Unframed Sculptures

Artist: Dale Chihuly Title: Four-Piece Castillian Red Basket Set with Black Lip Wraps Medium: Hand Blown Glass Dimensions: 4.5" x 13" x 13" Year: 2000 Inscription: Signed and dated t...

American artist Chris Maynard gives homage to nature through the plumage of birds -using feathers acquired from legal sources such as zoos and private aviaries all naturally shed by ...

José Sierra is a self-taught artist and ceramicist, born in Mérida, Venezuela in 1975. His work draws inspiration from his heritage, along with pre-Hispanic art, East Asian pottery,...

Stone sculture realized by Sirio Pellegrini in 1960s. Hand carved. Good condition. Sirio Pellegrini, born in Rome on March 1, 1922, of Abruzzo origins (Capestrano), spent his chil...

KAWS (Brian Donnelly) Ceramic Plate Set (Red/White) — Set of Four KAWS × Qatar Museums Doha Fire Station Exclusive, 2019 A pristine, complete set of four limited edition ceramic pl...

Corey Pickett's (US based) "Ray Gun 922" is an original, handmade mixed media sculpture made out of wood, foam, and fabric. About the Artist: Corey Pickett received his Bachelor of ...

Curved ceramic sculpture depicting a human–insect hybrid creature, combining a looped organic form with a distorted human face and expressive surface. This work belongs to the serie...

Mid-Century Ibibio wood carving of a Great Hornbill or (Kalao) from Nigeria. (The carving is shown in the first photo on a bamboo stand which is available if required.) The Great Ho...

Artist: Karo Martirosyan, Work: Original Artwork, Medium: Glass and Metal Wall Sculpture, Year: 2022 Style: Contemporary Art, Subject: Axial, Size: 40" x 26" x 4'' inch, 124x66x10...

In this new piece by the celebrated Canadian ceramicist Steven Heinemann the viewer is immediately drawn to the beautiful deep blue of the bowl’s interior. The exterior of this oval-...

Flu is a contemporary artwork realized by Jake & Dinos Chapman in 2004. Painted bronze sculpture – unique example Provenance Galerie 20.21 Essen (Coll. Olbricht). Certificate of a...

This listing is just for the sculpture. (the picture of the ad is for reference and is not included.) Marie Zoe Greene-Mercier was an artist, writer and arts activist who worked in t...

One abstract, geometric table top sculpture in brushed, welded aluminum by Jane Manus, edition of 27. Manus is internationally recognized for her powerful geometric, abstract sculpt...

"Santiago in Nicho" is a carved and painted wooden retablo by an unknown Mexican folk artist. This piece features a man on a white horse inside a niche. The doors, which feature flow...

Canadian sculptor WW Hung has chosen another poignant and powerful pose to explore the human condition in this contemporary mixed-media piece. A nude male sit...

Rudolf Kaesbach (1873 Gladbach - 1955 Berlin), Forest idyll, around 1915. Bronze, gold and golden brown patina, with cast plinth, mounted on a marble base (5 cm high), total height 36 cm, dimensions of the bronze: 31 cm (height) x 17 cm (length) x 12 cm (width). Weight 4,6 kg, signed on the plinth "R.[udolf] KAESBACH". - a few rubbed areas, overall in excellent condition for its age - Soulmate - The bronze sculpture depicts a young woman in an intimate exchange with a deer that accompanies her. The animal pauses to turn toward her, while the nude beauty slows her pace to look into the deer's eyes and tenderly caress it with her hand. The woman and the deer are in inner harmony. Even though her lips remain motionless, she speaks the language of the animal with which she is deeply connected. The golden patina, which contrasts with the more naturalistic coloring of the deer, gives the young woman the appearance of a saint, even if she cannot be identified as such. At the same time, she evokes memories of Diana, the goddess of the hunt, or a nymph. But she lacks the ferocity. In her innocent naivety, she is more like a vestal virgin, who is not at home in the solitude of the forest. And yet, the young beauty, moving unclothed in the heart of nature, looks like a priestess with her hair tied up and a carefully carried bowl on her way to a sacred grove. In order to open up the above-mentioned associations, Kaesbach deliberately designed the female figure in such a way that she cannot be identified as a specific person. He has created an allegory of natural femininity, characteristic of Art Nouveau, in which the deer is far more than a companion animal. It displays the same gracefulness as the young woman, and the inner resemblance between the two makes the deer appear as her other self. In animal terms, it embodies her inner being, which also gives the deer an allegorical character. About the artist Rudolf Kaesbach studied sculpture at the Hanau Academy and worked in a bronze foundry in Paris in 1900. In order to work as an independent artist, he opened a workshop in Düsseldorf, where he cast bronzes from models he designed. In 1902 he made his debut at the German National Art Exhibition in Düsseldorf. The following year Kaesbach went to the academy in Brussels. There he was inspired by contemporary Belgian sculpture, especially the work of Constantin Meunier. He moved to Berlin, where he opened a studio in the villa district of Grunewald and devoted himself to life-size marble sculptures and the design of bronzes. From 1911, he regularly presented his works at the major art exhibitions in Berlin, as well as in Düsseldorf and Malmö. Between 1936 and 1939, he also created models for the Rosenthal porcelain factory. From 1939 to 1944, Kaesbach was represented at the major German art exhibitions in Munich. GERMAN VERSION Rudolf Kaesbach (1873 Gladbach - 1955 Berlin), Waldidyll, um 1915. Gold und goldbraun patinierte Bronze mit gegossener Plinthe, auf einem Marmorsockel montiert (5 cm Höhe), Gesamthöhe 36 cm, Maße der Bronze: 31 cm (Höhe) x 17 cm (Länge) x 12 cm (Breite). Gewicht 4,6 kg, auf der Plinthe mit „R.[udolf] KAESBACH“ signiert. - vereinzele beriebene Stellen, insgesamt in einem altersgemäß ausgezeichneten Zustand - Seelenverwandtschaft - Die Bronzeplastik veranschaulicht eine junge Frau im innigen Austausch mit einem sie begleitenden Reh. Das Tier hält inne, um sich zu ihr hochzuwenden, während die nackte Schönheit ihren Schritt verlangsamt, um dem Reh ebenfalls in die Augen zu schauen und es zärtlich mit der Hand zu liebkosen. Die Frau und das Reh sind in einem inneren Gleichklang. Auch wenn ihre Lippen unbewegt bleiben, spricht sie die Sprache des Tieres, mit dem sie auf eine tief empfundene Weise verbunden ist. Die im Kontrast zur naturalistischeren Einfärbung des Rehs aufstrahlende goldfarbene Patina lässt die junge Frau wie eine Heilige erscheinen, auch wenn sich nicht als Heilige identifizierbar ist. Zugleich ruft sie Erinnerungen an die Jagdgöttin Diana oder eine Nymphe hervor. Dafür fehlt ihr allerdings die Wildheit. In ihrer unschuldigen Naivität gemahnt sie vielmehr an eine Vestalin, die freilich nicht in der Waldeinsamkeit zu Hause ist. Und doch wirkt die sich unbekleidet im Herzen der Natur bewegende junge Schönheit wie eine Priesterin, die sich mit hochgebundenem Haar und der vorsichtig getragenen Schale und dem Wege zu einem Heiligen Hain befindet. Um die gennannten Assoziationen zu eröffnen, hat Kaesbach die Frauenfigur bewusst so gestaltet, dass sie nicht als konkrete Person identifizierbar ist. Damit hat er eine für den Jugendstil charakteristische Allegorie natürlicher Weiblichkeit geschaffen, bei der das Reh weit mehr als ein Begleittier ist. Es weist dieselbe grazile Anmut wie die junge Frau auf und der innere Gleichklag der beiden lässt das Reh als ihr anderen Ich erscheinen. Es verkörpert – ins Animalische übertragen - ihr inneres Wesen, wodurch auch dem Reh ein allegorischer Charakter zukommt. zum Künstler Rudolf Kaesbach studierte an der Akademie Hanau Bildhauerei und war im Jahr 1900 in einer Pariser Bronzegießerei tätig. Um sich als eigenständiger Künstler betätigen zu können, eröffnete er in Düsseldorf eine Werkstatt, in der er Bronzen nach selbstentworfenen Modellen goss. 1902 debütierte er auf der Deutschen Nationalen Kunstaustellung in Düsseldorf. Im Folgejahr ging Kaesbach an die Akademie nach Brüssel. Dort wurde er von der zeitgenössischen belgischen Bildhauerei, insbesondere vom Werk Constantin Meuniers, inspiriert. Zurückgekehrt zog er nach Berlin, wo er im Villenviertel Grunewald ein Atelier eröffnete und sich neben dem Entwurf für Bronzen der lebensgroßen Marmorbildhauerei widmete. Ab 1911 präsentierte er seine Werke regelmäßig auf den Großen Berliner Kunstausstellungen, aber auch in Düsseldorf und Malmö. Zwischen 1936 und 1939 fertigte er zudem Modelle für die Porzellan-Manufaktur Rosenthal an. Von 1939 bis 1944 war...

Trinity 2025 Edition 2/10 Brushed aluminum, clear coated, each piece spins 360 degrees, the sculpture is 4 parts base and 3 irregular circles each on a pin. Dimensions 58"x19"x base...

This outdoor fire pit "Flame" is the eye-catcher in your garden. Due to good air supply, you can very quickly light a beautiful fire. (Optional prepared for natural gas to be instal...

Artist: Dale Chihuly Title: Yellow Indian Blanket Basket Medium: Hand-Blown Glass Dimensions: 7 1/4" x 10 3/4" x 10 1/4" Year: 1978 Inscription: Signed and dated "Chihuly '78" Dale Chihuly's 1978 Yellow Indian Blanket Basket simultaneously incorporates many elements of the artist's experimental body of work in the 1970s. Dale Chihuly began his Baskets series in 1977, which evolved from his traditionally formed Cylinders and more experimental Soft Cylinders of the earlier 1970s. Inspired by the design of Indian trade blankets...

This is an engaging black aluminum sculpture create by the Italian artist Patrizia Guerresi, in the 1988. The piece is a multiple of 1000 specimen on a black wooden base. The title o...

Abstract 3D Original Glass and Metal Wall Sculpture, Modern Art Artist: Karo Martirosyan, Work: Original Artwork, Medium: Glass and Metal Wall Sculpture, Year: 2022 Style: Con...

Heather Allen Hietala’s mixed media art is designed to tell a story. The American artist uses the vessel as a metaphor for life’s journey. Hietala hand-builds ceramic canoe-like shap...

Sapphire blue felt takes the shape of a biomorphic form in this contemplative wall sculpture by fabric artist Chung-Im Kim. The felt is cut into irregular shapes that are sewn with p...

"Fancy! WTF (Trio)" Set of 3 Limited edition glass pill sculpture by Edie Nadelhaft. Edition of 9. Pill Size: 14 x 4 x 4 inches (each). Installation size: 14 x 18 x 4 inches (appr...

This large geode is an intriguing sculpture with immense depth and contrasting textures. Size: 31 x 25 x 5 inches Size with base: 41 x 25 x 5 inches

Antonio Tantardini (Italian, 1829-1879) An extraordinary Italian 19th century life-size carved Carrara white marble sculpture of "A Young Child and a baby in a wicker crib" - A Risorgimento Allegory subject. The older child's medallion inscribed with an interlocked XV and Garibaldi, the crib monogrammed: AR. Signed and dated: A.nio Tantanrdini F.ce / 1863. Circa: Florence, 1863. This sculpture includes a recent custom-made veined black marble pedestal stand. (The 2 items description mean the sculpture and pedestal, which are sold as sold a set.) In a country famed for its skilled carvers and working in an age when virtuoso carving technique was highly prized, Antonio Tantardini was one of the very best exponents of master carvers in nineteenth century Italy. Vicario describes Tantardini's skill as 'un abilità tecnica stupefacente'. The present amazing quality marble group epitomizes Tantardini's exceptional talents as a carver. Lesser sculptors might have shied away from attempting to carve a life-size wicker crib in marble, but Tantardini has clearly relished the Challenge. The result is a stunning achievement of verismo Italian sculpture. This marble group, however, is more than a paradigm of Italian marble carving, it is also a prime example of the use of Risorgimento allegory in Italian sculpture of the 1860s. Famous sculptural Risorgimento allegories include Raffaelle Monti...

"Black Crush" Porcelain sculptural vase with black satin glaze. Size: 11.5 x 6.5 x 6.5 Porcelain, ceramic, ceramic sculpture, functional sculpture, functional vessel, vessel, cerami...

Shark of Business is a compact yet expressive bronze sculpture that combines humor, symbolism, and fine craftsmanship. Made of bronze with cold enamel accents, the piece portrays a s...

Peter Anton’s (b. 1963, New Haven, Connecticut) primary subject matter is food with an emphasis on chocolates and other sweets. Anton creates giant realistic sculptures and is best known for his bigger-than-life boxed chocolates. Declaring, “I like to create art that can lure, charm, tease, disarm and surprise,” Peter Anton produces oversized, lushly detailed and delicious-looking sculptures of food...

Exhibited in "Aude Ardere", Vivian Alarcón's first solo exhibition at Escat Gallery, Barcelona, 2026. Please note that the pedestal shown in the images is not included. Only the art...

Daniel Grantham (American, 20th Century) Jellyfish, 2017 Cedar wood on maple Engraved signature on bottom of base 20 x 6.5 x 6 inches Daniel Grantham was born and raised in Clevela...

Set of 3 hyperreal glass water balloon sculpture installation by Dylan Martinez. Made of 100% hot-sculpted glass. Approx. Size: 3.5 × 3.5 × 4.5 inches (each) Dylan Martinez’s hype...

Celebrate the power, speed, and passion of the game with this striking Football Player figurine, capturing an athlete in a dramatic, high-energy moment of kicking the ball. The sculp...

Contemporary ceramic figurative sculpture representing an archetypal magician figure with gold accents and theatrical presence. Titled The Magician, this hand built ceramic sculptur...

A beautiful street art, abstract Mannequin Bust decorated by artist Angel Ortiz. Here we find this stylish bust figure with the artist signature tag...

"Saxum Velum (stone sail)" by John Van Alstine Granite and bronze The sculpture of John Van Alstine beautifully, and powerfully, balances the union of stone and metal, while explori...

Tom Cramer (b.1960). Standing Figure, 1998. Carved wood and polymer paint. Measures 10.25 inches high. Excellent condition. Signed and dated under base. Tom Cramer is an American artist working in Portland, Oregon noted for his intricately carved and painted wood reliefs and ubiquity throughout the city of Portland. Often called the unofficial Artist Laureate of Portland,[2] Cramer is one of the most visible and successful artists in the city. The influences on his work are both organic and technological. He is widely collected and is in many prominent west coast museum and private collections. He is in the permanent collections of the Portland Art Museum[3] in Portland Oregon, the Halle Ford Museum in Salem Oregon, the Jordan Schnitzer Museum in Eugene, Oregon, the Boise Art Museum in Idaho. Cramer made a name for himself in the 1980s and 1990s becoming a bridge between historical Oregon artists like Clifford Gleason and Milton Wilson...

Water is constant in the artist's visual investigation, for her water is no longer the stage in which the body's memory bursts, but rather the environment and protagonist, constant o...

Artist: Kuno Vollet Title: Bronze Gingko with 8 leaves sculpture Materials: Cast bronze, white marble base Size: 80 x 10 x 10 cm _________________________________________________...

Marie Laforey is a self-taught artist based in New York, US who maintains a sustainable art practice using primarily organic material. Laforey enjoys the tactility of working with or...

A classic Canadian symbol—the maple leaf -- appears in stunning detail in this unique new work by sculptor Dale Dunning. He creates inspired metal sculptures using the image of the h...

Shipping costs on request German Steel Fireplace "Blossom II" d = 55 cm with medium conus base 80 cm. This fire blossom is the eye-catcher in your garden. Due to the good air suppl...

Heavy Hand Forged Brutalist Iron Ram or Goat Sculpture David Palombo was an Israeli sculptor and painter. He was born in Turkey to a traditional family and immigrated to the Land of Israel with his parents in 1923. They lived in the Nahalat Shiva neighborhood of Jerusalem. In 1940 he began his studies at Bezalel Academy of Arts and Design, and from 1942 was a student of sculptor Ze’ev Ben-Zvi. For a period of time, Palombo was an assistant at Ben-Zvi’s studio and also taught at Bezalel. During this period he was also a member of the “Histadrut HaNoar HaOved VeHaLomed” (The General Federation of Students and Young Workers in Israel). In the 1940s he took art lessons at night. In 1948 he went to Paris, where he visited the studio of the sculptor Constantin Brancusi whose work influenced him. Around 1958 he married the artist Shulamit Sirota. In 1960 he quit his job to devote himself to art. In 1964 he married for the second time to the artist Yona Palombo. The two of them went to live in an abandoned home on Mount Zion in Jerusalem. In 1966 he was killed when the motorcycle on which he was riding ran into a chain stretched across the street to prevent the desecration of Shabbat. His widow opened a museum in their home that was active until the year 2000. Work by Palombo is included in the Judaic collection of the Jewish Museum (a well known Hanukkah menora). Palombo executed the impressive metal gates of the Tent of Remembrance at the Yad Vashem, the memorial to the martyrs of the holocaust, as well as the gates to the Knesset Building the United Nations Educational Scientific and Cultural Organization (Unesco award) awarded him a scholarship for study in Japan. He worked in marble, granite, bronze, iron and steel. as well as with glass mosaic tiles. Palombo’s early works, in the 1950s, were influenced by modernist sculptors such as Brancusi. These works were composed of abstract images from nature and were carved out of stone or wood. At the end of the 1950s he began making metal sculptors, using the technique of welding. His work took on a more abstract and expressive character. Education 1940 Painting with Isidor Ascheim, New Bezalel School for Arts and Crafts, Jerusalem 1942 Sculpture with Zeev Ben Zvi, Jerusalem 1956 Mosaic, Ravenna, Italy 1958 Welding Course Awards And Prizes 1966 UNESCO Award Exhibitions: Sculpture in Israel, 1948-1958 Mishkan Museum of Art, Kibbutz Ein Harod Artists: Zvi Aldouby, Yitzhak Danziger, Arieh Merzer, Dov Feigin, Aaron Priver, David Palumbo, Menashe Kadishman, Kosso Eloul, Yehiel Shemi, Zahara Schatz. The Spring Exhibition of Jerusalem Artists, Artists' House, Jerusalem Artists: Palombo, David Bezalel Schatz, Mordechai Levanon, Fima, Ludwig Blum 12 Artists, The Bezalel National Museum, Jerusalem Avraham Ofek, Aviva Uri, Avigdor Arikha, Yosl Bergner, Lea Nikel, Palombo, Ruth Zarfati...

Head of a Man Possible Portrait of Picasso Patinated green brown bronze on black granite base size 20" hight 11"wide 10" Signed Helga M. with a the Modern Art Foundry New York stam...

Futura Art Toys: set of 2 works (Futura Johnny): These ‘Johnny’ vinyl art figures from NYC graffiti legend Futura are inspired by a classic 80s horror film. The 10-inch figures feature a stylized rendition of Futura's Nosferatu character with loose, sketch-like features and a mischievous smile. A must-have for Futura collectors, each 'Johnny' comes housed in a deluxe collector's box containing the artist's printed signature. The figure coincides with Futura’s recent resurgence in art, fashion and pop culture. Painted Cast Vinyl figures. Set of 2 works. 2019. Each measuring 10 inches in height. Figurines: Excellent overall condition. Boxes may contain minor shelf-wear. Printed signature on outer box; from a limited edition of 2000 (each respectively). Published by Pop Life Global in conjunction with San Diego Comic-Con. Futura 2000...

Genre: Surrealism Subject: people, architecture rendering Medium: Etching Surface: Paper Salvador Dali (Spanish, 1904-1989) I believe the title is L'Immortalite de L'Imperialisme Ge...

Ceramic sculpture realized by Sirio Pellegrini in 1960s. Good condition except for a chip on base. Sirio Pellegrini, born in Rome on March 1, 1922, of Abruzzo origins (Capestrano),...

Donald Martiny’s signature work is composed of dispersed pigment on aluminum. He creates immediately frozen brushstrokes that are made from his own movements. They are defined by the...

Artist: Karo Martirosyan, Work: Original Artwork, Medium: Glass and Metal Wall Sculpture, Year: 2024 Style: Contemporary Art, Subject: Monochrome, Size: 29" x 47" x 4'' inch, ...

Introducing the striking and unique Pop Top Pink Eyes Ceramic White Planter by the renowned artist, Javier Calleja. This limited edition planter features pink...

In this bronze sculpture the artist (unknown) has welded together a group of totems or monuments into a unified piece. T Neo-Dada Abstract Sculpture: Assemblages In contrast, abstra...

Grayson Perry (British, b. 1960) Home Worker & Key Worker Staffordshire Figures, 2021 Medium: The complete set of four white earthenware ceramic figures painted in colours and gl...

Nature-Inspired Minimalist Abstract Color Field painting on three wood panels in shades of light brown, beige, and gray Acrylic on 3 panels Each panel is 8 x 24 x 2 inches Panels can be oriented or stacked horizontally or vertically, recommended spacing between panels is 1-2 inches Overall measurement for vertical install with 1 inch spacing: 28 x 24 x 2 inches We are amazed by this artist's ability to achieve multiple flawless layers of acrylic paint, wiping it on and off with cotton cloth, to create a subtle yet distinctive woven texture on a smooth surface. The artist's work is inspired by patterns found in nature such as tree rings, rock lines, ethereal horizons, or water ripples. It appears as though a light source is originating behind the panel, glowing softly in a pale, dreamy green palette. This unique surface spreads all the way to the very edge of each panel. The 2 inch deep sides are cleanly painted white for a seamless finish. These panels hang flush to the wall by resting on two nails on either side of the panel, and can be arranged in any number of ways, highlighting the work's sculptural element. Artist's Statement: My paintings merge the detailed textures and colors found in the natural world with the linear and geometric patterns visible in industrial and architectural structures. The interplay of these elements drives the work and provides a platform for constant change and narrative. By simultaneously layering and removing paint with rags instead of brushes, my hand is directly involved with the process. Each piece contains multiple panels that evoke a nuanced and evolving universe. Ginny Fox builds up each non-representational piece with overlapping streaks of paint that frequently span two or three panels. Working with rags instead of brushes, Fox’s hand moves along parallel paths, emergent colors cascading gently towards the edges of the composition's plane. There’s something vaporous to the outer layers of the work, the interwoven strands of color offering glimpses at the painting’s earthy base and hinting at the artist’s gradual process. Having received her education from New York University in the 1970s, Fox has since exhibited throughout the United States, especially in New York City and the northeastern U.S. RESUME Solo Exhibits 2019 Winterscape Soho20 Bushwick, New York 2017 Perpetual Earth Soho20 Bushwick, New York 2015 Intimate Universe Soho20 Chelsea New York...

Painted Terracotta sculture realized by Sirio Pellegrini in 1960s. Good condition. Sirio Pellegrini, born in Rome on March 1, 1922, of Abruzzo origins (Capestrano), spent his child...

It was the tumult of the sixties that compelled me to drop out of Swarthmore College, move “back to the land” and become an intuitive artist. I believed that if we were to survive a...

This sculpture is a multiple 1 piece of 50 realized in 1980 by the Italian artist Annamaria Gelmi. All the pieces are numbered and signed by the artist and completed by the Certifica...

Nancy Genn, American (b. 1929) Marshfield 25 (1977) Handmade paper collage Hand signed verso Dimensions: 20 1/8 x 22 inches Utilizing what is now known as the 'Genn Method,' Nancy Ge...

William Pellicone (American 1915-2004) Mixed media, pyrography, oil on wood carving painting. Dated 1958 Title - Enthymeme #14. Oil painting on carved and burnt distressed wood panel. Inscribed verso Enthymeme Wm. Pellicone #14, 9-4-58. Label on reverse with a typed definition for Enthymeme. Dimensions: 27 inches high, 42.5 inches wide. Metal wrap frame. Provenance: from a Shelter Island NY home that was designed by architect Henry J. Gazon - A.I.A. built in 1959. William Pellicone (1915-2004) was an American painter known for his abstract compositions and use of vibrant colors. He was born in New York City and studied at the Art Students League and the Brooklyn Museum Art School. Pellicone's early work was influenced by the Social Realist movement of the 1930s and 1940s, with his paintings often featuring realistic depictions of urban scenes and working-class people. However, in the 1950s he shifted towards abstraction, exploring the interplay of color and form. Pellicone's mature style was characterized by his use of vibrant, saturated colors, often applied in thick layers of paint. His paintings often featured geometric shapes and organic forms, with a strong sense of movement and energy. In addition to his painting, Pellicone was also a respected teacher and arts administrator. He taught at the New York Institute of Technology and the State University of New York, and served as the director of the Islip Art Museum on Long Island. Pellicone's artwork was exhibited widely during his lifetime, and he was the recipient of numerous awards and honors, including a National Endowment for the Arts grant in 1977. Today, his paintings can be found in the collections of museums and galleries around the world, including the Smithsonian American Art Museum in Washington, D.C. and the Metropolitan Museum of Art in New York. William Pellicone (Born 1915) is active/lives in New York. William Pellicone is known for Abstract expressionist, landscape and non-objective art. An American artist, sculptor, architect. He exhibited at Pennsylvania Academy Fine Arts, Philadelphia. A son of Italian immigrants from Calabria, William Pellicone Was a self-taught American Modernist who received scholarships to Temple University, the Pennsylvania Academy of Art and Philadelphia's famed Barnes Foundation. He was a friend of Edward Hopper and others of that Milieu. He was a merchant marine during World War II and a four-year farmer in Pennsylvania for New York City, where he became known for his works done with paint and fire. The work drew attention from both "Life" and "Look" magazine. With time William's style changed to more Surrealist, fantastic realism subjects. This piece has a brutalist, Arte Povera, art brut feel to it. He work is associated with Modernism and Surrealism. He was included in the show with catalogue Gene Swenson : Retrospective for a Critic. Artists included: James Rosenquist, Arman (Armand Fernandez), Stuart Davis, Robert Indiana, Roy Lichtenstein, Alain Jacquet, Ellsworth Kelly, Agnes Martin, Andre Masson, Henri Matisse, Peter Max, Robert Motherwell, Claes Oldenburg, George Ortman, Kenneth Patchen, William Pellicone, Larry Poons, Joseph Raffaele, Robert Rauschenberg, Ad Reinhardt, James Rosenquist, Frank Stella, Cy Twombly, Andy Warhol, Tom Wesselmann, Jim Dine, Jasper Johns and Paul Thek...

Toronto artist Sophie DeFrancesca has always been fascinated by vintage fashion. Pictures of her mother wearing gorgeous frocks from the 40’s, 50’s and 60’s served as a connection to...

"Float" by Kevin Barrett Sculptural wall piece in bronze metal Barrett is noted for creating contemporary metal sculpture and sculpture wall pieces for indoor and outdoor display. ...