Medium Sculptures

bronze with dark brown patina 72 x 69 cm (28⅜ x 27⅛ in.) signed 'L. MIGNON'; with an indistinct foundry inscription PROVENANCE: Private collection, London

The sculpture is a part of the series - Forward to the Future. The core idea of this project is to encourage people to use infinite and environmentally friendly natural energy. The ...

Re-purposed Georgian scroll style decorative moldings are shaped into a large mask and cast in aluminum in this unique sculpture by Dale Dunning. The surface of the mask has an undulating quality reminiscent of the experience of playing Snakes and Ladders...

Using smooth, minimalist forms in black with bright green, blue, red and white, Israeli-based sculptor Benny Katz creates the playful essence of a body builder...

Truckin', by Rodger Jacobsen, female figure, bronze sculpture, steel base,brown bronze sculpture on a fabricated steel pedestal Truckin' by Rodger Jacobsen, female figure, bronze ...

The ceramic sculptures of SunKoo Yuh are composed of tight groupings of various forms including plants, animals, fish, and human figures. While Korean art, Buddhism, and Confucian be...

Organic, clean, minimal, white and yellow gold sculptural wall relief that is ceramic on painted wood panel. 24 x 30 x 2 inches. A beautiful and tactile work of art from Pop Art pion...

First Bite,female figure holding apple,garden of eden,bronze sculpture Williams First Bite, female figure holding apple, garden of eden, bronze sculpture Expressing Situations and Beings in Human Form Sculptor Troy Williams unites the timeless and the contemporary in sculptures of rare beauty and meaning Beyond all the narrative potential of the three obvious physical dimensions of Troy Williams’ sculpture there are many other considerations that contribute greatly to the enjoyment, appreciation, and understanding of his entrancing 360-degree works of figurative art. Among these are the emotional responses and intellectual interpretations that first go into the artist’s creative process and then into every subsequent spectator’s viewings at least somewhat differently each time. Some artists insist on leaving these entirely up to each viewer, but Williams is glad to enrich the experience by inviting the viewer in for a little insight into the artist’s intention. Certain ambiguities and unintended provocations might otherwise arise, as Williams uses original combinations of materials or ideas in highly original ways. For the sophisticated clientele of Glenn Green Galleries Williams specializes in figurative and facial sculptures hewn from fallen woods he finds while running near his home in the mountains of north central New Mexico. Williams has in the past worked with exotic woods, but now avoids them in a desire to protect the people, plants, and animals that depend on a vibrant, healthy, and unexploited local ecosystems. Finding dead and downed wood also introduces an element of serendipitous chance into the sculptor’s process of selection and inspiration. Nature provides an exquisite mass of workable solids, surfaces, patterns, and curves in cottonwood and the many varieties of juniper this sculptor favors. Troy Williams simply rescues these from the elements and then elevates them to timeless treasures by relating them to themes that express our deepest nature. Awake to the most beautiful twists, turns, and striations already present in these found mediums, Williams is naturally and passionately drawn to every stage of freeing the underlying sculpture. Following the wood’s ingrained tendencies is always a creative guide for Williams. Growing up in an Indiana farming community, his dad a family practice doctor and his mother an artist, Troy has always felt an affinity for the earth and especially its mountains. He initially came west to study agriculture at Fort Lewis College in Durango, Colorado, attracted there by a setting where his athletic nature could find full expression. His interest in an agriculture career gave way to his love of the mountains. In order to continue living in them and enjoy the hiking, climbing, and running he also loved, Troy worked for several years in a solar business, progressing from manufacturing to installations to design. On a fortuitous errand for a cousin back home, Troy happened into silversmithing and began producing simple, hammered ear cuffs. At this point the artistic nature that he had earlier suppressed in favor of athletics began to emerge strongly, and he expanded into more complex designs as he learned and mastered goldsmithing and lapidary. Another quantum leap occurred when he made his first copper face for a pendant. He couldn’t wait to see the face on a larger scale and was eager for the challenge of learning another art. He began sculpting metal, then stone, then came upon wood as his medium of choice. Wood had immediate allure: scented, expanding, contracting, and seeming to breathe. Williams was seduced by its warmth, the play of light on the complexion of its grain, and the inherent life force so evident in wood. He also learned to coax creative advantage from some of wood’s pitfalls, like soft spots, tricky grains composed of woody xylem and softer phloem; and to avoid the conditions that make it splinter. A quality of segmentation or fragmentation characterizes Williams’s sculptures and provides great visual satisfaction along with intriguing thematic provocation. One is struck by the beautiful outlines that might never be apparent had Williams not removed segments or created interior voids expressly to reveal them. When sculpting a face, Williams focuses on aspects that are mask-like, floating, and alive with contours that might not be visible were the artist to sculpt the full head. The segmentation in his exquisitely refined female figurative works incorporates solids, hollows, and curvilinear elements for reasons that are at once artistic, philosophical, and experiential. Besides attending basic college art classes, to understand more fully the human figure, Troy spent a summer in Europe...

Dimitri Hadzi Uxmal, 1991 Cast bronze on custom made granite base 17 × 30 1/2 × 14 inches The title UXMAL, refers to the ancient Mayan city of Uxmal, which is known for its "Pyramid of the Magician" Provenance: Acquired by the original owner from the prestigious Gremillion Gallery in Houston, Texas (accompanied by a copy of the original receipt) Measurements: Base: 26.5 by 11 by 1.75 inches Work longest 30.5 inches Widest 14 inches Highest. 17 inches More about Dimitri Hadzi" Derived from the figure and mythic narratives, Hadzi’s sculpture references antiquity and classical artifacts – abstracted anatomical forms, columnar and other architectural elements, helmets, weaponry and body armor function as visual metaphors for ancient cultures. “I was interested in mythology, and I was interested in movement,” Hadzi remarked on his years in Rome, “I was attempting through formal methods to exaggerate sexual tension or apprehension. Suddenly I was myself in an atmosphere of freedom.” [1] Powerfully rendered in bronze his sculptures convey raw emotion, brute strength and mass, tempered with a delicate rush of whimsy, vivacity and sensuality. Born in New York City on March 21, 1921, Hadzi graduated from Cooper Union in 1950 and received a Fulbright Fellowship in the same year. After studying sculpture in Greece, he moved to Rome under the GI Bill where he lived for twenty-five years. Hadzi returned to the U.S. where he taught at Harvard University for fourteen years. He continued to create sculpture until his death in 2006. Hadzi is included in the permanent collections of the Museum of Modern Art; the Whitney Museum of American Art; the Museum of Fine Arts, Boston; the Hirshhorn Museum and Sculpture Garden; The Phillips Collection and the Guggenheim Museum. Receiving over twenty sculpture commissions, Hadzi’s work appears in public squares, concert halls, federal and private plazas, and universities throughout the world. --------------- [1] Elsen, Albert. “On Artistic Freedom: An Interview,” Dimitri Hadzi, (New York: Hudson Hills Press, 1996), 30. Additional Biography: Dimitri Hadzi (1921 – 2006) is among the most distinguished modernist sculptors, creator of works in bronze and stone that are powerfully abstract and expressionist in character. His contribution to the international language of sculpture continues to influence and inspire through permanent installations and collections, and exhibitions worldwide. Born to Greek-American immigrant parents in New York City, he had a talent for drawing at an early age and won a prize for his young ability. But, it wasn't until after serving in the Air-force in the South Pacific during WWII that he turned his sights fully to painting and sculpture, going on to study both at Cooper Union. Eventually, he would become a mainstay of the Cambridge, MA art community. He was a Guggenheim Fellow (1957), the winner of the Venice Biennale Award (1962), and the Rome Prize (1974). His most notable sculptures are: Copley Place Waterfall (Boston, MA), Owen Glass Co. (Toledo, OH), as well as Thermopolis, adjacent to Boston’s City Hall Plaza, and the former Omphalos in Harvard Square (Cambridge, MA). Hadzi is included in the permanent collections of the Museum of Modern Art; National Gallery of Art; Whitney Museum of American Art; Museum of Fine Art, Boston; Hirshhorn Museum and Sculpture Garden; The Phillips Collection and the Guggenheim Museum. Additionally, Hadzi was also a prolific painter, and printmaker. He also taught at Harvard University for over a decade. Famously, David Hockney attended one of Hadzi’s classes at the Carpenter Center at Harvard, where Hadzi served as director. The two of them spent time together painting and discussing techniques. Hockney gifted Hadzi one of his paintings. He worked alongside his good friend, Nobel Prize winning Irish poet...

"Synopsis" by Elsbeth Halvorsen Vever (American, b. 1929). Box sculpture combines aluminum, sand, bone, glass and a magnifier. Signed "Elsbeth Vever 1982" on verso. Image, 24.50"L x 13.75"H x 4"W. Using bone as the central image Elsbeth has assembled an optical and visual experience. One view is the magnification and juxtaposition of the floating effect of the curvature in the stainless steel background; stand back and it's a hologram effect. The first image shows clearly the hologram effect available to the eye of the viewer. From a review of her show of box constructions in Providence, Rhode Island: "Viewing her box constructions is a lot like a walk in the moonlight. What we know, or think, to be true in the hard brightness of daytime reality dissolves into an amorphous space of multiple possibilities and perspectives." Born in Purdys, New York, Elspeth Halvorsen is the daughter, granddaughter, and mother of professional artists. She has studied at prestigious academic and artistic institutions includingthe New School for Social Research, the Art Students League, and the Académie de la Grande Chaumière. In 1955, she moved to Provincetown, Massachusetts, establishing her home and studio in the former residence of Mark Rothko. Provincetown not only remains her home but also acts as a personal, social, and artistic source of inspiration for her work. Shortly after arriving in Provincetown, Halvorsen and her husband, the late Tony Vevers...

Roberto Estopinan, Cuban, 1920 - 2015 Dimensions: 24.5" wide x 13" high plus 6" high base. Roberto Estopiñán (1921–2015) was a Cuban American sculptor known for his sculptures of the human form, including political prisoners. Born in Camaguey, Cuba, he lived in the United States for over fifty years. His works are held by major institutions such as the Museum of Modern Art, the Whitney Museum and the Smithsonian Museum of American Art. Roberto Gabriel Estopinan, a sculptor, draftsman, and printmaker, was born in Havana, Cuba on March 18, 1921. Estopiñán enrolled at the San Alejandro Academy when he was just 14 years old and became the protegé and studio assistant of the sculptor Juan José Sicre. After graduation he traveled first to Mexico, where he met and befriended Francisco Zuniga, and studied Pre-Columbian sculpture. In 1949 he traveled to Europe, visiting England, France and Italy. In these trips he encountered the sculpture of Henry Moore and Marino Marini, and their humanistic yet formal visions would be influential on Estopinan's work. Estopiñán was a pioneer of direct carvings using wood and of welding techniques in Latin America. Throughout the 1950s, Estopiñán received important prizes at various national exhibitions in Havana. In 1953 he was the only semi-finalist from Latin America at the Tate Gallery's international sculpture competition for a Monument to the Unknown Political Prisoner. In 1961, the artist moved to New York, where he resided until 2002. Roberto Gabriel Estopiñán a Cuban emigre sculptor who emigrated to exile in the United States not long after Fidel Castro’s revolution in 1959, is considered one of Latin America’s most important 20th-century artists. His work, which includes drawings and prints as well as sculptures in wood and bronze, is in the collections of New York’s Museum of Modern Art, the Smithsonian’s American Art Museum, the Art Institute of Chicago, and the Detroit Institute of Art, among many locations. He is best known for his stark, disturbing renderings of political prisoners, the fruit of his own experiences as a dissident under both Castro and his predecessor, the dictator Fulgencio Batista, and for his representations of the female torso that can remind viewers of both classical statuary and the high-modern, abstractly elongated work of Henry Moore.mHe was born in Havana to a father from Asturias in northwest Spain and a mother of African descent. Estopiñán was something of a prodigy. At the age of fourteen, he won the first prize in drawing at the Centro Asturiano, a regional association for Cubans of Asturian descent. Shortly afterward he received special permission to enter the San Alejandro Academy of Fine Arts in Havana. At the school he was mentored first by its director, the painter Armando Menocal (1863-1941), then by the landscape artist Antonio Rodríguez Morey (1872-1967), and finally by Juan José Sicre (1898-1974), regarded as one of Cuba’s greatest sculptors. Sicre, a professor of sculpture at the Academy, had helped introduce European modernist art to Cuba, and from the 1930s through the 1950s had sculpted monumental figures in Havana of José Martí and other Cuban national heroes that stand to this day. Estopiñán was first Sicre’s student, then his assistant, and, finally, his colleague for the next fifty years. After graduating from San Alejandro in 1942, Estopiñán began simultaneously teaching art at the Ceiba del Agua School for young men, assisting Sicre in public art projects and developing his own artistic vision. He also traveled widely, to Mexico, New York, France, and Italy. From the late 1940s through the 1950s his sculpture evolved from an early neoclassical phase under the influence of Maillol to what he defined as “formalist humanism”: emphasizing the abstract beauty of the shapes he sculpted while not abandoning the human figure as the basis of his work. As the 1950s progressed he chose to carve in native Cuban woods...

"Two Drawers" Sculpture 28 x 14.5 x 8 in by Yoram Katz Medium: Mix Media, Recycled items Recycling Series Recognizing the importance of environmental issues that face the world tod...

Reflections, bronze female bust sculpture contemplative peaceful Troy Williams Sculptor Troy Williams unites the timeless and the contemporary i...

Striking bright red and black pop art sculpture in the shape of lips. The lips have paint dripping over them to look as if they are melting. beautifully crafted from fibreglass, industrial paints and leather, featuring the Ferrari logo. Fantastic bright and colourful sculpture...

This blue steel wall sculpture has a terrific presence - the elements suggest movement and vibration, the weaving of basketry, the pulsing of sound. The shadows cast by the piece also shift with the light. Shayne Dark is one of Canada's most prominent sculptors. He has been awarded numerous large scale public commissions and his works are in many private and public collections around the world. Named one of the top 10 artists to watch at the recent Art...

Bronze sculptor Dale Dunning’s skilled craftsmanship never overshadows the story he wants to tell. Often he presents new ways of looking at the human face – sometimes as a mask, other times brimming with words and thoughts – and always compelling, sacred and narrative. His formal education includes a MFA (1971) from Cranbrook Academy...

Size 26x26 edition 395 Signed lower right

ODETTA is pleased to offer this important sculpture from the Estate of David Hayes. David Vincent Hayes (March 15, 1931 – April 9, 2013) was an American sculptor.. These Form Studi...

Lunge 17 Slate/pigmented and sealed steel 17" (height) x 27" (width) x 5" (depth) Stone and metal, usually granite or slate, and found object steel are central in my sculpture. The ...

Medium: Mahogany, pigment As an artist I strive to create elegant sculptures that capture the true essence of the subject matter. Form, line and surface are used as the visual langu...

The ceramic sculptures of SunKoo Yuh are composed of tight groupings of various forms including plants, animals, fish, and human figures. While Korean art, Buddhism, and Confucian be...

Jack Schuyler (1912-2002) Polished Metal Sculpture "Abstract Figural Composition" Hand signed and Dated 1982. Measures 27" x 26-1/2" x 10.5" inches. There is not much known about t...

LOUIS AUGUSTE MOREAU French, (1834-1917) Grecian Mother and Two Children Patinated bronze; Signed “MOREAU”. 22 x 25 inches

**ATTENTION** This piece can not be shipped. It need to be sold in California where the showroom is located in Los Angeles. California residents will receive free w...

Volodymyr Mykytenko - Beauty of nature (2007) Beauty is in everything that surrounds us. My sculpture is filled with the abundance of nature and its beauties. Idyll in this composit...

This monumental abstract sculpture named “Cycles” is created and curved by Lutfi Romhein. Its polished surface provides a perfectly smooth and soft touch...

Upon discovering a weathered steel drum that had been warped to resemble the sleeve of a garment, artist Gordon Chandler was inspired to embark on a series of kimono sculptures forme...

Daniel Fiorda in this new series of sculptures, continues in many ways the themes that have infused his previous work. For the last several years, Fiorda has dealt with technology, obsolescence, with the trail of discarded tech that humanity leaves behind and what it says about us. The new work takes this thematic one step further. These new wall pieces feature barely concealed found objects, almost fully engulfed by concrete, and yet still eerily discernible: industrial gears, computer keyboards, objects that evoke industrial post-digital eras. This piece is a set of 3 artworks...

This piece titled "Loser, Loser, Double Loser (AIM Block Button)" is a one-of-a-kind original piece by Nicole Nikolich (Lace in the Moon) and is made from crocheted acrylic and beads...

This dynamic wall sculpture is created from sheets of steel, welded together in an abstract geometric pattern. Muted shades of blue, grey, purple and green dominate and are balanced by softer hues. While the work adheres to a rigid, rational geometry, this sculptures suggest lyrical movement, apparent weightlessness and improvisation as the title suggests. Chris Hill The Path welded steel, acrylic paint 28h x 15.75w x 2d in 71.12h x 40.01w x 5.08d cm CHI018 Chris Hill is a Santa Fe based sculptor. Chris was born in Port Arthur...

In the body of work for “Child’s Play” Roleke has created diminutive worlds in which toys tell the story of consumption, consumerism, war, and the misuse of power and religion. The m...

Ivars Miķelsons (1962)

Artist: Unknown, in the style of Pablo Picasso Medium: Painted Terracotta Sculpture Size: 27 tall x 15 x 12 inches

John Bennett (Born 1952) Fredericksburg, Texas Artist Image Size: 26 tall x 12 x 8 Medium: Bronze Sculpture "Frida's Wedding" Frida Kahlo John Bennett (Born 1952) John Bennett was de...

Contemporary wall-mounted sculpture by Tristan Fitch composed of soda (sodium oxide) fired ceramic cubes mounted on a hand-carved shelf made from locally sourced pine. The artwork re...

"Lemon Squeeze" by Kevin Barrett Epoxy, acrylic, and urethane on carved aluminum panel Barrett is noted for creating unique, rhythmic, abstract indoor and outdoor sculpture and wall...

Giuseppe Palumbo’s whimsical, anthropomorphic sculptures delve into the human psyche through irony, wit, and humor. By applying classical techniques to his contemporary subjects, Pa...

32 x 12 x 6.5 carved precision board & Venetian plaster This contemporary, abstract minimalist wall sculpture was made by Japanese artist, Dai Ban in 2017. The elegant minimali...

"Tipping Iris" in purple, free standing sculpture. Enamel on aluminum and steel sculpture created by artist Gary Bukovnik that reflects the cascading beauty in his watercolors and dr...

St James' White frame with neutral ceramics. Frame contains both stoneware and porcelain ceramics. ADDITIONAL INFORMATION: Ceramic on Stone 80 H x 80 W x 7 D cm (31.50 x 31.50 x 2.7...

Hand Built & Painted Vase Materials: Porcelain, Glaze, China Paint, Gold Leaf, Flocking Fired: Electric Kiln, Cone 6 This piece was part of "Go for Baroque: Opulence and Excess ...

18th Century Italian Carved Neoclassical Semi Nude Female Busts Wood affixed to wood plinths "Leone Della Torra / Italy Country of Origin" labels on b...

Volodymyr Mykytenko - Time guard (2021) Time guard-One of the most ancient animals on the planet, a symbol of confidence and fearlessness. They say that even a tiger is afraid of a ...

Original fish sculpture by the Ukrainian sculptor Volodymyr Mykytenko. 5/12 edition. Excellent condition. Materials: Bronze. Please contact us if you have any questions about this...

Prodanchuk Victor is an artist with his own artistic language and a recognisable style. Techniques of his own invention, the transformation of symbols and an unconventional treatment...

This artwork titled "Cornbread I Start This Shit 1965 Stop Sign" is an original artwork by Cornbread made of acrylic paint on a retired street sign. The piece measures 30"h x 30"w an...

Letters and numbers cut from a sheet of brushed steel. Hand signed and dated Brad Howe (born 1959) is an American sculptor from California. His work has been exhibited domestically and internationally. This is done in a bold and colorful Pop Art style reminiscent of the work of the Memphis Milano Group. Brad Howe was born in 1959 in Riverside, California. As a student of International Relations at Stanford University, Howe attended the University of São Paulo to specialize in Literature and Economic History. It was there that he discovered his passion for art and architecture that would eventually lead to his first exhibitions. He started his career as a sculptor in Brazil, using stainless steel, aluminum and polyurethane. He credits sculptor Alexander Calder as an early influence in his work. Since then, he has exhibited in over eighteen countries worldwide and his works have been placed in collections in more than 32 countries, including Brazil, Mexico, France, Germany, South Korea and United States. His work can also be found at various universities including Massachusetts Institute of Technology (MIT) in Boston, Temple University in Philadelphia, and UCLA. Monumental and Public Art have become a major focus of his career. Over the past ten years, he has completed over 30 public projects in 7 different countries. One of his sculptures can be seen in the city of Palo Alto, California. Moreover, as part of the Beverly Hills Centennial Arts of Palm Installation, he designed four sculptures outside the Beverly Hills City Hall, on North Santa Monica Boulevard in Beverly Hills, California. The Crocker Art Museum (Sacramento, California), the Honolulu Museum of Art, the Lancaster Museum of Art and History (Lancaster, California), and the Pasadena Museum of California Art (Pasadena, California) are among the museums holding work by Brad Howe. His work was included in the Arts of Palm exhibition in Beverly Hills, palm trees by prominent artists including Brad Howe, Michael McMillen, Mike Stilkey, Peter Shire, Peter Alexander and Ryan Schmidt. His studio is actively completing site-specific commissions and installations for cities, universities, museums, and private corporations. Brad Howe also actively participates in group gallery shows with smaller works that serve as models, or maquettes, for his large-scale pieces. SELECT GROUP EXHIBITS: On The Road: American Abstraction, David Klein Gallery, Detroit, Michigan Properties of Light, George Billis Gallery, Los Angeles, California Blur the Lines, Brad Howe and Takashi Murakami, Asian Art Works, Busan, Korea Brad Howe, Zachary Thornton, Lopez-Herrera, Thomas Punzmann Fine Arts, Frankfurt, Germany Gary Komarin and Brad Howe, Galerie Proarta, Zurich, Switzerland Color Balance, Marco Casentini and Brad Howe, Melissa Morgan Fine Art...

"In the Beloved Shade" Bronze Sculpture 16 x 29.5 x 7 in Ed. 4/8 by Ahmed Magdy Medium: Bronze with marble base About the Artist: Ahmed Magdy (b. 1987, Assiut, Egypt) is an Egyptian sculptor and visual artist whose practice investigates the intersections of cultural identity, collective memory, and the enduring dialogue between ancient civilizations and contemporary human experience. Raised in Upper Egypt, amid one of the richest landscapes of ancient Egyptian heritage, Magdy developed an early visual consciousness shaped by temples, archaeological sites, and the cultural legacy that stretches along the Nile Valley. Equally influential was the folklore of Upper Egypt: its myths, oral traditions, rituals, and social customs, which continues to inform the symbolic language of his work. Magdy graduated from the Faculty of Specific Education, Department of Art Education, Assiut University, in 2008. His engagement with sculpture, however, began several years earlier through intensive study and studio practice under two of Egypt’s leading contemporary sculptors, Mamdouh El Kook and Abdel Hadi El Weshahi. Working closely alongside El Weshahi in the completion of several sculptural projects provided Magdy with invaluable insight into one of the most significant sculptural practices in modern Egypt. For more than two decades, Magdy has developed a sculptural language rooted in the visual legacy of ancient Egyptian civilization while addressing contemporary questions of identity, memory, humanity, place, and cultural transformation. Rather than reproducing historical forms, his work reinterprets archaeological and symbolic references through a contemporary visual vocabulary, seeking to establish an ongoing conversation between history and the present. His sculptures frequently explore themes of belonging, coexistence, resilience, and the shared human condition, positioning cultural heritage as a living source of dialogue rather than a static historical reference. His work has been presented in numerous solo and group exhibitions, biennials, symposia, and international cultural projects. Notable exhibitions include his solo exhibition States at Azad Art Gallery, Cairo (2023); the Arab Artists Exhibition within the International Ceramic Fair in Jingdezhen, China (2023); Echo of the Soul in New Delhi, India (2025); and exhibitions at the Grosseto Foundation for Culture and the Luzzetti Museum in Italy, alongside participation in the First Grosseto International Sculpture Symposium (2025). Magdy has maintained a long-standing artistic relationship with China. In 2015, he received an official invitation from the Ministry of Culture of China to design a permanent sculpture for the China–Arab Friendship Garden in Yinchuan. In 2018, he participated in the Rouchi City International Sculpture Exhibition, where he received Fourth Prize among seventy-five artists representing countries from around the world. His works are included in the collections of the Rouchi Museum and the Jingdezhen Contemporary Ceramic Art Museum. He was also invited as an artist-in-residence at Taoxichuan Art Center in Jingdezhen, one of the world’s leading centers for contemporary ceramic art. Among his major public art projects is his participation in the International Aswan Sculpture Symposium (2018), following his selection for the symposium’s workshop program in 2017, as well as the Second Cairo International Scrap Metal Sculpture...

Daniel Fiorda in this new series of sculptures, continues in many ways the themes that have infused his previous work. For the last several years, Fiorda has dealt with technology, obsolescence, with the trail of discarded tech that humanity leaves behind and what it says about us. The new work takes this thematic one step further. These new wall pieces feature barely concealed found objects, almost fully engulfed by concrete, and yet still eerily discernible: industrial gears, computer keyboards, objects that evoke industrial post-digital eras. This piece is a set of 3 artworks...

Abstract Ceramic Platter 2018 artist signed, wood fire. ​Jim Leedy was an artist who crossed boundaries between materials and genres, representation and abstraction, art and music, c...

Dimensions include base STANISŁAW WYSOCKI (b. 1949) Wysocki studied at the Academy of Fine Arts in Poznań (1978-1980) and then at the Hochschule der Kunste in Berlin under prof. J....

"Tipping Tulips" in light orange, free standing sculpture. Enamel on aluminum and steel sculpture created by artist Gary Bukovnik that reflects the cascad...

Important Fonderia Giorgio Sommer Bronze of a Drunken Satyr Reclining on a Wineskin, After the Roman Original from Herculaneum, 25 in. Wide Description:...

Artist: Sandro Chia (Italian, b. 1946) Title: Il Palio di Siena Year: circa 1980 Edition: 4/6 Medium: Bronze, signature and numbering inscribed Size:...

Silvana Cenci, internationally renowned explosive sculptor, died October 1, 2000 at her home in Gray. Ms. Cenci, who was born in Florence, Italy, before World War II, married Stuar...

Terracotta Sculpture by Swedish artist Evert Lindfors (1927-2016), made in the 1970s. Evert moved to France in the 1940s where he studied at the École des Beaux-Arts in Paris. He worked from the mid-1950s as a painter in Lacoste in Provence, France. Towards the end of the 1960s, he switched to terracotta sculpture. He met his friend Torsten Renqvist...

Orange Tipping Tulips free standing sculpture in a limited edition of three. enamel on aluminum and steel sculpture created by artist Gary Bukovnik that reflects the cascading beauty...

Unknown/ Unidentified Artist, "Untitled" ( Male Figure Reading Newspaper), Abstract Figurative Wire Sculpture, Stands 29" Tall and 12" Wide, Late 20th Century

"Vase with Owl, Koi and Deer" Hand Built & Painted Vase Materials: Porcelain, Glaze, China Paint, Gold Luster, Gold Leaf, Flocking Fired: Electric Kiln, Cone 6 Signed (bottom) COA pr...

Nili Carasso was born in 1951, in Jerusalem. At the age of ten, Nili attended art classes at the Bezalel art school in Jerusalem. By the time Nili was 26, she graduated from David Ya...