Glaze Sculptures

Cavities (2022), Glazed ceramic birthday cake sculpture with strawberry faces; two tier birthday cake with strawberries The artist describes herself as "Maker of Fruit, Mother of C...

The sculpture is signed and numbered. Edition 1/1 About Series Four Seasons: I created this Spring, Summer, Autumn and Winter based on the abstract deformation of leaf sections. For the collection of Summer, I chose the glass material that enables the piece greenish, looking profound and fluctuating, or smooth and winding. It propels step by step like the leaf outline or fluctuating waves. This collection represents not only my abstract illustration of the growing power of all beings on earth, but also the expression of my thoughts on the subject of eternity, appreciating the tenacious and vigorous power of nature and human beings. When leaves fall back the root, they have themselves decayed through autumn and winter into spring and summer. In general, all beings on earth become a part of this cycle in another form. Nothing is eternal but the iteration that is vigorous and recurrent. - He Wenjue About the artist: He Wenjue was born in 1970 in Hunan Province, China. He received his MA in painting from Jilin Academy of Fine Arts. Member of Chinese Art Association, Member of Chinese Painting Association.The vice-President of Hunan Oil-Painting Association. Research Fellow of Beijing Academy of China Xieyi Oil Painting.He is currently the vice president of Hunan Oil Painting Society, a member of China Artists Association and a member of Chinese Oil Painting Society. His works have been displayed on exhibitions at“Scenery in Map”ShangHai Solo Exhibition、Solo Exhibition, Frank Schlag Gallery, Essen, Germany、Sense of the Sparkle: He Wenjue Singapore Solo Exhibition, Singapore、Water: Senses of Sparkle, Tang Gallery, Bangkok, Thailand、The 9th & The 10th National Annual Fine Arts Exhibition、The first Chinese Freehand Brushwork Oil Painting、4th Jakarta Contemporary Ceramics Biennale, 6th BICMA ,、Painting the Present, Certosa di San Giacomo, Via Certosa 1 - Capri, Capri, Italy、The 2nd Chinese Oil Painting Biennale, The National Art Museum of China、The Xinjiang International Art Biennial 2014、Ethics as the DNA Art: The 9th Florence Biennale、SEA OF PEACE: Japan-Korea Contemporary Art Exhibition, Incheon Art Platform, Incheon, Korea、Faces and Figures, Germany、East side, Michael Schultz Gallery, Berlin, Germany、Vanhaerents Museum Collection, Brussel Belgium、China...

Untitled XXIII, by Charo Oquet Glazed ceramic and enamel Overall size: 27.5 H in x 24.5 W in. Set of 14 Glazed Ceramic Discs Individual size: 1. 3.5” x 3.5” x 0.25" 2. 5" x 5” x 0.2...

The sculpture is signed and numbered. Edition 1/1 About Series Four Seasons: I created this Spring, Summer, Autumn and Winter based on the abstract deformation of leaf sections. For the collection of Summer, I chose the glass material that enables the piece greenish, looking profound and fluctuating, or smooth and winding. It propels step by step like the leaf outline or fluctuating waves. This collection represents not only my abstract illustration of the growing power of all beings on earth, but also the expression of my thoughts on the subject of eternity, appreciating the tenacious and vigorous power of nature and human beings. When leaves fall back the root, they have themselves decayed through autumn and winter into spring and summer. In general, all beings on earth become a part of this cycle in another form. Nothing is eternal but the iteration that is vigorous and recurrent. - He Wenjue About the artist: He Wenjue was born in 1970 in Hunan Province, China. He received his MA in painting from Jilin Academy of Fine Arts. Member of Chinese Art Association, Member of Chinese Painting Association.The vice-President of Hunan Oil-Painting Association. Research Fellow of Beijing Academy of China Xieyi Oil Painting.He is currently the vice president of Hunan Oil Painting Society, a member of China Artists Association and a member of Chinese Oil Painting Society. His works have been displayed on exhibitions at“Scenery in Map”ShangHai Solo Exhibition、Solo Exhibition, Frank Schlag Gallery, Essen, Germany、Sense of the Sparkle: He Wenjue Singapore Solo Exhibition, Singapore、Water: Senses of Sparkle, Tang Gallery, Bangkok, Thailand、The 9th & The 10th National Annual Fine Arts Exhibition、The first Chinese Freehand Brushwork Oil Painting、4th Jakarta Contemporary Ceramics Biennale, 6th BICMA ,、Painting the Present, Certosa di San Giacomo, Via Certosa 1 - Capri, Capri, Italy、The 2nd Chinese Oil Painting Biennale, The National Art Museum of China、The Xinjiang International Art Biennial 2014、Ethics as the DNA Art: The 9th Florence Biennale、SEA OF PEACE: Japan-Korea Contemporary Art Exhibition, Incheon Art Platform, Incheon, Korea、Faces and Figures, Germany、East side, Michael Schultz Gallery, Berlin, Germany、Vanhaerents Museum Collection, Brussel Belgium、China...

The sculpture is signed and numbered. Edition 1/1 About Series Four Seasons: I created this Spring, Summer, Autumn and Winter based on the abstract deformation of leaf sections. For the collection of Summer, I chose the glass material that enables the piece greenish, looking profound and fluctuating, or smooth and winding. It propels step by step like the leaf outline or fluctuating waves. This collection represents not only my abstract illustration of the growing power of all beings on earth, but also the expression of my thoughts on the subject of eternity, appreciating the tenacious and vigorous power of nature and human beings. When leaves fall back the root, they have themselves decayed through autumn and winter into spring and summer. In general, all beings on earth become a part of this cycle in another form. Nothing is eternal but the iteration that is vigorous and recurrent. - He Wenjue About the artist: He Wenjue was born in 1970 in Hunan Province, China. He received his MA in painting from Jilin Academy of Fine Arts. Member of Chinese Art Association, Member of Chinese Painting Association.The vice-President of Hunan Oil-Painting Association. Research Fellow of Beijing Academy of China Xieyi Oil Painting.He is currently the vice president of Hunan Oil Painting Society, a member of China Artists Association and a member of Chinese Oil Painting Society. His works have been displayed on exhibitions at“Scenery in Map”ShangHai Solo Exhibition、Solo Exhibition, Frank Schlag Gallery, Essen, Germany、Sense of the Sparkle: He Wenjue Singapore Solo Exhibition, Singapore、Water: Senses of Sparkle, Tang Gallery, Bangkok, Thailand、The 9th & The 10th National Annual Fine Arts Exhibition、The first Chinese Freehand Brushwork Oil Painting、4th Jakarta Contemporary Ceramics Biennale, 6th BICMA ,、Painting the Present, Certosa di San Giacomo, Via Certosa 1 - Capri, Capri, Italy、The 2nd Chinese Oil Painting Biennale, The National Art Museum of China、The Xinjiang International Art Biennial 2014、Ethics as the DNA Art: The 9th Florence Biennale、SEA OF PEACE: Japan-Korea Contemporary Art Exhibition, Incheon Art Platform, Incheon, Korea、Faces and Figures, Germany、East side, Michael Schultz Gallery, Berlin, Germany、Vanhaerents Museum Collection, Brussel Belgium、China...

The sculpture is signed and numbered. Edition 1/1 About Series Four Seasons: I created this Spring, Summer, Autumn and Winter based on the abstract deformation of leaf sections. For the collection of Summer, I chose the glass material that enables the piece greenish, looking profound and fluctuating, or smooth and winding. It propels step by step like the leaf outline or fluctuating waves. This collection represents not only my abstract illustration of the growing power of all beings on earth, but also the expression of my thoughts on the subject of eternity, appreciating the tenacious and vigorous power of nature and human beings. When leaves fall back the root, they have themselves decayed through autumn and winter into spring and summer. In general, all beings on earth become a part of this cycle in another form. Nothing is eternal but the iteration that is vigorous and recurrent. - He Wenjue About the artist: He Wenjue was born in 1970 in Hunan Province, China. He received his MA in painting from Jilin Academy of Fine Arts. Member of Chinese Art Association, Member of Chinese Painting Association.The vice-President of Hunan Oil-Painting Association. Research Fellow of Beijing Academy of China Xieyi Oil Painting.He is currently the vice president of Hunan Oil Painting Society, a member of China Artists Association and a member of Chinese Oil Painting Society. His works have been displayed on exhibitions at“Scenery in Map”ShangHai Solo Exhibition、Solo Exhibition, Frank Schlag Gallery, Essen, Germany、Sense of the Sparkle: He Wenjue Singapore Solo Exhibition, Singapore、Water: Senses of Sparkle, Tang Gallery, Bangkok, Thailand、The 9th & The 10th National Annual Fine Arts Exhibition、The first Chinese Freehand Brushwork Oil Painting、4th Jakarta Contemporary Ceramics Biennale, 6th BICMA ,、Painting the Present, Certosa di San Giacomo, Via Certosa 1 - Capri, Capri, Italy、The 2nd Chinese Oil Painting Biennale, The National Art Museum of China、The Xinjiang International Art Biennial 2014、Ethics as the DNA Art: The 9th Florence Biennale、SEA OF PEACE: Japan-Korea Contemporary Art Exhibition, Incheon Art Platform, Incheon, Korea、Faces and Figures, Germany、East side, Michael Schultz Gallery, Berlin, Germany、Vanhaerents Museum Collection, Brussel Belgium、China...

Set of 3 Handmade Porcelain Cups with Sgraffito Detailingby Alex Hodge From the series Fragments of Our Love Story Porcelain cup with sgraffito detailing Overall size: 4.5 x 9 x 3 inches Individual size: 4.5 x 3 x 3 inches 1. “When the door closes..” 2018 2. “Some days that’s me...”, 2019 3. “My favorite moment...”, 2019 Pieces can be sold separately. This cup is one of 48 that make up the installation, “Fragments of Our Love Story.” These cups feature feminine forms which recall the Venus of Willendorf and other historical fertility objects...

This raku ceramic vessel sculpture by Jon Puzzuoli is made with glazed porcelain. The base of the body is a deep umber color with at texture and matte finish, while the top portion i...

My favorite moment, 2019 by Alex Hodge From the series Fragments of Our Love Story Porcelain cup with sgraffito detailing 4.5 in. x 3 in. W x 3 in. This cup is one of 48 that make u...

This raku ceramic vessel sculpture by Jon Puzzuoli is made with glazed porcelain. The base of the round body is a deep umber color with at texture and matte finish, while the top por...

Sara Fine-Wilson's “Tangle Vase" is a gestural 12.5 x 7 x 7 inch ceramic sculptural vase in cream, light blue and caramel constructed from white stoneware. In this graceful and evocative vessel individual slab elements are assembled and combined with a wheel thrown and altered vase...

Sara Fine-Wilson's “Spiral Vase" is a gestural 13.75 x 8 x 9 inch ceramic sculptural vase in white and cream constructed from white stoneware. In this graceful and evocative vessel individual slab elements are assembled and combined with a wheel thrown and altered vase...

Created in 1956, this Madoura small convex wall plaque of white earthenware clay with engraving accentuated with oxidized paraffin in a glaze bath (ivory, brown) is from the edition ...

This ceramic vessel by Jon Puzzuoli is made with porcelain and a crystalline glaze. It features a light, neutral palette of creme, white, and gold. The bottom portion of the round, c...

Ken Price Set of 5 Tequila Cups (INV# NP3613) clay and glaze 1.75 x 2.5 x 1.75" 1988 Ken Price (1935 - 2012) received a BFA from the University of Southern California after studyin...

Glossy ceramic popsicle sculpture handmade for wall installation. Available at Variant colorful glaze. Harmony and grandeur characterize the work of Reli Smith and Osnat Yaffe Zimme...

Hamilton’s works possess a uniquely modern surrealistic quality, wherein playfulness and humor create an immediate sense of familiarity with viewers. Upbeat and even jovial at times,...

Untitled XV, by Charo Oquet Glazed Ceramic 17 H in x 13 D in. 2018 These gravity-defying ceramics stacked constructions struggle to soar beyond the boundaries of the spaces that co...

This porcelain vessel sculpture by Jon Puzzuoli is made with glazed porcelain and 14K gold luster. The round body is a light blue color with white crystals formed along the surface. ...

“My work reflects on experiences of transformation, alchemy and the sublime, manifesting in sculptures that undulate between soft and hard, alive and static, real and imagined. These works shape-shift, oscillating between abstraction, flora, fauna and mineral. This has the effect of compressing time, with elements frozen in mid-transformation. This dislocation reflects on mortality and ephemerality, exploring the space in between stages in our lives as well as embracing fantasies of alternative dimensions as a means of escapism.” - Artist Statement Sasha Koozel Reibstein...

“My work reflects on experiences of transformation, alchemy and the sublime, manifesting in sculptures that undulate between soft and hard, alive and static, real and imagined. These works shape-shift, oscillating between abstraction, flora, fauna and mineral. This has the effect of compressing time, with elements frozen in mid-transformation. This dislocation reflects on mortality and ephemerality, exploring the space in between stages in our lives as well as embracing fantasies of alternative dimensions as a means of escapism.” - Artist Statement Sasha Koozel Reibstein...

The weight of your head…", 2019 by Alex Hodge From the series Fragments of Our Love Story Porcelain cup with sgraffito detailing 4 in. x 3 in. W x 3 in. This cup is one of 48 that m...

(MADE TO ORDER) (Hand-painted, hand-made, porcelain) *Lead Time may vary between 1-3 weeks Melanie Sherman "Small Vase with Koi" Year: 2021 Porcelain, Gla...

Untitled IX, by Charo Oquet Ceramic 18 H in x 13 D in. 2018 These gravity-defying ceramics stacked constructions struggle to soar beyond the boundaries of the spaces that contain t...

Blue and Yellow, by Charo Oquet Glazed Ceramic 17” x 14” x19” 2018 These gravity-defying ceramics stacked constructions struggle to soar beyond the boundaries of the spaces that con...

This ceramic wall-mounted sculpture features an athletic theme. The blue figure seems to be in a discus position and the horizontal figure is in motion. The geometric motifs give thi...

Materials: Hand sculpting, chamotte, ash glaze Created for the all-Ukrainian ZooZoom project at the National Museum of Ukrainian Folk Decorative Art, Kyiv

Untitled XXI, by Charo Oquet Glazed Ceramic 18.5 H in x 14 D in. 2019 These gravity-defying ceramics stacked constructions struggle to soar beyond the boundaries of the spaces that...

Untitled XIX, by Charo Oquet Glazed Ceramic 17 H in x 13 D in. 2019 These gravity-defying ceramics stacked constructions struggle to soar beyond the boundaries of the spaces that c...

It’s a Party, by Charo Oquet Glazed Ceramic 16” x 15.5" x 14” 2018 These gravity-defying ceramics stacked constructions struggle to soar beyond the boundaries of the spaces that contain them, often appearing to teeter in the brink of collapse. They are essentially diasporic, coming from various territorial and conceptual geographies that are the instruments of connection between today and the past and a new future. I try to create pieces where a process of mestizaje capable of arming dissident ways of live, intertwined with my family history. The colors, bright, chaotic, disruptive of a rich tropical load, bright light, universe of the Caribbean pallet, have archetypal symbols connected to the African heritage, visual party made plastic, symphonic permanence, with a transmission of joy, cheerful feelings that evoke directly the therapeutic action of planting, building and maintaining a garden, in this case, a permanent garden, which is mud in a state of crystallization (ceramics). ----------------------------------------------- Charo Oquet is a Miami-based artist that uses painting, installation, performance, photography, and film, among other media, to investigate issues of displacement, identity, migration, gender, or sociopolitical and cultural issues and to document and reflect on issues of de-colonial aesthesis and the role of contemporary culture in a global reality. Her work is a subjective observation by someone who is concerned with her surroundings and the culture she left behind. Her interdisciplinary work has been extensively exhibited internationally and has been well-reviewed by art critics and recognized by scholars in books and other publications. In addition to reviews in the Miami Herald, Atlantica Art Journal, African Arts, Art in America, Art Nexus and Art New Zealand, among others, Antonio Zaya Publisher produced and distributed a book of her work, Charo Oquet – Lo Que Ve La Sirena (2002). Her work is also included in such books and catalogs as New Hoodoo - Art of a Forgotten Faith (2008), Files by Octavio Zaya, Miami Contemporary Artists New Zealand's National Museum Te Papa Calendar 2009, Dominican Contemporary Artists and Supermix. Oquet has had numerous solo exhibitions in Museums and galleries around the world such as the Bass Museum, Miami Beach; Casal Solleric, Palma de Mallorca, Convento de Santo Domingo, Lanzarote, Canary Islands, Spain ( curated by Antonio Zaya) and Oquet’s work has been included in numerous international exhibitions. Oquet’s work is in several museum collections such as the Fort Lauderdale Museum of Art, Frost Art Museum, Florida International University, Miami, FL; CAAM, Centro Atlántico de Arte Moderno, Word Bank, Las Palmas de Gran Canarias, Spain; Bass Museum of Art, Miami Beach, Florida; New Zealand National Museum, Wellington, N.Z.; Dowse Art Museum, Lower Hutt, New Zealand; Govett-Brewter Art Gallery, New Plymouth, New Zealand; Foresight Collection, Auckland, New Zealand; Ministry of Foreign Affairs, Wellington, New Zealand; Gulf & Western Americas Corp., New York; Museo de las Casas...

Ron Nagle Untitled (INV# NP3614) clay and glaze 5.25 x 4 x 4" 1986 Ron Nagle is one of the most important sculptors in the United States. He work is highly collected and included in museum collections such as Shigaraki Museum, Japan; Los Angeles County Museum of Art; Musée de Plastique, Paris; San Francisco Museum of Modern Art; and the Stedelijk Museum in the Netherlands. He was born in San Francisco and began working with ceramics during the 1950s as a high school student. In 1961 he apprenticed to Peter Voulkos at the University of California, Berkeley, and later exhibited his work alongside Voulkos, Ken Price, and other innovative West Coast artists working in clay. His work is inspired by such artists as Giorgio Morandi, Phillip Guston, and George Herriman...

Untitled XVI, by Charo Oquet Glazed Ceramic 21 H in x 15 D in. 2018 These gravity-defying ceramics stacked constructions struggle to soar beyond the boundaries of the spaces that c...

Born in Detroit, Steven Montgomery’s work revels in a history of industry and aging as the artist uses porcelain to produce intricate mechanical forms with the appearance of metal. H...

Yellow Flowers, by Charo Oquet Glazed Ceramic 18 H in x 19 D in. 2018 These gravity-defying ceramics stacked constructions struggle to soar beyond the boundaries of the spaces that...

Sara Fine-Wilson's "Plume" is a gestural 14 x 8.5 x 7.5 inch ceramic sculpture in white and cream with accents of grey and teal. It is constructed out of white stoneware and layered ...

Artist Statement by Rachelle Krieger: These new ceramic sculptural works are a reflection of biodiversity and vitality, capturing natural elements in various stages of life. During ...

Me soaking up the light…", 2019 by Alex Hodge From the series Fragments of Our Love Story Porcelain cup with sgraffito detailing 4 in. x 3 in. W x 2.75 in. This cup is one of 48 that make up the installation, “Fragments of Our Love Story.” These cups feature feminine forms which recall the Venus of Willendorf and other historical fertility...

Untitled III, by Charo Oquet Ceramic 16 H in x 16 D in. 2018 These gravity-defying ceramics stacked constructions struggle to soar beyond the boundaries of the spaces that contain ...

Gorgeous abstract ceramic sculptural vase shaped into a unique organic yet modern form, with turquoise and earth-toned glazes that naturally blend together an catch the light at diff...

Untitled VII, by Charo Oquet Ceramic 17. H in x 13 D in. 2018 These gravity-defying ceramics stacked constructions struggle to soar beyond the boundaries of the spaces that contain...

Suzuki Goro Oribe Sake Bottle with Box (INV# NP3436) stoneware, underglaze and Oribe glaze 5.75 x 3.5 x 3.5" date unknown signed

Untitled Vessel (INV# NP3503) Richard DeVore stoneware and glaze 3.25 x 5.75 x 6” date unknown mid century modern Provenance- "ACCUMULATIONS: NOW" at the LongHouse Reserve Richard ...

Artist Statement by Rachelle Krieger: These new ceramic sculptural works are a reflection of biodiversity and vitality, capturing natural elements in various stages of life. During ...

Artist Statement by Rachelle Krieger: These new ceramic sculptural works are a reflection of biodiversity and vitality, capturing natural elements in various stages of life. During ...

Untitled, by Charo Oquet Glazed Ceramic 22 H in x 12 D in. 2019 These gravity-defying ceramics stacked constructions struggle to soar beyond the boundaries of the spaces that contain them, often appearing to teeter in the brink of collapse. They are essentially diasporic, coming from various territorial and conceptual geographies that are the instruments of connection between today and the past and a new future. I try to create pieces where a process of mestizaje capable of arming dissident ways of live, intertwined with my family history. The colors, bright, chaotic, disruptive of a rich tropical load, bright light, universe of the Caribbean pallet, have archetypal symbols connected to the African heritage, visual party made plastic, symphonic permanence, with a transmission of joy, cheerful feelings that evoke directly the therapeutic action of planting, building and maintaining a garden, in this case, a permanent garden, which is mud in a state of crystallization (ceramics). ----------------------------------------------- Charo Oquet is a Miami-based artist that uses painting, installation, performance, photography and film, among other media, to investigate issues of displacement, identity, migration, gender, or sociopolitical and cultural issues and to document and reflect on issues of de-colonial aesthesis and the role of contemporary culture in a global reality. Her work is a subjective observation by someone who is concerned with her surroundings and the culture she left behind. Her interdisciplinary work has been extensively exhibited internationally and has been well-reviewed by art critics and recognized by scholars in books and other publications. In addition to reviews in the Miami Herald, Atlantica Art Journal, African Arts, Art in America, Art Nexus, and Art New Zealand, among others, Antonio Zaya Publisher produced and distributed a book of her work, Charo Oquet – Lo Que Ve La Sirena (2002). Her work is also included in such books and catalogs as New Hoodoo - Art of a Forgotten Faith (2008), Files by Octavio Zaya, Miami Contemporary Artists New Zealand's National Museum Te Papa Calendar 2009, Dominican Contemporary Artists, and Supermix. Oquet has had numerous solo exhibitions in Museums and galleries around the world such as the Bass Museum, Miami Beach; Casal Solleric, Palma de Mallorca, Convento de Santo Domingo, Lanzarote, Canary Islands, Spain ( curated by Antonio Zaya) and Oquet’s work has been included in numerous international exhibitions. Oquet’s work is in several museum collections such as the Fort Lauderdale Museum of Art, Frost Art Museum, Florida International University, Miami, FL; CAAM, Centro Atlántico de Arte Moderno, Word Bank, Las Palmas de Gran Canarias, Spain; Bass Museum of Art, Miami Beach, Florida; New Zealand National Museum, Wellington, N.Z.; Dowse Art Museum, Lower Hutt, New Zealand; Govett-Brewter Art Gallery, New Plymouth, New Zealand; Foresight Collection, Auckland, New Zealand; Ministry of Foreign Affairs, Wellington, New Zealand; Gulf & Western Americas Corp., New York; Museo de las Casas...

Grant Levy-Lucero Dottie's Beauty Garnier (INV# NP3571) stoneware and glaze 24 x 12.5 x 13" 2018 signed by artist

The Moon, 2022 by Alex Hodge Porcelain Jar with Sgraffito, Transfers, and underglaze Detailing 10.5 in x 4 in x 4 in This sculptural jar is the first to feature the figure in combin...

Artist Statement by Rachelle Krieger: These new ceramic sculptural works are a reflection of biodiversity and vitality, capturing natural elements in various stages of life. During ...

This ceramic vessel by Jon Puzzuoli is made with porcelain and a crystalline glaze. It features a light, neutral palette of creme, white, and gold. The bottom portion of the round, c...

Blossom Cup (2022), glazed ceramic, clay tumbler with clay lid, coffee mug, floral pattern, aqua, cerulean, pale turquoise, white with black lid. Functional art object...

Artist Statement by Rachelle Krieger: These new ceramic sculptural works are a reflection of biodiversity and vitality, capturing natural elements in various stages of life. During ...

Vince Palacios (b.1961, Flint, Michigan) has been working in the fields of ceramics since 1992 and currently serves as Professor of the Ceramics Department at El Camino College in T...

Some days that’s me…", 2019 by Alex Hodge From the series Fragments of Our Love Story Porcelain cup with sgraffito detailing 4.5 in. x 3 in. W x 3 in. This cup is one of 48 that make up the installation, “Fragments of Our Love Story.” These cups feature feminine forms which recall the Venus of Willendorf and other historical fertility objects...

Artist Statement by Rachelle Krieger: These new ceramic sculptural works are a reflection of biodiversity and vitality, capturing natural elements in various stages of life. During ...

Balanced sculptural composition by an unknown artist. Two pieces of a clay sculpture have been glazed in green and pink, with a white shape stretching across them. The pieces are mou...

Sara Fine-Wilson's "Bend" is a gestural 16 x 9 x 6 inch ceramic sculpture in white and cream constructed in white stoneware with porcelain sli...

Artist Commentary: All of my ceramic sculptures are well crafted, hand-built and one of a kind. Keywords: Abstract Artist Biography: Judith grew up 15 miles north of Milwaukee in ...

Artist Statement by Rachelle Krieger: These new ceramic sculptural works are a reflection of biodiversity and vitality, capturing natural elements in various stages of life. During ...