Marble Sculptures

Noemi Palacios expresses herself through form and matter, a medium through which she has found a deep understanding of her inner self. Her evocative pieces are inspired by the univer...

Nasaghi is a unique Statuario Carrara marble sculpture by contemporary artist Francesca Bernardini. The dimensions are 20 × 36 × 24 cm (7.9 × 14.2 × 9.4 in). The sculpture is signed...

A good antique bronze sculpture of a brown bear by the celebrated French Animalier sculptor Antoine-Louis Barye, circa 1870. The bronze depicts a brown bear in a dynamic pose, head h...

Sezione Aurea 2024-020 is a unique wall sculpture by contemporary artist Mattia Bosco. This sculpture is made of black Palissandro marble and gold leaf, dimensions are 65 × 18 × 9 cm...

Feel the rush of alpine speed with this expressive Skier figurine, capturing an athlete charging downhill in a moment of pure motion and control. The fo...

Mark Morrison (1895-1964) Cockerel, ca. 1950 Carved and polished red Verona marble 4.25" wide, 8" deep, height is 22.25" Provenance: Estate of Mrs. Mark Morrison. Born: Kingf...

A. LACARRIÈRE PÈRE, FILS & CIE French, (Mid 19th century) Bronze Figural Torchères - Médaille d'or - Exposition de 1867 Monumental Patinated Bronze Figural Torchères on Pedestal; ...

 Upon his arrival in Paris in 1957, Adami befriended the sculptors Collamarini and Renato Ischia at the Ecole des Beaux-Arts, and met Ossip Zadkine at the Grande Chaumière, from whom...

Grand Tour Marble Bust of a Young Apollo (Late 19th Century) Marble bust on a swivel marble base Unsigned 24 ½" high x 21" wide x 9 1/2 " deep...

Angelo Maineri (Varese, 1962) has been an active sculptor since the late 1980s, a period in which he initiated his first public achievements. The work in question is a preparatory sk...

Perpetual motion is a unique Bardiglio marble and glaze sculpture by contemporary artist Francesca Bernardini, dimensions are 60 × 160 × 80 cm (23.6 × 63 × 31.5 in). The sculpture i...

Artist: Jack Graves III (American, 1988-) Title: "The Three Graces Sculpture (Antonio Canova)" Series: Sculpture *Signed, titled, and dated by Graves on bottom Year: 2021 Medium: Or...

ARISTIDE PETRILLI Italian, (1868-1930) Flora (Allegory of Spring) Signed Prof Pedrilli; Galleria Bazzanti Firenze 49 inches high (Statue); 32 3/4 x 19 1/4 inches (Pedestal) Notes: Finely carved Italian carrara marble of a nude beauty signed Prof Petrilli...

Superbly carved white statuary Carrara marble bust of Flora, the goddess of flowers. Flora was often associated with the coming of spring and th...

"Dawn" by Dominique ALONZO (Early 20th c.) Sculpture made in white Carrara marble standing on a black marble base signed on the base "Alonzo" France around 1920 height 83 cm width...

Boldi is a Hungarian sculptor who creates works that express a balance between reason and emotion. His sculptures reveal not only the true form of human figures but also the emotions...

Artist: Kuno Vollet Title: Golden Gingko with 6 leaves art sculpture Materials: Cast brass, gold leaf, white marble base Size: 56 x 9 x 9 cm This small elegant original brass scu...

Untitled "Marble Fragment 5" 2019, oil on Italian marble, landscape, wall sculpture, clouds, purple, blue

“It took two years of tireless experimentation for me to develop the process of casting paper into bronze, another seven years to perfect, and it continues to evolve today.” - Kevin...

Sezione Aurea 55-2020 is a unique sculpture by contemporary artist Mattia Bosco. This sculpture is made of black Palissandro marble and gold leaf, dimensions are 51 × 40 × 24 cm (20....

Matrix White Carrara Marble on marble base, singed and titled in plate. Created 1972 Solo exhibition in 1976 Le Galeria De Arte Moderno Dominican Republic. It will be shipped in tw...

Coppia di medaglioni in marmo raffiguranti i profili dei papi Gregorio VIII e Leone IX. Italia, bottega romana, fine XVII-inizi XVIII secolo. Gregorio VIII, nato Alberto di Morra ...

This is the story of a woman who is always in the spotlight. Refined, light, beautiful, self-sufficient. She knows her worth and is confident in herself. And everyone around her feel...

FERDINANDO VICHI Italian, (1875-1945) Lovers 22 1/2 inches high Notes: The finely carved Italian white marble sculpture of lovers surmounted ...

CANANA original realistic wood piece unique sculpture Josep Maria Codina Corona (Igualada, 1935 - Barcelona, ​​​​2006) was a Catalan sculptor. He goes to study at the Escola de la L...

Sculptor, engraver and medallist. Serge Zelikson received his secondary artistic education in his native country. In 1914 he arrived in Paris, where he studied at the Ecole des Beaux...

CESARE LAPINI Italian, (1848-1893) Segreto Al Cuore Signed Prop ta Fratelli; Lapini; Firenze 29 1/4 x 8 x 11 inches Notes: A fine quality white marble sculpture of a you...

MARIA DOMPE, (Italian, b. 1958), Lady Sculpture, marble and fabric, 1995, height: 14 in. One of a pair, (Lady and Gentleman) being sold separately. Maria Dompe was born in Fermo on ...

Variation VII (V) was created from the leftover elements of Construction VII, a monumental 3.3-meter-high sculpture also by Conrad Willems. This Aqueduc piece is produced for the exh...

19th Century French Bronze Figure Of A Singer blowing a kiss. Art Nouveau style, signed with initials PF and titled illegible. Nice original old patina and details, Marble base.

Provenance: James Byrnes, Los Angeles (1917-2011) Giusto Le Court was born Josse or Justus de Corte in the Flemish city of Ypres. His father Jean was a sculptor and presumably his earliest training was with him before he entered the studio of Cornelis van Mildert. The young artist was clearly influenced by the dominant Flemish sculptor of the time, Artus Quellinus the Elder, with whom he may have worked on the decoration of the Amsterdam City Hall. Following the lead of many northern artists he travelled to Rome, perhaps more than once, before settling in Venice around 1655. It was there, as one of a colony of expatriate artists, that he made his name as a sculptor. One of his first Venetian commissions was for the monument to Alvise Mocenigo in the Church of San Lazzaro dei Mendicanti, where Le Court sculpted the marble figures of Strength and Justice. He also collaborated with the celebrated architect Baldassare Longhena, most famously for the high altar of Santa Maria della Salute, where he carved the multi-figured altarpiece depicting the Queen of Heaven Expelling the Plague. The present marble sculpture depicts the infant Saint John the Baptist, reclining, wearing his traditional hair-shirt, embracing a lamb, and holding the bottom of his attribute, a reed cross. Attached to his shirt is a baptismal cup, with which he would become associated later in his life. Veneration of the infant Saint John the Baptist was prevalent throughout Italy and images of the saint in childhood—often called “Giovannino,” or little John...

Marble, granite and limestone sculpture

Abstract modern white Carrara marble sculpture by contemporary Italian sculptor Lorenzo Vignoli, interpreting classical references and contemporary Mediterranean influences Embrione...

Maxim Geo Woman with child Metal, marble, onyx, 39x51x15 cm small defect

signed "Signori" on base rose marble from Paonazzo weighs 160 pounds

Donna by Lorenzo Vignoli hand carved marble + oak wood sculpture by contemporary Italian sculptor Lorenzo Vignoli Sculpture dimensions: 30in W x 9 inch H x 19in D 75cm W x 23cm ...

Reclining nude bronze on black marble sculpture by sculptor Laura Smith. The contrast of the bronze patina on marble makes the figure appear as if floating. There is some discolorati...

Art Deco sculpture titled “Folie” by Denis, bearing the Le Verrier foundry stamp. Dancer with flowing veils and outstretched arms. Patinated metal figure on a marble base. Model circ...

Artist: Anthony Quinn Title: Nefertiti Medium: Unique hand-carved black Marble sculpture on marble base, signature inscribed Size: 34.5 x 8 x 7.5 inches (39 in. with base)

Robert Winslow emerged as a recognized sculptor and painter in the late 1970’s. His paintings and sculptures are in the collections of many prominent corporations including McDonalds Corp., Helene Curtis Corp., The Chicago Board Options Exchange...

Contemporary Minimal Gold Brass sculpture, gilded and then lacquered to keep its shiny surface. Limited edition of 10 Kuno Vollet is a sculptor working with different materials such ...

Yellow Siena marble and brass sculpture, oxidised white marble base. 12 × 40 × 40 cm (4,7 × 15,7 × 15,7 in). Initiated in 2000, the Nests, Cocoons, Chrysalis series marks the artist’...

EMBRIONE by Lorenzo Vignoli striking hand carved Carrara marble sculpture by contemporary Italian sculptor Lorenzo Vignoli, incorporating classical references and contemporary Medit...

Untitled "Marble Fragment 10" 2019, oil, Italian marble, landscape, wall sculpture, clouds, purple, blue, green

"Tempests" Bronze & Marble Sculpture 12" x 8" in by Ibrahim Abd Elmalak Double-faced Bronze & Marble Signed & Dated Sculptures that mostly depict his characteristic ...

Born March 15, 1943 in Szekelyudvarhely, Transylvania, Hungary (now Romania), Marton Varo studied sculpture at Ion Andreescu Institute of Arts in Cluj, Romania from 1960 to 1966. In...

Edwin Willard Deming (American, 1860-1942) Man with Flute and Cougar Cast bronze sculpture with golden brown patina Signed, numbered 9/100, with Fenn F...

El Greco is a unique Carrara marble sculpture sculpture by contemporary artist Richard Perry, dimensions are 15 cm × 17 cm × 10 cm (5.9 × 6.7 × 3.9 in). The sculpture is signed and ...

Moth is a unique Bardiglio marble sculpture by contemporary artist Richard Perry, dimensions are 15 × 20.5 × 20.5 cm (5.9 × 8.1 × 8.1 in). The sculpture is signed and comes with a c...

MADRE TERRA (Mother Earth) by Lorenzo Vignoli (2012) striking hand carved Carrara marble sculpture by contemporary Italian sculptor Lorenzo Vignoli, incorporating classical referenc...

The sculpture is carved from the precious black marble of Belgium, one of the most fascinating materials a sculptor has. The precious artwork was created a few years ago and is the...

Resin cast geodes in cracked marble in a wooden frame by Paige Smith. This piece measures 18in x 18in, with a depth of 1-5/8in. Paige Smith AKA A Common Name, is a multi-disciplinary artist and designer who lives and works in Los Angeles, CA. Smith is most notable for creating “Urban Geode,” a street art series of sculptures that resemble geodes, made entirely of paper and resin casts. Always interested in geology, Smith started to notice the nooks and crannies in the sides of buildings, walls, and abandoned phone booths within her community of the Historical Arts District (in Los Angeles). Seeing this as an opportunity to create, Smith took street-art to a whole new level. Since beginning the project, she has created large-scale installations for well-known brands such as The Standard, Hollywood; The Viper Room...

Mystery is a unique Statuario Carrara marble and plexiglass sculpture by contemporary artist Francesca Bernardini. The dimensions are 10 × 40 × 30 cm (3.9 × 15.7 × 11.8 in). The scu...

Master sculptor Harold Castor created this realistic depiction of the Pioneer Woman seeking new land and opportunity in the American West with her two ch...

Sydney Kumalo. Features a bronze stylized female figural form sculpture fixed to a marble plinth and wood base. Bears signature on base. Measures 9 1/2" x 4 1/4". There is no edition number on the piece. Sydney Kumalo (1935 - 1988) was born in Sophiatown, Johannesburg, on 13 April 1935. His was one of the families who had to move out of the "white" city to the South Western Townships, or Soweto. Raised in Diepkloof and educated at Madibane High School, he took with him from old Sophiatown the curious and diverse heritage of its heyday. Art classes in the Catholic school, "Sof' town" blues and jazz, the vibrant street culture and growing defiance of its population of various races who were gradually forced out into separate race-group areas. So it was that these various aspects of his early life created for Kumalo a cultural mix of a Zulu family related to the traditional royal house; city schooling, nascent township music and lingo; growing urbanised political defiance and the deep-rooted Zulu pride and respect for the legends and ancient stories of a tribal people. This mix of old and new cultures was reinforced when he began his studies at the Polly Street Art Centre in 1953 where he became a member of Cecil Skotnes group of serious artists who were encouraged to acquire professional skills. Skotnes introduced a basic training programme with modelling as a component, which marked the introduction of sculpting (in brick-clay) at Polly Street. Kumalo was Skotnes’ assistant at Polly Street from 1957 to 1964, and having recognised his great talent as a sculptor, Skotnes encouraged him to become a professional artist. After Kumalo’s very successful assistance with a commission to decorate the St Peter Claver church at Seeisoville near Kroonstad, with painting designs, sculpture and relief panels in 1957, Skotnes arranged for Kumalo to continue his art training by working in Edoardo Villa ’s studio from 1958 to 1960. Working with Villa, he received professional guidance and began to familiarize himself with the technical aspects of sculpting and bronze casting. In 1960 he became an instructor at the Polly Street Art Centre. Kumalo started exhibiting his work with some of the leading commercial Johannesburg galleries in 1958, and had his first solo exhibition with the Egon Guenther Gallery in 1962. He was a leader of the generation who managed to leave behind the forms of African curios, reject the European-held paternalism which encouraged notions of "naive" and "tribal" African art, and yet still hold fast to the core of the old legends and spiritual values of his people. He introduced these subjects into his bronze sculptures and pastel drawings, evolving his own expressive, contemporary African "style". Together with Skotnes, Villa, Cecily Sash and Giuseppe Cattaneo, Kumalo became part of the Amadlozi group in 1963. This was a group of artists promoted by the African art collector and gallery director Egon Guenther, and characterised by their exploration of an African idiom in their art. Elza Miles writes that Cecil Skotnes’ friendship with Egon Guenther had a seminal influence on the aspirant artists of Polly Street: “Guenther broadened their experience by introducing them to German Expressionism as well as the sculptural traditions of West and Central Africa. He familiarised them with the work of Ernst Barlach, Käthe Kollwitz, Gustav Seitz, Willi Baumeister and Rudolf Sharf.” It is therefore not surprising that some of Kumalo’s sculptures show an affinity with Barlach’s powerful expressionist works. Guenther organised for the Amadlozi group to hold exhibitions around Italy, in Rome, Venice, Milan and Florence, in both 1963 and 1964. Kumalo’s career took off in the mid 1960s, with his regular participation in exhibitions in Johannesburg, London, New York and Europe. He also represented South Africa at the Venice Biennale in 1966, and in 1967 participated in the São Paulo Biennale. EJ De Jager (1992) describes Kumalo’s sculpture as retaining much of the “canon and formal aesthetic qualities of classical African sculpture. His work contains the same monumentality and simplicity of form.” His main medium for modelling was terra cotta, which was then cast in bronze, always paying careful attention to the finish of both the model as well as the final cast. He began casting the pieces he modelled in clay or plaster into bronze at the Renzo Vignali Artistic Foundry in Pretoria North. He worked throughout his life with its owners, the Gamberini family, and enjoyed learning the technical aspects of the casting process, refining his surfaces according to what he learned would produce the best results in metal. De Jager further writes that Kumalo’s distinctive texturing of the bronze or terra cotta is reminiscent of traditional carving techniques of various African cultures. “In many respects Kumalo thus innovated a genuine contemporary or modern indigenous South African sculpture”. Kumalo came to admire the works of the Cubists, and of British sculptors Henry Moore and Lynn Chadwick. He became noted for adapting shapes from them into his own figures. The success of his use of the then current monumental simplicity and purely aesthetic abstractions of natural forms has been emulated by many South African sculptors since the 1970s. He was in many ways the doyen of South African Black art. As such he was an important influence especially on younger African sculptors, by whom he is greatly revered. Through his teaching at Polly Street and at the Jubilee Centre, as well as through his personal example of integrity, dedication and ability, he inspired and guided students who in their own right became outstanding artists, for example, Ezrom Legae, Leonard Matsoso and Louis Maqhubela From 1969 onward, he allied himself with Linda Givon, founder of The Goodman Gallery in Johannesburg, where he exhibited regularly until his death in December 1988. Working with Givon also perpetuated his associations with his many friends of strong principles. Skotnes, Villa, Legae and later such peers from the Polly Street era as Leonard Matsoso, Durant Sihlali and David Koloane have all exhibited at The Goodman Gallery. Kumalo, Legae, and later Fikile (Magadlela) and Dumile (Feni) were among the leading exponents of a new Afrocentric art...

striking hand carved Carrara marble sculpture by contemporary Italian sculptor Lorenzo Vignoli, incorporating classical references and contemporary Mediterranean influences DOVE VAD...

Fabulous, 1920s, detailed, cast bronze falconfrom a lost wax cast by important Italian artist, Sirio Tofanari (1886-1969). Executed by the Fonderia Artistica Ferdinando Marinelli in ...

Fragment is a unique Belgium black marble and glaze sculpture by contemporary artist Francesca Bernardini. The dimensions are 12 × 42 × 30 cm (4.7 × 16.5 × 11.8 in). The sculpture i...

Contemporary Minimal Silver polished stainless steel sculpture. It is a stunning polished stainless steel and makes for an elegant statement in any garden, lobby or private home. Ku...

A very fine Italian 19th century Carrara marble sculpture depicting a young beauty going for a Swim standing on the steps of a dock, raised on its original carved green marble pedest...