Iron Sculptures

Wall Mounting Mixed Media Sculpture, Iron on Wood Panel, Populace by Mary Giles Mary Giles (1944-2018) received her BS in Art Education from Mankato State University in Minnesota. ...

This work is hand signed. It is not dated. Murat Brierre or Murat Briere (1938–1988) was one of Haiti's principal metal sculptors. He was influenced by George Liautaud, but his work acquired its own, highly experimental style, often focusing on multi-faceted and conjoined figures, fantastically personified elements, and unborn babies visible within larger creatures. He sculpted works that reflected both Christian and Haitian Vodou themes. Murat BRIERRE was born in Mirebalais in 1938. He first worked as a builder, cabinetmaker and blacksmith before being introduced to Le Centre d’Art in 1966. After trying painting with DeWitt Peters, he realized that metal sculpture was best suited for him and studied under Georges Liautaud in order to learn the métier. He also made very beautiful linocuts. Francine Murat quickly recognized his talent and considered Brierre to be one of the best Haitian sculptors. He passed away in 1988 at the age of 50. Brierre was known for his recycling of surplus steel oil drum lids. Brierre worked as a brick mason, cabinetmaker, tile setter, and blacksmith. He was born in Mirebalais or Port-au-Prince, Haiti and was the younger of two brothers. His older brother, Edgar Brierre, was a painter and sculptor. The brother's signed their works with only their last name, creating some confusion within their professional circles about the authorship of their work. Brierre's sculptures typically ranged from three to six feet in length and reflected Christian, Haitian Vodou, and folklore themes. Brierre was also a painter, but ultimately chose to work with metal because he felt that the material was saturated with spiritual energy. It was a laborious process. The oil drum lids were hammered flat, drawn onto, then cut with a razor. The sheet was then cut with a chisel before finishing was completed with a file. By the mid1970s, Brierre's sculptures included pronounced areas of cut outs surrounding long curved lines of metal. Brierre's iron sculpture titled Chien de Mer overlays a dog head onto the body of a fish. Haiti has long celebrated a rich artistic and cultural heritage. Georges Liautaud (1899–1991) ignited the Haitian metal sculpture movement in the 1950s in Croix-des-Bouquets, Haiti. A blacksmith by trade, he fashioned crosses for public cemeteries before creating more elaborate cut-metal works. Liautaud disseminated the distinctly Haitian art form to emerging artists, such as Murat Brièrre (1938–88) and the Louisjuste brothers, Sérésier, Janvier, and Joseph (1940–89). They, in turn, taught others in Croix-des-Bouquets, including Gabriel Bien-Aimé (b. 1951) and Serge Jolimeau (b. 1952), Haiti’s two leading metal sculptors working today. Discarded steel oil drums have historically served as the base material for Haitian metal artists. The drums’ lids are cut open with a chisel and hammer and a long vertical split is made along the side of the drums. The interiors are filled with dried sugarcane or grass and lit on fire to remove any grime; once cool, the drums are flattened into sheets. Designs are chalked on; pieces are then cut and sculpted using only hand tools and further enhanced by hammering, embossing, cutting holes, and bending the metal. Sculptures reflect everyday life portraits, imaginative themes, and motifs of Haitian Vodou, an African Diasporic religion. Some of the many forms that appear include angels and winged creatures, mermaids and other aquatic figures, musical bands, animals, and earthly, paradisiacal scenes. Solo exhibitions 1967 – Haitian Art Gallery, New York 1968 – Centre d'Art, Port-au-Prince, Haiti; Bradley Galleries, Milwaukee, Wisconsin; Georgetown Graphics Gallery, Washington D.C.; Menschoff Gallery, Chicago; John Michael Kohler Arts Center, Sheboygan, Wisconsin; Roko Gallery, New York 1969 – Centre d'Art, Port-au-Prince, Haiti; Showcase Gallery, Washington D.C.; Botolph Group, Boston 1970 – Centre d'Art, Port-au-Prince, Haiti 1972 – Centre d'Art, Port-au-Prince, Haiti; Roko Gallery, New York 1979 – Areta Contemporary Design, Boston Group exhibitions 1969 – Davenport Art Gallery, Iowa 1974 – Davenport Art Gallery, Iowa 1978 – Brooklyn Museum, New York (traveling) 1982 – Studio Museum in Harlem, New York 1983 – Chicago Public Library Cultural Center 1985 – Davenport Art Gallery, Iowa 1987 – Musée du Panthéon National, Port-au-Prince, Haiti 1988 – Galeries Nationales d'Exposition du Grand Palais, Paris 1989 – Museum of Art, Ft. Lauderdale, Florida 2006 – Phyllis Kind Gallery in conjunction with the Outsider Art Fair, New York 2024 Ayiti Toma II: Faith, Family, and Resistance, Luhring Augustine, Tribeca, New York 2023 Haitian Metal Sculpture, SFO Museum, California, USA 2015 Celebrating African American Art, Flomenhaft Gallery, Chelsea, New York, USA An important exhibition of works by outstanding African American artists. Included were: Emma Amos, Benny Andrews, Romare Bearden, Murat Brierre, Beverly Buchanan...

Invitation is a bronze sculpture with an iron stand by contemporary artist Delphine Brabant, dimensions are 50 × 30 × 10 cm (19.7 × 11.8 × 3.9 in). The sculpture is signed and numbe...

Wood, stone, iron. The raw material and the material of a sculptor. ancestor of any architectural practice. But the architect, the sculptor and the artist do not remain alone in thei...

Artist: Victor Delfin, Peruvian (1927 - ) Title: #1 Bird Year: 1978 Medium: Hand-Welded Bronze, Copper and Iron Sculpture Size: 45 in. x 71 in. (114.3 cm x 180.34 cm)

Wood, stone, iron. The raw material and the material of a sculptor. ancestor of any architectural practice. But the architect, the sculptor and the artist do not remain alone in thei...

Israel Hadany (Israeli, 1941-). A stainless steel maquette for sculpture "Three Tubes", currently installed at the University of Pennsylvania ...

A. Ghosh - Untitled Galvanize Iron and Conchs H 42 x W 36 inches, Dia ( Delivered ) Born : 19.01.1972 Qualification : Diploma in furniture design silpa sadana, Visva-Bharati Univer...

A unique piece from 2014, in excellent condition, with artist's certificate of authenticity. The sculpture is created like this: internal iron structure, carved and shaped with ceme...

This very intense and engaging artwork was created by Urano Palma that is a well known Italian artist who starts to create his artworks following the philosophy of Lucio Fontana. He ...

Wood, stone, iron. The raw material and the material of a sculptor. ancestor of any architectural practice. But the architect, the sculptor and the artist do not remain alone in thei...

Wood, stone, iron. The raw material and the material of a sculptor. ancestor of any architectural practice. But the architect, the sculptor and the artist do not remain alone in thei...

The expression phantom limb describes the persistent sensation of a missing body part. It suggests an unresolved tension, a yearning for something that once was and has since been lo...

The expression phantom limb describes the persistent sensation of a missing body part. It suggests an unresolved tension, a yearning for something that once was and has since been lo...

El Lector original sculpture bronze iron. by the Spanish artist AMANCIO GONZALEZ bronze. Fantastic piece of art representing Spanish sculpture AMANCIO Gonzalez ( Leon 1965 ) Amanc...

Sculpture by the Spanish artist AMANCIO GONZALEZ bronze. 7 ejemplares Fantastic piece of art representing Spanish sculpture AMANCIO Gonzalez ( Leon 1965 ) Amancio González is a scul...

Sculpture by the Spanish artist AMANCIO GONZALEZ bronze. Series limited to 7 copies+ II PA Fantastic piece of art representing Spanish sculpture Artist well known for his large forma...

Intuition is the quiet whisper of the soul that guides us through the darkness of the unknown. It is an invisible thread that connects the heart to true knowing, bypassing the mind a...

For many, rusty materials, pieces of glass or plastic fragments are not rubbish that should be left in the trash can.Finkelman's creative sensitivity has made these materials irrepla...

Column XIV (Pointer), John Van Alstine. This sculpture will be shipped directly from the artist's studio.

Masculine inspiration can take many forms and looks different depending on the individual, his personality, energy, and emotional state. But generally speaking, masculine inspiration...

This sale is for one of them of the Cast Iron Roundels. However, we have 3 Cast Iron Roundels from the Old West Side Highway in Manhattan if you want to buy all three... reach out to us. . Each retains its original industrial paint. If the paint is removed, the clear shape of the iron cast will be removed. Each roundel has a different image and story. They were designed in 1928 by Rene Paul Chambellan...

Sculpture by the Spanish artist AMANCIO GONZALEZ 7 COPIES Fantastic piece of art representing Spanish sculpture Amancio González is a sculptor from Leon and an internationally celebr...

Mireia Serra's little figurative bronze sculptures capture feelings and sensations of day to day lives. She transforms everyday dilemmas into something beautiful that captures the be...

This is a large sculpture and also includes an artist custom framed silkscreen with extensive handwork titled Line of Time, pencil signed and inscribed, presented in heavy metal and wooden frame (framed piece 24.5 x 30 in., sculpture piece is about 94 X 11 inches) Francoise Schein is a visual artist, trained as an architect - urban planner; She also teaches art at the ESAM Higher School of Arts and Media in Caen in Normandy . She is the founder of the INSCRIRE Association. In 2016, she was elected member of the Royal Academy of Sciences, Arts and Fine Arts of Belgium. Group Exhibitions Spain: 2016, The "5Contemporary" Paris gallery presented a group show at the Museum of Contemporary Art of Genalguacil, Spain. The show included important artists such as Françoise Schein, Mimouni and Pedro Castrortega. Born in Brussels , Françoise Schein left Belgium after studying architecture at the higher institute of architecture of the French community - La Cambre where she wrote her thesis on fundamental rights, then studied urban design at the Columbia University in the City of New York . She lived 11 years in New York where she begins a work on cartography territories. Subway map Floating on NY Sidewalk is his first monumental urban sculpture located at 110 Greene Street in SoHo (1985). At that time her works are abstract landscapes of cities, made up of networks, lines, trajectories, territories, founding texts and stories. They are constructed of very diverse materials and light. Returning back to Europe in 1989, she continues to work on what she calls her drawings-laboratories while beginning to integrate works in cities on civic themes, the main ones: at the Concorde metro station in Paris in 1991 and then in Brussels, Saint-Gilles , in 1992, these two projects took her to Lisbon in 1993 where she lived for five years and produced two monumental works (in azulejos) for the city of Lisbon at Parque metro station ( 1994) and another for the city of Stockholm at the Universitetet station (1998). She continues to travel to cities where she builds successively projects in Haifa , on the facade of the Beth Hagefen Jewish-Arab Cultural Center with Michel Butor (1994). Then she lives in Berlin where she builds the Westhafen station (2000) which takes her to Bremen to make her first human rights park, Rhododendronpark (2002). In 2005, she made the monumental Time Zone Clock in Coventry in 2005. Since 1999, she has also settled in Rio de Janeiro and initiated participatory artistic projects with the underprivileged population of the favelas . Since then, with the help of a locally trained team, many projects have been carried out, including one in Copacabana and more than 20 in different favelas (from 1999 to 2016). These works transformed the Rio workshop into sustainable development for the people who invested it. In Sao Paulo, since 2009, Françoise Schein has produced a monumental work with the participation of 1000 young people from the favela schools at Luz subway station. Her work is monumental recalling the works of Christo, Maria Dompe, Christian Boltanski, Anish Kapoor, Ai Wei Wei...

The synergy of a man and a woman is a deep interaction of two energies that complement each other, creating a unity stronger than each one alone. It is a fusion of strength and tende...

Bella Feldman (American, b. 1930), Untitled, metal 2-wheeled cart with metal cables, (Provenance: Allan Stone Gallery, New York, NY) gallery label affixed affixed verso, overall: 37"h x 48"l x 37"w. Provenance: Private Collection Bella Feldman is an American sculptor whose work addresses the themes of sexuality, war, and the persistent anxiety of the industrial age. Feldman is known for pioneering the use of glass with steel. Her work has affinities with Surrealism, Post-Minimalism, and the Feminist art movement, although she has no formal affiliation with these. A Professor Emeritus at the California College of the Arts, Feldman lives and works in Oakland, CA and London, England. Bella Feldman was born in 1930 in New York City to a family of working-class Jewish immigrants from Poland. She grew up in the Bronx tenements. Feldman attended The High School of Music & Art in Manhattan during World War II. Students were required to visit museums and galleries as part of the curriculum. When Feldman was thirteen, she visited her first art museum, the Museum of Modern Art. There, she saw Meret Oppenheim’s Object (1936), the fur-lined cup and saucer, and was struck by her strong psychological response to this work. Other early influences included Alberto Giacometti’s The Palace at 4 a.m. (1932) and the sculpture of David Smith. One of Feldman’s earliest sculptures Warrior (1952) pays tribute to Giacometti. During the Holocaust, Feldman lost numerous family members who remained in Poland, an experience that helped shape her worldview. This includes her life-long preoccupation with war, and the overwhelming effects of the military-industrial complex. Feldman received a BA from Queens College, City University of New York. She married Leonard Feldman at age 18, and moved to California with him in 1951 where they both accepted teaching positions. Feldman has two children, Nina Feldman, born 1954 and Ethan Feldman, born 1956. In 1965, Feldman started teaching at the California College of the Arts. In 1971 she and her family moved to Uganda, East Africa on a grant from the E. L. Cabot Trust Fund at Harvard University. Feldman spent two years teaching art in Uganda prior to the genocidal war in that country. Upon her return to CCA, she faced gender discrimination and a threat to her job. Her successful fight to retain her position prompted her to later become an advocate for other women faculty, who she helped to achieve equity and job security. Feldman was awarded an MA in 1973 from San Jose State University. Her teachers were Sam Richardson...

A woman...Who is she? What does she think about? What does she dream about? Where do her thoughts fly? What kind of soul does she have? Why do I miss you so much? Why don't I feel fe...

Imagined Reality  is a sculpture realized by Vincenzo Gaetaniello, in 1960s. Cast iron, 47 x 62 x 38 cm. Label on the back with title and the artist's proof. Good conditions.  ...

Original sculpture of 8 ex. Publisher GKM. Acquired directly from the artist. Free shipment worldwide. Arman wrote, “The bow on the strings releases an explosion of sounds,” in the ...

Mireia Serra's little figurative bronze sculptures capture feelings and sensations of day to day lives. She transforms everyday dilemmas into something beautiful that captures the be...

A. Ghosh - Untitled Galvanize Iron and Conchs H 36 x W 42 inches, Dia ( Delivered ) Born : 19.01.1972 Qualification : Diploma in furniture design silpa sadana, Visva-Bharati Univer...

In his abstract constructions, Alex Corno does not make art to repeat what is visible, to paraphrase Klee’s affirmation. He uses the formal language of materials and space: opposing thin arcs, rods, and loops with weighty rectilinear forms to achieve a dynamic balance. Alex Corno welds his iron and stainless steel sculptures in a diverse range of scales, from small interior works to monumental garden...

Element, landscape, sunset, mountains, aerial perspective. It is like hills that disappear into the distance illuminated by the morning sun. Made by hand molding of living metal, fra...

Pez manta Original unic contemporary iron sculpture ron sculpture composed of ambient iron base. It is a stingray fish made from a farming tool. All the works of this artist are mad...

He and She reach for manifestation. He opens the way, She holds the foundation, grounds. He is spirit, She is matter. He is gold, She is silver. They are in the harmony of Creativity...

"Da sempre sono attratto dagli oggetti semplici, spesso dimenticati o fuori contesto. Riporto alla luce piccoli frammenti del quotidiano – giocattoli, gadget, elementi della cultura ...

A. Ghosh - Untitled Scrap Iron Welding & Conch H 96 x W 48 x D 48 inches ( Delivered in India ) Born : 19.01.1972 Qualification : Diploma in furniture design silpa sadana, Visva-Bh...

The Sails is a contemporary artwork realized by the artist Tatiana Pomus in 1974. Wood and iron sculpture. Signature of the artist engraved on the base. 

Mireia Serra's little figurative bronze sculptures capture feelings and sensations of day to day lives. She transforms everyday dilemmas into something beautiful that captures the be...

SALE ONE WEEK ONLY Schmidt mainly worked in cast iron and bronze. This work reflects the influences of ancient cultures, natural forms, and the machinery of the modern age. Synthesi...

A. Ghosh - Untitled Wooden Boat Iron & Conch Flower and Brass Flower W 72 x H 36 x D 36 inches ( Delivery Time 40 days ) Born : 19.01.1972 Qualification : Diploma in furniture desi...

Menashe Kadishman (Israeli, 1932-2015) Birth Iron 17-1/2 inches (44.5 cm) high on a 6-1/4 inches (15.9 cm) high wood base Hand signed and Inscribed on base Sculpture with base measur...

Phillip Shore's artwork is informed and influenced by his travels to and the study of the archeological artifacts from Ancient Greece and the relationship between humans and the env...

Narayan Sinha - Ganesha - 30 x 14 x 4 inches Brass, Iron, Metal and Found Objects. The artist uses discarded materials such as automobile parts, utensils, latches, locks, keys, wood, nuts and metal scrap to create sculptures and installations that tell the story. Style : For sculptor, Narayan Sinha, art is all about celebrating beauty. Sinha is mostly known for his installations created with junk automobile parts, metal drums, fuel tanks of kerosene stoves...

Imagination of the YinYang symbol in zinc The two semicircles are shown differently in this design than in the original YinYang symbol Masculinity is (also) represented in this desig...

Hand-Forged Life-Size Sunflower Sculpture by Italian Hammersmith - Indoor & Outdoor Art Description: Bring the warmth and poetry of nature into your space with this exquisite life-size sunflower sculpture, masterfully handcrafted by a renowned Italian hammersmith. Designed for both indoor and outdoor settings, this piece radiates elegance, charm, and artisanal excellence. Each sunflower is forged by hand using traditional techniques passed down through generations, embodying the essence of Italian craftsmanship. The delicate curvature of the petals, the intricate texture of the center, and the organic lines of the stem all contribute to a sculpture that feels alive with movement and emotion. Whether placed in a garden, terrace, entrance hall, or contemporary living space, this sculpture becomes an immediate focal point-inviting conversation, admiration, and a deeper appreciation for handmade artistry. Details: Origin: Italy Material: Hand-forged iron Finish: Natural patina suitable for outdoor use (custom finishes available on request) Dimensions: Life-size scale Condition: New, Suitable for: Indoor or outdoor display Style: Organic, botanical, timeless Celebrate the beauty of nature through the hands of an Italian master. A truly unique and timeless piece for collectors of fine art and lovers of bespoke design. Based in Caldes (Trentino, Italy), Zanoni is heir to a family tradition of blacksmithing passed down from his father, Luciano Zanoni, who famously forged a monumental four-meter olive tree sculpture...

Hand Forged Iron and Drilled Stone Candelabra Holocaust Memorial Judaic Menorah Sculpture David Palombo was an Israeli sculptor and painter. He was born in Turkey to a traditional family and immigrated to the Land of Israel with his parents in 1923. They lived in the Nahalat Shiva neighborhood of Jerusalem. In 1940 he began his studies at Bezalel Academy of Arts and Design, and from 1942 was a student of sculptor Ze’ev Ben-Zvi. For a period of time, Palombo was an assistant at Ben-Zvi’s studio and also taught at Bezalel. During this period he was also a member of the “Histadrut HaNoar HaOved VeHaLomed” (The General Federation of Students and Young Workers in Israel). In the 1940s he took art lessons at night. In 1948 he went to Paris, where he visited the studio of the sculptor Constantin Brancusi whose work influenced him. Around 1958 he married the artist Shulamit Sirota. In 1960 he quit his job to devote himself to art. In 1964 he married for the second time to the artist Yona Palombo. The two of them went to live in an abandoned home on Mount Zion in Jerusalem. In 1966 he was killed when the motorcycle on which he was riding ran into a chain stretched across the street to prevent the desecration of Shabbat. His widow opened a museum in their home that was active until the year 2000. Work by Palombo is included in the Judaic collection of the Jewish Museum (a well known Hanukkah menora). Palombo executed the impressive metal gates of the Tent of Remembrance at the Yad Vashem, the memorial to the martyrs of the holocaust, as well as the gates to the Knesset Building the United Nations Educational Scientific and Cultural Organization (Unesco award) awarded him a scholarship for study in Japan. He worked in marble, granite, bronze, iron and steel. as well as with glass mosaic tiles. Palombo’s early works, in the 1950s, were influenced by modernist sculptors such as Brancusi. These works were composed of abstract images from nature and were carved out of stone or wood. At the end of the 1950s he began making metal sculptors, using the technique of welding. His work took on a more abstract and expressive character. Education 1940 Painting with Isidor Ascheim, New Bezalel School for Arts and Crafts, Jerusalem 1942 Sculpture with Zeev Ben Zvi, Jerusalem 1956 Mosaic, Ravenna, Italy 1958 Welding Course Awards And Prizes 1966 UNESCO Award Exhibitions: Sculpture in Israel, 1948-1958 Mishkan Museum of Art, Kibbutz Ein Harod Artists: Zvi Aldouby, Yitzhak Danziger, Arieh Merzer, Dov Feigin, Aaron Priver, David Palumbo, Menashe Kadishman, Kosso Eloul, Yehiel Shemi, Zahara Schatz. The Spring Exhibition of Jerusalem Artists, Artists' House, Jerusalem Artists: Palombo, David Bezalel Schatz, Mordechai Levanon, Fima, Ludwig Blum 12 Artists, The Bezalel National Museum, Jerusalem Avraham Ofek, Aviva Uri, Avigdor Arikha, Yosl Bergner, Lea Nikel, Palombo, Ruth Zarfati, General Exhibition, Art in Israel 1960 Tel Aviv Museum of Art Artists: Naftali Bezem, Nachum Gutman, Shraga Weil, Shraga, Marcel Janco, Ruth Schloss

Hand Forged Iron Sconce Candelabra Holocaust Memorial Judaic table Sconce Sculpture David Palombo was an Israeli sculptor and painter. He was born in Turkey to a traditional family and immigrated to the Land of Israel with his parents in 1923. They lived in the Nahalat Shiva neighborhood of Jerusalem. In 1940 he began his studies at Bezalel Academy of Arts and Design, and from 1942 was a student of sculptor Ze’ev Ben-Zvi. For a period of time, Palombo was an assistant at Ben-Zvi’s studio and also taught at Bezalel. During this period he was also a member of the “Histadrut HaNoar HaOved VeHaLomed” (The General Federation of Students and Young Workers in Israel). In the 1940s he took art lessons at night. In 1948 he went to Paris, where he visited the studio of the sculptor Constantin Brancusi whose work influenced him. Around 1958 he married the artist Shulamit Sirota. In 1960 he quit his job to devote himself to art. In 1964 he married for the second time to the artist Yona Palombo. The two of them went to live in an abandoned home on Mount Zion in Jerusalem. In 1966 he was killed when the motorcycle on which he was riding ran into a chain stretched across the street to prevent the desecration of Shabbat. His widow opened a museum in their home that was active until the year 2000. Work by Palombo is included in the Judaic collection of the Jewish Museum (a well known Hanukkah menorah). Palombo executed the impressive metal gates of the Tent of Remembrance at the Yad Vashem, the memorial to the martyrs of the holocaust, as well as the gates to the Knesset Building the United Nations Educational Scientific and Cultural Organization (Unesco award) awarded him a scholarship for study in Japan. He worked in marble, granite, bronze, iron and steel. as well as with glass mosaic tiles. Palombo’s early works, in the 1950s, were influenced by modernist sculptors such as Brancusi. These works were composed of abstract images from nature and were carved out of stone or wood. At the end of the 1950s he began making metal sculptors, using the technique of welding. His work took on a more abstract and expressive character. Education 1940 Painting with Isidor Ascheim, New Bezalel School for Arts and Crafts, Jerusalem 1942 Sculpture with Zeev Ben Zvi, Jerusalem 1956 Mosaic, Ravenna, Italy 1958 Welding Course Awards And Prizes 1966 UNESCO Award Exhibitions: Sculpture in Israel, 1948-1958 Mishkan Museum of Art, Kibbutz Ein Harod Artists: Zvi Aldouby, Yitzhak Danziger, Arieh Merzer, Dov Feigin, Aaron Priver, David Palumbo, Menashe Kadishman, Kosso Eloul, Yehiel Shemi, Zahara Schatz. The Spring Exhibition of Jerusalem Artists, Artists' House, Jerusalem Artists: Palombo, David Bezalel Schatz, Mordechai Levanon, Fima, Ludwig Blum 12 Artists, The Bezalel National Museum, Jerusalem Avraham Ofek, Aviva Uri, Avigdor Arikha, Yosl Bergner, Lea Nikel, Palombo, Ruth Zarfati...

Mireia Serra's little figurative bronze sculptures capture feelings and sensations of day to day lives. She transforms everyday dilemmas into something beautiful that captures the be...

Elements is a unique acrystal, oak wood and iron sculpture by contemporary artist Pavlína Kvita, dimensions including the plinth are 140 × 90 × 80 cm (55.1 × 35.4 × 31.5 in). The sc...

Mireia Serra's little figurative bronze sculptures capture feelings and sensations of day to day lives. She transforms everyday dilemmas into something beautiful that captures the be...

Standout 19th Century French La Belle Époque life size plant sculpture handcrafted in iron having a palm plant on a distinctive Art Nouveau style wrought iron base, all with a time e...

Iron sculpture realized by Wu De-Chun in 1990s. One-of-a-kind. Very good condition.

Schmidt mainly worked in cast iron and bronze. This work reflects the influences of ancient cultures, natural forms, and the machinery of the modern age. Synthesizing these elements,...

Mireia Serra's little figurative bronze sculptures capture feelings and sensations of day to day lives. She transforms everyday dilemmas into something beautiful that captures the be...

Composition is an original decorative object realized by Nino Franchina in the second half of the XX century. Original iron and wood. Iron sculpture c...

Rich and exuberant hand-forged iron reed with naturally folded leaves and a butterfly that has just landed. The sculpture is perfectly suited to outdoor and indoor environments. It ...

Contemporary Design, Ceramic Sculpture, Porcelain, Iron Particles, Glaze, Clay Perry Haas is a ceramic artist making functional pottery and focusing on wood-firing techniques. Drawi...

Mireia Serra's little figurative bronze sculptures capture feelings and sensations of day to day lives. She transforms everyday dilemmas into something beautiful that captures the be...