Gold Sculptures

“My work reflects on experiences of transformation, alchemy and the sublime, manifesting in sculptures that undulate between soft and hard, alive and static, real and imagined. Thes...

This ceramic vase-like urn with a little golden ball on top is a unique piece handcrafted with care and passion. This beautiful memorial artwork combines aesthetic beauty with deep s...

“This piece is a part of the Historic Jar Collection and references Bernini’s marble sculpture of the same name. While Bernini created an erotic scene to be housed in the Cornaro Cha...

This piece recalls the art historical depictions of Mary Magdalene. Though she is often contextualized as the one who washed Jesus’s feet, Hodge centers her as the subject and asks “Who takes care of her?”. She answers with the scene of another woman washing her feet, which speaks to the ways that women’s care for one another is often unseen. The three series that make up her thesis show all center around the woman as an art historical trope who becomes a contemporary archetype of tenderness and tenacity with her own narrative. The tradition of the woman as muse or object is questioned and turned upside down as she gives her women the position of subject, i.e., the position of power. The jars, which uphold pairs of women, are the ultimate overturn of male dominance as she removes and replaces all male characters from famous artworks with women...

"The three series that make up her thesis show all center around the woman as an art historical trope who becomes a contemporary archetype of tenderness and tenacity with her own narrative. The tradition of the woman as muse or object is questioned and turned upside down as she gives her women the position of subject, i.e., the position of power. The jars, which uphold pairs of women, are the ultimate overturn of male dominance as she removes and replaces all male characters from famous artworks with women...

Jaime Avila Ferrer Bomba Blanca 4. Capitolio de Washington DC - Capitolio De la Habana Measure: 20.5" x 5" x 5" Wall ceramic sculpture with gold and copper intervention 2006 Jaime Avila Ferrer is a world-renowned artist whose work combines painting, sculpture, drawing, and photography. He uses mixed media in some pieces such as Dust, in which dots of white paint are applied to a darkened Plexiglas surface to form pictures of urban landscapes from the granulations. Outline for Dust is an artwork in which he connects the cityscape of Bogota with the JFK airport in New York. He uses traditional approaches to examine social, political, and environmental topics. Avila studied civil engineering at the Universidad de Los Andes in Bogota (1983–1987) and received his degree in Fine arts from the same university (1988–1991). He has presented solo shows such as Talento Pirata, Jaime Ávila (Pirate talent, Jaime Ávila), at the Nueveochenta Gallery in Bogota (2013). His first shows in the United States were Life is a Catwalk at the David Rockefeller Center for Latin American Studies at Harvard University and 4th World – Five Cubic Meters at the Boston Arts Academy (2005). Ávila represented Colombia at the XXVI Sao Paolo Biennial in Brazil (2004), the III Liverpool Biennial in the United Kingdom (2004), the II Mercosul Biennial in Brazil, (2000), and the FIAC in Paris, France (1999). He has participated in exhibitions such as ¡No más chicha!, at Alcuadrado Variable in Bogota (2009), the Centro de la Imagen in Mexico City, and the Casa de las Américas in Madrid, Spain (2004), Changing the Focus: Latin American Photography (1990–2005), at the Museum of Latin American Art in Long Beach, United States (2010), Resurfaced: Contemporary Colombian Art...

Andrew Casto (b. Ohio, USA, 1977) lives and works in Iowa City, USA. He was the 2011 MJD fellow at The Archie Bray Foundation for Ceramic Art in Helena, Montana, and has exhibited wo...

Andrew Casto (b. Ohio, USA, 1977) lives and works in Iowa City, USA. He was the 2011 MJD fellow at The Archie Bray Foundation for Ceramic Art in Helena, Montana, and has exhibited wo...

Born in Detroit, Steven Montgomery’s work revels in a history of industry and aging as the artist uses porcelain to produce intricate mechanical forms with the appearance of metal. H...

Andrew Casto (b. Ohio, USA, 1977) lives and works in Iowa City, USA. He was the 2011 MJD fellow at The Archie Bray Foundation for Ceramic Art in Helena, Montana, and has exhibited wo...

Luminosité changeante II is a unique medium size contemporary modern sculpture painting relief by French-Dutch artist Olivier Julia. The relief is made f...

This ceramic vessel by Jon Puzzuoli is made with porcelain and a crystalline glaze. It features a light, neutral palette of creme, white, and gold. The bottom portion of the round, c...

This small glazed porcelain sculptural vessel by Jon Puzzuoli features a light green palette with a sandy beige accent applied in a wave pattern over the surface of the piece. The fl...

24 karat gold leaf sculpture "Golden Eagle" limited edition on a quadratic oak pedestal for your home or garden. Customization possible and designe...

This glazed porcelain vase by Jon Puzzuoli features a burnt umber and white body and a wide neck finished with 18K gold luster. The artist's stamp is located at the base of the sculp...

This ceramic vessel sculpture by Jon Puzzuoli is made with glazed porcelain. It has a round, deep grey and vibrant red body, a fluted neck finished in 18K gold luster, and a red lip....

Paul Villinski's "Cycloid" incorporates his signature butterfly motif with a found antique frame. This unique piece dazzles with its shimmering gold leaf finish, with the bespoke but...

Gary Hume Snowman 2006 18-karat white gold on 20-inch chain with artist’s display stand 16 x 12 x 12 inches; 41 x 30 x 30 cm Edition of 25 Stamped with artist's initials, hallmark, m...

Artist : Yoonjee Kwak Title : Bottomless Pit 1 Materials : Porcelain, gold luster, Hand-building Date : 2020 Dimensions : H9.5” W7.5” D7.5” Inch Signed, COA provided Yoonjee Kwak makes sculptural vessels to represent human beings as iconic symbols from the Korean culture. In Korea, when people talk about someone’s personality, they often use “vessel...

This small glazed porcelain sculptural vessel by Jon Puzzuoli features a light green palette with a sandy beige accent applied in a wave pattern over the surface of the piece. The in...

Transform by Denny Haskew Figurative Bronze with Gold Leaf 5ft x 3ft x 2ft Nude stretching her arms up to fluttering butterflies above her head. Stone is not included. Shipping cost ...

"RAKU RED AND WHITE", 2019, in wheel-formed white glaze with copper red blush, sprig, stamp, gold leaf and raku fired with kintsuji gold by artist Andrew Cornell Robinson, is one of a series of sculptural objects that include ceramic, glass and mixed media grottoes and containers. A project exploring the vessel form and notions of gratitude, plenty, poverty in material or humanity. Robinson has led artists to explore tableware as sculptural form – "Changing attitudes and emerging social behaviors in food preparation and the social and cultural rituals of eating have lead to changes in the way tableware is made and used." Andrew Cornell Robinson is an interdisciplinary artist working across media (ceramics, textiles, painting, prints, etc.). His work is influenced by collaborative craft communities, traditions, and the performative qualities of cultural production. The underlying ideas exploring identity, histories, rituals, and power in his work aim to create a space for intimate experiences and open narratives. He studied ceramic sculpture at the Glasgow School of Art and the Maryland Institute College of Art where he received a BFA. He was awarded an MFA from the School of Visual Arts, where he became interested in the intersection of memory, identity, politics, and power. He has been featured in many publications including Sculpture Magazine, Huffington Post, Hyperallergic, Art Info, et al. He has participated in curatorial and research projects and recently was a participating artist in Debtfair a project in the Whitney Biennial. Andrew has also worked on collaborations with designers such as Donna Karan’s Urban Zen project where his work in ceramics led to workshops with artisans in Haiti and the creation of a ceramic studio in Port-au-Prince. He is currently working with The Powerhouse Arts Workshop and their design team from the Pritzker-prize winning architecture firm Herzog & de Meuron in the design and development of a contemporary industrial fabrication center established to serve the working needs of artists in New York City. He is currently a member of the faculty at Parsons School of Design and Greenwich House Pottery in New York City. His work has been presented extensively throughout the world with the Anna Kustera Gallery, David & Schweitzer Contemporary, Christopher Stout...

"Jolly" (2024) by Carolyn Barlock is an original, handmade ornament made with Persian luster and 22kt gold on porcelain. About the Artist: Carolyn L. Barlock was born in Denver, Co...

Sculptor Jeff Glode Wise's expertise as a jewelry maker is immediately evident in the pedestal-sized kinetic sculpture "Streaming Obelisk." The mixed media ...

"As an artist I strive to create elegant sculptures that capture the true essence of the subject matter. Form, line and surface are used as the visual language. The figure is abstrac...

Andrew Casto (b. Ohio, USA, 1977) lives and works in Iowa City, USA. He was the 2011 MJD fellow at The Archie Bray Foundation for Ceramic Art in Helena, Montana, and has exhibited wo...

Steel, gold leaf, enamel paint, varnish. Richard Taylor says of his "Golden" sculpture series: "Gold is light, knowledge, power, sanctity, treasure, the s...

Andrew Casto (b. Ohio, USA, 1977) lives and works in Iowa City, USA. He was the 2011 MJD fellow at The Archie Bray Foundation for Ceramic Art in Helena, Montana, and has exhibited wo...

Artist's Statement At first I went to state fairs to do small drawings and little gestural sculptures of animals. Eventually I bought some chickens for models but soon realized i...

Steel, gold leaf, enamel paint, varnish. Richard Taylor says of his "Golden" sculpture series: "Gold is light, knowledge, power, sanctity, treasure, the s...

Measures about 4 X 3.75 inches. Box frame is 17 X 13 inches. Signed by artist verso. From the literature that I have seen I believe the edition size was limited to 10, I do not know ...

We offer a wide range of bronze, silver and gold sculptures, which have been carefully created for the discerning buyer. This gold and black cheetah sculpture is ideal for your home ...

This small abstract vessel by Connecticut-based ceramicist, Jon Puzzuoli, is made with glazed ceramic and 18k gold luster. The bottom, matte white base of the vessel is exposed under...

Silvana Cenci, internationally renowned explosive sculptor, died October 1, 2000 at her home in Gray. Ms. Cenci, who was born in Florence, Italy, before World War II, married Stuart Church and moved to the U.S. permanently in 1959. She lived in Boston for many years, where she was a founder of the Brookline Art Center and a founding member of Summerthing. She exhibited widely throughout Europe and the U.S., and her work is in many museums and public and private collections. After moving to the States, Ms. Cenci began working with new technologies from the aircraft industry, and with explosives. She moved to Northwood, NH, in the early 60s, and pursued and perfected her revolutionary experimentation with explosive sculpture in stainless steel. A native of Italy, she lived most of her life in America where she became internationally known, primarily for using dynamite to blast images into stainless steel and finishing some pieces with pure gold. The pieces created with dynamite were often utilized by architects. One piece titled “Wheels in Motion” hung in Boston’s South Station. Education and Training Accademia di Belle Arti, Florence, Italy Academie de la Grande Chaumiere, Paris Lewis and Clark College, Portland, Oregon Selected Individual Exhibitions Galleria Numero, Florence, Italy Galleria San Carlo, Naples, Italy Galleria d'Arte Totti, Milan, Italy Galeria Beno, Zurich, Switzerland Nova Gallery, Boston Weeden Gallery, Boston Capricorn Gallery, New York City Roach-Hoffman Gallery, Naples, Florida Bristol Art Museum, Bristol, Rhode Island, retrospective Frank Tanzer Gallery, Boston Symphony Hall, Boston Musica Viva, Cambridge, Massachusetts Los Llanos Gallery, Santa Fe, New Mexico Northern Arizona University, Flagstaff Selected Group Exhibitions "Oregon Artists," Lincoln County Art Center, Lincoln, Oregon "Exhibition of Painting and Sculpture," Henry Art Gallery, Seattle, Washington "West Coast Sculptors," Portland Art Museum, Portland, Oregon "Mostra Nazionale del Bianco e Nero," Museo Civico Castello Urasino, Catania, Italy "New England Art Today," Northwestern University, Boston "New England Sculptors Association," Boston City Hall, Boston "Silvana Cenci and Calvin Libby," Bristol Art Museum, Bristol, Rhode Island "Adele Seronde and Silvana Cenci," Weeden Gallery, Boston "Contemporary Italian Art-Italian Heritage," Boston City Hall, Boston, catalog "Explosion of Form, Color, Imagination: Works by Silvana Cenci Selected Awards First Honorable Mention, "Design in Transit," Massachusetts Bay Transportation Authority Competition, Institute of Contemporary Art, Boston, Massachusetts Research in Creative Art Grant, Blanche E. Colman Foundation, Boston, Massachusetts Statue of Victory, World Culture Prize for Letters, Arts and Sciences, Centro Studi e Ricerche delle Nazioni, Salsomaggiore Terme, Italy Harvard-pedigreed architect Harlow Carpenter built the Bundy in 1962. The venue's first decade was lively with exhibitions that featured a large cast of artists, including Dino Basaldella, Judith Brown, Silvana Cenci, Xavier Corbero...

Glover did not begin her career as an artist. After receiving an MBA from Harvard Business School, she served as an international consultant in strategy, industry best practices, and...

Born in Detroit, Steven Montgomery’s work revels in a history of industry and aging as the artist uses porcelain to produce intricate mechanical forms with the appearance of metal. H...

"Copernicus' Midnight Sun" from "Worlds in Collision" Large Sculpture Series by Isobel Folb Sokolow Welded steel, welding rod and gold leaf Sokolow welds organic abstract forms fro...

"Vase with Owl, Koi and Deer" Hand Built & Painted Vase Materials: Porcelain, Glaze, China Paint, Gold Luster, Gold Leaf, Flocking Fired: Electric Kiln, Cone 6 Signed (bottom) COA pr...

Bronze with Gold Leaf Based on Boky Hackel-Ward’s self-portrait, this sculpture is not only about what can happen to us when we get lost in a love that seems to be grander than gran...

Totally unique piece, with an outstanding construction .Unique. This acrylic box is a dimensional work featuring three interchangeable, scented panels. Vibrant colors, an original an...

Glover did not begin her career as an artist. After receiving an MBA from Harvard Business School, she served as an international consultant in strategy, industry best practices, and...

Ardor is a brand born from the vision of artist Raffaele, inspired by "Angelo-Raffaele's Desire to Return" and dedicated to his son. Originally from Naples, Raffaele moved to Miami a...

"Wild Cherry" (2024) by Carolyn Barlock is an original, handmade sculpture made with Persian luster and 22kt gold on porcelain. About the Artist: Carolyn L. Barlock was born in Den...

Blue Boy The Blue Boy, paired the Lawrence portrait, Pinkie, at the Huntington Library, are icons of high art. Here, I rendered Blue Boy as a turned form ...

"Witch Hazel" (2024) by Carolyn Barlock is an original, handmade vase made with Persian luster and 22kt gold on porcelain. About the Artist: Carolyn L. Barlock was born in Denver, ...

"Waltz (1/2)" (2024) by Carolyn Barlock is an original, handmade vase made with Persian luster and 22kt gold on porcelain. About the Artist: Carolyn L. Barlock was born in Denver, ...

"Beyond Compare" (2024) by Carolyn Barlock is an original, handmade sculpture made with Persian luster and 22kt gold on porcelain. About the Artist: Carolyn L. Barlock was born in ...

Inspired by amateur archaeologists such as Heinrich Schliemann who discovered Troy and by past elaborate hoaxes like that of the Piltdown Man, Joshua travels the world performing sta...

The artistic collaboration of Kelly Bugden + Van Wifvat has produced a thought-provoking body of sculptures, paintings, and constructions. Nature, childhood memories, and everyday archetypes take shape in unexpected combinations of materials. The works emerged as the tactile and visual senses channeled the ritualistic power and materiality of selected artifacts. The resulting objects exist in a space between what they were originally and what they could become. A wheel, for example, is distorted as if seen through a prism. Their collaboration grew out of years of shaping materials into one-of-a-kind objects. Intuitively, the process of creating with their hands took an inward turn. Prism is a travelogue through memories and dreams, yielding abstract forms that capture moments of transformation. Van Wifvat grew up with eight siblings and studied sculpture and environmental design in Minneapolis at MCAD. In 1979, he opened a storefront art gallery to promote the work of local artists. The space featured printed materials—art books, periodicals, fanzines, and postcard’s. Wifvat moved to New York in 1983 to study at the Fashion Institute of Technology and Parsons. In 1987, he co-founded Van Gregory & Norton design studio, specializing in convex mirrors and curtain hardware...

Cardboard, gold leaf, gilder’s bole This work was created for an exhibit as part of the artistic unit SHIKŌ, a collaborative effort between sculptors Kanji Hasegawa, Isaji Yugo, and...

DAS ICH UND DAS ES (The Ego and the Id) Bronze with 24k Gold Leaf Dimensions: 9.4" x 5.1" x 5.1" (24 x 13 x 13 cm) Edition Size: 6 This sculpture was inspired by Freud’s paper b...

ADRIANA MARMOREK ANIMA, 2013 glass, gold leaf, motor 8.66 x 13.39 x 9.06 in. 22 x 34 x 23 cm. Edition of 6 A small fan blows air into the glass orb which makes the gold leaf dance

Pair of Lacquer wood Buddhist Monks Burmese wood and lacquer and gold, color glass decoration. Figures in a praying tranquil position. They are wearing jeweled robes with inlay an...

Lego, gold leaf, plastic model This collaborative work, which began with a common interest in Buddhism, explored the idea of expressing the sacred within everyday life. As artist and Zen monk...

Born in Detroit, Steven Montgomery’s work revels in a history of industry and aging as the artist uses porcelain to produce intricate mechanical forms with the appearance of metal. H...

While navigating Landsat records of Earth's land surfaces from space I discovered large areas of disturbed landscapes. These were immense open pit mines at numerous locations worldwide, many of which were Rare Earth mines or REEs. A digital image of a rare earth mine in Madagascar in combination with Landsat imagery, vintage damask wallpaper...

Reflection A mass-produced plaster bust of JFK faces an anonymous cast Asian female with slightly mirrored gold ecliptic glass between them that reflects t...

LLC and mining operation being bought up at an alarming rate by international consortiums. The Rare Earth artworks grew out of my investigative research in 2009 while working on a Smithsonian Artist Research Fellowship (SARF) application. That resulted in a body of work titled “Imagos”– photo/journalism images that capture a moment in history and immediately place the viewer at that moment in time. While navigating Landsat records of Earth's land surfaces from space I discovered large areas of disturbed landscapes. These were immense open pit mines at numerous locations world wide, many of which were Rare Earth mines or REEs. The mining and processing to separate the rare earth elements is an environmental conundrum. On one hand these elements are in extremely high demand and necessary for electric vehicles...