Mixed Media Sculptures

Mireia Serra’s "Capturing Moments" is a contemporary bronze sculpture that merges figurative art with symbolic storytelling. The piece features a small, pensive figure perched atop a...

Artist Len Klikunas creates meditative minimalist sculptural artworks that modify experienced reality through visual perception. His art is a mix of art and architecture, hovering be...

Plastic Jesus is a Los Angeles based street artist that specializes in bold stencil and installation work, inspired by world news events, society, the urban environment, culture and ...

Cheeky references to pop culture and the societal context. Grounded in a postmodern vernacular, Alben’s paintings and sculptures are a pastiche of art historical moments including P...

A unique sculpture by the French artist, Arman. This collection of world-class cigars encased in clear resin is a quintessential piece from Arman's 'Accumulations' period in which he...

"Without Floorboards 2-4" is an original hand-cut wood collage by Matt R. Phillips. The piece ships in the pictured, artist-made, wood floater frame and measures 24"h x 36"w. Matt ...

Linda Stein, Warrior Waging Peace: Addressing Fear 1279 - Feminist Figurative Mixed Media Black and Colorful Contemporary Sculpture T...

Eileen Braun delights in creating biomorphic or organic sculptural forms. Although they may look as though they're constructed of metal rods, they're actually created from rattan ree...

“My art explores the similarity between seemingly disparate cultures through the lens of my African American ancestry. I examine my family’s plight shaped by the history of racism an...

Plastic Jesus is a Los Angeles based street artist that specializes in bold stencil and installation work, inspired by world news events, society, the urban environment, culture and ...

Plastic Jesus is a Los Angeles based street artist that specializes in bold stencil and installation work, inspired by world news events, society, the urban environment, culture and ...

Bonnie Seeman grew up in Miami, Florida with a propensity towards anatomy illustration and the dazzling colors and rich foliage of the Miami landscape. Developing her technique with...

Len Klikunas creates sculptural minimalist artworks to modify experienced reality through visual perception. His original artwork is a mix of art and architecture, hovering between p...

John Garrett was raised in southern New Mexico by parents who were both educators. They instilled in him an appreciation for the handmade with their collections of Native American a...

OPEN FOR COMMISSIONS!!! ALTERTATION ART . . . is a collaboration process between Rick Wolfryd, fine artist and art dealer with over 40 years experience, and various Mexican Huichol ...

Giorgio Petracci (born in 1974, Fermo, Italy) is an artist based in Paris, whose work is deeply inspired by the seaside landscapes of his childhood and the personal experiences that ...

Len Klikunas creates sculptural minimalist artworks to modify experienced reality through visual perception. His original artwork is a mix of art and architecture, hovering between p...

This is an 3-part painting / construction (assemblage) created from acrylic paint, wood, glass, and found objects. It includes several historic photograph of figures as well as many scenes from Black African American cultural history. Each piece measures 23" x 7.75" x 2.5", and they can be hung close together or far apart, depending on the buyer's preference. All pieces are wired with the appropriate hanging hardware and are ready to install, no additional framing needed. PROVENANCE: Exhibited in "Portals + Revelations: Richard J. Watson," the African American Museum in Philadelphia, Oct 2021 - Mar 2022. "Most of my works are supported by memories of the past and suggested realities. Issues of social politics, ancestral references, and astral projections are presented with fragmented elements of 'real life' collaged and collapsed, as dreams are prone to do. If connections are made, all the better. I feel that life should remind us of our dreams." - Richard J. Watson Richard J. Watson is an icon in the Philadelphia art world. Much of his work relates to his experiences as a Black African American man. He is a graduate of Pennsylvania Academy of the Fine Arts (1968), has taught at his alma mater, and has served in the Exhibitions Department at the African American Museum in Philadelphia since the 1980s. He has been exhibiting his work for decades, and has an extensive bibliography. His work is held in the Petrucci Family Foundation Collection of African American Art; the Pennsylvania Academy of the Fine Arts; the Uniworld Corporation; Sony; the Federal Reserve Bank; the City of Philadelphia; Sprint; the Church of the Advocate; the poet Dr. Sonia Sanchez; and the Woodmere Museum...

"Transmission #1 2-2" is an original hand-cut wood collage by Matt R. Phillips measuring 20"h x 13"w. The piece ships in the pictured, artist-made, wood floater frame. The artist us...

This takes dead aim at how being Black in our culture is a very dangerous game. The imagery is of an old arcade shooting gallery. Throughout the 1800s, right up until the 1960s, carnival games...

The most extraordinary relics discovered by Joshua Goode and the Aurora-Rhoman Institute of Archaeology and Cultural Relics during recent archaeological expeditions. The first eviden...

ALTERATION ART . . .is a collaboration process between Rick Wolfryd, fin artist and art dealer with over 40 years experience, and various Mexican Huichol artists and mexican Huichol ...

Cartography, the study and practice of making and using maps, was at the cutting edge in the 18th-century, helping to shape and define a world rapidly coming into focus. Over the course of the century, exploration and colonization expanded the scope of the known world, especially in the Pacific and the Americas. Advances in geography enabled cartographers to map these new discoveries with increasing accuracy. The days of conjecture and myth in cartography were fast coming to an end. Here, the Kupjack Studios has captured this discipline with exacting details. From the smallest of tools, to the rolls of maps and maps in progress displayed on the desk, the world of miniatures comes to life and brings us into a bygone era. Kupjack Miniatures 18th Century New England Cartographer, circa. 2008 mixed media 14h x 26.25w x 14.75d in 35.56h x 66.67w x 37.47d cm KJK001 Eugene Kupjack and his sons Hank and Jay created museum quality miniature rooms in their studio outside of Chicago for many years. Hank and Jay learned the at their father’s side as he assisted Mrs. Narcissa Niblack Thorne with the creation her many miniature rooms now housed at The Art Institute of Chicago. Almost every piece of molding, furniture, rugs, and accessory items that are contained in their rooms are designed and created by hand. In addition to designing and building rooms they would sometimes work to restore the rooms built many years ago by their father and Mrs. Thorne. Their work can be seen in various museums as far away as Turkey where they were exhibited in 2009. In the United States their work can be seen in the permanent collections of The Kentucky Museum Center, The Art Institute of Chicago, The Philadelphia Art Museum...

This Mixed Media piece titled "Fern Spiral Series 3" is an original artwork by Roxana Azar made of an etched fluorescent acrylic. The piece measure...

This work references “The Wall” that Trump made a central part of his campaign for president and which, at the date of this piece's completion, still looms large in his demands for i...

Howard Kanovitz The People, 1971 3-5 Mixed Media Silkscreen on Plexiglas and aluminum base Signed: Artist's Signature etched on the work and annotated A.P., Edition of 1 (an Artists Proof, aside from the regular edition of 75) 15 × 16 × 1 1/2 inches Signatured etched on the work and annotated A.P. , aside from the limited edition of 75. This excellent 1971 3-D photo realist work "The People" is a multiple based upon a larger work the artist did of people beholding a work of art. Here, we see them only from behind, because they are busy looking at art - a clever photorealist work - art about art - catching people in the process of looking at art. Howard Kanovitz Biography Howard Kanovitz was a leader of Photo Realism: a documenter of style and fashion, depicting members of the art scene at openings, or superimposing known critics and curators onto images of board room meetings. In his particular style, he explored the intersections of painting, photography, fiction, and fact. Kanovitz studied at the Rhode Island School of Design and The Art Studenst League in Woodstock where he worked with Yasuo Kyniyoshi before moving to New York an apprenticing with Franz Kline. As a member of New York’s downtown art scene, Kanovitz painted abstract paintings, which he exhibited at Tenth Street Galleries early in his career. Following his father’s death in 1963, Kanovitz went through family photos, an experience which prompted him to interrogate the relationship between images and perception. At this time, Kanovitz abandoned abstraction in favor of a figurative style and worked arduously in this new direction. These efforts culminated in a 1966 solo exhibition at the Jewish Museum, securing his place as a leader of Photo Realism among artists such as Larry Rivers, Alex Katz, and Chuck Close. His photo based, representational paintings exhibited at the Jewish Museum show were the first to be called “photo-realist” and shocked many in the art community prompting a symposium which was held at the New York Studio School for “downtown artists” to weigh in on this perennial “hot topic”, newly addressed by one of their own. Kanovitz first began using airbrush in 1967, giving his paintings a feeling of photographic perfection. Cut out figures created using this precisionist technique were placed in the viewers space, often in front of Kanovitz’s painted canvas depicting the luminaries of the art world of the time. This type of installation was the centerpiece in the first of several Waddell Gallery shows. Kanovitz has been the subject of many solo museum shows internationally and his work is collected by institutions such as the Whitney Museum of American Art, Metropolitan Museum of Art, Tate Britain, London, and Museum Moderner Kunst, Vienna. -Courtesy Eric Firestone...

Angelo Canevari's "Mirabile Composto" is a 106.3 x 106.3-inch leather and stone abstract sculpture composed of 12 elements. This piece is part of a limited number of works where Canevari engaged in a different medium than bronze. The title "Mirabile Composto" comes from a 17th-century quote describing the work of the famous Baroque Italian artist Gian Lorenzo Bernini. It refers to Bernini's fusion of architecture, sculpture, and painting. In this work, Canevari skillfully plays with different shades of leather and a river pebble to blur the distinction between painting, sculpture, or architectural pieces. The piece projects a magnetic presence. It reminds the immensity and peacefulness of the golden sand mounds in the Sahara desert when viewed from an aerial view. Angelo Canevari is an Italian sculptor from a long lineage of artists active in Rome since the 17th century. He has been commissioned several works by the Vatican, including the Bronze Doors of the Cathedral of Belluno and the Vatican Coins.

"Saint Vitus Architeuthis Manalishi with the Seven Tentacle Crown" by Hunter Stabler is an original ink and graphite on hand-cut paper layered piece mounted to plexiglass. The piece ships in the pictured wood frame and measures 44"h x 44"w. Hunter Stabler was born in Jefferson City, Missouri and was raised in upstate South Carolina. He received a BFA in painting from The Maryland Institute, College of Art and an MFA in painting from the University of Pennsylvania. He is currently pursuing an MFA in Digital Art at Louisiana State University. His work has been widely exhibited across the United States and internationally including exhibitions at the Morbid Anatomy Museum in Brooklyn, NY, The Shelburne Art Museum in Shelburne, VT, the Hunterdon Art Museum in Clinton, NJ, and the Islip Art Museum in East Islip, NY. His hand-cut paper artwork has been published in the books High Touch: Tactile Design and Visual Explorations, Push Paper, Strangers in the Nest (a book of Poems by Anselm Berrigan, Letterpress printed with images accompanying each poem), and published in Laminate Magazine, First Look Magazine, and American Craft Magazine. He was named “Philadelphia’s Next Hot Artist...

Individual technique on grey military blanket Magdalena Peszkowska born in 1980 in Gdańsk, Poland. Studied in Department of Painting at Academy of F...

Limited edition rainbow colored glass pill sculpture. Edition of 9. Signed and numbered on the back by the artist. The piece is equipped with a D-ring on the back for easy hanging. "Love Wins" is part of Edie Nadelhaft's "Better Living Thru Chemistry: Luv is the Drug" sculpture series consisting of candy-colored glass and mixed media capsule-shaped objects. Each pill is festooned with text messages, social media iconography and the language of pop psychology. Inspired in equal parts by the ubiquitous presence of social media in contemporary culture and the simultaneous rise of direct - to - consumer pharmaceutical marketing. The work pokes fun at the alternately amusing and depressing correlations between the two phenomena as both are enlisted to oversimplify the human condition and expedite contentment through a familiar cocktail of instant gratification and seductive packaging. Edie Nadelhaft is a New York-based painter and mixed media artist whose work has been widely exhibited at museums, art fairs and galleries. She studied painting and art history at the School of the Museum of Fine Arts in Boston and S.U.N.Y. Purchase. She received her BFA with Honors from The Massachusetts College of Art & Design. Glass sculpture, glass pill, pop art, bright colors, multicolor, still life, sculpture, wall installation, contemporary art, chill pill...

Cheeky references to pop culture and the societal context. Grounded in a postmodern vernacular, Alben’s paintings and sculptures are a pastiche of art historical moments including P...

Nayla Saroufim creates installations that challenge the traditional notion of the passive viewer. Nayla’s art is a rich mix of media. She was always captivated by the dialogue betwee...

Hanging crafted wood wall sculpture with a mini diorama of an old record shop that can be seen through a viewfinder. Batteries included. More information be...

ALTERATION ART . . . is a collaboration process between Rick Wolfryd, fine artist and art dealer with over 40 years experience, and various Mexican Huichol artists and Mexican Huicho...

Eileen Braun delights in creating biomorphic or organic sculptural forms. Although they may look as though they're constructed of metal rods, they're actually created from rattan ree...

"Cocoon (1990)" by Suzanne Anker Suzanne Anker (born August 6, 1946) is an American visual artist and theorist. Considered a pioneer in Bio Art. She has been working at the relationship of art and the biological sciences for more than twenty five years. Her practice investigates the ways in which nature is being altered in the 21st century. Concerned with genetics, climate change, species extinction and toxic degradation, she calls attention to the beauty of life and the "necessity for enlightened thinking about nature’s 'tangled bank'.” Anker frequently works with "pre-defined and found materials"botanical specimens, medical museum artifacts, laboratory apparatus, microscopic images and geological specimens. Suzanne Anker was born in Brooklyn, New York on August 6, 1946. She earned a B.A. in Art from Brooklyn College of the City of New York and an M.F.A. from the University of Colorado in Boulder (1976). She also completed independent Studies with Ad Reinhardt (1966-1967) and studied at the Brooklyn Museum Art School (1968). She lives with the artist Frank Gillette in Manhattan and East Hampton, NY. During the mid 70s to the mid 80s, Anker worked almost exclusively on sculptural handmade paper reliefs. She started papermaking in 1974 on the basis of reading Dard Hunter's and Claire Romano's books. In 1975 she worked with Garner Tullis at the Institute of Experimental Printmaking in Santa Cruz, California. The paper reliefs produced at his institute were exhibited at the Martha Jackson Gallery in New York City in 1976.[ The same year, she participated in the North American Hand Papermaking exhibition organized by Richard Minsky at the Center for Book Arts in New York City. From a background as a printmaker, Anker initially worked with cast paper, made in latex molds. Subsequently, she incorporated limestone and fossils in her experiment with combinations of paper and stone. For her 1979 solo exhibition at the Walker Art Center, Anker installed large limestone planks that extended from the interior to the exterior of the gallery. The same year, she presented an installation of limestone and its residual chalk dust at P.S. 1’s "A Great Big Drawing Show" curated by Alanna Heiss with artists Vito Acconci, Alice Aycock, Frank Gillette, Sol LeWitt, Robert Morris, Bruce Nauman, Dennis Oppenheim, Richard Serra, and others. Suzanne Anker is considered "one of the pioneers in the broader field of art, science, and technology", particularly in the burgeoning field of Bio Art. In 1994, Suzanne Anker curated Gene Culture: Molecular Metaphor in Visual Art – one of the first art exhibitions on the subject of art and genetics – at Fordham University’s Lincoln Center Campus in New York. The exhibition investigated "the ways in which genetic imaging operates as aesthetic signs". From 2004 to 2006, Suzanne Anker hosted twenty episodes of the Bio-Blurb Show, a 30-minute-long internet radio program originally broadcast on WPS1 Art Radio, in collaboration with MoMA. The show focused on the intersection of art and the biological sciences, and the ethical and aesthetic dimensions therein. It is currently archived on Alanna Heiss’ Clocktower Productions. In 2006, Anker co-curated the exhibition Neuroculture: Visual Art and the Brain, at the Westport Arts Center with Giovanni Frazzetto. The exhibition presented an investigation of aspects of the human brain, and its attendant representations. Suzanne Anker is the Chair of the School of Visual Arts (SVA)'s BFA Fine Arts Department in New York City (2005-present). She previously chaired the SVA BFA Art History Department (2000-2005). In 2011, Anker founded the SVA Bio Art Lab, the first Bio Art laboratory in a Fine Arts Department in the United States. The SVA Bio Art Lab is located in Chelsea, New York City and has been conceived as a place where "scientific tools and techniques become methodologies in art practice". Anker has participated in lectures and symposia in prominent institutions around the world, including Harvard University, Boston; University of Cambridge, Cambridge, UK; Yale University, New Haven; Art-Sci UCLA, Los Angeles; Maryland Institute College of Art (MICA), Baltimore; Rensselaer Polytechnic Institute, New York; Museum of Arts and Design, New York; Nanyang Technological University, Singapore; London School of Economics, London; European Molecular Biology Laboratory- EMBL, Monterotondo, Italy; Max Planck Institute of Molecular Cell Biology and Genetics, Dresden; Leiden University, NL; Hamburger Bahnhof, Berlin; Dundee Contemporary Arts, Dundee; Courtauld Institute of Art, London; Banff Art Center, Alberta; The National Academies of Sciences, Engineering, and Medicine, Washington, D.C.; Berlin-Brandenburg Academy of Sciences and Humanities, Berlin;[ University of Amsterdam, NL; New York Academy of Sciences, Institute for the Humanities, New York University; DLD, Munich. Selected artworks Gene Pool Anker’s interests in the natural world extended her investigation into the microscopic domain of chromosomes and genes. Appropriating scientific images, she created Gene Pool in 1991, a body of work that includes suspended pigment on large vellum sheets and expansive sculptural arrays employing metallic fibers of stainless steel, copper, aluminum and bronze. Other works that reflect scientific representations of chromosomes include Chromosome Chart of Suzanne Anker –a presentation of her own DNA sequence as a self-portrait– and Cellular Script, in which she displays chromosome patterns as a kind of calligraphy. Biota (2011) is a sculptural installation by Suzanne Anker composed of porcelain sculptures and silver-leaf figurines. The porcelain objects are fabricated by immersing natural sea sponges into a mixture of kaolin, feldspar, and quartz. "The organic material of the sponge burns away in the process, leaving behind only the perfect replica of nature". Exhibitions Selected one-person exhibitions "The Biosphere Blues Mending an Unhinged Earth", O'NewWall, Seoul, Korea (2017). “Culturing Life”, Sam Francis Gallery...

Title: "After 77 Years, Again in Fear?" - Mixed Media Assemblage on Canvas Discover the powerful and thought-provoking artwork "After 77 Years, Again in Fear?" by acclaimed contempo...

Wrestler Sculpture Edition TP. 2025 ALTERATION ART . . . is a collaboration process between Rick Wolfryd, fine artist and art dealer with over 4...

Original Sculpture. Fantastic sculpture made entirely from nails with a beautiful pearlized finish that changes colour in different light This sculpture sits on a steel base. Incr...

In the manner of Julio Gonzalez, mixed metal sculpture. Neo-Dada Abstract Sculpture: Assemblages Abstract sculpture followed a slightly different course. Rather than focusing on no...

"Free Press" by Joan Giordano Mixed media, archival newspaper, encaustic on canvas Museum shown and collected artist Joan Giordano is known for her unique hand made paper and wall relief sculpture...

ALTERATION ART . . . is a collaboration process between Rick Wolfryd, fine artist and art dealer with over 40 years experience, and various Mexican Huichol artists and Mexican Huicho...

Artist: Arman, French/American (1929 - 2005) Title: Paintbrushes I Year: 1991 Medium: Paintbrushes and Oil Paint in Epoxy Resin Sculpture, Signature and number inscribed Edition: 20,...

Plastic Jesus is a Los Angeles based street artist that specializes in bold stencil and installation work, inspired by world news events, society, the urban environment, culture and ...

Original - Mixed media sculpture Super cool shiny paint tube featuring the Chanel logo This black and white exquisitely finished sculpture is perfect for adding that wow factor to ...

FROM THE SPACE TO YOUR DESK!!!. . . BLUETOOTH AND RADIO SPEAKER INCLUDED!!!! A more traditional HUICHOL style sculpture. Looks great in any room!!! ALTERATION ART . . . is a colla...

Peter Anton’s (b. 1963, New Haven, Connecticut) primary subject matter is food with an emphasis on chocolates and other sweets. Anton creates giant realistic sculptures and is best k...

Title: "After 77 Years, Again in Fear?" - Mixed Media Assemblage on Canvas Discover the powerful and thought-provoking artwork "After 77 Years, Again in Fear?" by acclaimed contemporary artist Irena Orlov. This original mixed media assemblage, measuring H34" x W57", masterfully incorporates various dimensional elements and techniques, including painting and found objects, to create a captivating abstract piece with a profound global message. Medium and Materials: This extraordinary artwork is a mixed media assemblage on fine art canvas, skillfully hand-stretched over 1" deep wood stretched bars. The artist's creative vision weaves together an intriguing combination of materials, including plastic, original World War 2 chemical gas masks, copper mesh, and small metal round container...

"This narrative questions the storyline that the wolf was the threat; but rather the Huntsman was the predator." KAT FLYN is a self-taught assemblage artist working presently out of San Diego. She began her career as a costume designer in Southern California. Over the years she amassed a trove of artifacts and collectables which she began using to create assemblage art in the 1990’s. In 2000 she sold her business and moved to Cuyamaca, a remote community in the mountains outside of San Diego to devote herself exclusively to her artwork. In 2003 her work was interrupted when the Cedar Fire swept through San Diego county and destroyed the forest, her home & studio along with almost all of her collections and works of art. Following the fire she relocated to San Francisco, where she spent a decade concentrating on her art in her studio in SOMA and exhibiting at galleries in the Bay Area. In 2015 she returned to San Diego and now works out of her studio in La Jolla, exhibiting there and in Los Angeles. Kat Flyn refers to herself as an Assemblage Sculptor and her works as Political Art or Protest Art. She separates herself from other assemblage artists in that she only employs “saved” as opposed to “found” objects in her work; and her pieces always have a political or cultural narrative to them rather than being surreal or abstract. She also constructs or refashions many of the pieces which she uses in her art, for example she turns a soft drink box into a tenement building in Affordable Housing 2017, a jewelry box into a wheelchair in Last Lily Foot 2016, an old shoe shine box...

John Garrett was raised in southern New Mexico by parents who were both educators. They instilled in him an appreciation for the handmade with their collections of Native American a...

Jacob Epstein (British / American 1880 – 1959) Madonna and Child, 1950 Sculpture (lead with bronze halos) 34cm. In a bespoke carved oak devotional niche Signed ‘Epstein’ (on the reve...

Original Sculpture Beautiful Pop Art sculpture based upon our love of brand and consumerism. Hand crafted and painted in France. The artist, Erik Salin works tirelessly to recrea...

John Garrett was raised in southern New Mexico by parents who were both educators. They instilled in him an appreciation for the handmade with their collections of Native American a...

Eileen Braun delights in creating biomorphic or organic sculptural forms. Although they may look as though they're constructed of metal rods, they're actually created from rattan ree...

SPECIAL COLLECTIBLE BATMAN ITEM UNIQUE IN THE WORLD!! 1/1 THE GOTHAM CITY'S SON . . . a more traditional HUICHOL style sculpture. Looks great on any wall in any room!!! ALTERATION ...

FROM THE SPACE TO YOUR DESK!!!. . . BLUETOOTH AND RADIO SPEAKER INCLUDED!!!! A more traditional HUICHOL style sculpture. Looks great in any room!!! ALTERATION ART . . . is a colla...

There is a metaphorical interplay between the natural imagery international artist, Jennyfer Stratman, uses and its multiple meanings. While the human figure features strongly, it is...

This is a very rare piece of Israeli Studio Ceramics art from the 70s. it has a patina of dust on it but I have left it as is. it is signed Sharir and dated 1975. Studio pottery is ...

Here's to all the girls who risked disapproval and ridicule from their peers and parents as they shunned dolls and dresses for the toys and lives their brothers had. --- Kat Flyn i...

ALTERATION ART . . . is a collaboration process between Rick Wolfryd, fine artist and art dealer with over 40 years experience, and various Mexican Huichol artists and Mexican Huicho...