showcasin...

A very fine, well contrasted impression of the 1st State, before the addition of the number, present when the work later was included in Bol’s River Series.

This is a special edition poster designed by artist Valerie Jaudon for the Lincoln Center Information Center in 1986. The poster, a striking screenprint, incorporates both traditiona...

Original Italy bicycling travel poster. Archival linen backed in excellent condition, ready to frame. The images shown are of the exact poster you ...

Lithograph and Stencil on grand vélin d'Arches spécial paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Vins, Fleurs et Flammes, 1956. Published by ...

Medium: original lithograph poster. This striking art deco piece was published in Paris in 1933 by Arts et Métiers Graphiques. Size: 11 1/2 x 8 1/4 inches (290 x 210). Signed in the ...

This is an original giclee print by Scott Jacobs. Signed and numbered In good condition Measures 30x22 Unframed

Paper Size: 27.5 x 31.5 inches ( 69.85 x 80.01 cm ) Image Size: 23 x 29.25 inches ( 58.42 x 74.295 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additional D...

Colour aquatint by JC Stadler after Thomas Rowlandson and Auguste Pugin. From the series 'Microcosm of London', published by Rudolf Ackermann, the great Regency publisher of fine c...

Shan Fannin's (US based) "Semper Paratus (Firetruck-First Responders Tribute)" is an limited edition giclée print that depicts a Semper Paratus. Born 1...

Graham Sutherland was a painter of imaginative landscapes, still life, figure pieces and portraits. He was born on 24 August 1903 in London. He abandoned a railway engineering apprenticeship after a year and studied at Goldsmiths' College School of Art, where he specialized in engraving and etching. Sutherland's formative influences on his early work were Blake, Samuel Palmer, the late Turner, Paul Nash and Henry Moore. He held his first and second exhibitions of drawings and engravings at the XXI Gallery, London, in 1925 and 1928. and was a member of the Royal Society of Painter-Etchers and Engravers from 1926-33. Sutherland taught engraving at the Chelsea School of Art from December 1926 and composition and book illustration 1935 to July 1940. He exhibited at the N.E.A.C. 1929-33 and with the London Group from 1932 (member 1936-7), experimenting with painting in oils from 1930 until, in 1935, the year after his first visit to Pembrokeshire, he decided to become a painter. He participated in the International Surrealist Exhibition in London 1936 and had his first one-man exhibition of oil paintings, mainly Welsh landscapes, at the Paul Rosenberg and Helft Gallery 1938. As an Official War Artist 1941-4 he painted scenes of bomb devastation and of work in mines and foundries. Sutherland's first New York exhibition was at the Buchholz Gallery 1946, and in the same year he completed the 'Crucifixion' for St Matthew's Church, Northampton. He taught painting at Goldsmiths' College as a visiting instructor and since 1947 worked for several months each year on the French Riviera. He was a trustee of the Tate Gallery 1948-54. Painted the portrait of Somerset Maugham 1949, the first of a series which includes Lord Beaverbrook, Sir Winston Churchill and others. He completed the designs for the Coventry Cathedral tapestry, 'Christ in Glory in the Tetramorph', between 1954 and 1957 (installed 1962). Has also designed posters, ceramics, book illustrations, and ballet costumes and décor for The Wanderer 1940. Important retrospective exhibitions have been held at the I.C.A. 1951, the Venice Biennale and the Musée National d'Art Moderne, Paris, 1952, the Tate Gallery 1953, and at the São Paulo Bienal, Brazil, 1955. Awarded the O.M. 1960. Collections include the Courtauld, London, and that of David Bow

large scale photograph of iconic classic motorcycle in glossy chrome finish Chopper (2003) 22.5 x 40 inches (57 x 102cm) signed edition of 25 48 x 85 inches (122 x 216cm) signe...

Three-dimensional color lithographic construction with moving elements. Hand signed top left by Red Grooms. Hand numbered 24/75 top right. Plexiglass box size: 23.125 x 30.625 x 6...

"Sandra Ramos (Cuba, 1969) 'La rueda de la historia (La Huella Múltiple)', 2002 engraving on paper 8.1 x 8.1 in. (20.5 x 20.5 cm.) Edition of 300 ID: HUE-249"

This artwork titled "Western Film" 1976 is an original color lithograph on Arches paper by renown artist Hiro Yamagata (Japanese, b. 1948) It is signed and numbered 39/185 in pencil ...

Sublime Art Deco poster designed by Monneret in 1979 to promote the 90th Salon des Indépendants, held from February 8 to March 5, 1979 at the Grand Palais in Paris. The Salon des In...

Medium: original etching. This impression on japon paper was printed in 1902 and published in Paris by the by Gazette des Beaux Arts. Image size: 5 x 8 1/2 inches (127 x 213 mm). Not...

Beuys' Exhibition "meeting with Beuys" is a poster realized for the Marino Gallery - Galleria Art Center  (in Piazza Mignanelli, Rome) where Joseph Beuys' Exhibition was held in 1985...

Medium: original etching. Published in Berlin by Bruno Cassirer in 1904 for Kunst und Kunstler. The plate measures 5 1/2 x 7 1/4 inches (140 x 185 mm). Not signed.

Medium: lithograph (after the drawing). Printed on Arches paper in 1956 at the atelier Daniel Jacomet for the Vins, fleurs et flammes portfolio, and issued in a limited edition of 38...

This rare poster is an early work by Christo from 1968, created as part of his ambitious project to wrap the Museum of Modern Art (MoMA) in New York City. Christo used the proceeds f...

Ski Free in Siberia. Circa 1969. Poster satirizing ski culture in Soviet-era Siberia: A skier wears a prisoner’s outfit and carries a hammer and sickle; “Gone-Dola” prison trucks are...

'Cortile del Palazzo di Venezia, Colla Chiesa di San Marco' Tinted lithograph by Eugene Ciceri after Felix Benoist. Figures by Bayot. From a French series titled 'Rome dans Sa Gran...

Medium: multi-stone color lithograph (after the original Bonnard lithograph). Printed in 1952 on Renage paper at the Mourlot atelier in faithful recreation of the original. According...

The 1952 original advertising poster for BSA, titled From the Bantam to the Golden Flash!, was a powerful marketing piece that celebrated BSA’s range of motorcycles, emphasizing thei...

Original etching by Michel Delacroix hand signed and numbered out of 3 Printer's Proof. Delacroix is known for his lithographs and etchings, which further showcase his talent for ca...

Bulls in the Roman Countryside is an original artwork realized after Charles Coleman (1807, Yorkshire - 1874, Roma) in 1992. Good condition. Not signed. 1992 edition in 25 copies....

Beuys' Exhibition "meeting with Beuys" is a poster realized for the Marino Gallery - Galleria Art Center  (in Piazza Mignanelli, Rome) where Joseph Beuys' Exhibition was held in 1985...

Lithograph on grand vélin d'Arches pur chiffon spécialement fabriqués paper. Inscription: signed in the plate and unnumbered, as issued. Good condition. Notes: from the folio, Œdipe ...