Marble Sculptures

Anna Kara is a designer who does everything with hands. She uses resin and marble powder for her creations, and we find on each skull more than 150 details. Born in Armenia in 1980, ...

This amusing naturalistic sculpture in silver-plated pewter was probably made in the 17th century by Georg Schweigger. Inspired by a model created by another Nuremberg sculptor, Peter Flötner, it bears witness to the persistence during the baroque era of the naturalistic taste that emerged in the Renaissance. Intended as an ornament for some Kunstkammer, or cabinet of curiosities, this sculpture was a great success, as can be seen from the presence of similar works in many European museums. 1. Georg Schweigger Georg Schweigger was a baroque sculptor and medal founder from Nuremberg, known mainly for his small-scale works in stone, carved wood and cast metal. His only large-scale work, the Neptune Fountain, has been in the Petershof Palace, the summer residence of the Tsars near St. Petersburg, since 1797. This monumental sculpture demonstrates his taste for the representation of movement, which we find in this small piece, inspired, as we shall see, by earlier models. 2. The success of a naturalistic theme As is often the case in the history of art, the source of the Dog scratching his ear theme probably comes from an engraving, and more precisely from one made in Strasbourg in 1480 or in Aschaffenburg in 1481 by the Master of the Housebook, an anonymous engraver working in southern Germany at the end of the 15th century. This engraving seems to have been Peter Flötner’s (1490 - 1546) source of inspiration. Peter Flötner was a sculptor and engraver who settled in Nuremberg in 1522. The Louvre Museum also has a gilded lead statuette dated between 1500 and 1515 (on deposit at the Musée de L'Œuvre in Strasbourg), which in turn is thought to have served as a model for other known statuettes. This model was later taken up by the Frenchman Barthélemy Prieur...

A very rare bronze cast of two battling Rams, by Sirio Tofanari (1886-1969). An old cast with a dark brown shaded patina. On a heavy green marble steppe...

Pair of Bronze Busts of Queen Mary when Duchess of York William Henry Tyler Dated 1893 These rare and highly important bronze busts of the future Queen Mary, created in 1893 by the ...

HIPPOLYTE FRANÇOIS MOREAU French, (1832-1927) Two Beauties Patinated bronze; Signed, The base inscribed H.MOREAU, surmounted on a green marble base. ...

Information: Anna is a designer who does everything with hands. She uses resin and marble powder for her creations, and we find on each skull more than 150 details. Born in Armenia i...

By sculpting both material and space around it, I want my sculptures to appear to move, to assert themselves; to change and grow, to move within, affect and break free from the solid...

Italian, 19th Century 32 in. x 15 in.

gilt bronze on marble base

"Metamorphosis" Bronze and Marble sculpture 22" x 6" in by Ibrahim Abd Elmalak Songbird, 2004 Bronze & Marble 56 x 16 cm, Signed & Dated Sculptures that mostly depict his...

The self-taught artist Roberto Perez Crespo, born in 1969 in Cuba and based in Miami, has been working on sculptures for nearly three decades, following his artistic call after abandoning a completed technical education in auto mechanical service. Pérez Crespo's practice moves between modernity and contemporaneity, pursuing his creative impulse from an emotional starting point. His religious approach partly directs these dynamic positions to classic Judeo-Christian sculptural themes such as maternity, the female body, and romantic love. Over the years, his interests have shifted from academic figurative representation toward a stylized abstraction of the human body. Formally he has explored the creation of less defined anthropomorphic forms while displaying a deft ability to work in various marble types. Perez Crespo's talent working in marble is evidenced by his ability to sculpt the stone into endlessly fluid shapes and contours. He is able, instinctively and organically, to materialize and bring to life an anthropological world that blossoms out of his manual skills. Perez Crespo's sculptures can be approached sensuously as tactile provocations that draw viewers into an intense, supple universe. Perez Crespo creates an imaginary ethos with metaphysical forms while taking significant steps toward an organic abstraction. He uses this type of abstraction that retains a solid figurative reference while outsourcing modernist elements from artists such as Henry Moore, Maria Martins...

"Symphony I" Bronze sculpture 28" x 15" inch by Ibrahim Abd Elmalak Bronze & Marble Signed & Dated Sculptures that mostly depict his characteri...

Born in Pasadena and raised in Orange County, Elizabeth Turk earned her M.F.A. at the Rinehart School of Sculpture, Maryland Institute College of Art in Baltimore. In Turk’s work, the shape of the line is created by extreme loss. That is, the reductive process of carving creates a positive, fragile form in which the absence of the original material is a focus. Turk encourages us to consider how nature has shaped these organic materials long before the artist’s manipulation of them into new forms. When viewed as components in a complex natural system, their singular beauty and inherent mystery is revealed. Turk compels us to view works of art not only as objects to be coveted and collected, but also as expressions of the natural world and our evolving relation to it. A recipient of numerous awards, including a MacArthur Foundation Fellowship (2010), a Barnett and Annalee Newman Foundation Fellowship (2010), and a Smithsonian Artist Research Fellowship (2011), Turk is internationally recognized for transforming her signature medium of marble into strikingly intricate objects that defy convention and challenge our preconceptions of what marble can do. Through the use of electric grinders, dental tools...

E. DECORI Italian, (19th C.) Marble Statue of a Winged Nymph H 23.50 in. x W 11 in. x D 14 in.

Working to drawings and sketches, Fox brings the flow of his pencil lines to life, with the form and void of each sculpture giving them a natural rhythm. In his wooden works, Fox sh...

An abstracted figurative sculpture by America Martin completed in steel. Powder coated in deep magenta finish. AMERICA MARTIN "In Stride" Powder Coated Steel in Deep Magenta on Car...

Artist Commentary: After seeing a show of the works of Matisse, I wanted to express the joy I find in his work. His wonderful pleasure in color and simple forms. Making it while in ...

Couple in love synchrony

Jessica Carroll is an Italo- American sculptor (b. 1961), member of an artistic family (her father was a painter, her mother a writer and her grandfather directed the movie Totò, Pep...

Coming from a family with a long artistic tradition. Vincent Du Bois accomplished to synthesize both classical background and comtemporary vision. From...

Coming from a family with a long artistic tradition. Vincent Du Bois accomplished to synthesize both classical background and comtemporary vision. From...

Coming from a family with a long artistic tradition. Vincent Du Bois accomplished to synthesize both classical background and comtemporary vision. From...

A fine classical form marble sculpture of a young boy with robe by Irish / American artist Martin Milmore (1844-1883). Milmore was born in Sligo, Ireland and was brought to Boston, Massachusetts in 1851, where his training began with his brother, Joseph, a stonecutter, who later became his assistant. Milmore was apprenticed to Thomas Ball from 1858 to 1862 working mainly on his equestrian "George Washington" (1858-61, Boston Public Gardens). After Ball departed for Italy, Milmore became Boston's leading sculptor. Realistic in his style, he is best known for his Civil War monuments and sculptures of prominent Bostonians including Wendell Phillips...

Anna Kara is a designer who does everything with hands. She uses resin and marble powder for her creations, and we find on each skull more than 150 details. Born in Armenia in 1980, ...

Nebza by Camilo Andres Rodriguez Marquez Iranian Pink Marble Dimensions: - Small sculpture (Square): H. 16 cm x 15 cm x 4 cm - Large sculpture: H. 10.5 cm x 33 cm x 4 cm Camilo A...

A rare Art Deco patinated metal sculpture modelled as an athletic male walking alongside a stylized lion utlizing cubist elements. The work is set on a black polished stone base whic...

Marble and hand-painted steel Edition of 35 15.3 x 30.5 x 15.3 cms (6 x 12 x 5 7/8 ins)

EMILE LAPORTE French, (1858-1907) Jeune Garçon et Chèvre Patinated bronze; Signed ‘Laporte’ on the white marble base. 40 x 17 1/2 inches

Available by commission. Please contact gallery for details. "Cumulus Stone No. 2" by Norman Mooney Carrara Marble, Stainless Steel In 1994 Mooney moved from Ireland to New York Ci...

Nail polish on glass, marble base

Nail polish on glass, marble base

Abel Barreto Olivera, based in Havana Cub4

Abel Barreto Olivera, based in Havana Cuba

The piece is based on Australian super-model Emma Champdaloup who really has those planar features, soaring cheekbones and intense gaze. I saw in the piece an archetypal female powe...

Cast bronze with patina finish on marble base

"Inner View Open_ Nexus III" by Caroline Ramersdorfer Three layered, marble slabs on a steel pedestal (each slab is 1.5" thick") Ramersdorfer carves slabs of marble to reveal comple...

A few years ago, I began developing high relief wall mounted sculptures, a departure from my longstanding practice of figures and heads sculpted in clay. I was seeking some of the s...

A few years ago I began developing high relief wall mounted sculptures, a departure from my longstanding practice of figures and heads sculpted in clay. I was seeking some of the sp...

The title, Cscape, is a contraction of “cultural landscape” which is how I think of these works. This piece was one of the first exhibitable examples of a sculptural process I develo...

Hydrocal blend, ground Carrara marble (wall-hung)

Elegant and understated, the beauty of calligraphic scripts has resonated across cultures and time. Elizabeth Turk: Written in Stone marks the change caused by technological communic...

Elegant and understated, the beauty of calligraphic scripts has resonated across cultures and time. Elizabeth Turk: Written in Stone marks the change caused by technological communic...

Elegant and understated, the beauty of calligraphic scripts has resonated across cultures and time. Elizabeth Turk: Written in Stone marks the change caused by technological communic...

Elegant and understated, the beauty of calligraphic scripts has resonated across cultures and time. Elizabeth Turk: Written in Stone marks the change caused by technological communic...

Elegant and understated, the beauty of calligraphic scripts has resonated across cultures and time. Elizabeth Turk: Written in Stone marks the change caused by technological communic...

Elegant and understated, the beauty of calligraphic scripts has resonated across cultures and time. Elizabeth Turk: Written in Stone marks the change caused by technological communic...

Elegant and understated, the beauty of calligraphic scripts has resonated across cultures and time. Elizabeth Turk: Written in Stone marks the change caused by technological communic...

Elegant and understated, the beauty of calligraphic scripts has resonated across cultures and time. Elizabeth Turk: Written in Stone marks the change caused by technological communic...

Elegant and understated, the beauty of calligraphic scripts has resonated across cultures and time. Elizabeth Turk: Written in Stone marks the change caused by technological communic...

Elegant and understated, the beauty of calligraphic scripts has resonated across cultures and time. Elizabeth Turk: Written in Stone marks the change caused by technological communic...

Elegant and understated, the beauty of calligraphic scripts has resonated across cultures and time. Elizabeth Turk: Written in Stone marks the change caused by technological communic...

Elegant and understated, the beauty of calligraphic scripts has resonated across cultures and time. Elizabeth Turk: Written in Stone marks the change caused by technological communic...

Elegant and understated, the beauty of calligraphic scripts has resonated across cultures and time. Elizabeth Turk: Written in Stone marks the change caused by technological communic...

Elegant and understated, the beauty of calligraphic scripts has resonated across cultures and time. Elizabeth Turk: Written in Stone marks the change caused by technological communic...

Elegant and understated, the beauty of calligraphic scripts has resonated across cultures and time. Elizabeth Turk: Written in Stone marks the change caused by technological communic...

Elegant and understated, the beauty of calligraphic scripts has resonated across cultures and time. Elizabeth Turk: Written in Stone marks the change caused by technological communic...

Elegant and understated, the beauty of calligraphic scripts has resonated across cultures and time. Elizabeth Turk: Written in Stone marks the change caused by technological communic...

Elegant and understated, the beauty of calligraphic scripts has resonated across cultures and time. Elizabeth Turk: Written in Stone marks the change caused by technological communic...

Elegant and understated, the beauty of calligraphic scripts has resonated across cultures and time. Elizabeth Turk: Written in Stone marks the change caused by technological communic...

Elegant and understated, the beauty of calligraphic scripts has resonated across cultures and time. Elizabeth Turk: Written in Stone marks the change caused by technological communic...