Mixed Media Sculptures

'We surround ourselves with elements from nature in the form of manicured lawns, sculpted trees, and our domesticated companions. We bend the natural world to our tastes and create a...

"Free Press" by Joan Giordano Mixed media, archival newspaper, encaustic on canvas Museum shown and collected artist Joan Giordano is known for her unique hand made paper and wall relief sculpture...

This sculpture from Linda Stein’s Knights of Protection series functions both as a defender in battle and a symbol of pacifism. The series references popular and religious icons suc...

Alfred Reth (1884-1966) Mixed media composition on panel Gritty, sand like texture Hand signed and dated 1952 in lower right corner Frame: H 26.5 in X W 20.5 in. Panel: H 19 in. W 12...

Cheeky references to pop culture and the societal context. Grounded in a postmodern vernacular, Alben’s paintings and sculptures are a pastiche of art historical moments including ...

Contemporary Sculpture of a 'Porsche' Jerrycan. If you love super cars, this sculpture is for you. This eye catching sculpture will add a touch of glamour to any space. Erik Salin...

ALTERATION ART . . .is a collaboration process between Rick Wolfryd, fin artist and art dealer with over 40 years experience, and various Mexican Huichol artists and mexican Huichol ...

John Garrett was raised in southern New Mexico by parents who were both educators. They instilled in him an appreciation for the handmade with their collections of Native American a...

Peter Anton’s (b. 1963, New Haven, Connecticut) primary subject matter is food with an emphasis on chocolates and other sweets. Anton creates giant realistic sculptures and is best k...

This is a two-part wall mounted painting / sculpture this integrates found objects and photographs into an acrylic painting on the top, and a wooden shelf with bullet casings and coins below. This is a conceptual, abstract work of art that is a powerful homage to lives lost through calculated gun violence in American cites. signed by the artist. PROVENANCE: Exhibited in "Portals + Revelations: Richard J. Watson," the African American Museum in Philadelphia, Oct 2021 - Mar 2022. "Most of my works are supported by memories of the past and suggested realities. Issues of social politics, ancestral references, and astral projections are presented with fragmented elements...

Hanging crafted wood wall sculpture with a mini diorama of an old record shop that can be seen through a viewfinder. Batteries included. More information be...

Jamie Harris straddles the disciplines of painting and glass blowing approaching his work, “more from a painterly perspective than as a traditional glassblower.” His work is primaril...

In ADORNED OBSOLESCENCE 5, Liz Miller creates a sculptural wall hanging piece which builds on the juxtapositions between strength and malleability, architecture and fiber, structure and knots. Drawing special influence from a repurposed metal headboard...

Original, penny sculpture. Fascinating Sculpture, each penny intricately welded together to create this figurative piece. Beautifully crafted, this incredible sculpture compliments ...

David Paul Kay "Ocean Blue Three" 2024 12h x10w x9d inches. Mixed media. About the Artist David Paul Kay is an American contemporary artist based in New York City. With a focus o...

Textured Abstract 3D Organic Sculpture, Nature Inspired Organic Wall Art Dimensions: Height: 15.75 in (40 cm) Width: 11.03 in (28 cm) Depth: 7.88 in (20 cm) Weight: 2.2 lbs / 1 kg...

"Laughing My Ass Off" (LMAO) - Limited edition orange glass pill sculpture by Edie Nadelhaft. Edition of 9. Signed and numbered on the back by the artist. The piece is equipped with a D-ring on the back for easy hanging. "LMAO" is part of Edie Nadelhaft's "Better Living Thru Chemistry: Luv is the Drug" sculpture series consisting of candy-colored glass and mixed media capsule-shaped objects. Each pill is festooned with text messages...

David Paul Kay "Rock on Fire" 2020 12x16x10 inches. Mixed media on a rock. Includes the marble stand. About the artist About the Artist David Paul Kay is an American contempora...

Bonnie Seeman grew up in Miami, Florida with a propensity towards anatomy illustration and the dazzling colors and rich foliage of the Miami landscape. Developing her technique with...

Breathless Civilization "After 77 Years, Again in Fear?" - Mixed Media Assemblage on Canvas Discover the powerful and thought-provoking artwork "After 77 Years, Again in Fear?" by a...

This highly detailed Miniature Room of a Retired Whaling Captain's Study in Nantucket is an excellent example of the true talent of Eugene Kupjack. Tiny scrimshaw and knick-knacks fill the shelves while the perfectly proportioned furniture adorns the center of the room. A mariners wheel and captain's chest are set off to the side with a small sea shell set atop. All painstakingly researched to the exact time period in a one inch to one foot scale. Kupjack Miniatures Eugene Kupjack "Retired Whaling Captain's Study, Nantucket, circa 1860," 1983 mix media 11.50h x 19.50w x 11d in 29.21h x 49.53w x 27.94d cm KJK010 Eugene Kupjack and his sons Hank and Jay created museum quality miniature rooms...

Plastic Jesus is a Los Angeles based street artist that specializes in bold stencil and installation work, inspired by world news events, society, the urban environment, culture and ...

"Cocoon (1990)" by Suzanne Anker Suzanne Anker (born August 6, 1946) is an American visual artist and theorist. Considered a pioneer in Bio Art. She has been working at the relationship of art and the biological sciences for more than twenty five years. Her practice investigates the ways in which nature is being altered in the 21st century. Concerned with genetics, climate change, species extinction and toxic degradation, she calls attention to the beauty of life and the "necessity for enlightened thinking about nature’s 'tangled bank'.” Anker frequently works with "pre-defined and found materials"botanical specimens, medical museum artifacts, laboratory apparatus, microscopic images and geological specimens. Suzanne Anker was born in Brooklyn, New York on August 6, 1946. She earned a B.A. in Art from Brooklyn College of the City of New York and an M.F.A. from the University of Colorado in Boulder (1976). She also completed independent Studies with Ad Reinhardt (1966-1967) and studied at the Brooklyn Museum Art School (1968). She lives with the artist Frank Gillette in Manhattan and East Hampton, NY. During the mid 70s to the mid 80s, Anker worked almost exclusively on sculptural handmade paper reliefs. She started papermaking in 1974 on the basis of reading Dard Hunter's and Claire Romano's books. In 1975 she worked with Garner Tullis at the Institute of Experimental Printmaking in Santa Cruz, California. The paper reliefs produced at his institute were exhibited at the Martha Jackson Gallery in New York City in 1976.[ The same year, she participated in the North American Hand Papermaking exhibition organized by Richard Minsky at the Center for Book Arts in New York City. From a background as a printmaker, Anker initially worked with cast paper, made in latex molds. Subsequently, she incorporated limestone and fossils in her experiment with combinations of paper and stone. For her 1979 solo exhibition at the Walker Art Center, Anker installed large limestone planks that extended from the interior to the exterior of the gallery. The same year, she presented an installation of limestone and its residual chalk dust at P.S. 1’s "A Great Big Drawing Show" curated by Alanna Heiss with artists Vito Acconci, Alice Aycock, Frank Gillette, Sol LeWitt, Robert Morris, Bruce Nauman, Dennis Oppenheim, Richard Serra, and others. Suzanne Anker is considered "one of the pioneers in the broader field of art, science, and technology", particularly in the burgeoning field of Bio Art. In 1994, Suzanne Anker curated Gene Culture: Molecular Metaphor in Visual Art – one of the first art exhibitions on the subject of art and genetics – at Fordham University’s Lincoln Center Campus in New York. The exhibition investigated "the ways in which genetic imaging operates as aesthetic signs". From 2004 to 2006, Suzanne Anker hosted twenty episodes of the Bio-Blurb Show, a 30-minute-long internet radio program originally broadcast on WPS1 Art Radio, in collaboration with MoMA. The show focused on the intersection of art and the biological sciences, and the ethical and aesthetic dimensions therein. It is currently archived on Alanna Heiss’ Clocktower Productions. In 2006, Anker co-curated the exhibition Neuroculture: Visual Art and the Brain, at the Westport Arts Center with Giovanni Frazzetto. The exhibition presented an investigation of aspects of the human brain, and its attendant representations. Suzanne Anker is the Chair of the School of Visual Arts (SVA)'s BFA Fine Arts Department in New York City (2005-present). She previously chaired the SVA BFA Art History Department (2000-2005). In 2011, Anker founded the SVA Bio Art Lab, the first Bio Art laboratory in a Fine Arts Department in the United States. The SVA Bio Art Lab is located in Chelsea, New York City and has been conceived as a place where "scientific tools and techniques become methodologies in art practice". Anker has participated in lectures and symposia in prominent institutions around the world, including Harvard University, Boston; University of Cambridge, Cambridge, UK; Yale University, New Haven; Art-Sci UCLA, Los Angeles; Maryland Institute College of Art (MICA), Baltimore; Rensselaer Polytechnic Institute, New York; Museum of Arts and Design, New York; Nanyang Technological University, Singapore; London School of Economics, London; European Molecular Biology Laboratory- EMBL, Monterotondo, Italy; Max Planck Institute of Molecular Cell Biology and Genetics, Dresden; Leiden University, NL; Hamburger Bahnhof, Berlin; Dundee Contemporary Arts, Dundee; Courtauld Institute of Art, London; Banff Art Center, Alberta; The National Academies of Sciences, Engineering, and Medicine, Washington, D.C.; Berlin-Brandenburg Academy of Sciences and Humanities, Berlin;[ University of Amsterdam, NL; New York Academy of Sciences, Institute for the Humanities, New York University; DLD, Munich. Selected artworks Gene Pool Anker’s interests in the natural world extended her investigation into the microscopic domain of chromosomes and genes. Appropriating scientific images, she created Gene Pool in 1991, a body of work that includes suspended pigment on large vellum sheets and expansive sculptural arrays employing metallic fibers of stainless steel, copper, aluminum and bronze. Other works that reflect scientific representations of chromosomes include Chromosome Chart of Suzanne Anker –a presentation of her own DNA sequence as a self-portrait– and Cellular Script, in which she displays chromosome patterns as a kind of calligraphy. Biota (2011) is a sculptural installation by Suzanne Anker composed of porcelain sculptures and silver-leaf figurines. The porcelain objects are fabricated by immersing natural sea sponges into a mixture of kaolin, feldspar, and quartz. "The organic material of the sponge burns away in the process, leaving behind only the perfect replica of nature". Exhibitions Selected one-person exhibitions "The Biosphere Blues Mending an Unhinged Earth", O'NewWall, Seoul, Korea (2017). “Culturing Life”, Sam Francis Gallery...

Artist: Arman, French/American (1929 - 2005) Title: Paintbrushes I Year: 1991 Medium: Paintbrushes and Oil Paint in Epoxy Resin Sculpture, Signature and number inscribed Edition: 20,...

Ceramic, Wall Hanging, French Cleat, Stoneware, 2D Sculpture, The Hanged Man “Animals carry strong associations that make them ideal in portraying, sometimes humorously, our basic d...

Artist Len Klikunas paints to modify experienced reality through visual perception. His art is a mix of art and architecture, hovering between painting and sculpture. It employs shiz...

Artist: William Landwehr (American, b. 1941) Title: Yellow is the Color of my Dead Bird's Tail Year: circa 1980 Medium: Mixed Media Construction with Neon Size: 68 in. x 63 in. x 8 i...

"Cara Grande (Taparapay tribe) Amazon Circumcision Mask" is a Brazilian mask made out of feathers, fiber, mother of pearl, and wood. It was made to be ...

Cartography, the study and practice of making and using maps, was at the cutting edge in the 18th-century, helping to shape and define a world rapidly coming into focus. Over the course of the century, exploration and colonization expanded the scope of the known world, especially in the Pacific and the Americas. Advances in geography enabled cartographers to map these new discoveries with increasing accuracy. The days of conjecture and myth in cartography were fast coming to an end. Here, the Kupjack Studios has captured this discipline with exacting details. From the smallest of tools, to the rolls of maps and maps in progress displayed on the desk, the world of miniatures comes to life and brings us into a bygone era. Kupjack Miniatures 18th Century New England Cartographer, circa. 2008 mixed media 14h x 26.25w x 14.75d in 35.56h x 66.67w x 37.47d cm KJK001 Eugene Kupjack and his sons Hank and Jay created museum quality miniature rooms in their studio outside of Chicago for many years. Hank and Jay learned the at their father’s side as he assisted Mrs. Narcissa Niblack Thorne with the creation her many miniature rooms now housed at The Art Institute of Chicago. Almost every piece of molding, furniture, rugs, and accessory items that are contained in their rooms are designed and created by hand. In addition to designing and building rooms they would sometimes work to restore the rooms built many years ago by their father and Mrs. Thorne. Their work can be seen in various museums as far away as Turkey where they were exhibited in 2009. In the United States their work can be seen in the permanent collections of The Kentucky Museum Center, The Art Institute of Chicago, The Philadelphia Art Museum...

Artist Len Klikunas paints to modify experienced reality through visual perception. His art is a mix of art and architecture, hovering between painting and sculpture. It employs shiz...

One of a kind mixed-media sculpture by Philip Kuznicki from the Spirit exhibition. Comes in its original frame. Born in Dunkirk NY, Kuznicki started his career working for artists su...

Quebec artist Paul Duval has captured the essence of human characters with his uniquely charming series of table top sculptures. Charlie stands tall and lean, hand-formed in wire and...

Nayla Saroufim’s contemporary sculptures translate optimism into form. Her works feel playful at first glance, then quietly persistent the longer you live with them. Working in metal...

Nayla Saroufim’s contemporary sculptures translate optimism into form. Her works feel playful at first glance, then quietly persistent the longer you live with them. Working in metal...

Eileen Braun delights in creating biomorphic or organic sculptural forms. Although they may look as though they're constructed of metal rods, they're actually created from rattan ree...

This piece is from a new body of work called 'Vital Signs’ which will premiere at Ivy Brown Gallery in NYC and springs from the domain of hospitals and illness through combinations o...

Artwork made in automative enamel & lacquer on MDF Scott Troxel has exhibited his work at numerous fairs and exhibitions across the United States, including The Other Art Fair in NY...

Antonio Puri's "Tantra in Blue" sculptural painting is one of 100 intimately-scaled minimalist round mandala circles built from tiny glass seed beads adhe...

Material: Ink, acetate, resin, rubber, repurposed banned book I read this novel as soon as I heard that Rutgers University had banned it. It is as close to a perfect beginning as I ...

"Grandpa's Birthdatay Cake" Sculpture 35 x 29 x 29 in by Yoram Katz Medium: Mix Media, Recycled items Recycling Series Recognizing the importance of environmental issues that face ...

Cheeky references to pop culture and the societal context. Grounded in a postmodern vernacular, Alben’s paintings and sculptures are a pastiche of art historical moments including ...

One of a kind mixed-media sculpture by Philip Kuznicki from the Spirit exhibition. Comes in its original frame. Born in Dunkirk NY, Kuznicki started his career working for artists su...

Giorgio Petracci (born in 1974, Fermo, Italy) is an artist based in Paris, whose work is deeply inspired by the seaside landscapes of his childhood and the personal experiences that ...

Eileen Braun delights in creating biomorphic or organic sculptural forms. Although they may look as though they're constructed of metal rods, they're actually created from rattan ree...

In the manner of Julio Gonzalez, mixed metal sculpture. Neo-Dada Abstract Sculpture: Assemblages Abstract sculpture followed a slightly different course. Rather than focusing on no...

Toronto artist Sophie DeFrancesca has always been fascinated by vintage fashion. Pictures of her mother wearing gorgeous frocks from the 40’s, 50’s and 60’s served as a connection to...

Artist Len Klikunas paints to modify experienced reality through visual perception. His art is a mix of art and architecture, hovering between painting and sculpture. It employs shiz...

Horst Egon Kalinowski (German, 1924-2013). Mixed media assemblage collage Divan Ophidian. Hand signed in marker upper right and dated 82 Bagnols-en-Foret, Titled upper left. Additionally titled and dated on verso. Dimensions: 30" x 24 1/4" (with frame 27" x 32 3/4") inches. Born in 1924 in Dusseldorf, From 1945 to 1948, he studied at the Academy of Fine Arts in Düsseldorf. In 1949-1950, he stayed in Rome and Venice, Italy. From 1950 to 1952, in Paris, France he studied in the abstract art workshop of Jean Dewasne and Edgard Pillet...

Artist: Donald Sultan Title: Aqua Poppies Year: 2021 Medium: Painted aluminum on polished aluminum base Edition: 25; signature, title, date, and edition number incised on base (in or...

Wrestler Sculpture Edition TP. 2025 ALTERATION ART . . . is a collaboration process between Rick Wolfryd, fine artist and art dealer with over 4...

Here's to all the girls who risked disapproval and ridicule from their peers and parents as they shunned dolls and dresses for the toys and lives their brothers had. --- Kat Flyn i...

My art mirrors natural forms with biomorphic dystopian edges. In the viewer’s mind the shapes are familiarly organic yet there is a tension as one struggles to comprehend the life cy...

Linda Stein, Intrigue 175 - Wood, Metal, Stone, Bone, Mixed Media Contemporary Sculpture In the 1980s, Linda Stein began a series called Ceremonial Scepters, where she imagined an...

This is an 3-part painting / construction (assemblage) created from acrylic paint, wood, glass, and found objects. It includes several historic photograph of figures as well as many scenes from Black African American cultural history. Each piece measures 23" x 7.75" x 2.5", and they can be hung close together or far apart, depending on the buyer's preference. All pieces are wired with the appropriate hanging hardware and are ready to install, no additional framing needed. PROVENANCE: Exhibited in "Portals + Revelations: Richard J. Watson," the African American Museum in Philadelphia, Oct 2021 - Mar 2022. "Most of my works are supported by memories of the past and suggested realities. Issues of social politics, ancestral references, and astral projections are presented with fragmented elements of 'real life' collaged and collapsed, as dreams are prone to do. If connections are made, all the better. I feel that life should remind us of our dreams." - Richard J. Watson Richard J. Watson is an icon in the Philadelphia art world. Much of his work relates to his experiences as a Black African American man. He is a graduate of Pennsylvania Academy of the Fine Arts (1968), has taught at his alma mater, and has served in the Exhibitions Department at the African American Museum in Philadelphia since the 1980s. He has been exhibiting his work for decades, and has an extensive bibliography. His work is held in the Petrucci Family Foundation Collection of African American Art; the Pennsylvania Academy of the Fine Arts; the Uniworld Corporation; Sony; the Federal Reserve Bank; the City of Philadelphia; Sprint; the Church of the Advocate; the poet Dr. Sonia Sanchez; and the Woodmere Museum...

Atticus Adams' organically composed modern metal sculptures embody the transformative power of art, illustrating the creation of beauty, meaning, and emotional impact from industrial...

In ADORNED OBSOLESCENCE 01, Liz Miller creates a sculptural wall hanging piece which builds on the juxtapositions between strength and malleabi...

Eileen Braun delights in creating biomorphic or organic sculptural forms. Although they may look as though they're constructed of metal rods, they're actually created from rattan ree...

Jacob Epstein (British / American 1880 – 1959) Madonna and Child, 1950 Sculpture (lead with bronze halos) 34cm. In a bespoke carved oak devotional niche Signed ‘Epstein’ (on the reve...

'My Emotional Baggage Carts are vessels to dispose of racial trauma. The act of making, weaves the sting of macro and microaggressions into the cart, freeing me from these constraints. Each recovered shopping cart is unique, but they all are woven with upcycled materials like rope, paracord, grocery bags, rope lights, beads, fabric, and bottle caps. The cart is with a protective zip tie blanket to trap trauma and prevent its escape. For me, my Emotional Baggage Carts are a release, for you, they are an opportunity to look within and recognize any emotional baggage you, yourself may be carrying and release it.' Theda Sandiford...

SALE ONE WEEK ONLY "Medusa Tree" is a free-flowing sculpture of cane that suggests a figure either emerging from or descending into a tangle of twisting lines. Several parts are painted red or blue or stripped that gives a contrast to the black structure and a spark of energy shooting forth. This piece seems experimental from her more conservative pieces that can be easily identified as basketry, paper forms and shaped objects. Danielle Bodine...