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Medium: Clay
Georges Braque
Located in Aberdeen Dyce, GB
The project "Eternal and Ingenious" is taken as a basis for portraits of all kinds of mitts in the world of Ukraine. The concept of the creation is the image of the inner and outward...
Category

2010s Abstract Clay Sculptures

Materials

Clay

Terracotta Happy Man Sculpture
Located in Lake Worth Beach, FL
Large Pre Columbian style clay, terracotta sculpture Limited Edition 6/30, signed. Walter Bastianetto, was born in Venice Italy. He graduate of...
Category

1980s Modern Clay Sculptures

Materials

Clay, Terracotta

I lost myself..., Porcelain Cup with Sgraffito Detailing
Located in Miami Beach, FL
I lost myself., 2019 by Alex Hodge From the series Fragments of Our Love Story Porcelain cup with sgraffito detailing 4 in. x 3 in. W x 2.75 in. This cup is one of 48 that make up t...
Category

2010s Modern Clay Sculptures

Materials

Clay, Ceramic, Porcelain, Paint

Visage aux yeux ronds (Round-eyed Face), A.R. 451
Located in Palo Alto, CA
Created in 1960, ceramic Round-eyed Face (Visage aux yeux ronds) A.R. 451 is a Madoura round/square plate of red earthenware clay stamped with the ‘EMPREINTE ORIGINALE DE PICASSO’ an...
Category

1960s Modern Clay Sculptures

Materials

Clay, Ceramic, Earthenware

The Moon, Porcelain Jar Sculpture
Located in Miami Beach, FL
The Moon, 2022 by Alex Hodge Porcelain Jar with Sgraffito, Transfers, and underglaze Detailing 10.5 in x 4 in x 4 in This sculptural jar is the first to feature the figure in combin...
Category

2010s Modern Clay Sculptures

Materials

Clay, Underglaze, Ceramic, Porcelain, Paint

SAKE Cup
Located in Dallas, TX
This ceramic work is from artist Keita Suto’s “dress” series. Suto (b. 1982, Ibaraki prefecture) obtained his Masters in Fine Arts from the Kyoto University of Art and Design (2007). He creates intentionally broken or contorted objects with wet clay, then with his contemporary take on the traditional kintsugi process of repairing ceramics...
Category

2010s Contemporary Clay Sculptures

Materials

Metal

Backloaded Horn Speaker No.010
Located in Dallas, TX
A working ceramic speaker (bluetooth/cord) by Japanese artist Hiroyuki Yamada. Hiroyuki Yamada (b 1970, Hyogo Pref., Japan). Yamada has been actively exhibiting his works since the ...
Category

2010s Contemporary Clay Sculptures

Materials

Clay, Ceramic

Some days that’s me...", Porcelain Cup with Sgraffito Detailing
Located in Miami Beach, FL
Some days that’s me…", 2019 by Alex Hodge From the series Fragments of Our Love Story Porcelain cup with sgraffito detailing 4.5 in. x 3 in. W x 3 in. This cup is one of 48 that make up the installation, “Fragments of Our Love Story.” These cups feature feminine forms which recall the Venus of Willendorf and other historical fertility objects...
Category

2010s Modern Clay Sculptures

Materials

Clay, Ceramic, Porcelain, Paint, Underglaze

Two Halves - Biomorphic Abstract Sculptural Composition
Located in Soquel, CA
Balanced sculptural composition by an unknown artist. Two pieces of a clay sculpture have been glazed in green and pink, with a white shape stretching across them. The pieces are mou...
Category

21st Century and Contemporary Abstract Clay Sculptures

Materials

Clay, Glaze, Raw Linen

Basic Bitch
Located in New York, NY
Basic Bitch Sculpture by Zoe Moss Resin & Clay Limited Edition out of 25 Comes with a Certificate of Authenticity by the artist
Category

2010s Pop Art Clay Sculptures

Materials

Clay, Resin

I scream
Located in New York, NY
I scream Sculpture by Zoe Moss Plaster & Resin Limited Edition out of 25 Comes with a Certificate of Authenticity by the artist
Category

2010s Pop Art Clay Sculptures

Materials

Plaster, Clay, Resin

The World
Located in Dallas, TX
Earthenware with colored slips. Epoxy. Cone 04 textured and satin glazes. Signed, titled, and dated in ink on bottom. Milnes served as Dean of the College of Visuals Arts and Design at the University of North Texas from January 2006 to his retirement in August 2014, when he moved to Asheville, NC with his wife Karen, re-establishing Arbitrary Forms Studio there. A sculptor and ceramist, he served previously as Director of the School of Art and Design at San Jose State University in California, Director of the School of Art at Louisiana State University, and as Chair of the Art Department at Edinboro University of Pennsylvania. He taught at the Penland School of Crafts in 1972 and 1979. Milnes is the past president of the National Council of Art Administrators and the National Association of Schools of Art and Design. He has served as a consultant or evaluator for more than sixty universities, colleges, and independent schools of art in the US and abroad and served in Dallas on the Board of Directors of the Business Council for the Arts and as Chair of the Community Advisory Board for KERA, the NPR station for North Texas. He was recently named a Fellow and Lifetime Member of NASAD and served on the Board of Directors of the Center for Craft in Asheville, NC and as co-chair of the Blue Ridge Public Radio Strategic Planning Committee. He is a member of the Southern Highland Crafts Guild.
Category

2010s Abstract Clay Sculptures

Materials

Earthenware, Slip, Glaze

"Bend", gestural, ceramic, sculpture, white, cream, stoneware
Located in Natick, MA
Sara Fine-Wilson's "Bend" is a gestural 16 x 9 x 6 inch ceramic sculpture in white and cream constructed in white stoneware with porcelain sli...
Category

2010s Contemporary Clay Sculptures

Materials

Stoneware, Slip, Glaze

Set of Visceral Blush I and II, Clay Sculpture with Glass Glaze
Located in Miami Beach, FL
Set of Visceral Blush I and II, by Magda von Hanau Clay Sculpture with Glass Glaze “This body of work refers to the memory of the flesh. While working on my visceral series, I aim...
Category

2010s Contemporary Clay Sculptures

Materials

Clay, Glass, Glaze

Wall Plate with Snails "Traversing Painted Flowers" by Bethany Krull
Located in Buffalo, NY
This piece was created with a real found snail shell and durable epoxy clay by New York artist, Bethany Krull to traverse the surface of the floral plate. The glistening wet snail f...
Category

2010s Contemporary Clay Sculptures

Materials

Clay, Porcelain, Epoxy Resin

Tea Bowl
Located in Dallas, TX
This ceramic work is from artist Keita Suto’s “dress” series. Suto (b. 1982, Ibaraki prefecture) obtained his Masters in Fine Arts from the Kyoto University of Art and Design (2007). He creates intentionally broken or contorted objects with wet clay, then with his contemporary take on the traditional kintsugi process of repairing ceramics...
Category

2010s Contemporary Clay Sculptures

Materials

Metal

SAKE Bottle
Located in Dallas, TX
This ceramic work is from artist Keita Suto’s “dress” series. Suto (b. 1982, Ibaraki prefecture) obtained his Masters in Fine Arts from the Kyoto University of Art and Design (2007). He creates intentionally broken or contorted objects with wet clay, then with his contemporary take on the traditional kintsugi process of repairing ceramics...
Category

2010s Contemporary Clay Sculptures

Materials

Metal

Tea Bowl
Located in Dallas, TX
This ceramic work is from artist Keita Suto’s “dress” series. Suto (b. 1982, Ibaraki prefecture) obtained his Masters in Fine Arts from the Kyoto University of Art and Design (2007). He creates intentionally broken or contorted objects with wet clay, then with his contemporary take on the traditional kintsugi process of repairing ceramics...
Category

2010s Contemporary Clay Sculptures

Materials

Metal

The Pod
Located in Dallas, TX
Earthenware with colored slips. Epoxy. Cone 04 textured and satin glazes. Signed, titled, and dated in ink on bottom. Milnes served as Dean of the College of Visuals Arts and Design at the University of North Texas from January 2006 to his retirement in August 2014, when he moved to Asheville, NC with his wife Karen, re-establishing Arbitrary Forms Studio there. A sculptor and ceramist, he served previously as Director of the School of Art and Design at San Jose State University in California, Director of the School of Art at Louisiana State University, and as Chair of the Art Department at Edinboro University of Pennsylvania. He taught at the Penland School of Crafts in 1972 and 1979. Milnes is the past president of the National Council of Art Administrators and the National Association of Schools of Art and Design. He has served as a consultant or evaluator for more than sixty universities, colleges, and independent schools of art in the US and abroad and served in Dallas on the Board of Directors of the Business Council for the Arts and as Chair of the Community Advisory Board for KERA, the NPR station for North Texas. He was recently named a Fellow and Lifetime Member of NASAD and served on the Board of Directors of the Center for Craft in Asheville, NC and as co-chair of the Blue Ridge Public Radio Strategic Planning Committee. He is a member of the Southern Highland Crafts Guild.
Category

2010s Abstract Clay Sculptures

Materials

Earthenware, Slip, Glaze

Rose dish d 12 cm; h 4 cm
Located in Riga, LV
Rose dish d 12 cm; h 4 cm Small red plate with roses by Latvian artist Elina Titane
Category

2010s Abstract Clay Sculptures

Materials

Clay

Egyptian Blue Bird (candlestick 77)
Located in New Orleans, LA
"Egyptian Blue Bird" is a sculpture by Rebecca Jones. The piece is 13.5 inches high, 5.5 inches wide, and 4 inches in depth. It is a mixed media, raku-fired...
Category

2010s Clay Sculptures

Materials

Glaze, Mixed Media, Clay

Job is a Woman, Portrait, Carved Porcelain Wall Sculpture.
Located in Miami Beach, FL
Job is a Woman, 2022 by Alex Hodge Ceramic Plate with Sgraffito and Underglaze Detailing 8 in x 8 in x 2.5 in This wall piece centers on the narrative of Job, with the woman being a...
Category

2010s Modern Clay Sculptures

Materials

Clay, Ceramic, Porcelain, Paint, Underglaze

Propositions are Truth Functions
Located in Dallas, TX
Earthenware with colored slips. Epoxy. Cone 04 textured and satin glazes. Signed, titled, and dated in ink on bottom. Milnes served as Dean of the College of Visuals Arts and Design at the University of North Texas from January 2006 to his retirement in August 2014, when he moved to Asheville, NC with his wife Karen, re-establishing Arbitrary Forms Studio there. A sculptor and ceramist, he served previously as Director of the School of Art and Design at San Jose State University in California, Director of the School of Art at Louisiana State University, and as Chair of the Art Department at Edinboro University of Pennsylvania. He taught at the Penland School of Crafts in 1972 and 1979. Milnes is the past president of the National Council of Art Administrators and the National Association of Schools of Art and Design. He has served as a consultant or evaluator for more than sixty universities, colleges, and independent schools of art in the US and abroad and served in Dallas on the Board of Directors of the Business Council for the Arts and as Chair of the Community Advisory Board for KERA, the NPR station for North Texas. He was recently named a Fellow and Lifetime Member of NASAD and served on the Board of Directors of the Center for Craft in Asheville, NC and as co-chair of the Blue Ridge Public Radio Strategic Planning Committee. He is a member of the Southern Highland Crafts Guild.
Category

2010s Abstract Clay Sculptures

Materials

Earthenware, Slip, Glaze

"VERTICAL 1", sculpture, clay, ceramic, abstract, tribal, pattern, tower, column
Located in Toronto, Ontario
Vertical 1, a ceramic sculpture of wood-fired clay pigmented with oxides, is a work by New York artist Harold Wortsman. Vertical 1 was recently exhibited at "Harold Wortsman: Time and Space" at the Orange Art Foundation, February-March 2022, New York City. Note the blending of geometric and organic forms in this work – it is characteristic of his practice – warm, contemporary, uniquely crafted, yet speaks to ancient, primitive traditions of art-making that cross cultures and histories. Highly attuned to the art of Africa, the Middle East, India and Asia, his forms are organic abstracts with masculine and feminine attributes that resonate together as a pleasing enigma. They make sense immediately, yet never give up all their secrets. From Harold Wortsman – "With sculpture, my material of choice is high-fired clay. Pieces are first low-fired in an electric kiln. I do not use glazes. Instead, I use oxides applied to the bisqued (low-fired) clay. As with a tattoo, oxides permit the surface underneath to breathe. The work is then high-fired in a gas kiln with double reduction to cone 10. The final temperature is 2,300 degrees F. At a certain point, oxygen intake is reduced to the kiln. Because the fire has reached a critical mass, it needs oxygen and chemically takes it from the clay and the oxides. Like a jazz improvisation, each kiln load comes out slightly different." From Jonathan Goodman – "Wortsman has increasingly moved into his own – a place in which the relations between the abstractions of volume and the intimations of very old culture are merged in a way that is new." – Essay, "Harold Wortsman: Time and Space", Orange Art Foundation, February 2022, New York City. Harold Wortsman is a sculptor and printmaker based in Brooklyn, NY. He “creates forms that bring to mind archaic cult objects and exude a quiet concentrated strength.” (Argauer Zeitung, Switzerland). His work, an edgy mix of freedom and clarity, can be found in public and private collections in the US, including The Library of Congress, Yale University, The New York Public Library Print Collection, The New York Historical Society, Smith College, Indiana University’s Lilly Library, Brandeis University, The Newark Public Library Special Collections Division, and the Jane Voorhees Zimmerli Art Museum Print Archive. Also in private and public collections in Europe, including the Municipal Collection of the City of Brugg, Switzerland. Harold studied at the New York Studio School of Drawing, Painting and Sculpture, with sculptor George Spaventa...
Category

21st Century and Contemporary Contemporary Clay Sculptures

Materials

Ceramic, Clay, Pigment, Other Medium

"VERTICAL 4", sculpture, clay, ceramic, abstract, tribal, pattern, tower, column
Located in Toronto, Ontario
Vertical 4, a ceramic sculpture of wood-fired clay pigmented with oxides, is a work by New York artist Harold Wortsman. Vertical 4 was recently exhibited at "Harold Wortsman: Time and Space" at the Orange Art Foundation, February-March 2022, New York City. Note the blending of geometric and organic forms in this work – it is characteristic of his practice – warm, contemporary, uniquely crafted, yet speaks to ancient, primitive traditions of art-making that cross cultures and histories. Highly attuned to the art of Africa, the Middle East, India and Asia, his forms are organic abstracts with masculine and feminine attributes that resonate together as a pleasing enigma. They make sense immediately, yet never give up all their secrets. From Harold Wortsman – "With sculpture, my material of choice is high-fired clay. Pieces are first low-fired in an electric kiln. I do not use glazes. Instead, I use oxides applied to the bisqued (low-fired) clay. As with a tattoo, oxides permit the surface underneath to breathe. The work is then high-fired in a gas kiln with double reduction to cone 10. The final temperature is 2,300 degrees F. At a certain point, oxygen intake is reduced to the kiln. Because the fire has reached a critical mass, it needs oxygen and chemically takes it from the clay and the oxides. Like a jazz improvisation, each kiln load comes out slightly different." From Jonathan Goodman – "Wortsman has increasingly moved into his own – a place in which the relations between the abstractions of volume and the intimations of very old culture are merged in a way that is new." – Essay, "Harold Wortsman: Time and Space", Orange Art Foundation, February 2022, New York City. Harold Wortsman is a sculptor and printmaker based in Brooklyn, NY. He “creates forms that bring to mind archaic cult objects and exude a quiet concentrated strength.” (Argauer Zeitung, Switzerland). His work, an edgy mix of freedom and clarity, can be found in public and private collections in the US, including The Library of Congress, Yale University, The New York Public Library Print Collection, The New York Historical Society, Smith College, Indiana University’s Lilly Library, Brandeis University, The Newark Public Library Special Collections Division, and the Jane Voorhees Zimmerli Art Museum Print Archive. Also in private and public collections in Europe, including the Municipal Collection of the City of Brugg, Switzerland. Harold studied at the New York Studio School of Drawing, Painting and Sculpture, with sculptor George Spaventa...
Category

21st Century and Contemporary Contemporary Clay Sculptures

Materials

Ceramic, Clay, Pigment, Other Medium

"RED, BLACK & BROWN", sculpture, clay, ceramic, abstract, tribal, pattern
Located in Toronto, Ontario
Red, Black & Brown, a ceramic sculpture of high-fired clay pigmented with oxides, is a work by New York artist Harold Wortsman. Red, Black & Brown was recently exhibited at "Harold Wortsman: Time and Space" at the Orange Art Foundation, February-March 2022, New York City. Note the blending of geometric and organic forms in this work – it is characteristic of his practice – warm, contemporary, uniquely crafted, yet speaks to ancient, primitive traditions of art-making that cross cultures and histories. Highly attuned to the art of Africa, the Middle East, India and Asia, his forms are organic abstracts with masculine and feminine attributes that resonate together as a pleasing enigma. They make sense immediately, yet never give up all their secrets. From Harold Wortsman – "With sculpture, my material of choice is high-fired clay. Pieces are first low-fired in an electric kiln. I do not use glazes. Instead, I use oxides applied to the bisqued (low-fired) clay. As with a tattoo, oxides permit the surface underneath to breathe. The work is then high-fired in a gas kiln with double reduction to cone 10. The final temperature is 2,300 degrees F. At a certain point, oxygen intake is reduced to the kiln. Because the fire has reached a critical mass, it needs oxygen and chemically takes it from the clay and the oxides. Like a jazz improvisation, each kiln load comes out slightly different." From Jonathan Goodman – "Wortsman has increasingly moved into his own – a place in which the relations between the abstractions of volume and the intimations of very old culture are merged in a way that is new." – Essay, "Harold Wortsman: Time and Space", Orange Art Foundation, February 2022, New York City. Harold Wortsman is a sculptor and printmaker based in Brooklyn, NY. He “creates forms that bring to mind archaic cult objects and exude a quiet concentrated strength.” (Argauer Zeitung, Switzerland). His work, an edgy mix of freedom and clarity, can be found in public and private collections in the US, including The Library of Congress, Yale University, The New York Public Library Print Collection, The New York Historical Society, Smith College, Indiana University’s Lilly Library, Brandeis University, The Newark Public Library Special Collections Division, and the Jane Voorhees Zimmerli Art Museum Print Archive. Also in private and public collections in Europe, including the Municipal Collection of the City of Brugg, Switzerland. Harold studied at the New York Studio School of Drawing, Painting and Sculpture, with sculptor George Spaventa...
Category

21st Century and Contemporary Contemporary Clay Sculptures

Materials

Ceramic, Clay, Pigment, Other Medium

Seated Woman With Child Terra-Cotta Sculpture
Located in Lake Worth Beach, FL
Seated Mother And Child, Modern Pre Columbian style large sculpture edition 1/30, artist signed. Walter Bastianetto is an Italian born sculptor who moved to Mexico in the 1970s an...
Category

1990s Modern Clay Sculptures

Materials

Clay, Terracotta, Oil

Delta
Located in Dallas, TX
Stoneware with colored slips. Cone 04 textured and satin glazes. Signed, titled, and dated in ink on bottom by Robert Milnes Milnes served as Dean of the College of Visuals Arts and...
Category

2010s Abstract Clay Sculptures

Materials

Earthenware, Slip, Glaze

Logical Picture
Located in Dallas, TX
Earthenware with colored slips. Epoxy, acrylic paint. Cone 04 textured and satin glazes. Signed, titled, and dated in ink on bottom by Robert Milnes Milnes served as Dean of the Col...
Category

2010s Abstract Clay Sculptures

Materials

Earthenware, Slip, Glaze

"Molcajetes" - Contemporary sculpture made of stone, clay and wood.
Located in Miami, FL
Felipe Ehrenberg is a Mexican Artist, he is a conceptual artist, his work belongs to the collections of different museums and institutions, like MUAC ...
Category

20th Century Contemporary Clay Sculptures

Materials

Stone

Deep Blue 2
Located in Dallas, TX
Stoneware with colored slips. Cone 04 textured and satin glazes. Signed, titled, and dated in ink on bottom by Robert Milnes Milnes served as Dean of the College of Visuals Arts and...
Category

2010s Abstract Clay Sculptures

Materials

Earthenware, Slip, Glaze

Sea Grid
Located in Dallas, TX
Earthenware with colored slips. Epoxy. Cone 04 textured and satin glazes. Signed, titled, and dated in ink on bottom. Milnes served as Dean of the College of Visuals Arts and Design at the University of North Texas from January 2006 to his retirement in August 2014, when he moved to Asheville, NC with his wife Karen, re-establishing Arbitrary Forms Studio there. A sculptor and ceramist, he served previously as Director of the School of Art and Design at San Jose State University in California, Director of the School of Art at Louisiana State University, and as Chair of the Art Department at Edinboro University of Pennsylvania. He taught at the Penland School of Crafts in 1972 and 1979. Milnes is the past president of the National Council of Art Administrators and the National Association of Schools of Art and Design. He has served as a consultant or evaluator for more than sixty universities, colleges, and independent schools of art in the US and abroad and served in Dallas on the Board of Directors of the Business Council for the Arts and as Chair of the Community Advisory Board for KERA, the NPR station for North Texas. He was recently named a Fellow and Lifetime Member of NASAD and served on the Board of Directors of the Center for Craft in Asheville, NC and as co-chair of the Blue Ridge Public Radio Strategic Planning Committee. He is a member of the Southern Highland Crafts Guild.
Category

2010s Abstract Clay Sculptures

Materials

Earthenware, Slip, Glaze

Silence
Located in Dallas, TX
Earthenware with colored slips. Epoxy, acrylic paint. Cone 04 textured and satin glazes. Signed, titled, and dated in ink on bottom. Milnes served as Dean of the College of Visuals ...
Category

2010s Abstract Clay Sculptures

Materials

Earthenware, Slip, Glaze

"ALTAR", sculpture, clay, ceramic, abstract, contemporary, tribal, pattern, mark
Located in Toronto, Ontario
Altar, a ceramic sculpture of high-fired clay pigmented with oxides, is a work by New York artist Harold Wortsman. Altar was recently exhibited at "Harold Wortsman: Time and Space" at the Orange Art Foundation, February-March 2022, New York City. Note the blending of geometric and organic forms in this work – it is characteristic of his practice – warm, contemporary, uniquely crafted, yet speaks to ancient, primitive traditions of art-making that cross cultures and histories. Highly attuned to the art of Africa, the Middle East, India and Asia, his forms are organic abstracts with masculine and feminine attributes that resonate together as a pleasing enigma. They make sense immediately, yet never give up all their secrets. From Harold Wortsman – "With sculpture, my material of choice is high-fired clay. Pieces are first low-fired in an electric kiln. I do not use glazes. Instead, I use oxides applied to the bisqued (low-fired) clay. As with a tattoo, oxides permit the surface underneath to breathe. The work is then high-fired in a gas kiln with double reduction to cone 10. The final temperature is 2,300 degrees F. At a certain point, oxygen intake is reduced to the kiln. Because the fire has reached a critical mass, it needs oxygen and chemically takes it from the clay and the oxides. Like a jazz improvisation, each kiln load comes out slightly different." From Jonathan Goodman, Poet & Art Critic – "Wortsman re-examines ancient and modern traditions in light of what it means to make art." – Tussle Magazine, July 2019. Harold Wortsman is a sculptor and printmaker based in Brooklyn, NY. He “creates forms that bring to mind archaic cult objects and exude a quiet concentrated strength.” (Argauer Zeitung, Switzerland). His work, an edgy mix of freedom and clarity, can be found in public and private collections in the US, including The Library of Congress, Yale University, The New York Public Library Print Collection, The New York Historical Society, Smith College, Indiana University’s Lilly Library, Brandeis University, The Newark Public Library Special Collections Division, and the Jane Voorhees Zimmerli Art Museum Print Archive. Also in private and public collections in Europe, including the Municipal Collection of the City of Brugg, Switzerland. Harold studied at the New York Studio School of Drawing, Painting and Sculpture, with sculptor George Spaventa...
Category

21st Century and Contemporary Contemporary Clay Sculptures

Materials

Ceramic, Clay, Pigment, Other Medium

Large Ceramic Foo Dogs: 'Faceless Guardian Dogs'
Located in New York, NY
Guardian dogs (Koma-Inu in Japanese) Guardians of temples or shrines placed on each side of entrance, believed to ward off Evil Spirits. They are Protecting you from Bad Spirits! Th...
Category

2010s Contemporary Clay Sculptures

Materials

Earthenware, Glaze, Clay

Large Ceramic Hanging Sculpture: Under Control'
Located in New York, NY
From natural cold earth to gleaming high-fire surfaces, clay is the ancient anatomic medium. It is the medium in which time stands still, ideas are frozen, and yet a civilization is ...
Category

2010s Contemporary Clay Sculptures

Materials

Ceramic, Slip, Glaze

"Midnight Over Mountains", ceramic sculpture, porcelain shards, blue, copper
Located in Toronto, Ontario
"Midnight Over Mountains" is a saggar-fired porcelain wall sculpture by Alison Brannen. It measures 15" high by 15" wide by 7" deep, however the sculptu...
Category

21st Century and Contemporary Contemporary Clay Sculptures

Materials

Ceramic, Clay, Porcelain

Potential
Located in Dallas, TX
Earthenware with colored slips. Cone 04 textured and satin glazes. Signed, titled, and dated in ink on bottom. Milnes served as Dean of the College of Visuals Arts and Design at the University of North Texas from January 2006 to his retirement in August 2014, when he moved to Asheville, NC with his wife Karen, re-establishing Arbitrary Forms Studio there. A sculptor and ceramist, he served previously as Director of the School of Art and Design at San Jose State University in California, Director of the School of Art at Louisiana State University, and as Chair of the Art Department at Edinboro University of Pennsylvania. He taught at the Penland School of Crafts in 1972 and 1979. Milnes is the past president of the National Council of Art Administrators and the National Association of Schools of Art and Design. He has served as a consultant or evaluator for more than sixty universities, colleges, and independent schools of art in the US and abroad and served in Dallas on the Board of Directors of the Business Council for the Arts and as Chair of the Community Advisory Board for KERA, the NPR station for North Texas. He was recently named a Fellow and Lifetime Member of NASAD and served on the Board of Directors of the Center for Craft in Asheville, NC and as co-chair of the Blue Ridge Public Radio Strategic Planning Committee. He is a member of the Southern Highland Crafts Guild.
Category

2010s Abstract Clay Sculptures

Materials

Earthenware, Slip, Glaze

"4+4", sculpture, clay, ceramic, abstract, contemporary, tribal, disc, geometry
Located in Toronto, Ontario
4+4, a ceramic sculpture of high-fired clay pigmented with oxides, is a work by New York artist Harold Wortsman. Note the blending of geometric and organic forms in this work – it is characteristic of his practice – warm, contemporary, uniquely crafted, yet speaks to ancient, primitive traditions of art-making that cross cultures and histories. Highly attuned to the art of Africa, the Middle East, India and Asia, his forms are organic abstracts with masculine and feminine attributes that resonate together as a pleasing enigma. They make sense immediately, yet never give up all their secrets. From Harold Wortsman – "With sculpture, my material of choice is high-fired clay. Pieces are first low-fired in an electric kiln. I do not use glazes. Instead, I use oxides applied to the bisqued (low-fired) clay. As with a tattoo, oxides permit the surface underneath to breathe. The work is then high-fired in a gas kiln with double reduction to cone 10. The final temperature is 2,300 degrees F. At a certain point, oxygen intake is reduced to the kiln. Because the fire has reached a critical mass, it needs oxygen and chemically takes it from the clay and the oxides painted on. Like a jazz improvisation, each kiln load comes out slightly different." From Jonathan Goodman, Poet & Art Critic – "Wortsman re-examines ancient and modern traditions in light of what it means to make art." – Tussle Magazine, July 2019. Harold Wortsman is a sculptor and printmaker based in Brooklyn, NY. He “creates forms that bring to mind archaic cult objects and exude a quiet concentrated strength.” (Argauer Zeitung, Switzerland). His work, an edgy mix of freedom and clarity, can be found in public and private collections in the US, including The Library of Congress, Yale University, The New York Public Library Print Collection, The New York Historical Society, Smith College, Indiana University’s Lilly Library, Brandeis University, The Newark Public Library Special Collections Division, and the Jane Voorhees Zimmerli Art Museum Print Archive. Also in private and public collections in Europe, including the Municipal Collection of the City of Brugg, Switzerland. Harold studied at the New York Studio School of Drawing, Painting and Sculpture, with sculptor George Spaventa...
Category

21st Century and Contemporary Contemporary Clay Sculptures

Materials

Ceramic, Clay, Pigment, Other Medium

Keith Murray Pottery designed for Wedgwood in the 1930's
Located in Brookville, NY
Keith Murray Pottery 6" matte green vessel. Excellent condition, normal wear on the bottom. We also have a larger collection of Keith Murray pottery in large Moonstone and Bombe, celadon polished glaze bowls and many others. Please contact for further details and photographs. Keith Murray was both an architect and industrial designer, considered one of the most famous industrial designers for art deco ceramics. This green piece photographed, has a matching one in yellow. Each are 950.00 or $1700. for the pair. We have an extensive collection of his pieces, many not illustrated here. Please inquire for further photographs. All from Keith Murray designed for Wedgwood in the 1930' and illustrated in the book "Wedgwood Ceramics...
Category

1930s Art Deco Clay Sculptures

Materials

Clay

Indian Art Pottery Buddha Large Charger Swans Flowers Art India 19th Century
Located in Norfolk, GB
A fabulous and rare large 19th century Bombay Pottery Charger from the J J School of Art, depicting scenes of Buddha from the Ajanta caves. Bombay Scho...
Category

1870s Other Art Style Clay Sculptures

Materials

Clay, Terracotta, Paint, Glaze

Awakening
Located in Denver, CO
Rachel Denny's work is an exploration of the seductive beauty of our natural world and the imprint that human intervention has made on its flora and fauna...
Category

2010s Contemporary Clay Sculptures

Materials

Thread, Wood, Mixed Media, Clay, Sequins

"VERTICAL 7", sculpture, clay, ceramic, abstract, tribal, pattern, tower, column
Located in Toronto, Ontario
Vertical 7, a ceramic sculpture of wood-fired clay pigmented with oxides, is a work by New York artist Harold Wortsman. Vertical 7 was recently exhibited at "Harold Wortsman: Time and Space" at the Orange Art Foundation, February-March 2022, New York City. Note the blending of geometric and organic forms in this work – it is characteristic of his practice – warm, contemporary, uniquely crafted, yet speaks to ancient, primitive traditions of art-making that cross cultures and histories. Highly attuned to the art of Africa, the Middle East, India and Asia, his forms are organic abstracts with masculine and feminine attributes that resonate together as a pleasing enigma. They make sense immediately, yet never give up all their secrets. From Harold Wortsman – "With sculpture, my material of choice is high-fired clay. Pieces are first low-fired in an electric kiln. I do not use glazes. Instead, I use oxides applied to the bisqued (low-fired) clay. As with a tattoo, oxides permit the surface underneath to breathe. The work is then high-fired in a gas kiln with double reduction to cone 10. The final temperature is 2,300 degrees F. At a certain point, oxygen intake is reduced to the kiln. Because the fire has reached a critical mass, it needs oxygen and chemically takes it from the clay and the oxides. Like a jazz improvisation, each kiln load comes out slightly different." From Jonathan Goodman – "Wortsman has increasingly moved into his own – a place in which the relations between the abstractions of volume and the intimations of very old culture are merged in a way that is new." – Essay, "Harold Wortsman: Time and Space", Orange Art Foundation, February 2022, New York City. Harold Wortsman is a sculptor and printmaker based in Brooklyn, NY. He “creates forms that bring to mind archaic cult objects and exude a quiet concentrated strength.” (Argauer Zeitung, Switzerland). His work, an edgy mix of freedom and clarity, can be found in public and private collections in the US, including The Library of Congress, Yale University, The New York Public Library Print Collection, The New York Historical Society, Smith College, Indiana University’s Lilly Library, Brandeis University, The Newark Public Library Special Collections Division, and the Jane Voorhees Zimmerli Art Museum Print Archive. Also in private and public collections in Europe, including the Municipal Collection of the City of Brugg, Switzerland. Harold studied at the New York Studio School of Drawing, Painting and Sculpture, with sculptor George Spaventa...
Category

21st Century and Contemporary Contemporary Clay Sculptures

Materials

Ceramic, Clay, Pigment, Other Medium

Cats and Flowers
Located in Madrid, ES
n his drawings, with an apparently naive line and almost always in black and white, he creates a very recognizable universe of his own around fragility, unconditional love and self-i...
Category

2010s Clay Sculptures

Materials

Clay, Ceramic

Palms Ceramic Vase Yellow Little
Located in Madrid, ES
In his drawings, with an apparently naive line and almost always in black and white, he creates a very recognizable universe of his own around fragility, unconditional love and self-...
Category

2010s Clay Sculptures

Materials

Clay, Ceramic

Georgian Contemporary Sculpture by Erekle Tsuladze - Mashroom
Located in Paris, IDF
Nickel clay
Category

2010s Contemporary Clay Sculptures

Materials

Clay

Juego De Cubos - 21st Century, Contemporary Art, Abstract, Iron Sculpture, Brick
Located in Barcelona, Catalonia
Lukas Ulmi’s work unveils the hidden beauty of shapes taking stones, seemingly static forms, incomplete or meaningless objects and turning them into authent...
Category

21st Century and Contemporary Contemporary Clay Sculptures

Materials

Iron, Wire

Shiro III, Clay Abstract Sculpture, 2021
Located in Boston, MA
These types of abstract ceramic sculptures are an ode to the grace and beauty of the female form. Details: White stoneware; Cone 5/6 Oxidation firing Artist Biography: Beverly Morrison...
Category

21st Century and Contemporary Modern Clay Sculptures

Materials

Clay

Close Encounters, Clay Abstract Sculpture, 2021
Located in Boston, MA
Artist Commentary: This ceramic vessel was inspired by The Wave Rock formation that's found in northern Arizona. Details: Black Stoneware clay; Cone 5/6 Oxidation Firing Keywords: minimal, abstract, modern, texture Artist Biography: Beverly Morrison...
Category

21st Century and Contemporary Minimalist Clay Sculptures

Materials

Clay

Quill, Clay Abstract Sculpture, 2019
Located in Boston, MA
Artist Commentary: Stoneware and clay slip; Cone 5/6 Oxidation Firing; Slips & Oxides Keywords: abstract, textured, ceramic, clay, expressive, black, blown, white, zen, meditative, nature, vessel Artist Biography: Beverly Morrison...
Category

21st Century and Contemporary Abstract Clay Sculptures

Materials

Clay

Snails On a Weathered Board “Traversing Weathered Wood” by Bethany Krull
Located in Buffalo, NY
This wall piece was created by New York artist, Bethany Krull using found drift would and found snail shells. The glistening snail forms are hand sculpted directly onto the wood usi...
Category

2010s Contemporary Clay Sculptures

Materials

Clay, Epoxy Resin, Driftwood, Paint, Mixed Media

Belly, Clay Abstract Sculpture, 2019
Located in Boston, MA
Artist Commentary: Black stoneware; cone 5/6 oxidation firing "Inspired by my nieces voluptuous pregnant belly " Keywords: vessel, ceramic, classic, minimal, clay, black, classical, minimal, round Artist Biography: Beverly Morrison...
Category

21st Century and Contemporary Abstract Clay Sculptures

Materials

Clay

Ice Blue Creatio Continua by Kuno Vollet - gold, blue circular ceramic sculpture
Located in DE
This beautiful, contemporary circular sculpture made from ceramics with crystal glaze and 24k gold leaf stands on an elegant white granite base. It is a timeless piece full of detail...
Category

21st Century and Contemporary Abstract Clay Sculptures

Materials

Gold Leaf

Rain, Clay Abstract Sculpture, 2019
Located in Boston, MA
Artist Commentary: Stoneware; Cone 5/6 Oxidation Firing; Slips & Oxides Keywords: abstract, contemporary, clay, ceramic, vessel, brown, black, white, abstract, minimal, surface texture, zen, meditative Artist Biography: Beverly Morrison...
Category

21st Century and Contemporary Minimalist Clay Sculptures

Materials

Clay

Sora, Clay Abstract Sculpture, 2019
Located in Boston, MA
Artist Commentary: Black stoneware; cone 5/6 oxidation firing; Slips and Oxides Keywords: abstract, textured, ceramic, expressive Artist Biography: Beverly Morrison (Los Angeles...
Category

21st Century and Contemporary Modern Clay Sculptures

Materials

Clay

Georgian Contemporary Sculpture by Erekle Tsuladze - Squash
Located in Paris, IDF
Nickel clay
Category

2010s Contemporary Clay Sculptures

Materials

Clay

Petite tête, profil gauche (Small Head, Left Profile), A.R. 535
Located in Palo Alto, CA
Created in 1965, this terre de faïence sculpture with white slip is inscribed on the sculptural base with the atelier stamps ‘EDITION PICASSO’ and ‘MADOURA...
Category

1960s Modern Clay Sculptures

Materials

Slip, Faience

CINCHES (Ceramic Octo) - Reductive Minimalist Industrial Sculpture, Terracotta
Located in Signal Mountain, TN
In this piece, seven octagonal terra-cotta bricks of cylindrical shape are on the floor in a V shape. Two concrete bricks are placed amongst these cylinders. All of these objects are bound together by a string that is tied around the objects. Brian Russell...
Category

2010s Contemporary Clay Sculptures

Materials

Concrete

Clay sculptures for sale on 1stDibs.

Find a wide variety of authentic Clay sculptures available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add sculptures created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, pink, purple, orange and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Tony Moore, Pablo Picasso, Rachel Denny, and Elizabeth Jordan. Frequently made by artists working in the Contemporary, Abstract, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Clay sculptures, so small editions measuring 0.12 inches across are also available

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