Mixed Media Sculptures

“My art explores the similarity between seemingly disparate cultures through the lens of my African American ancestry. I examine my family’s plight shaped by the history of racism a...

Nancy Genn, American (b. 1929) Marshfield 25 (1977) Handmade paper collage Hand signed verso Dimensions: 20 1/8 x 22 inches Utilizing what is now known as the 'Genn Method,' Nancy Genn created three-dimensional abstract works of handmade paper, gaining international recognition in the 1970s Nancy Genn is an American artist living and working in Berkeley, California known for works in a variety of media, including paintings, bronze sculpture, printmaking, and handmade paper rooted in the Japanese washi paper making tradition. Her work explores geometric abstraction, non-objective form, and calligraphic mark making, and features light, landscape, water, and architecture motifs. She is influenced by her extensive travels, and Asian craft, aesthetics and spiritual traditions. Nancy Genn was born in 1929 in San Francisco, California. She recognized early that she would pursue a career as an artist. Her mother, Ruth Wetmore Thompson Whitehouse, was a painter and UC Berkeley alumna who played a leadership role in the San Francisco Women Artists organization. Genn studied at San Francisco Art Institute (then California School of Fine Arts) with painter Hassel Smith, and at the Art Department at the University of California, Berkeley (1948–49) with Professors Margaret Peterson and John Haley, and fellow students Sam Francis and Sonya Rapoport. In 1949 she married Vernon “Tom” Genn, an engineer raised in Japan, with whom she had three children. Career Genn's first noted solo exhibition was in 1955 at Gump's Gallery in San Francisco. She received international recognition through her inclusion in French art critic Michel Tapié’s seminal text Morphologie Autre (1960), which cited her as one of the most important exponents of post-war informal art. In 1961, Genn began creating bronze sculptures using the lost-wax casting method. Influenced by noted sculptor and family friend Claire Falkenstein, who used open-formed structures in her work, Genn cast forms woven from long grape vine cuttings, and produced vessels, fountains, fire screens, a menorah, a lectern, and, notably, the Cowell Fountain (1966) at UC Santa Cruz. In 1963 her sculptural work was exhibited with Berkeley artists Peter Voulkos and Harold Paris in the influential exhibition Creative Casting curated by Paul J. Smith at the Museum of Contemporary Crafts, New York. Genn was one of the first American artists to express herself through handmade paper, first receiving wide recognition via exhibitions at Susan Caldwell Gallery, New York, beginning in 1977, and in traveling exhibitions with Robert Rauschenberg and Sam Francis. In 1978-1979, supported by the National Endowment for the Arts and Japan Creative Arts Fellowship, she studied papermaking in Japan, visiting local paper craftspeople, working in Shikenjo studio in Saitama Prefecture, and exhibiting her work in Tokyo. She also learned techniques from Donald Farnsworth...

Len Klikunas creates sculptural minimalist artworks to modify experienced reality through visual perception. His original artwork is a mix of art and architecture, hovering between p...

Monology urbancat, 2008 Resin and Pigments Polychrome on Fiberglass under Plexiglass Cap with LED 12 1/5 × 9 4/5 × 9 1/10 in 31 × 25 × 23 cm Edition of 8 Drawing on ideas of collecta...

Angelo Canevari’s Bucranium is a 34 x 19 inch mix media surrealist sculpture. It is made of metal, resin, green automotive paint, and cardboard. It is a surrealist interpretation of the carved decoration, representing ox-skulls, commonly used in Classical architecture for the friezes of Doric temples. The same motif was also later used on Renaissance, Baroque and Neoclassical buildings. Canevari's contemporary interpretation is evident in the medium he chose to shape this artwork and yet it maintains the same commanding and monumental presence of the classical monuments that have inspired it.. The use of metal and wires to develop a tridimensional sculptural quality, as well as the expressionistic outcome of the imagery, has echoes in some contemporary African sculpture...

This original piece by Luke O'Sullivan is made from wood that the artist has silkscreen printed onto with his original drawings and patterns, which he then cut and assembled into a three-dimensional, wall-hanging sculpture. The finished piece measures 14”h x 11.5”w x 4.25”d. About the Artwork O’Sullivan creates invented buildings, places, and objects describing unexplored worlds conjuring a sense of discovery and adventure. Rise and Shine represents a shift from the artist’s earlier work featuring structures, facades, and panoramic landscapes toward a more detailed approach. These new works depict encapsulated, floating environments devoid of humans. The sculptural objects are keepsakes or relics from these faraway places. Each piece plays with the shifting relationships between two and three dimensions, surface and underworld. O’Sullivan’s recent screen prints introduce color, imbuing these works with a certain levity and illustrative quality. The playful nature of O’Sullivan’s work draws from Nintendo games, maps, science fiction movies, and movie set design. Likening his process to a lego set...

Mirabile by Angelo Canevari is a striking and tactile work that showcases the artist's ability to transform organic materials into a profound statement. Using leather and stone, Cane...

Mixed media Eric Beauplace is a French contemporary plastic artist born in 1962 who lives & works in Saint Germain-en-Laye, France. The term ‘plastic artist’ is not used here in the...

The title means to ‘shine a light’ or illuminate. Alice Vander Vennen’s beautiful contemporary compositions are designed to tell a story. Fashioned by hand, the canoe-like shape of t...

In this wall-mounted sculpture, a copper and nickel-plated crow's wing extends out from a shaped piece of glass, a window from a 1990 Volkswagen Passat mirrored with white gold leaf....

This is a two-part wall mounted painting / sculpture this integrates found objects and photographs into an acrylic painting on the top, and a wooden shelf with bullet casings and coins below. This is a conceptual, abstract work of art that is a powerful homage to lives lost through calculated gun violence in American cites. signed by the artist. PROVENANCE: Exhibited in "Portals + Revelations: Richard J. Watson," the African American Museum in Philadelphia, Oct 2021 - Mar 2022. "Most of my works are supported by memories of the past and suggested realities. Issues of social politics, ancestral references, and astral projections are presented with fragmented elements...

Antonio Puri's "Tantra" sculptural painting is one of 100 intimately-scaled minimalist round mandala circles built from tiny seed beads adhered to canvas in a range of red hues, crea...

Antonio Puri's "Tantra" sculptural painting is one of 100 intimately-scaled minimalist round mandala circles built from tiny seed beads adhered to canvas in a range of red hues, crea...

"Fancy! (WTF) His"- Limited edition blue and white glass pill sculpture by Edie Nadelhaft. Edition of 9. Signed and numbered on the back by the artist. The piece is equipped with ...

Artist: Arman, French/American (1929 - 2005) Title: Paintbrushes I Year: 1991 Medium: Paintbrushes and Oil Paint in Epoxy Resin Sculpture, Signature and number inscribed Edition: 20,...

Artist: William Landwehr (American, b. 1941) Title: Yellow is the Color of my Dead Bird's Tail Year: circa 1980 Medium: Mixed Media Construction with Neon Size: 68 in. x 63 in. x 8 i...

Artist: Chris Caccamise, American (1975 - ) Title: Effect People - Affect People Year: 2007 Medium: Mixed Media Sculpture with Paper, Enamel and Glue Size: 10.5 x 30 x 8 in. (26.67 x...

Matt Mitros was born in Philadelphia, PA. Upon completing his BFA at Penn State University, he was an Artist-In-Residence at Arrowmont School of Arts & Crafts as well as the Archie B...

Mary Baumeister Studio Leftover Fetich, 1953, 1967 Unique Mixed Media 3-D Assemblage Ink Signed, dated, titled, annotated "Edition Original" and numbered 52/75. Shadow box frame Incl...

I am usually not thinking so much about a finished work, but am inspired, accepting and mystified by the process of creating it. I see each of my works as a rehearsal in enduring un...

The small-scale wooden and found object, abstract, free-standing sculpture titled, "Modus Volito 8" is an original artwork by Hyland Mather made from aerosol and laser engraving on f...

Angelo Canevari’s “Picador” is a 37.5 x 16 inch mix media sculpture. It is made of metal, resin, automotive paint, and cardboard. It represents the lancer and a bull of the famous Sp...

Eileen Braun delights in creating biomorphic or organic sculptural forms. Although they may look as though they're constructed of metal rods, they're actually created from rattan ree...

"Wandering Bonanza 19" is an original Lost Object Series assembly with string by Amsterdam-based artist X-O (Hyland Mather) measuring 20in x 16in x 2in.

The relief sculpture is framed. The visible jumps on the legs were intentional and existed from the start, because the artist was inspired by ancient ...

Through a variety of structural and wall-hanged pieces, Karine Payette’s Adaptation examines how changes in the environment can begin to have an impact on our physical existence. Ele...

Untitled 02, 2016 Mixed media on metal sheet (Signed on reverse) 70,87 H × 39,37 W x 12,6 D in 180 H × 100 W x 32 D cm Berszán’s black silicon structures arise through a process of ...

-In light of new tariffs, we’ve applied a 20% discount off the market price of this piece to support our collectors in facing potential added costs. At the gallery, we work closely w...

Sandblasted carved glass, cast glass, bronze and wood. Steve Linn describes himself as a documentary sculptor, conducting meticulous research on each of his selected subjects and choosing which references to interpret for the piece he then creates. Jack Kerouac was born Jean-Louis Lebris de Kerouac in Lowell, Massachusetts, in 1922, to French-Canadian parents. He won an athletic scholarship to Columbia University, where he met Allen Ginsberg and William Burroughs, but dropped out after one year after an argument with the football coach. He then became a merchant seaman all through World War II, with the idea of becoming a traveler and novelist in the tradition of Jack London and Thomas Wolfe. After Kerouac's stint in the Merchant Marines, he settled in New York and began his first novel, “The Town and the City”, which took about two years. His father died in 1946 and Jack lived with his mother, Gabrielle, to whom he was extremely devoted. He referred to her as Mémère, and she continued her work in a factory in order to support him while he was writing. During this time, he met a young would-be writer from Denver, Neal Cassady...

Mixed media: linen canvas, acrylic paint, wood, mirrored acrylic glass, polished stainless steel Eric Beauplace is a French contemporary plastic artist born in 1962 who lives & work...

Alexander Calder rare Maeght sculpted holiday card, 1968 Hand made sculpted paper collage on paper with embossing Embossed artist's monogram 10 × 7 × 6 1/2 inches This rare, fold-ou...

Jana Osterman is fascinated and inspired by the organic shapes found in nature. This is one in a series of imposing wall reliefs created in venetian plaster. Osterman’s biomorphic wo...

"Young Girl Walking With Two Aunties" in an original sculpture by Kaplan Bunce. The piece measures 19"h x 22"w x 2"d and was made using found objects, spray paint, cedar wood, horse hair, deer skin leather, and copper wire. Kaplan Bunce is an artist, wood-maker and President of the Kaua’i Powwow Council in Kauai. The Kaua’i Powwow Council is a non-profit organization. This council was established to provide a cultural event, and a traditional Native American Powwow...

Hugo Urrutia’s “From Dusk to Dawn” is a masterful 29-inch high by 38-inch wide sculptural wall artwork, crafted with meticulous precision using oil lacquer paint on carved Baltic birch. Part of his acclaimed “Flexible Rigids” series, this work challenges the boundaries between rigid geometry and fluid motion, transforming a structured surface into a captivating, undulating form. Urrutia’s innovative approach to sculptural abstraction and his ability to evoke natural harmony through architectural precision make this artwork ideal for collectors of modern wall sculptures, geometric art, and unique design-inspired pieces. In “From Dusk to Dawn”, Urrutia builds a mesmerizing composition of repeating triangular modules, meticulously carved to create a dynamic wave-like effect across the surface. The artwork’s deep red gradient transitions from darker tones at the top to vibrant crimson hues at the base, suggesting a natural progression reminiscent of twilight giving way to morning light. The carved facets interact beautifully with light, producing subtle shifts in shadows, reflections, and tones that shift as the viewer changes perspective. The repetitive geometric pattern creates both rhythm and structure, while the gentle curvature of the surface adds an organic flow, echoing Urrutia’s inspiration from natural phenomena like rippling water, wind-blown fabric, or synchronized flocks of birds. The contrast between the bold, rich hues and the natural wood accents further enhances the sculpture’s modern elegance, making it a striking centerpiece for contemporary interiors and architectural spaces. Key Features: Original artwork: Sculptural wall art crafted with carved Baltic birch and oil lacquer paint Dimensions: 29 inches high by 38 inches wide; 5 inches deep Design concept: “Flexible Rigids” series, transforming rigid geometry into flowing, harmonic forms Visual impact: Rich red gradient with natural wood accents and dynamic triangular carvings Display: Signed by the artist on the back; no framing required Certificate of authenticity included with purchase Delivery: Free local Los Angeles area delivery; affordable Continental U.S. and worldwide shipping available Hugo Urrutia, a multidisciplinary artist and architect, explores the intersection of art, design, and technology in his sculptural works. Inspired by natural movement and architectural precision, Urrutia’s pieces evoke the beauty of harmony, rhythm, and balance. A graduate of the prestigious Architectural Association in London, Urrutia has exhibited his works worldwide, solidifying his reputation as a visionary artist who redefines the relationship between art and space. “From Dusk to Dawn” is a stunning exploration of geometry, color, and form, seamlessly blending organic flow with architectural structure. Ideal for modern interiors, creative workspaces, or gallery walls, this one-of-a-kind sculpture transforms its environment with a dynamic energy and sophisticated elegance. Collectors seeking art that embodies innovation, movement, and timeless design will find “From Dusk to Dawn” an exceptional addition to their collection. REPRESENTATION Artplex Gallery, Los Angeles, CA EXHIBITIONS 2023 Artplex Gallery, Los Angeles, CA 2019 JoAnne Artman Gallery, Laguna Beach, USA 2019 Contemporaneo Ashville, Ashville, USA 2019 Canvas Hotel, Dallas, USA 2019 Decorazon Gallery, New York, USA 2018 George Billis Gallery, New York City, USA 2018 Ro2 Gallery, Dallas, USA 2018 Reveal Art Fair, Saratoga Springs, USA 2018 Aqua Art Fair, December. Miami, USA 2018 Cube Gallery, Winter 2018 London, UK 2018 SORAA, Frankfurt, Germany 2017 Decorazon Gallery, Dallas, USA 2016 Retrospect Galleries, Byron Bay, Australia 2015 Angela Royo Contemporary Art, Bogota, Colombia 2014 Decorazon Gallery, Dallas, USA 2012 Architectural Association Members’ Room, London 2012 Angela Royo Contemporary Art, Bogota, Colombia 2012 The Delicate Mayhem Gallery, London, UK 2011 Charlotte Jackson...

Excavation, mixed media, 25" round, 2009-11. This mixed media sculpture was done by American fiber artist, Norma Minkowitz (b. 1937). Minkowitz utili...

'We surround ourselves with elements from nature in the form of manicured lawns, sculpted trees, and our domesticated companions. We bend the natural world to our tastes and create a...

Sandblasted carved glass, wood and bronze. Steve Linn describes himself as a documentary sculptor, conducting meticulous research on each of his selected subjects and choosing whi...

Tom Binger "Coffee Pot" Medium: Mixed Media Year: 2018, Signed Size: 18.25 x 11.25 x 2 inches Tom Binger finds it interesting that during a time in which th...

John Garrett was raised in southern New Mexico by parents who were both educators. They instilled in him an appreciation for the handmade with their collections of Native American a...

Sandblasted carved glass, wood and bronze. Steve Linn describes himself as a documentary sculptor, conducting meticulous research on each of his selected subjects and choosing whi...

Magda Watts (Israeli, b. 1928) Handmade Folk Art Sculpture Old Folks with a newspaper Hand signed to underside, Dimensions: 12"h x 14.5" l x 7.5"d. Mag...

Coral Rose Title: Window Pane Year: 2018 Medium: Mixed Media Size: 15.25 x 18 x 4.5 inches

Magdalena Peszkowska born in 1980 in Gdańsk, Poland. Studied in Department of Painting at Academy of Fine Arts in Gdańsk (1999-2004). Diploma with special recognition in painting in 2004. The character of Magdalena Peszkowska's works Series Stand is like an poetic archive of memories, which call for a classification and reconstruction of the time of childhood and the intense experience of time with everything around it. Gdansk - where the artist comes from - becomes a mythical place, This city, with a very strong symbolic potential inherent in its history, needs editing from a single point of view. Magdalena Peszkowska uses her own photos or those from the family album. She transfers them to gray field blankets and camp beds with her own secret technology Then she paints on the used objects. Many of her objects show figures from the closest circle of Peszkowska, often it is herself, her family or places close to her in Gdansk. Her objects have intentional signs of use. The field blankets have a sewn-in wooden bar to hang them on the wall. The field military beds...

Ido Bar-El (Israeli, b. 1959) Untitled, c. 1997 Mixed media painting on aluminum street traffic sign Industrial paint, aluminium 24 x 24 inches (61 x 61 cm) Signed on the reverse: Id...

Elea is an original installation realized by the artist Giulio Paolini in 2009. The artwork consists in a colour lithograph on cut cardboard (33 x 41 cm); a transparent plexiglas pl...

In this artwork, a heavy stone and a cloud colored by sunlight come together to explore the harmony between contrasting elements. The color yellow, symbolizing energy, vitality, and ...

"LMIRL" (Let's Meet In Real Life) - Limited edition green glass pill sculpture by Edie Nadelhaft. Edition of 9. Signed and numbered on the back by the artist. The piece is equipped with a D-ring on the back for easy hanging. "XOXO" is part of Edie Nadelhaft's "Better Living Thru Chemistry: Luv is the Drug" sculpture series consisting of candy-colored glass and mixed media capsule-shaped objects. Each pill is festooned with text messages...

Sandblasted carved glass, cast glass, bronze and wood. Steve Linn describes himself as a documentary sculptor, conducting meticulous research on each of his selected subjects and ...

Mixed media: linen canvas, acrylic paint, wood, mirrored acrylic glass, polished stainless steel Eric Beauplace is a French contemporary plastic artist born in 1962 who lives & work...

Nathaniel Kaz Bronze Sculpture to Isaac Bashevis Singer for Arts in Judaism Award, 1966 Bronze, Square wooden base, Metal tag Signed and dated "66" to back of bronze portion of the w...

Yaacov Agam 2 +3 = 4, 1981 offers another excellent example of the artist’s ability to induce the illusion of movement through color and pattern. By combining a multicolor palette wi...

Inspired by amateur archaeologists such as Heinrich Schliemann who discovered Troy and by past elaborate hoaxes like that of the Piltdown Man, Joshua travels the world performing sta...

Perry Haas is a ceramic artist making functional pottery and focusing on wood-firing techniques. Drawing from a love for the wood-fired ceramic surface, Perry looks to anticipate the manner in which ash in the kiln will collect in different arrays across the convex and concave surfaces of his gestural clay forms. “I approach making with a childlike spirit of experimentation and exploration. My work stems from a love of the wood fired ceramic surface, particularly how it evokes many beautiful natural phenomena. Like imagining the way wind gathers and deposits leaves on a landscape according to changes in topography, I anticipate the manner in which ash will collect differently on the convex and concave surfaces of my gestural forms. These functional pots are developed as a place for this surface to exist and to be enjoyed as a part of our daily life.”—Haas Contemporary Design, Ceramic Jar, Wood Fire Porcelain...

Wonderful post-modern wall sculpture that is part of artist Jack Reilly (American, b. 1950) "Classics Series" solo exhibition held at the Boritzer-Gray Gallery in October, 1989 at Los Angeles. This unique piece juxtaposes classical motifs with 3 dimensional stacked geometrically modern shapes and hues. The combination of linear structure and color field painting with illusionary space resulted in a unique synthesis of abstraction and pictorial depth, which was sometimes referred to as "Abstract Illusionism." Signed and dated on verso "Jack Reilly, October 1989." Image size: 19"H x 29"W x 3.5"D Reilly's early work reflected various influences of prominent artists of the time including Frank Stella, Elsworth Kelly...

Tom Binger "Head IV" Medium: Mixed Media Year: 2018, Signed Size: 14.5 x 10.25 x 2 inches Tom Binger finds it interesting that during a time in which the internet is quickly becomin...

Pradeep Jogdand - Untitled Black Marble H 41 x W 18 x D 13 inches ( Delivered ) Pradeep Jogdand (born 1987) is a young sculptor based in Mumbai. He did his BFA in sculpture from J.J...

"Lulu" is a beautiful contemporary sculpture created by the Canadian artist Yulia Shtern. Her work depicts beautifully decaying remnants of species on our planet that are currently endangered. Shtern utilizes common household materials such as produce netting and colored cardboards in her up-cycled process to authenticate her message. An unfortunate truth of our current society that is often forgotten. Shtern creates these beautiful pieces to draw the viewer in and force them to engage with reality head-on. This work is eye-catching with a delicate texture and vibrant colors and would brighten up any room. Artist's Inspiration: "Saudi Gazelle was native to the northern and western parts of the Arabian peninsula, preferring rocky habitats with shrubs and acacia trees. It lived alongside Mountain Gazelle and Arabian Sand Gazelle. The populations of these other two gazelle species of the Arabian peninsula have been severely diminished over the last few decades, and they both are classified as vulnerable. Gazelles were some of the most frequently depicted animals in the Neolithic art...

"Cocoon (1990)" by Suzanne Anker Suzanne Anker (born August 6, 1946) is an American visual artist and theorist. Considered a pioneer in Bio Art. She has been working at the relationship of art and the biological sciences for more than twenty five years. Her practice investigates the ways in which nature is being altered in the 21st century. Concerned with genetics, climate change, species extinction and toxic degradation, she calls attention to the beauty of life and the "necessity for enlightened thinking about nature’s 'tangled bank'.” Anker frequently works with "pre-defined and found materials"botanical specimens, medical museum artifacts, laboratory apparatus, microscopic images and geological specimens. Suzanne Anker was born in Brooklyn, New York on August 6, 1946. She earned a B.A. in Art from Brooklyn College of the City of New York and an M.F.A. from the University of Colorado in Boulder (1976). She also completed independent Studies with Ad Reinhardt (1966-1967) and studied at the Brooklyn Museum Art School (1968). She lives with the artist Frank Gillette in Manhattan and East Hampton, NY. During the mid 70s to the mid 80s, Anker worked almost exclusively on sculptural handmade paper reliefs. She started papermaking in 1974 on the basis of reading Dard Hunter's and Claire Romano's books. In 1975 she worked with Garner Tullis at the Institute of Experimental Printmaking in Santa Cruz, California. The paper reliefs produced at his institute were exhibited at the Martha Jackson Gallery in New York City in 1976.[ The same year, she participated in the North American Hand Papermaking exhibition organized by Richard Minsky at the Center for Book Arts in New York City. From a background as a printmaker, Anker initially worked with cast paper, made in latex molds. Subsequently, she incorporated limestone and fossils in her experiment with combinations of paper and stone. For her 1979 solo exhibition at the Walker Art Center, Anker installed large limestone planks that extended from the interior to the exterior of the gallery. The same year, she presented an installation of limestone and its residual chalk dust at P.S. 1’s "A Great Big Drawing Show" curated by Alanna Heiss with artists Vito Acconci, Alice Aycock, Frank Gillette, Sol LeWitt, Robert Morris, Bruce Nauman, Dennis Oppenheim, Richard Serra, and others. Suzanne Anker is considered "one of the pioneers in the broader field of art, science, and technology", particularly in the burgeoning field of Bio Art. In 1994, Suzanne Anker curated Gene Culture: Molecular Metaphor in Visual Art – one of the first art exhibitions on the subject of art and genetics – at Fordham University’s Lincoln Center Campus in New York. The exhibition investigated "the ways in which genetic imaging operates as aesthetic signs". From 2004 to 2006, Suzanne Anker hosted twenty episodes of the Bio-Blurb Show, a 30-minute-long internet radio program originally broadcast on WPS1 Art Radio, in collaboration with MoMA. The show focused on the intersection of art and the biological sciences, and the ethical and aesthetic dimensions therein. It is currently archived on Alanna Heiss’ Clocktower Productions. In 2006, Anker co-curated the exhibition Neuroculture: Visual Art and the Brain, at the Westport Arts Center with Giovanni Frazzetto. The exhibition presented an investigation of aspects of the human brain, and its attendant representations. Suzanne Anker is the Chair of the School of Visual Arts (SVA)'s BFA Fine Arts Department in New York City (2005-present). She previously chaired the SVA BFA Art History Department (2000-2005). In 2011, Anker founded the SVA Bio Art Lab, the first Bio Art laboratory in a Fine Arts Department in the United States. The SVA Bio Art Lab is located in Chelsea, New York City and has been conceived as a place where "scientific tools and techniques become methodologies in art practice". Anker has participated in lectures and symposia in prominent institutions around the world, including Harvard University, Boston; University of Cambridge, Cambridge, UK; Yale University, New Haven; Art-Sci UCLA, Los Angeles; Maryland Institute College of Art (MICA), Baltimore; Rensselaer Polytechnic Institute, New York; Museum of Arts and Design, New York; Nanyang Technological University, Singapore; London School of Economics, London; European Molecular Biology Laboratory- EMBL, Monterotondo, Italy; Max Planck Institute of Molecular Cell Biology and Genetics, Dresden; Leiden University, NL; Hamburger Bahnhof, Berlin; Dundee Contemporary Arts, Dundee; Courtauld Institute of Art, London; Banff Art Center, Alberta; The National Academies of Sciences, Engineering, and Medicine, Washington, D.C.; Berlin-Brandenburg Academy of Sciences and Humanities, Berlin;[ University of Amsterdam, NL; New York Academy of Sciences, Institute for the Humanities, New York University; DLD, Munich. Selected artworks Gene Pool Anker’s interests in the natural world extended her investigation into the microscopic domain of chromosomes and genes. Appropriating scientific images, she created Gene Pool in 1991, a body of work that includes suspended pigment on large vellum sheets and expansive sculptural arrays employing metallic fibers of stainless steel, copper, aluminum and bronze. Other works that reflect scientific representations of chromosomes include Chromosome Chart of Suzanne Anker –a presentation of her own DNA sequence as a self-portrait– and Cellular Script, in which she displays chromosome patterns as a kind of calligraphy. Biota (2011) is a sculptural installation by Suzanne Anker composed of porcelain sculptures and silver-leaf figurines. The porcelain objects are fabricated by immersing natural sea sponges into a mixture of kaolin, feldspar, and quartz. "The organic material of the sponge burns away in the process, leaving behind only the perfect replica of nature". Exhibitions Selected one-person exhibitions "The Biosphere Blues Mending an Unhinged Earth", O'NewWall, Seoul, Korea (2017). “Culturing Life”, Sam Francis Gallery...