Bronze Sculptures

Bronze figurative sculpture Unknown Israeli Artist

"Ex Nihilo Fragment 3" by Frederick Hart is a figurative bronze with the edition of 56/65. I saw Ex Nihilo (Out of Nothingness) as a single expression of creation, as the metamorph...

Small Horse V is a bronze sculpture by French contemporary artist Pierre Yermia, dimensions are 52 × 41 × 13 cm (20.5 × 16.1 × 5.1 in). The sculpture is signed and numbered, it is p...

A stunning Nude Bronze Sculpture 'Rapunzel' with inspiration taken from the German fairytale. Continuing a successful career in England and Ireland, Carl joined Callaghan Fine Paintings and Works of Art at the beginning of 2004 in order to dedicate his time to create and develop stunning individual contemporary sculpture. Carl is a Staffordshire based sculptor for whom art has played a large part in his academic work taking him through the Burslem School of Art, the Henry Doulton School of Sculpture and then to Stafford College. After qualifying in Figurative Sculpture he launched his career with commission after commission, which has now secured his reputation for fine quality workmanship both in life-size format and smaller decorative pieces. The list of his completed commissioned work is extensive, including many ‘house-hold’ names from the sporting world, commerce and the past. The following are just some of the private and publicly commissioned completed works that form Carl’s prestigious portfolio:- King George 5th and Queen Mary – life size portrait buste commissioned by Cunards Cruise Ships and located in the ballroom of the Queen Mary 2 (QM2) cruise ship. Randolph Turpin – life size and a quarter - commissioned by Warwick and Leamington Spa Council located in Warwick Town Centre, Sir Stanley Matthews – life size and a half - commissioned by the Sir Stanley Matthews Foundation located at The Britannia Stadium. The Stadium of Light - life size group of figures – commissioned by Sunderland Football Club...

"My work explores subtle contrasts in everyday life: the strength that resides in vulnerability and the intense presence of silence. I am fascinated by energies that often go unnotic...

3 Standing Figures V is a bronze sculpture by French contemporary artist Pierre Yermia, dimensions are 63 × 18 × 14 cm (24.8 × 7.1 × 5.5 in). The sculpture is signed and numbered, i...

This indoor figurative bronze sculpture is made by Canadian artist Roch Smith. The imaginative sculptural work of Roch Smith often takes a playful approach to more serious themes. H...

Italian sculptor (early 19th century) - Bust of a woman. 8 x 8 x h 29 cm (with base) - h 23 cm (without base). Bust in patinated and gilt bronze, on a square veined marble base of ...

Macho is a bronze sculpture by French contemporary artist Marie Louise Sorbac, dimensions are 46 × 29 × 27 cm (18.1 × 11.4 × 10.6 in). The sculpture is signed and numbered, it is pa...

Lying Figure VI is a bronze sculpture by French contemporary artist Pierre Yermia, dimensions are 22 x 55 x 9 cm (8.7 × 21.7 × 3.5 in). The sculpture is signed and numbered, it is p...

This is an interesting and deep multiple artwork by Annie Lambert, a talented artist of 1980’ in Italy. This is a multiple of a numbered edition of 1.00...

The Fisherman’s Hammock is a bronze sculpture by French contemporary artist Marine de Soos, dimensions are 51 × 68 × 53 cm (20 × 26.7 × 20.8 in). The sculpture is signed and numbere...

Volodymyr Mykytenko - female torso (2001) Female torso - my work is a symbol of female beauty and ideal forms of love Additional information: Med...

I have seen this piece identified as Wizard and as Micawber from Charles Dickens David Copperfield ("something will turn up") Aronson, David 1923- David Aronson, son of a rabbi, was born in Lithuania in 1923 and immigrated to America at the age of five. He settled in Boston, Massachusetts where he studied at the school of the Museum of Fine Arts under Karl Zerbe, a German painter well known in the early 1900s. Aronson later taught at the school of the Museum of Fine Arts for fourteen years and founded the School of Fine Art at Boston University where he is today a professor emeritus. An internationally renowned sculptor & painter, Aronson has won acclaim for his interpretation of themes from the Hebrew Talmud and Kabala. His best known works include bronze castings, encaustic paintings, and pastels. His work is included in many important public and private collections, and has been shown in several museum retrospectives around the country. He is considered to be one of the most important 20th century American artists. At twenty-two David Aronson had his first one-man show at New York's Niveau Gallery. The next year, six of his Christological paintings were included in the Fourteen Americans exhibition at Manhattan's Museum of Modern Art where Aronson’s work was included alongside abstract expressionists Arshile Gorky, Robert Motherwell and Isamu Noguchi. In the 1950s, Aronson turned more toward his Jewish heritage for the inspiration for his art. Folklore as well as Kabalistic and other transcendental writings influenced his work greatly. The Golem (a legendary figure, brought to life by the Maharal of Prague out of clay to protect the Jewish community during times of persecution) and the Dybbuk (an evil spirit that lodges itself in the soul of a living person until exorcised) frequently appear in his work. In the sixties, Aronson turned to sculpture. His work during this period is best exemplified by a magnificent 8’ x 4’ bronze door which now stands at the entrance to Frank Lloyd Wright's Johnson Foundation Conference Center for the Arts in Racine, Wisconsin. In the seventies and eighties, Aronson continued his work in pastel drawings, paintings, and sculptures, often exploring religion and the frailties of man's nature. During this time, in addition to a traveling retrospective exhibition and many one-man shows in New York, Los Angeles, Chicago, and Boston at the Pucker-Safrai Gallery on Newbury Street, Aronson won many awards and became a member of the National Academy of Design in New York. Two years ago he retired from teaching to work full-time in his studio in Sudbury, Massachusetts. included in the catalog Contemporary Religious Imagery in American Art Catalog for an exhibition held at the Ringling Museum of Art, March 1-31, 1974. Artists represented: David Aronson, Leonard Baskin, Max Beckmann, Hyman Bloom, Fernando Botero, Paul Cadmus, Marvin Cherney, Arthur G. Dove, Philip Evergood, Adolph Gottlieb, Jonah Kinigstein, Rico Lebrun, Jack Levine, Louise Nevelson, Barnett Newman, Abraham Rattner, Ben Shahn, Mark Tobey, Max Weber, William Zorach and others. Selected Awards 1990, Certificate of Merit, National Academy of Design 1976, Purchase Prize, National Academy of Design 1976, Joseph Isidore Gold Medal, National Academy of Design 1976, Purchase Prize in Drawing, Albrecht Art Museum 1975, Isaac N. Maynard Prize for Painting, National Academy of Design 1973, Samuel F. B. Morse Gold Medal, National Academy of Design 1967, Purchase Prize, National Academy of Fine Arts 1967, Adolph and Clara Obrig Prize, National Academy of Design 1963, Gold Medal, Art Directors Club of Philadelphia 1961, 62, 63, Purchase Prize, National Institute of Arts and Letters 1960, John Siimon Guggenheim Fellowship 1958, Grant in Art, National Institute of Arts and Letters 1954, First Prize, Tupperware Annual Art Fund Award 1954, Grand Prize, Third Annual Boston Arts Festival 1953, Second Prize, Second Annual Boston Arts Festival 1952, Grand Prize, First Annual Boston Arts Festival 1946, Traveling Fellowship, School of the Museum of Fine Arts 1946, Purchase Prize, Virginia Museum of Fine Arts 1944, First Popular Prize, Institute of Contemporary Art 1944, First Judge's Prize, Institute of Contemporary Art Selected Public Collections Art Institute of Chicago Virginia Museum of Fine Arts Bryn Mawr College Brandeis University Tupperware Museum, Orlando, Florida DeCordova Museum Museum of Modern Art Print Collection, New York Atlanta University Atlanta Art...

In Coral Mood sculpture, bronze transforms into a living organism. The organic form recalls underwater reefs, echoing the fragile yet eternal architecture of the sea. Its folds and c...

Limited edition of 8 + 4 artist's proofs. Each cast is signed and numbered. Sold with a wooden base. Dimensions of the bronze sculpture: 10 H x 55 L x 15 D cm Dimensions of the base...

The Torso of a Donna (a lady) is an elegant figurative bronze sculpture of the female human body by Nando Kallweit.  She is often paired with the Torso of Amici (friend) - a male fig...

Zō is a bronze sculpture by contemporary Argentinian artist Marcelo Martin Burgos, portraying an abstracted elephant, a reference subtly embedded in its title, which translates to el...

Paul Dubois (1829 Nogent-sur-Seine - 1905 Paris), Florentine singer, 1865. Light brown patinated bronze with cast round plinth mounted on a square marble base (3.5 cm high). Total height 53 cm. Bronze dimensions: 49.5 cm (height) x 20 cm (length) x 10 cm (width), weight 5.6 kg. Inscribed on the plinth "P.[aul] DUBOIS", dated "1865", with the foundry's mark "F. BARBEDIENNE FONDEUR" and the signet "REDUCTION MECANIQUE A. COLLAS". - Patina very occasionally darkened, lute with loss of one tuning peg, otherwise in excellent condition. - The renaissance of the Renaissance - The bronze is a precisely executed and masterfully cast contemporary reduction of Paul Dubois 155 cm tall masterpiece "Florentine Singer", which is exhibited in the Musée d'Orsay and for which the artist was awarded the Medal of Honor at the Paris Salon in 1865. The work acted as a beacon, and was followed by a plethora of depictions of juveniles. Inspired by Donatello and Luca della Robbia, but also by painters such as Piero della Francesca, Benozzo Gozzoli, and Pinturicchio, the "Florentine Singer" is not an epigonal work that pays homage to a vanished era, but a successful attempt to draw vitality from the art of the past and thus give it new life. The effect of vitality is the core of Italian Renaissance art theory. In order to fulfill itself as art, art had to appear like nature. This naturalism also characterizes the "Florentine Singer". The young man appears to have been taken from life, which is reinforced by the momentary nature of his action. He has just struck a now fading chord. In addition, the natural appearance is enhanced by the detailed shaping of the figurative details, such as the laces with the slightly curved leather of the shoes, the belt buckle, or the ornamentation on the body of the lute. Even the fingernails are clearly defined. Unlike the Renaissance, however, the effect of liveliness here is not based on the "discovery" of nature and the human body, but primarily on the rediscovery of the art of the Quattrocento. The liveliness of the artwork is therefore at the same time a revitalization of this art, so that we can speak of a Renaissance of the Renaissance, just as the Pre-Raphaelites in England at the same time transferred the Quattrocento to contemporary art. Dubois takes on the most difficult of all subjects, the depiction of singing through silent sculpture. He was preceded in this by Luca della Robbia and Donatello with their pulpits of singers created in the 1430s in the Museo dell'Opera del Duomo in Florence. Compared to these works, the physiognomy of Dubois singer is far less animated, yet he also depicts singing in a convincing manner. He uses the whole body. He takes the ancient contrapposto, which was essential to Renaissance sculpture, and transforms the standing leg-playing posture into a late medieval S-swing, giving the body an elegant beauty and at the same time setting it in melodic motion. In the equally elegant finger position, the music is expressed in a much more literal way with the beating of the lute. Finally, the musicality of the sculpture culminates in the face with the mouth open to sing. Through the act of singing, which is a great challenge to the artistic will to depict perfect beauty, the gracefulness of the classical face is not diminished, but enhanced. Starting from the face with the singing mouth and the gaze absorbed by the sounds, the inner vitality spreads, giving the bronze sculpture an intense aura, enhanced by the music. Dubois transfers the beauty of the Renaissance to the musical, sublimating the visible sculpture to the invisible of music. He took up the challenge of transcending the Renaissance with the Renaissance, thus responding to the Querelle des Anciens et des Modernes, which arose at the end of the 17th century around the French Academy and remained virulent into the 19th century, in which antiquity was regarded either as an unattainable ideal or as a standard to be surpassed. With his work, Dubois proved that the Renaissance, which had championed the art of the ancients, could lead to a new renaissance of art. About the artist Paul Dubois' great-uncle was the famous French Baroque sculptor Jean-Baptiste Pigalle, in whose footsteps the talented great-nephew followed. When he debuted at the Paris Salon in 1858, he signed his work "Dubois-Pigalle". At his father's request, however, he first studied law before devoting himself to sculpture under the tutelage of François Christophe Armand Toussaint in 1856 and entering the École des Beaux-Arts in 1858. From 1859 to 1863, he lived in Rome and traveled to Naples and Florence. Inspired by Florentine art of the quattrocento, Dubois initiated a school-forming neo-Florentine style that combined the elegantly simple forms of youthful grace with a precise wealth of detail.Two purchases by the French state (“envois de Rome”) were made during his stay in Rome, which brought him recognition in Paris. After his return there, he quickly became an internationally sought-after artist. Dubois was also active as a creator of monuments. His most famous work is the equestrian statue of Joan of Arc (1896) on the forecourt of Reims Cathedral. He was also a sought-after portraitist who produced around 50 busts and - Dubois was also a passionate painter - around 100 portraits in oil. From 1873 to 1878 he was curator of the Museum du Luxembourg, in 1876 he became a member of the Institut de France and from 1878 to 1905 he was director of the École des Beaux-Arts. In 1865, Dubois was awarded the Paris Salon Medal of Honor for his “Florentine Singer”. In 1867 he became Chevalier, in 1874 Officier, in 1886 Commandeur of the Légion d'honneur, which awarded Dubois the Grande Croix in 1896. Selected Bibliography Stole, Elmar: Paul Dubois. In: Saur. Allgemeines Künstlerlexikon, vol. 30, Munich - Leipzig 2001, pp. 677-678. GERMAN VERSION Paul Dubois (1829 Nogent-sur-Seine - 1905 Paris), Florentinischer Sänger, 1865. Hellbraun patinierte Bronze mit gegossener runder Plinthe auf quadratischem Marmorsockel montiert (3,5 cm Höhe). Gesamthöhe 53 cm. Maße der Bronze: 49,5 cm (Höhe) x 20 cm (Länge) x 10 cm (Breite), Gewicht 5,6 kg. Auf der Plinthe mit „P.[aul] DUBOIS“ bezeichnet, auf „1865“ datiert, mit dem Gießereistempel „F. BARBEDIENNE FONDEUR“ und dem Signet „REDUCTION MECANIQUE A. COLLAS“ versehen. - Patina sehr vereinzelt nachgedunkelt, Laute mit Verlust eines Stimmwirbels, ansonsten ausgezeichnet erhalten. - Die Renaissance...

Bronze sculpture by Mario Napoli, Swiss artist from XXth century. His works was sold 12 times in auctions since 2022. Work signed in the bronze. Edition ...

Gazelle IV is a bronze sculpture by French contemporary artist Pierre Yermia, dimensions are 69 × 35 × 12 cm (27.2 × 13.8 × 4.7 in). The sculpture is signed and numbered, it is part...

The sculpture is called "In Motion." Cast bronze. This work is one of the first in which I explored the theme of movement—the movement of the human body, the female body, how it app...

Valdes is a bronze patinated sculpture by French contemporary artist Marie Louise Sorbac, dimensions are 40 x 21 x 15 cm (15.7 × 8.2 × 5.9 in). There are 8 editions and 4 artist's pr...

Seifert, Victor Heinrich. 1870 Vienna - 1953 Berlin "Young Athlete with Slingshot" "David" Large bronze, dark patinated, signed: Prof. V.H. Seifert Height: 71.5 cm, approx. 85 cm h...

Artist: Hippolyte Moreau, French (1832 - 1927) Title: Hero Medium: Bronze Sculpture on Marble Base, signature inscribed Size: 19 x 11 x 9 in. (48.26 x 27.94 x 22.86 cm) The tale of ...

Composition IV is a bronze sculpture by contemporary artist Delphine Brabant, dimensions are 48 × 24 × 12 cm (18.9 × 9.4 × 4.7 in). The sculpture is signed and numbered, it is part ...

Dana Younger's (US based) "Coral Skull" is an original, handmade sculpture that depicts yellow, blue, and red coral emerging from a human skull. About t...

• Model created in 1979 by François-Xavier Lalanne, edited by Artcurial, cast in patinated bronze and brass • Part of Lalanne’s celebrated bestiary, a central theme in his sculptura...

Bronze - At This Time, 2022

Bronze sculpture with original case 

Incised signature, date and number on the bottom, 

Signed on the certificate  

14.1 × 6.5...

William Mozart McVey (American, 1905-1995) Rumination Cast bronze with brown patina Signed on back foot 8 x 4 x 3 inches William McVey (12 July 1905-31 May 1995) became Cleveland's ...

Zuniga bronze, edition: 3. #472 catalog raisonne: "Madre Reclinada con Rebozo". Measures: 5 3/4" H x 12" L x 8" W not including the wood plinth. Signed Zuniga and dated 1964. "Letter of Authenticity", issued by the Zuniga foundation (and son Ariel Zuniga...

Unrevealed is a limited edition bronze sculpture.

Artist: After Pierre Jules Mene (French, 1810-1879) Title: Cheval Libre (Free Horse) Year: 1868 Medium: Cast bronze sculpture with dark brown patina Edition: Unknown Size: Inclu...

Konstantin Vladimirovich Selikhanov (born June 18, 1967, Minsk) is a Belarusian sculptor, artist, and graphic artist, the grandson of sculptor S. I. Selikhanov. The alley leading to ...

'The Storm' is a unique bronze sculpture by French contemporary sculptor Chésade. Dimensions: 23 cm × 15 cm × 18 cm. These dimensions include the base and the rod. Height of the rod:...

Artist Statement: My figures speak to me of that peaceful place in myself - calm, open, aware. My art reflects the influence of my childhood in Japan and of the rigorous discipline...

Grounded II is a bronze sculpture by contemporary artist Eric Valat, dimensions are 15.5 × 12 × 12 cm (6.1 × 4.7 × 4.7 in). The sculpture is signed and numbered, it is part of a limi...

Under One Moon is a wall sculpture dedicated to love, friendship and bonding. Edition Size: 25. Sculpture for wall easily hung with 2 screws/nails. BIOGRAPHY OF MIREIA SERRA Mireia...

Apache Gahn Dancer limited bronze edtion

Callindra by Nando Kallweit Bronze sculpture, edition of 13 Dimensions: 65cm x 30cm x 22cm

Original female nude bronze by the well known French sculptor Louis Chalon. Signed on one of the pillows. See photograph. Circa 1920. Art Deco. Condition is very good. Vienna bronz...

Jean-Léon Gérôme French 1824 - 1904 La Joueuse De Cerceau - The Hoop Dancer A mini gilt bronze female figural statue of a young hoop dancer inspired by a trove of ancient terraco...

"Martinet" Bronze Sculpture 11" x 5" x 2" inch by Sarkis Tossonian Sarkis Tossoonian was born in Alexandria in 1953. He graduated from the Faculty of Fine Arts/Sculpture in 1979. He...

Gaston Lachaise was a French-born sculptor, active in America in the early 20th century. A native of Paris, he is most noted for his robust female nudes such as his heroic Standing W...

David Deming (American, 20th Century) Contortion Nude Bronze Signed on base 14 x 12 x 9 inches David Deming is a nationally recognized contemporary Ameri...

Pierre Arman (1928-2005) Well dressed 2 2005 bronze with green patina and coat hooks 162 x 52 x 37 cm signed on base (beside right foot) numbered 19/30 Price: £35,000 GBP Provenanc...

"Clara" Bronze Sculpture 13" x 9" x 6" inch by Sarkis Tossonian Sarkis Tossoonian was born in Alexandria in 1953. He graduated from the Faculty of Fine Arts/Sculpture in 1979. He st...

The sculpture “Metamorphosis” embodies the idea of ​​change, transformation and movement of life. Its smooth, elegant lines create a sense of dynamics, and the combination of a mirro...

Neile is an elegant figurative bronze sculpture of a female nude by Nando Kallweit. Modelled on modern youthful postures but with a nod to the importance of heritage through the sty...

Neile is an elegant figurative bronze sculpture of a female nude by Nando Kallweit. Modelled on modern youthful postures but with a nod to the importance of heritage through the sty...

Edition of 12 Humpback Whale & Calf by Tobias Martin. A bronze sculpture of a Humpback whale swimming with its calf, patinated in electric mottled blue and white, captures both ...

Reclining nude bronze on black marble sculpture by sculptor Laura Smith. The contrast of the bronze patina on marble makes the figure appear as if floating. There is some discolorati...

Henry Moore (1898-1986) Mother and Child: Petal Skirt conceived in 1955; cast in 1955 bronze; edition 4 of 6 plus 1 artist’s proof by the Fiorini foundry, London 19 x 9 x 15.5 cm (in...

Small Horse IV is a bronze sculpture by French contemporary artist Pierre Yermia, dimensions are 32 × 28 × 8 cm (12.6 × 11 × 3.1 in). The sculpture is signed and numbered, it is par...

Sacred Ibis is a bronze sculpture by French contemporary artist Marine de Soos, dimensions are 56 × 44 × 20 cm (22 × 17.3 × 7.9 in). The sculpture is signed and numbered, it is part...

Danseuse Rassemblée is a bronze sculpture by contemporary artist Yann Guillon, dimensions are 26 × 7 × 8 cm (10.2 × 2.7 × 3.1 in). Height of the sculpture with the metal base: 35.5 c...

The legendary canoeist and Canadian filmmaker Bill Mason once said, “First God made the canoe then he created a country to go with it.” Sculptor Roch Smith has embraced the iconic i...

Bronze freely rotating on a Cumbrian slate base Stamped with monogram signature and uniquely numbered 616B Series of individual variations Rotating the sculpture allows the spectator...

A whimsical yet very strong piece depicting the Dog Man from Gillie and Marc's iconic figures of the Dog/Bunny Human Hybrid, which has picked up much esteem across the globe. Here we...

This sculpture is edition 2/20