Marble Sculptures

A 19th century, hand carved marble bust of Marcus Aurelius Antoninus "Caracalla" (198-217 AD). Beautifully carved with intricate detail, the bust features elaborate robe of Siena mar...

Profundus Bronze Sculpture Nude Boy Contemporary Male Figure Marble Stone Wim van der Kant (1949, Kampen) is a selftaught artist. Next to his busy p...

A very fine museum quality Italian 19th-20th century life-size marble sculpture titled "Searching for Love" by Vito Pardo (Italian, born in Venice in 1872) Depicting a semi-nude life...

Per Se Bronze Contemporary Sculpture Nude Boy Male Figure Marble Stone Wim van der Kant (1949, Kampen) is a selftaught artist. Next to his busy profession as a...

David Bronze Sculpture Nude Boy Male Figure Marble Stone Wim van der Kant (1949, Kampen) is a selftaught artist. Next to his busy profession as a teacher at ...

Lucifer Evangilans Bronze Contemporary Sculpture Nude Boy Male Figure Wim van der Kant (1949, Kampen) is a selftaught artist. Next to his busy profession as ...

Pear Large Fruit Bronze Sculpture Artist signed, patinated bronze on black marble base 8"x8" Randi Grantham was born and raised in Las Vegas, Nevada and now lives in South Florida. ...

Augustus Saint-Gaudens 1848-1907 American Young Emperor Augustus Marble This extraordinary marble bust by revered American sculptor Augustus Saint-Gaudens is crafted in the class...

Luctatio Bronze Sculpture Nude Boy Male Figure Marble Stone This sculpture need to be ordered. We will cast a brand new one for you. The edition is 8 (plus 4...

Pear with a leaf. Artist signed, patinated bronze, on black marble base 8"x8" Randi Grantham was born and raised in Las Vegas, Nevada and now lives in South Florida. He is a self ta...

Ausum Bronze Contemporary Sculpture Marble Stone Nude Boy Male Figure Wim van der Kant (1949, Kampen) is a selftaught artist. Next to his busy profession as a teacher at a high scho...

Sorbe Small Bronze Sculpture Nude Boy Drinking Male Figure Marble Stone Wim van der Kant (1949, Kampen) is a selftaught artist. Next to his busy profession as a teacher at a high sc...

Figure of Recumbent Lion, 19th Century Carved gray veined marble 4.5 x 8 x 4.5 inches

Benzoni is one of the great Italians who was celebrated for marble carving in the 19th century. His work is in major museums throughout the world and has a work on the floor at the ...

Contemporary bronze sculpture on marble base by Polish artist Stan Wysocki. Artwork comes from limited edition of 8. Sculpture depicts female figure filtered through geometric, synth...

Demetre Haralamb Chiparus (also known as Dumitru Chiparus) (16 September 1886 in Dorohoi, Romania - 22 January 1947 in Paris, France) was a Romanian Art Deco* era sculptor who lived and worked in Paris. He was born in Romania, the son of Haralamb and Saveta. In 1909 he went to Italy, where he attended the classes of Italian sculptor Raffaello Romanelli. In 1912 he traveled to Paris to attend the Ecole des Beaux Arts* to pursue his art at the classes of Antonin Mercie and Jean Boucher. Demetre Chiparus died in 1947 and was buried in Bagneux cemetery, just south of Paris. The first sculptures of Chiparus were created in the realistic style and were exhibited at the Salon of 1914. He employed the combination of bronze and ivory, called chryselephantine*, to great effect. Most of his renowned works were made between 1914 and 1933. The first series of sculptures manufactured by Chiparus were the series of the children. The mature style of Chiparus took shape beginning in the 1920s. His sculptures are remarkable for their bright and outstanding decorative effect. Dancers of the Russian Ballet, French theatre, and early motion pictures were among his more notable subjects and were typified by a long, slender, stylized appearance. His work was influenced by an interest in Egypt, after Pharaoh Tutankhamen's tomb was excavated. He worked primarily with the Edmond Etling and Cie Foundry in Paris administrated by Julien Dreyfus. Les Neveux de J. Lehmann was the second foundry which constantly worked with Chiparus and produced the sculptures of his models. Chiparus rarely exhibited at the Salon. In 1923 he showed his Javelin Thrower, and in 1928 exhibited his Ta-Keo dancer. During the period of Nazi persecution and the World War II, the foundries discontinued production of work by Chiparus. The economic situation of that time was not favorable to the development of decorative arts and circumstances for many sculptors worsened. Since the early 1940s almost no works of Chiparus were sold, but he continued sculpting for his own pleasure, depicting animals in the Art Deco style. At the 1942 Paris Salon, the plaster sculptures Polar Bear and American Bison were exhibited, and in 1943 he showed a marble Polar Bear and plaster Pelican. Sculptures of Dimitri Chiparus represent the classical manifestation of Art Deco style in decorative bronze ivory sculpture. Traditionally, four factors of influence over the creative activity of the artist can be distinguished: Serge Diaghilev's Ballets Russes, ancient Egyptian art, and French theatre. Early motion pictures were among his more notable subjects and were typified by figures with a long, slender, stylized appearance. Some of his sculptures were directly inspired by Russian dancers. Quite often, Chiparus used the photos of Russian and French dancers, stars and models from fashion magazines of his time. After the tomb of Tutankhamun was discovered in 1922, the art of ancient Egypt...

Substantial, hand carved, solid marble bust of Roman Emperor Vitellius (24-69 C.E.) on a custom, iron base. Likely a 16th century copy of a 2nd century o...

Sezione Aurea 2024-013 is a unique wall sculpture by contemporary artist Mattia Bosco. This sculpture is made of Palissandro marble and gold leaf, dimensions are 67 × 39 × 6 cm (26.4...

Signed and dated: ‘F. Harwood Fecit 1764’ Collections: Probably commissioned by Alexander Gordon, 4th Duke of Gordon (1743-1827); Probably by descent at Gordon Castle, Banffshire to c.1948; Possibly acquired by Bert Crowther of Syon Lodge, Middlesex; Jacques Hollander (1940-2004); Christie’s, 5 December 2013, lot 101; Private collection; Sotheby’s, 2 July 2019, lot 106 Literature: John Preston Neale, Views of the seats of noblemen and gentlemen, in England, Wales and Scotland, London, 1822, vol.I, unpaginated. This marble copy of an ancient bust in the Musei Capitolini usually identified as Faustina the Younger, the daughter of Antoninus Pius and future wife of Marcus Aurelius, was made in Florence by Francis Harwood in 1764. Harwood was one of the most prolific suppliers of decorative marbles for the Grand Tour market and this finely worked example demonstrates the quality of luxury goods available to travellers to Italy. So often anonymous, this unusually signed and dated example, raises questions about the status of marble copies in the period and of sculptors such as Harwood who are known principally for ornamental work. Harwood’s origins remain obscure. He is documented living in Palazzo Zuccari with Joshua Reynolds and the Irish sculptor Simon Vierpyl at Easter 1752, he had certainly settled permanently in Florence by the following year, when he is recorded working with Joseph Wilton. He was admitted to the Florentine Academy on 12 January 1755 (as pittore Inglese, although he was described as scultore in the matriculation account). After Wilson returned to England in 1755 Harwood appears to have worked in a studio near SS. Annunziata with Giovanni Battista Piamontini who had made life-size copies of The Wrestlers and The Listening Slave for Joseph Leeson in 1754. In 1758 both sculptors were contracted to make a statue and a trophy to complete the decoration of the Porta San Gallo, Harwood completing a statue of Equality, installed the following year. By 1760 Harwood was on the brink of his most productive period as a sculptor, producing copies of celebrated antiquities for the ever-increasing audience of Grand Tour travellers and for the domestic market in London. In 1761 Harwood met the young architect James Adam who was in Italy specifically to make contact with suppliers for Robert Adam’s burgeoning practice back in Britain. The Adams offered a remarkably cohesive design package to their clients, encompassing not just architecture, but fixtures, fittings and furniture as well. Harwood was able to supply the brothers with marbles for their new interiors. At Syon, for example, Harwood produced a full-size copy of Michelangelo’s Bacchus for the new dining room the Adams had designed for Hugh Smythson, 1st Duke of Northumberland. Harwood seems to have also specialised in producing sets of library busts. In 1758 Charles Compton, 7th Earl of Northampton, a distinguished traveller commissioned a set of busts which remain in situ at Castle Ashby in Northamptonshire. It is perhaps no coincidence that the Adam brothers were producing designs for new interiors at Castle Ashby at this date. The set included representations of: Cicero, Julius Caesar, Marcus Aurelius, Faustina the Younger, Sappho, Seneca and Homer. Each of these busts Harwood seems to have replicated for multiple patrons, another Adam patron, Thomas Dundas...

Marble sculpture. 100 × 160 × 135 cm // 39.3 in x 63 in x 53 in. This artwork is available on commission. It will be created on the same basis as shown in the images and under the sa...

Smooth is a unique Statuario Carrara marble and glaze sculpture by contemporary artist Francesca Bernardini. The dimensions are 11 × 24 × 19 cm (4.3 × 9.4 × 7.5 in). The sculpture i...

Finis Saltationis Bronze Sculpture Nude Boy Male Figure Marble Stone This sculpture need to be ordered. We will cast a b...

Large, midcentury, cast bronze bust of a man mounted on a chic, veined, polished marble base of the same period.

Jaguar Cultivated Marble Casted Sculpture Wildlife In Stock Chris Tap (1973, Amsterdam) attended university where he studied economy and cultural anthropology, before he became a fu...

Portrait of a Lady by Charles CORDIER (1827-1905) A rare bust in white Carrara marble and onyx for the drape Signed on the backside " C. Cordier " Presented on a rounded white marbl...

Superbly carved white statuary Carrara marble bust of Flora, the goddess of flowers. Flora was often associated with the coming of spring and the fertility of the land. She also sy...

"I am a true Roman Emperor; I am of the best race of the Caesars—those who are founders." –Napoleon Bonaparte, 1812 Among the most iconic and celebrated figures in history, Napoleon...

An extraordinary 17th century, hand-carved, solid Carrara marble, life sized figure fragment on raised base of the same. The subject is swaddled in a luxurious, gathered robe and tun...

This sculpture weighs approximately 80 pounds it sits vertically without a base. This item can be purchased on commission basis, please allow 8 - 12 weeks before shipping. Smooth s...

A good antique Italian Grand Tour Bronze and marble bust of Dante Alighieri, circa 1880. The bronze is most likely Florentine and mod...

By Antonio Canova (Possagno, November 1, 1757 - Venice, October 13, 1822) Vigilant Lion and Sleeping Lion Stucco on marble base, 28 x 40 x 15 cm The two terracottas echo the icono...

Romero Britto Friar's Club Award for Tony Bennett, 2016 Mixed Media Enamel and Iron Sculpture on marble base This sculpture is signed by the artist with permanent marker on the base ...

BRONZE FIGURE OF MARS, 18th Century gilt bronze on marble base 35.6 x 8.9 x 7.6 cm 14 x 3 1/2 x 3 in

Cursus Bronze Sculpture Contemporary Nude Boys Male Figures Marble Stone Wim van der Kant (1949, Kampen) is a selftaught artist. Next to his busy profession...

Wrestlers. Patinated bronze, h 39 cm + 4 cm pedestal, w 46 cm l 27 cm Ferdinand Barbedienne (1810–1892)

19TH CENTURY CONTINENTAL SCHOOL Satyr with Cymbals and Kroupezion, Grand Tour after the Antique Bronze with marble base 26 in. h. x 15 in. w. x 10 in. d. This dancing faun is now mo...

PORTRAIT HEAD OF BEARDED MAN Central Italy, 16th/17th Century marble with traces of polychromy height 39 cm height 15 1/4 in

This sculpture is numbered in an edition of 50. This item can be purchased on commission basis, please allow 8 - 12 weeks before shipping. Smooth surfaced, engineered white marble ...

A Monumental Museum Quality Pair of French 19th Century Figural Gilt and Patinated Bronze Rosso Granite Marble Flambeaux Urns, each depicting a pair of standing allegorical and whims...

Fine Quality Patinated Bronze Figural Sculpture of King Menthuophi and Queen Nitocris. Signed on base, "E. Picault" Maker: Emile Louis Picault (1833-1915) Origin: French Date: 19th...

Marble, granite and limestone sculpture

Ad Dextram Bronze Sculpture Nude Boy Male Figure Marble Stone Wim van der Kant (1949, Kampen) is a selftaught artist. Nex...

A sensitively carved, solid alabaster, antique sculpture of famed Italian poet and philospher, Dante Aligheri (1265-1321). The figure in a rich, flowing robe, holding a book and wear...

Saltationus Casus Bronze Contemporary Sculpture Nude Boy Marble Stone Wim van der Kant (1949, Kampen) is a selftaught artist. Next to his busy profession as a teacher at a high school, he intensively practises his profession as a sculptor. Only when his work would measure up to his own standards, he decided to present it to the rest of the world...

ANCIENT ROMAN MARBLE RELIEF FRAGMENT Rome, 1st Century b.C. marble 23 x 15 x 5 cm without base 9 x 6 x 2 in

Fratres Bronze Sculpture Boys Brothers Male Nude Figure Marble Stone Wim van der Kant (1949, Kampen) is a selftaught artist. Next to his busy profess...

Selene is a unique arrara marble sculpture by contemporary artist Richard Perry, dimensions are 21 × 17.5 × 19.5 cm (8.3 × 6.9 × 7.7 in). The sculpture is signed and comes with a ce...

Antique Bronze Dog Portrait of a Löwchen on a Marble Base French 19th century 1/2 x 8 x 5 1/2 inches The chiseled bronze has a nuanced, rich brown patina depicting a Löwchen in the round, seated on a quadrangular marble base decorated with very fine gilt bronze flowers and fluted feet. Napoleon III, Louis XVI style. Based on a model by Jacques Caffieri for the Prince de Condé in 1773. (More images to be added.)F Executed during the nineteenth century, this figure is fully in line with the eclectic taste of the reign of Napoleon III. Indeed, the Empress Eugenie brought the Louis XVI style up to date in her castle of Compiègne. Jacques Caffieri is one of the most famous bronze smiths of the eighteenth century. In 1715 he was admitted as a master caster and chiseler, and worked almost exclusively for the crown castles...

A beautifully hand carved Roman marble bust of an Emperor or Senator. The richly draped robe features a relief of a face.

Amour De Paris 12 x 9 x 4 inches Edition of 25 Black marble sculpture of women's chanel bag Authenticity Certificate, acquired from artist's studio Frank Hollywood...

Émile-Louis Picault (1833–1915) Egyptian Scribe 'Hierogrammate'   Date: circa 1880 French Signature: signed Picault on base Size: height 33 in. x 10.25 in

Finely carved mythological subject in white Carrara marble of Apollo bust .

Carlos Aguilar y Linares, Mexican Sculptor (1945-2010) Sculpture chose him. In his hands and his soul he always had the necessary impulse to create wi...

ANGLES purple (2024) ​ MATERIAL Painted Aluminum / Marble ​ DIMENSIONS 32 x 18 x 18 cm Signed About the Artist José Luis Meyer (1981) is a contemporary sculptor. He has a masters degree in industrial design from TU-München in Germany and a background in mechanical engineering...

Aquila Bronze Sculpture Nude Boy Marble Stone Contemporary In Stock - Sculpture without Stone is 57 cm high Wim van der Kant (1949, Kampen) is a selftaught a...

Sezione Aurea 2024-020 is a unique wall sculpture by contemporary artist Mattia Bosco. This sculpture is made of black Palissandro marble and gold leaf, dimensions are 65 × 18 × 9 cm...

A white marble sculpture by Mario DeNoto. A modern abstract figure of subtly human-like features and slight gray veining. Artist: Mario DeNoto Title: Abstract Figure Medium: White...

Max Kalish (American, 1891-1945) Harmony, c. 1930 Bronze with green marble base Incised signature on right upper side of base 14 x 9 x 5 inches, excluding base 17 x 10 x 8 inches, including base Born in Poland March 1, 1891, figurative sculptor Max Kalish came to the United States in 1894, his family settling in Ohio. A talented youth, Kalish enrolled at the Cleveland Institute of Art as a fifteen-year-old, receiving a first-place award for modeling the figure during studies with Herman Matzen. Kalish went to New York City following graduation, studying with Isidore Konti...