Bronze Sculptures

NUTS is a bronze sculpture by contemporary Czech sculptor Ondřej Oliva. The price applies for one sculpture, each measuring 15 × 22 × 15 cm (5.9 × 8.7 × 5.9 in). The set of five nuts...

19th-Century Grand Tour Bronze — Neapolitan Fisherman After the Antique Fonderia Giorgio Sommer, Naples, Italy This exceptional 19th-century Grand Tour bronze of the Neapolitan Fish...

Charles Schreyvogel (1861-1912) New York / New Jersey Artist Image Size: 12" x 18.50" x 5" Medium: Bronze Sculpture 1903 "The Last Drop" Charles Schreyvogel (1861-1912) New York / Ne...

The wind comes up is a bronze sculpture by contemporary artist Romain Langlois, dimensions are 64 × 128 × 40 cm (25.2 × 50.4 × 15.7 in). The sculpture is signed and numbered, it is ...

Last Heroic Season Bronze Sculpture Classic Contemporary Mythology The sculptures of Margot Homan (1956, Oss, the Netherlands) show a perfect command of the old craft of modelling a...

Roofvogel met vis no. 2 Bird of Prey with Fish Bronze Sculpture Animal Evert den Hartog (born in Groot-Ammers, The Netherlands in 1949) followed his education to be a sculptor at th...

Bronze statue of young goatherder by Oscar Gladenbeck. circa 1900. Signed "Oscar Gladenbeck Friedrichshagen". period sculpted artist sculpture collectio...

Bronze sculpture, inches 6.69 x 5.11 x 3.93 / 17 × 13 × 10 cm. Straight out of childhood, the bear appears in Eric Valat’s bestiary sculptural vocabulary. The sculpture shows an ela...

The University of Michigan’s Museum of Art, which holds such a bust in its collection, describes this aridly as a “Bust-length figure of a woman with head turned proper left, down-tu...

"Bix" by Kevin Barrett Bronze metal sculpture Kevin Barrett is noted for creating unique, rhythmic, abstract indoor and outdoor sculpture and wall reliefs. Organic Bronze Metal Scu...

Aestus Bronze Sculpture Marble Stone Nude Boy Contemporary Wim van der Kant (1949, Kampen) is a selftaught artist. Next to his busy profession as a teacher ...

A whimsical yet very strong piece depicting the Dog Man from Gillie and Marc's iconic figures of the Dog/Bunny Human Hybrid, which has picked up much esteem across the globe. Here we...

Attitude III is a bronze sculpture by French contemporary artist Marine de Soos, dimensions are 41.5 × 14 × 18 cm (16.3 × 5.5 × 7.1 in). The sculpture is signed and numbered, it is ...

Richard MacDonald has always been intrigued by opposites, and his mastery allows him to sculpt both delicate, archetypal femininity and bold, athletic masculinity. In Origins, he u...

Bull is a bronze sculpture by contemporary artist Eric Valat, dimensions are 30 × 73 × 26 cm (11.8 × 28.7 × 10.2 in). The sculpture is signed and numbered, it is part of a limited e...

Bronze sculpture on wood base. Signature, edition number 11/47, and date inscribed in bronze on back. Cast by Joel Meisner & Co., Plainview , NY (foundry mark lower verso). Height ...

This bronze wildebeest sculpture is a statement piece for discerning buyers, which brings a level of sophistication and appeal, for the ideal home. Zawadi’s sculptures have added fe...

Edition of 12 'Woodcock' by Richard Smith. A patinated bronze sculpture of a woodcock perched atop a fence post captures the subtle charm and quiet alertness of this elusive woodland...

Artist: Branko Bahunek, Croatian (1935 - ) Title: The Flautist Year: 1990 Medium: Bronze Sculpture, Signature and number inscribed Edition: 10/15 Size: 20.5 in. x 8 in. x 8 in. (52....

Stephen Lee is a Korean-American sculptor based in Dallas, Texas. Born in South Korea and immigrating to the United States as a teenager, Lee draws from a dual set of cultural influe...

Subrata Biswas - King of the Jungle - 8 x 8 x 7 Inches Bronze Sculpture Subrata Biswas’s three sculptures ‘Think Green’, ‘Amigo’ and ‘City Bred’ a...

Tony Cipriano, After - Portrait of a Man, Year: 1908, Medium: Bronze Sculpture, signature and date inscribed at base, Size: 12 x 6.75 x 4 in. (30.48 x 17.15 x 10.16 cm)

Bull IX is a bronze sculpture by French contemporary artist Pierre Yermia, dimensions are 66 × 60 × 15 cm (26 × 23.6 × 5.9 in). The sculpture is signed and numbered, it is part of a...

"Toro" is a unique bronze scultpure (2024) of Bulgarian mid career artist Günay Aliev. In this scultpure the artist depicts a forceful bull attacking. The bronze comes with a grani...

Pyrenean bear sitting by Georges GUYOT (1885-1972) Sculpture in bronze with a nuanced black patina Signed " Guyot " on the base Cast by Martin Canal, without founder mark France circa 1935 Height 18,4 cm Width 17 cm Depth 18 cm Biography : Georges Lucien Guyot (1885-1973) known as Georges Guyot was a French animal artist. From an early age, he showed artistic abilities, but the modest conditions of his parents did not allow him to study art. He was doing his apprenticeship with a woodcarver. Guyot then excelled at copying works of the fifteenth, sixteenth and seventeenth centuries, but soon he showed a special attraction for nature. This attraction led him to the Jardin des Plantes in Paris where he could study wild animals and translated his observations into sculpture and painting. As a famous figure of Montmartre, he was the host of the Bateau-Lavoir from the time of Cubism. In 1931, Georges Guyot joined the group of "The Twelve", created by François Pompon and Jane Poupelet, gathering sculptors like Marcel Lémar, Paul Jouve, André Margat, Jean-Claude de Saint-Marceaux, Georges Hilbert, or even the painter Adrienne Jouclard...

Horse Clearing an Obstacle (work number 48) Bronze with dark brown green patina bearing the stamp of the signature "Degas", Numbered IV/IX and dated 1998 Posthumous lost wax casting as of 1998. Stamp of Valsuani. Signed Degas The work is a sought-after rarity in terms of Degas’ sculptures. This bronze is distinguished by the fact that it is a Valsuani bronze, meaning it faithfully records Degas’ wax version’s as it appeared at the time of its creation. Most Degas' bronzes that are found on the market were cast by Hébrard – these serialized bronzes are surmoulages, or “aftercasts,” that were cast from the modèle bronzes currently in the Norton Simon Museum (Pasadena). Because these Hebrard bronzes...

Tony Hochstetler's "Cowrie Shell" (2015) is an original handmade bronze sculpture that depicts the shell of a cowrie. TONY HOCHSTETLER is a sculptor of unusual animals and botanical...

Artist Statement: My figures speak to me of that peaceful place in myself - calm, open, aware. My art reflects the influence of my childhood in Japan and of the rigorous discipline...

John Bennett (Born 1952) Fredericksburg, Texas Artist Image Size: 22 x 39 across x 11 Medium: Bronze "Horse Tamer" John Bennett (Born 1952) John Bennett was designated Texas State Ar...

Magic Frog is a bronze sculpture by contemporary artist Chésade, dimensions are 19.5 × 25 × 22 cm (7.7 × 9.8 × 8.7 in). The sculpture is signed and numbered, it is part of a limited...

This bronze anthropomorphic sculpture is part of the "Canopo" series. With a modern interpretation, Canevari revisited the sacred vases of the ancient Etruscan civilization from the regions of Tuscany and Umbria in Italy. The Etruscans were a polytheistic civilization that believed that all visible phenomena were a manifestation of divine power. Canevari interprets the theme's secrecy and mysteriousness in this monumental yet intimate piece. The curved anthropomorphic and totemic shape of the sculpture opens into a magical inside, hiding more secrets and sacred objects. The two sides open like embracing arms, revealing a star-shaped medallion and a glass pendulum. The use of rings and solid bronze blocks hanging and protruding from the surface creates a theatrical play of light and shadows. Angelo Canevari is an Italian sculptor from a long lineage of artists active in Rome since the 17th century. He has been commissioned several works by the Vatican, including the Bronze Doors of the Cathedral of Belluno and the Vatican Coins...

Bronze sculpture, op/ed Giuseppe Palumbo's bronze sculptures are textural, warm, spirited works that capture the essence of each being he portrays. His anthropomorphic artworks delv...

Artist: Lina Binkele, Colombian Title: Fragment No. 4 Year: 1995 Medium: Bronze Sculpture Edition: 2/5 Size: 25 in. x 40 in. x 17 in. (63.5 cm x 101.6 cm x 43.18 cm)

Ce très joli bronze est signé "René Paris" et porte le cachet de fondeur Thiébaut Frères (Fumière et Cie Successeurs. Il fut offert à François Sales en 1914, à l’occasion du concours...

Lucifer Evangilans Bronze Contemporary Sculpture Nude Boy Male Figure Wim van der Kant (1949, Kampen) is a selftaught artist. Next to his busy profession as ...

This sculpture explores the coexistence of parallel worlds, connected through subtle points of energy and meaning. Across its surface appear codes, numbers, and symbolic signs rooted...

Wild Boar is a unique bronze sculpture by contemporary artist Chésade, dimensions are 24 × 44 × 17 cm (9.4 × 17.3 × 6.7 in). The sculpture is signed and comes with a certificate of ...

Tiffany & Co. 19th Century Cherub Bronze on marble base Engraved on back of base Sculpture: 6 x 13.5 x 7 inches Overall: 7.5 x 15.5 x 9 inches Tiffany & Co. is an American luxury je...

Leona is a bronze sculpture by French contemporary artist Marie Louise Sorbac, dimensions are 65 × 36 × 46 cm (25.6 × 14.2 × 18.1 in). The sculpture is signed and numbered, it is par...

Mario Spampinato (Italian 1912–2000) Nude Bronze Signed on base 17.5 in. h. x 5.75 in. w. x 6 in. d. The artist was born, raised and trained in Italy. During one of his exhibits (at San Marcos in Rome) the Director of a New York Gallery asked him to come to New York to work for him. The American Consul, before issuing his visa, asked Spampinato to create a bust of him. In exchange, the Consul paid for his passage on the boat to New York. In New York, he worked with his brother Clemente Spampinato who is a well known sculptor as well. After moving to Chicago in 1954, he discovered that there was no foundry in the Midwest that could cast his bronzes. So, he opened his own foundry called the Spampinato Art Foundry, casting in the lost wax process. He also started his own private school (Spampinato Art Workshop, Ltd) and did some teaching at the University of Chicago and conducted seminars at Lawrence University in Kansas. Many of his own works are pictured and cataloged in Volumes 2 & 3 of Bronzes: Sculptors and Founders, 1800-1930 by Harold Berman. Between 1959 and 1967, Spampinato recast a number of Charles M Russell...

Antique Pair of Russian Wolfhounds/Borzois Dog Portrait Sculptures by Scalini (aka Scali; Italian, 20th century) circa 1930's Patinated spelter 9 x 14 inches (on bases) Though rath...

Maddison captures the essence of balance and poise. Standing on one leg in a tree pose, reminiscent of a modern dance form. Her elongated limbs and abstract form exude grace and flui...

"Rhapsody" (maquette) Abstract, Tabletop Size, Metal Sculpture by Kevin Barrett Bronze Kevin Barrett is noted for creating unique, rhythmic, abstract indoor and outdoor sculpture an...

Lion and snake n°3 by Antoine-Louis Barye (1796-1875) Bronze sculpture with a nuanced dark greenish brown patina signed "Barye" on the base old edition cast – probably from the Bary...

8.5 ft. version of Jim Rennert's sculpture "WTF." Edition of 3 American, b. 1958 Jim Rennert was born in 1958, and grew up in Las Vegas, Nevada, and Salt Lake City, Utah. After ten...

Long fascinated by the brilliant spectacle of Cirque du Soleil, Richard MacDonald has brought sculptures to life that have the intrigue, allure and beauty that has made Cirque du Sol...

Seated Figure XII is a bronze sculpture by French contemporary artist Pierre Yermia, dimensions are 51 × 13 × 9 cm (20.1 × 5.1 × 3.5 in). The sculpture is signed and numbered, it is...

Grounded II is a bronze sculpture by contemporary artist Eric Valat, dimensions are 15.5 × 12 × 12 cm (6.1 × 4.7 × 4.7 in). The sculpture is signed and numbered, it is part of a limi...

Boaz Vaadia Zofar, 1997 Bronze, bluestone, and boulder Overall 20 x 29 x 27 inches From the edition of 7 Provenance Elaine Baker Gallery, Boca Raton, Florida Boaz Vaadia is the in...

B. Vithal – Horse – H 13 x W 14 x D 5 inches Bronze Born : 1935 Vardha Maharashtra Died : 1992 Education : Sir J.J. School of Art, Mumbai Exhibitions : Selected Posthumous Exhibitions 2013 'The Naked and the Nude: The Body in Indian Modern Art', Delhi Art Gallery, New Delhi 2011 'Agape', Hacienda Art...

Purpose: The Archer is a bronze sculpture with brown patina made of iron nitrate with a wax finish sculpture by contemporary artist Walter Peter Brenner, dimensions are 124 × 85 × 90...

After studying Fine Art in the Netherlands Ans Zondag (1959) spent several years abroad in order to explore different artistic areas and to establish which technique suited her best....

This exceptional bronze table by Arman transforms musical instruments into functional sculpture. Composed of three mandolins cast in bronze and fused into the structure, the piece ex...

"Martinet" Bronze Sculpture 11" x 5" x 2" inch by Sarkis Tossonian Sarkis Tossoonian was born in Alexandria in 1953. He graduated from the Faculty of Fine Arts/Sculpture in 1979. He...

Signed bronze from small edition of 8. plus 4 artists proofs Dominik Albiński (born 1975, South Africa) He started carving at the age of twelve. When he was eighteen he went to Pari...

The Couple is an elegant figurative bronze sculpture by Nando Kallweit. A male and a female figure as a single piece.  Both are strong and independent individually but gain an added...

Volodymyr Mykytenko - Forest Fairy (2001) In any forest in the world you can meet the Forest Fairy. She is the patroness not only of the forest, but of all nature in general, of eve...

Untitled, 1975 Bronze ED. 1 of 6 20 x 6 x 4 in Literature: Le Minotaure. Cardenas 1925-2001. May 15 - June 15, 2003. Illustrated on page 9 of the catalog.

"Caduceus", recognized as a universal medical symbol, in this bronze representation by James N. Muir has become an Angel of Healing bringing love and peace to the earth and all of it...

Plains Indian Medallion, bronze, Nambe, Allan Houser, small life-time casting Allan Houser (Haozous), Chiricahua Apache 1914-1994 recipient of the National Medal of Arts in 1992. Allan Houser's father Sam, was part of the small band of Apaches who traveled with Geronimo and surrendered in southern Arizona in 1886. Allan's parents were imprisoned with that group in Ft. Sill, Oklahoma. He was the first child to be born in freedom to those Apaches and a fluent speaker of the Chiricahua language. Allan Houser is an important artist in that he is of the culture he depicts in his artwork. Allan's parents would tell stories and sing songs recalling the experiences on the war path. This bronze edition is a life-time casting. Our gallery represented Allan Houser from 1974 until his passing in 1994 and were investors and provided quality control in the foundry process. Allan Houser's work is many international collections including the Georges Pomidou Centre, The Smithsonian National Portrait Gallery, The Dahlem Museum among others. Allan’s first bronze sculptures were started in the late 1960’s and were cast at Nambe Foundry. At the time the foundry was producing both Nambeware and was doing some sculptural foundry work. There was a fire at Nambe and they lost many of the molds for sculpture as well as their records. We acquired these works directly from Allan Houser. Allan Houser (Haozous), Chiricahua Apache (1914-1994) Selected Collections Centre Georges Pompidou, Paris, France * “They’re Coming”, bronze Dahlem Museum, Berlin, Germany Japanese Royal Collection, Tokyo, Japan “The Eagle”, black marble commissioned by President William J. Clinton United States Mission to the United Nations, New York City, NY *"Offering of the Sacred Pipe”, monumental bronze by Allan Houser © 1979 Presented to the United States Mission to the United Nations as a symbol of World Peace honoring the native people of all tribes in these United States of America on February 27, 1985 by the families of Allan and Anna Marie Houser, George and Thelma Green and Glenn and Sandy Green in New York City. National Portrait Gallery, Smithsonian, Washington, DC * Portrait of Geronimo, bronze National Museum of American Art, Smithsonian, Washington, D.C. * “Buffalo Dance Relief”, Indiana limestone National Museum of the American Indian, Smithsonian, Washington, D.C. *Sacred Rain Arrow, (Originally dedicated at the US Senate Committee on Indian Affairs, US Senate Building) “Goat”, “To The Great Spirit” - dedicated in 1994 at the Vice President’s Residence in Washington, D.C.. Ceremony officiated by Hillary Rodham Clinton and Tipper Gore. Oklahoma State Capitol, Oklahoma City, Ok * “As Long As the Waters Flow”, bronze Gilcrease Museum, Tulsa, OK *Sacred Rain Arrow, bronze Fort Sill, Oklahoma *”Chiricahua Apache Family”, bronze Donated and dedicated to Allan Houser’s parents Sam and Blossom Haozous by Allan Houser and Glenn and Sandy Green The Heard Museum, Phoenix, Arizona *Earth Song, marble donated by Glenn and Sandy Green   The Clinton Presidential Library, Arkansas * “May We Have Peace”, bronze The George H.W. Bush Presidential Library, College Station, Texas *"Offering to the Great Spirit", bronze The British Royal Collection, London, England *Princess Anne received "Proud Mother", bronze in Santa Fe Allan Houser’s father Sam Haozous, surrendered at the age of 14 with Geronimo and his band of Warm Springs Chiricahua Apache people in 1886 in Southern Arizona. This was the last active war party in the United States. This group of Apache people was imprisoned for 27 years starting in Fort Marion, Florida and finally living in captivity in Fort Sill, Oklahoma. Allan Houser was born in 1914. His artwork is an ongoing testimony to Native life in America – its beauty, strength and poignancy. Allan Houser is from the culture and portrayed his people in an insightful and authentic way. Because of the era in which he lived, he had a rare understanding of American Indian life. Allan was the first child born after the Chiricahua Apaches were released from 27 years of captivity. Allan grew up speaking the Chiricahua dialect. Allan heard his father’s stories of being on the warpath with Geronimo and almost nightly heard his parents singing traditional Apache music. Allan’s father knew all of Geronimo’s medicine songs. Allan had an early inclination to be artistic. He was exposed to many Apache ceremonial art forms: music, musical instruments, special dress, beadwork, body painting and dynamic dance that are integral aspects of his culture. His neighbors were members of many different tribes who lived in Oklahoma. Allan eagerly gained information about them and their cultures. Allan gathered this information and mentally stored images until he brought them back to life, years later, as a mature artist. Allan Houser was represented by Glenn Green Galleries (formerly known as The Gallery Wall, Inc.) from 1973 until his death in 1994. The gallery served as agents, advocates, and investors during this time. In 1973 the Greens responded enthusiastically to the abstraction and creativity in Houser’s work. They were impressed, not only with his versatility and talent but with the number of mediums he employed. His subject matter was portrayed in styles ranging from realism, stylized form to abstraction. With encouragement from the Greens, Houser at the age of 61, retired from his post as the head of the sculpture department at the Institute of American Indian Arts in Santa Fe, New Mexico in 1975 to begin working full-time creating his art. The next 20-year period was an exciting time for Allan, the gallery, and for the Green family. He created a large body of sculpture in stone, wood and bronze. For many years Glenn Green Galleries co-sponsored many editions of his bronzes and acted as quality control for the bronze sculptures according to Houser’s wishes. As both agents and gallery representatives, the Greens promoted and sold his art in their galleries in Phoenix and Scottsdale, Arizona and in Santa Fe, New Mexico. They had bi-annual exhibits in their galleries to feature Houser’s newest work and sponsored and arranged international museum shows in America, Europe and Asia. They travelled for these events including a trip to Carrara, Italy to the famed quarries of Michelangelo and together co-financed and arranged the purchase of 20 tons of marble. A watershed event for Allan Houser’s career occurred in the early 1980’s when Glenn Green Galleries arranged with the US Information Agency a touring exhibit of his sculpture through Europe. This series of exhibits drew record attendance for these museums and exposed Houser’s work to an enthusiastic art audience. This resulted in changing the perception of contemporary Native art in the United States where Houser and Glenn Green Galleries initially faced resistance from institutions who wanted to categorize him in a regional way. The credits from the European exhibits helped open doors and minds of the mainstream art community in the United States and beyond. Senator Daniel Inouye of Hawaii was a supporter of Allan Houser’s artwork. We worked with Senator Inouye on many occasions hosting events at our gallery and in Washington D.C in support of the formation of the Smithsonian’s National Museum of the American Indian in Washington, D.C. and other causes supporting Native Americans. Allan Houser is shown below presenting his sculpture “Swift Messenger” to Senator Inouye in Washington, D.C.. This sculpture was eventually given to the National Museum of the American Indian, Smithsonian’s permanent collection. It is now currently on loan and on display in the Oval Office. President Biden’s selection of artwork continues our gallery’s and Allan’s connection to the White House from our time working with Allan Houser from 1974 until his passing in 1994. “It was important for President Biden to walk into an Oval that looked like America and started to show the landscape of who he is going to be as president,” Ashley Williams...