Marble Sculptures

As a direct carver, Goulet would take her material as-is and begin to work without making any preparatory studies or maquettes. In Arcadia, the artist was able to uncover a loving co...

White marble sculpture - The Kiss. ​​19th century. 15 x 20 x h 20 cm including base, 12 x 17 x h 18 cm excluding base. Entirely in white marble, some small breaks and repairs. - ...

Light Element is a unique Belgium black marble and LED sculpture by contemporary artist Francesca Bernardini. The dimensions are 12 × 30 × 24 cm (4.7 × 11.8 × 9.4 in). The sculpture...

Artist: Kuno Vollet Title: Bronze Gingko with 8 leaves sculpture Materials: Cast bronze, white marble base Size: 80 x 10 x 10 cm _________________________________________________...

Sezione Aurea A7 is a unique sculpture by contemporary artist Mattia Bosco. This sculpture is made of Palissandro marble and gold leaf, dimensions are 72 × 53.5 × 4 cm (28.3 × 21.1 ×...

Georges Lavroff, Russian (1895 - 1991) - Tigre à l'affût, Year: circa 1925, Medium: Bronze sculpture on marble base, signature inscribed at base, Size: 4.5 x 21 x 4 in. (11.43 x 5...

Untitled, 2000 – 2012 is a unique and special composition by the sculptor. Instead of letting myriad folds be the focal point, it is the verticality and beauty of the stone and its ...

Bacio (Kiss) by Lorenzo Vignoli striking hand carved marble sculpture of rare Portuguese rosa marble by contemporary Italian sculptor Lorenzo Vignoli, incorporating classical refere...

Artist: Kuno Vollet Title: Bronze Gingko with 8 leaves sculpture Materials: Cast bronze, white marble base Size: 80 x 10 x 10 cm _________________________________________________...

Pietro Bazzanti - Barzanti (Italian, 1825-1895) "After the Bath" - A very Fine and large carved white Carrara marble figure of a semi-nude young maiden standing by the sea-shore. The smiling and posing young beauty, with bare breasts and back, her right arm juxtaposed over her head, while holding a blanket over her waist with her left hand and standing barefoot by a rocky seawall and wavy shoreline. Signed 'P. Barzanti/Florence' (on reverse) and raised on a cylindrical swiveling carved verde antico solid marble pedestal. circa: Florence, 1880-1890. Pietro Bazzanti or Barzanti (Italian, 1825-1895) was a 19th Century Italian sculptor born in Florence. Together with his brother, Niccolò Bazzanti (Firenze, 1802-1869) who was also a sculptor, they both worked the sprawling Florentine studio 'Pietro Bazzanti e Figlio' a hugely successful sculpture studio, operated within the family at their gallery on Lungarno Corsini until the mid-twentieth century. The studio was a place where many talented professors and apprentice sculptors specialized in sculpting marble genre scenes and allegorical figures as well as copies of antique and Renaissance sculpture catered to a prominent international clientele which included European and Russian aristocracy, and the Industrial fortunes being made in England and Americas drove considerable export demand. In 1861 the studio was awarded the medal for 'Ercole con cinghiale sulla spalla' (Hercules with boar on shoulder), 'Due Cani' (Two dogs) and 'Cinghiale' (Boar) sculptures at the National Exposition in Florence. In 1874 he exhibits his works in London and in 1876 in Philadelphia. Bazzanti frequently returned to the subject of 'After the Bath' or 'The Bather' in his works, having carved examples of the bathing Venus after the Antique and in dynamic and dramatic compositions such as the present sculpture. The finely-detailed work relates closely to popular figures produced by Bazzanti’s contemporary, Cesar Lapini, whose La Sopresa depicts a young woman stepping back from approaching waves. The sculptor’s penchant for realism is on full display with the contrasting matte and highly-polished finishes of the gently lapping waves at the figure’s feet, to the jutting rocks and soft skin. Elegant handling of textures is further exemplified in the draped fringe of the cloth. This monumental and Fine work is illustrated in situ at Bazzanti’s studio circa 1900 among other fashionable works of the period. Notes: Pietro Bazzanti was also known as Pietro Barzanti. There are conflicting dates of Pietro Bazzanti/Barzanti's birth/death year. Some auction houses and art galleries have described 'Pietro Barzanti' as Italian, 1842–1881 and Pietro Bazzanti as Italian, 1825-1895. However, according to Alfonso Panzetta – Nuovo Dizionario degli Scultori Italiani dell’ottocento e del Primo Novecento – 2003 Edition –Page 78, 'Pietro Barzanti' was in fact 'Pietro Bazzanti' one and the same, and it questions his year of his birth/death as "Firenze (?), ?, ?." thus we believe that the Italian, 1825-1895 description is the most plausible. Literature: Alfonso Panzetta – Nuovo Dizionario degli Scultori Italiani dell’ottocento e del Primo Novecento – 2003 Edition –Page 78. Auctions: Another example of this sculpture, probably also Pietro Bazzanti but almost a foot shorter (Height 44¾ in. (113.5 cm), unsigned and without its pedestal, was sold at Christie's New York, 19th Century Furniture, Sculpture, Works of Art and Ceramics Sale...

This modern outdoor sculpture was created in marble by Jeremy Guy. Smooth-surfaced, engineered white marble flecked almost imperceptibly with grey and black sparkles in the light. T...

Signed: A. Carrier-Belluese Two large bronze matching busts of an unknown male and female 22 x 10 x 11" male 23 x 10 x 9" female Both show signs of wear with their age but are in fa...

Anonymous, Bust of a young woman, c. 1900, artificial marble and gray onyx marble. 37 cm (height) x 37 cm (width) x 22 cm (depth), weight 17.2 kg. Signed “GURRINI” on the reverse. -...

Small bronze ornament - Bust of a woman. Italy, early 19th century. 8 x 8 x h 29 cm, without base h 23 cm (not signed). Made entirely of patinated and gilded bronze. Depicting a fe...

Medium: mahogany, marble As an artist I strive to create elegant sculptures that capture the true essence of the subject matter. Form, line and surface are used as the visual langua...

Venus Italica, imposing sculpture in white Carrara marble, mid-nineteenth-century Roman atelier. Antonio Canova made several sculptures depicting Venus. The first was made as compen...

20 inches tall x 11 inches wide at base. Signed. Numbered 6/100 A cast bronze sculpture that depicts an adult female, rural worker, mid-stride, holding a large bundle of wood on her...

Beautiful Art Nouveau marble. Campagne, Pierre Étienne Daniel French , 19th century , male. Active in Paris. Born 1851 , in Gontaud (Lot-et-Garonne). S...

Medium: Charred poplar, concrete As an artist I strive to create elegant sculptures that capture the true essence of the subject matter. Form, line and surface are used as the visua...

"Pair Recumbent Stone Lions" after Antonio Canova (1757-1822) Italian (possibly Florence) Mid 19th Century Alabaster, marble 6 x 9 x 4 inches This is an exquisite pair of Italian alabaster lions on marble bases based on the monumental lions carved by Antonio Canova (1757-1822), the greatest Italian neoclassical sculptor. Canova sculpted the marble lions for the monumental tomb of Pope Clement XIII in St. Peter’s, Rome in 1792 Canova Lions refers to the pair of copies of lion sculptures by Antonio Canova. When Canova created the sculptures in 1792, he installed them on the tomb of Pope Clement XIII. The marble sculptures are some of the most prominent features in St. Peter's Basilica in Rome. Given the intricacies of creating the original Canova lions, some artists created molds and replicated them. A good example is the pair of lion sculptures...

This is a mid 20th century mod abstract large bronze sculpture by Wolfgang Behl (German/American, 1918-1994). The sculptural group titled "The Family" features a mother and father with two children. Numbered 20/20. Signed. 21" H x 10 1/4" x 10 1/4 Wolfgang (Johann Wolfgang) Behl (1918 - 1994) was active/lived in Connecticut, Illinois / Germany. Known for Sculpture and as an architectural carver. A carver,designer, and teacher, Wolfgang Behl was born in Berlin, Germany where he studied at the Berlin Academy of Fine Arts. His teacher was otto Hitzberger, sculptor and architecture carver. I have seen some his work, particularly in carved wood compared to Constantin Brancusi although this one seems way more reminiscent of Alberto Giacometti. In 1939, Behl came to the United States and taught briefly in Pennsylvania at the Perkiomen School and in Rhode Island at the Rhode Island School of Design. There in 1943, he won the Joseph N. Eisendrath prize for sculpture. He also became a friend of Louis Mayer, sculptor from Milwaukee. In 1944, Behl took a job as Art Director at the Lake Forest Academy in Lake Forest, Illinois, and he also began a one-year teaching assignment at the Layton School of Art in Milwaukee. The last years of his life until his death were in Hartford, Connecticut. Source: Peter C. Merrill, "German-Immigrant Artists in Early Milwaukee" Originally from Berlin, Germany, Mr. Behl immigrated to the United States in 1939 and became a citizen in 1947. He studied with Waldemar Raemisch at the Academy of Fine Arts in Berlin, and later at the Rhode Island School of Design. He began teaching at the Hartford Art School in 1955, retiring in 1983 to devote his time to sculpting. Mr. Behl had exhibitions throughout the United States and Germany. Some of his solo exhibitions include the Arts Exclusive in Simsbury from 1976 to 1981, and the Bertha Schaefer Gallery in New York City from 1950 to 1973. He showed at the New Britain Museum of American Art, in New Britain, Connecticut in 1969. He also had several retrospectives, including one at the Greater Hartford Jewish Community Center in West Hartford until the end of this month. His works in bronze have a German Expressionist quality to them a pathos found in the works of Kathe Kollwitz and the Expressionist movement. He was known for his classically inspired, but often surrealist sculpture. Among his most-well known pieces are a series of sculptures done for the University of Connecticut Health Center. Several examples of Behl’s work are found on the campus of the University of Hartford. He was included in the show Monumentality in Modern Sculpture at the Contemporary Arts Museum Houston, Texas, 1957. Artists featured in the exhibition: Kenneth Armitage, Hans Arp, Ernst Barlach, Wolfgang Behl, Dorothy Dehner, Edgar Degas, José de Rivera, Max Ernst, Alberto Giacometti, Joseph Glasco, Julio González, Paul Granlund...

Substantial, hand carved, solid marble bust of Roman Emperor Vitellius (24-69 C.E.) on a custom, iron base. Likely a 16th century copy of a 2nd century o...

"El Torso" Bronze Sculpture. The sculpture is dedicated to female beauty and grace. The author portrayed a beautiful girl who is a little shy about her nakedness. Her body is stylize...

DANZA (Dance) by Lorenzo Vignoli striking hand carved Carrara marble frieze relief by contemporary Italian sculptor Lorenzo Vignoli, incorporating mesmer...

Impressive neoclassical Carrara marble sculpture depicting the Allegory of Friendship and Loyalty, second half of the 18th century. The sculpture depicts Friendship as a classical ...

Marble sculpture. 100 × 160 × 135 cm // 39.3 in x 63 in x 53 in. This artwork is available on commission. It will be created on the same basis as shown in the images and under the sa...

Ausum Bronze Contemporary Sculpture Marble Stone Nude Boy Male Figure Wim van der Kant (1949, Kampen) is a selftaught artist. Next to his busy profession as a teacher at a high scho...

Cursus Bronze Sculpture Contemporary Nude Boys Male Figures Marble Stone Wim van der Kant (1949, Kampen) is a selftaught artist. Next to his busy profession...

Aquila Bronze Sculpture Nude Boy Marble Stone Contemporary In Stock - Sculpture without Stone is 57 cm high Wim van der Kant (1949, Kampen) is a selftaught a...

Demetre Haralamb Chiparus (also known as Dumitru Chiparus) (16 September 1886 in Dorohoi, Romania - 22 January 1947 in Paris, France) was a Romanian Art Deco* era sculptor who lived and worked in Paris. He was born in Romania, the son of Haralamb and Saveta. In 1909 he went to Italy, where he attended the classes of Italian sculptor Raffaello Romanelli. In 1912 he traveled to Paris to attend the Ecole des Beaux Arts* to pursue his art at the classes of Antonin Mercie and Jean Boucher. Demetre Chiparus died in 1947 and was buried in Bagneux cemetery, just south of Paris. The first sculptures of Chiparus were created in the realistic style and were exhibited at the Salon of 1914. He employed the combination of bronze and ivory, called chryselephantine*, to great effect. Most of his renowned works were made between 1914 and 1933. The first series of sculptures manufactured by Chiparus were the series of the children. The mature style of Chiparus took shape beginning in the 1920s. His sculptures are remarkable for their bright and outstanding decorative effect. Dancers of the Russian Ballet, French theatre, and early motion pictures were among his more notable subjects and were typified by a long, slender, stylized appearance. His work was influenced by an interest in Egypt, after Pharaoh Tutankhamen's tomb was excavated. He worked primarily with the Edmond Etling and Cie Foundry in Paris administrated by Julien Dreyfus. Les Neveux de J. Lehmann was the second foundry which constantly worked with Chiparus and produced the sculptures of his models. Chiparus rarely exhibited at the Salon. In 1923 he showed his Javelin Thrower, and in 1928 exhibited his Ta-Keo dancer. During the period of Nazi persecution and the World War II, the foundries discontinued production of work by Chiparus. The economic situation of that time was not favorable to the development of decorative arts and circumstances for many sculptors worsened. Since the early 1940s almost no works of Chiparus were sold, but he continued sculpting for his own pleasure, depicting animals in the Art Deco style. At the 1942 Paris Salon, the plaster sculptures Polar Bear and American Bison were exhibited, and in 1943 he showed a marble Polar Bear and plaster Pelican. Sculptures of Dimitri Chiparus represent the classical manifestation of Art Deco style in decorative bronze ivory sculpture. Traditionally, four factors of influence over the creative activity of the artist can be distinguished: Serge Diaghilev's Ballets Russes, ancient Egyptian art, and French theatre. Early motion pictures were among his more notable subjects and were typified by figures with a long, slender, stylized appearance. Some of his sculptures were directly inspired by Russian dancers. Quite often, Chiparus used the photos of Russian and French dancers, stars and models from fashion magazines of his time. After the tomb of Tutankhamun was discovered in 1922, the art of ancient Egypt...

Tollit Bronze Sculpture Nude Boy Contemporary Male Figure Balance Marble Stone Wim van der Kant (1949, Kampen) is a selftaught artist. Next to his bu...

Ad Dextram Bronze Sculpture Nude Boy Male Figure Marble Stone Wim van der Kant (1949, Kampen) is a selftaught artist. Nex...

Crepis Bronze Sculpture Nude Boy Male Figure Marble Stone Wim van der Kant (1949, Kampen) is a selftaught artist. Next to his busy profession as a teacher at...

Luctatio Bronze Sculpture Nude Boy Male Figure Marble Stone This sculpture need to be ordered. We will cast a brand new one for you. The edition is 8 (plus 4...

The University of Michigan’s Museum of Art, which holds such a bust in its collection, describes this aridly as a “Bust-length figure of a woman with head turned proper left, down-tu...

Profundus Bronze Sculpture Nude Boy Contemporary Male Figure Marble Stone Wim van der Kant (1949, Kampen) is a selftaught artist. Next to his busy p...

Outstanding 19th century Italian finely carved Carrara "Statuario" marble sculpture of Antinoo , after the Antique The Capitoline 'Antinous'. Antinous, a young Bithinius favorite...

A beautifully hand carved, full size Carrara marble figure of a boy. The robe is elegantly draped with clasps.

A very fine museum quality Italian 19th-20th century life-size marble sculpture titled "Searching for Love" by Vito Pardo (Italian, born in Venice in 1872) Depicting a semi-nude life...

Comfort zone is a unique Bardiglio marble and steel sculpture by contemporary artist Francesca Bernardini. The sculpture is maintained on the iron base with magnets but it is movable...

Suspensus Bronze Sculpture Nude Boy Male Figure Marble Stone Wim van der Kant (1949, Kampen) is a selftaught artist. Next to his busy profession as a teacher...

Marmi 3 - Marble Sculpture, Brazilian Blue Sodalite, 2025, Signed 24x16" (60x40cm) MARMI by Andrea Gallotti. In the MARBLE series, Andrea Gallotti extends his long-standing explora...

Evolution is a unique White Carrara marble sculpture by contemporary artist Francesca Bernardini. The dimensions are 70 × 240 × 120 cm (27.6 × 94.5 × 47.2 in). The sculpture is sign...

Refuges is a unique Belgium black marble, Bardiglio marble, petit granit and steel sculpture by contemporary artist Francesca Bernardini. The sculpture is maintained on the granite b...

Sculpted from Spanish black marble, this enigmatic and powerful piece was created by Viktor Mitic. The Toronto based artist is known for his imaginative form and use of colour. This ...

A Museum Quality French White Marble Roundel Relief of Emperor Napoleon III, circa 1860. The quality of this marble sculpture of Napoleon III is trul...

striking hand carved Carrara marble and linden wood sculpture by contemporary Italian sculptor Lorenzo Vignoli, incorporating classical references and Greek mythology influences Med...

Black torso is a sculpture by French contemporary artist Yann Guillon. This artwork is signed and sold with a wooden base. Dimensions of the sculpture: 25 x 21 x 9 cm (9.8 × 8.2 × 3....

This monumental abstract sculpture named “Cycles” is created and curved by Lutfi Romhein. Its polished surface provides a perfectly smooth and soft touch...

Charna Rickey 1923 - 2000 Mexican-American Jewish Woman artist. Signed Bronze House of Books, Architecture Bronze sculpture, signed Charna Rickey and on the front "House of the book." It depicts an open Torah. Original patina. Approx. dimensions: 7 in. H x 9 in. W x 8.5 in. D. Weight: 13.1 lbs. Modernist Judaica Sculpture Born Charna Barsky (Charna Ysabel or Isabel Rickey Barsky) in Chihuahua, Mexico, the future artist lived in Hermosillo and immigrated to Los Angeles when she was 11. She was educated at UCLA and Cal State L.A., she married furniture retailer David Rickey and explored art while raising their three daughters. Moving through phases in terra cotta, bronze, marble and aluminum, she found success later in life. Rickey became one of the original art teachers at Everywoman's Village, a pioneering learning center for women established by three housewives in Van Nuys in 1963. She also taught sculpture at the University of Judaism from 1965 to 1981. As Rickey became more successful, her sculptures were exhibited in such venues as Artspace Gallery in Woodland Hills and the Courtyard of Century Plaza Towers as part of a 1989 Sculpture Walk produced by the Los Angeles Arts Council. Her sculptures have also found their way into the private collections of such celebrities as Sharon Stone. Another of Rickey's international creations originally stood at Santa Monica College. In 1985, her 12-foot-high musical sculpture shaped like the Hebrew letter "shin" was moved to the Rubin Academy of Music and Dance at Hebrew University in Jerusalem. The free standing architectural Judaic aluminum work has strings that vibrate in the wind to produce sounds. Rickey also created art pieces for the city of Brea. They commissioned some amazing art pieces by Laddie John Dill, Walter Dusenbery...

Artist: Anthony Quinn Title: Song of Zorba Year: 1984 Medium: Bronze sculpture on marble base, signature and year inscribed Size: 24 in. x 20 in. x 9 in. (60.96 cm x 50.8 cm x 22.86...

"Susanna surprised at her bath" by Giovanni Battista LOMBARDI (1822-1880) Sculpture made in white Carrara marble Signed and dated "GB. Lombardi, Roma 1873" Italy 1873 height 91 cm...

Finis Saltationis Bronze Sculpture Nude Boy Male Figure Marble Stone This sculpture need to be ordered. We will cast a b...

Fratres Bronze Sculpture Boys Brothers Male Nude Figure Marble Stone Wim van der Kant (1949, Kampen) is a selftaught artist. Next to his busy profess...

Important white marble bust depicting a high society woman, signed "Laure Martin Coutan" and dated 1887. This bust, carved from pure white Carrara marble, depicts a young woman wi...

Louis Kley (French, 1833-1911) The Lizard, 19th Century Gilt bronze and marble Signed to base 6.25 x 4.5 x 3 inches In Greco-Roman times, the lizard represented good fortune and reg...

Eo Sine Manibus Bronze Sculpture Nude Boy Male Figure Standing Marble Stone Wim van der Kant (1949, Kampen) is a selftaught artist. Next to his busy profession as a teacher at a hig...

Bufo Contemporary Bronze Sculpture Nude Boy Marble Stone Male Figure Wim van der Kant (1949, Kampen) is a selftaught artist. Next to his busy profession as a teacher at a high school, he intensively practises his profession as a sculptor. Only when his work would measure up to his own standards, he decided to present it to the rest of the world. In 1995, he exhibited for the first time with Morren Galleries. Van der Kant desires to sculpt young people who still stand uninhibited and curiously in life. The reason he chooses to sculpt boys is, because he is one himself, this way the subject is closer to him. The anatomy of his figures testify of perfectionism. Van der Kant's subjects show similarities with the sculptures from the Greek and Roman antiquity...

Art Deco sculpture titled “Folie” by Denis, with Le Verrier foundry stamp. Dancer with flowing veils and arms outstretched. Patinated metal figure on a marble base. Model circa 1930....

A white marble sculpture by Mario DeNoto. A modern abstract figure of subtly human-like features and slight gray veining. Artist: Mario DeNoto Title: Abstract Figure Medium: White...